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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 68 221 it is the complementary color RGB 134 187 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 68 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 68 221 shade: RGB 126 68 216, RGB 143 86 235, RGB 160 104 254, RGB 177 122 255 and RGB 194 140 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 68 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 68 221 shade: RGB 121 68 221, RGB 104 50 202, RGB 87 32 183, RGB 70 14 164 and RGB 53 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 68 221 shade: RGB 122 69 221, RGB 162 69 221, RGB 203 69 221, RGB 221 69 197 and RGB 221 69 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 68 221 shade: RGB 122 69 221, RGB 81 69 221 and RGB 69 69 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 68 221 shade matches the following richer shades: RGB 122 69 221 and RGB 116 51 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 68 221 shade: RGB 122 69 221, RGB 127 87 203, RGB 133 105 185, RGB 138 122 167 and RGB 143 140 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 68 221 shade: RGB 69 99 221, RGB 79 69 221, RGB 120 69 221, RGB 160 69 221 and RGB 200 69 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 68 221 shade: RGB 82 32 175, RGB 98 38 210, RGB 122 69 221, RGB 147 104 227 and RGB 172 139 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 68 221 shade: RGB 121 68 221, RGB 221 69 140 and RGB 79 221 69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 68 221 shade: RGB 121 68 221, RGB 221 120 69 and RGB 69 221 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 68 221 shade: RGB 121 68 221, RGB 221 69 140, RGB 170 221 69 and RGB 69 221 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 68 221 shade: RGB 121 68 221, RGB 221 69 94, RGB 170 221 69 and RGB 69 221 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

Complementary color

CMYK 28 / 0 / 82 / 27

HEX #86BB22

RGB 134 187 34

HSL 80.78, 0.69%, 0.43%

LAB 69.98, -38.36, 64.81

 

CMYK 42 / 69 / 0 / 15

HEX #7E44D8

RGB 126 68 216

HSL 263.51, 0.65%, 0.56%

LAB 43.55, 55.2, -66.9

 

CMYK 39 / 63 / 0 / 8

HEX #8F56EB

RGB 143 86 235

HSL 262.95, 0.79%, 0.63%

LAB 50.09, 54.24, -66.98

 

CMYK 37 / 59 / 0 / 0

HEX #A068FE

RGB 160 104 254

HSL 262.4, 0.99%, 0.7%

LAB 56.61, 53.19, -66.94

 

CMYK 31 / 52 / 0 / 0

HEX #B17AFF

RGB 177 122 255

HSL 264.81, 1%, 0.74%

LAB 62.07, 47.74, -58.64

 

CMYK 24 / 45 / 0 / 0

HEX #C28CFF

RGB 194 140 255

HSL 268.17, 1%, 0.77%

LAB 67.61, 42.37, -49.74

 

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

CMYK 49 / 75 / 0 / 21

HEX #6832CA

RGB 104 50 202

HSL 261.32, 0.6%, 0.49%

LAB 36.91, 56.45, -69.77

 

CMYK 52 / 83 / 0 / 28

HEX #5720B7

RGB 87 32 183

HSL 261.85, 0.7%, 0.42%

LAB 30.59, 56.77, -69.05

 

CMYK 57 / 91 / 0 / 36

HEX #460EA4

RGB 70 14 164

HSL 262.4, 0.84%, 0.35%

LAB 24.63, 55.97, -67.55

 

CMYK 63 / 100 / 0 / 43

HEX #350091

RGB 53 0 145

HSL 261.93, 1%, 0.28%

LAB 19.23, 53.44, -64.88

 

CMYK 45 / 69 / 0 / 13

HEX #7A45DD

RGB 122 69 221

HSL 260.92, 0.69%, 0.57%

LAB 43.67, 55.28, -69.57

 

CMYK 27 / 69 / 0 / 13

HEX #A245DD

RGB 162 69 221

HSL 276.71, 0.69%, 0.57%

LAB 48.46, 62.89, -61.59

 

CMYK 8 / 69 / 0 / 13

HEX #CB45DD

RGB 203 69 221

HSL 292.89, 0.69%, 0.57%

LAB 54.21, 71.46, -52.04

 

CMYK 0 / 69 / 11 / 13

HEX #DD45C5

RGB 221 69 197

HSL 309.47, 0.69%, 0.57%

LAB 55.75, 71.67, -35.75

 

CMYK 0 / 69 / 29 / 13

HEX #DD459C

RGB 221 69 156

HSL 325.66, 0.69%, 0.57%

LAB 54.06, 66.2, -14.5

 

CMYK 45 / 69 / 0 / 13

HEX #7A45DD

RGB 122 69 221

HSL 260.92, 0.69%, 0.57%

LAB 43.67, 55.28, -69.57

 

CMYK 63 / 69 / 0 / 13

HEX #5145DD

RGB 81 69 221

HSL 244.74, 0.69%, 0.57%

LAB 39.96, 48.94, -75.8

 

CMYK 69 / 69 / 0 / 13

HEX #4545DD

RGB 69 69 221

HSL 240, 0.69%, 0.57%

LAB 39.14, 47.49, -77.17

 

CMYK 45 / 69 / 0 / 13

HEX #7A45DD

RGB 122 69 221

HSL 260.92, 0.69%, 0.57%

LAB 43.67, 55.28, -69.57

 

CMYK 51 / 79 / 0 / 7

HEX #7433EE

RGB 116 51 238

HSL 260.86, 0.85%, 0.57%

LAB 41.62, 66.89, -82.62

 

CMYK 45 / 69 / 0 / 13

HEX #7A45DD

RGB 122 69 221

HSL 260.92, 0.69%, 0.57%

LAB 43.67, 55.28, -69.57

 

CMYK 37 / 57 / 0 / 20

HEX #7F57CB

RGB 127 87 203

HSL 260.69, 0.53%, 0.57%

LAB 46.5, 41.92, -54.66

 

CMYK 28 / 43 / 0 / 27

HEX #8569B9

RGB 133 105 185

HSL 261, 0.36%, 0.57%

LAB 50.21, 28.36, -38.33

 

CMYK 17 / 27 / 0 / 35

HEX #8A7AA7

RGB 138 122 167

HSL 261.33, 0.2%, 0.57%

LAB 54.15, 15.49, -21.75

 

CMYK 5 / 7 / 0 / 41

HEX #8F8C96

RGB 143 140 150

HSL 258, 0.05%, 0.57%

LAB 58.79, 3.09, -4.92

 

CMYK 69 / 55 / 0 / 13

HEX #4563DD

RGB 69 99 221

HSL 228.16, 0.69%, 0.57%

LAB 46.19, 29.17, -65.66

 

CMYK 64 / 69 / 0 / 13

HEX #4F45DD

RGB 79 69 221

HSL 243.95, 0.69%, 0.57%

LAB 39.81, 48.69, -76.04

 

CMYK 46 / 69 / 0 / 13

HEX #7845DD

RGB 120 69 221

HSL 260.13, 0.69%, 0.57%

LAB 43.46, 54.93, -69.93

 

CMYK 28 / 69 / 0 / 13

HEX #A045DD

RGB 160 69 221

HSL 275.92, 0.69%, 0.57%

LAB 48.2, 62.49, -62.02

 

CMYK 10 / 69 / 0 / 13

HEX #C845DD

RGB 200 69 221

HSL 291.71, 0.69%, 0.57%

LAB 53.77, 70.82, -52.78

 

CMYK 53 / 82 / 0 / 31

HEX #5220AF

RGB 82 32 175

HSL 260.98, 0.69%, 0.41%

LAB 29.21, 54.07, -66.56

 

CMYK 53 / 82 / 0 / 18

HEX #6226D2

RGB 98 38 210

HSL 260.93, 0.69%, 0.49%

LAB 35.27, 62.7, -77.12

 

CMYK 45 / 69 / 0 / 13

HEX #7A45DD

RGB 122 69 221

HSL 260.92, 0.69%, 0.57%

LAB 43.67, 55.28, -69.57

 

CMYK 35 / 54 / 0 / 11

HEX #9368E3

RGB 147 104 227

HSL 260.98, 0.69%, 0.65%

LAB 53.65, 43.38, -56.71

 

CMYK 26 / 40 / 0 / 9

HEX #AC8BE9

RGB 172 139 233

HSL 261.06, 0.68%, 0.73%

LAB 64.26, 31.71, -43.09

 

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

CMYK 0 / 69 / 37 / 13

HEX #DD458C

RGB 221 69 140

HSL 331.97, 0.69%, 0.57%

LAB 53.52, 64.39, -5.84

 

CMYK 64 / 0 / 69 / 13

HEX #4FDD45

RGB 79 221 69

HSL 116.05, 0.69%, 0.57%

LAB 78.35, -65.65, 60.71

 

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

CMYK 0 / 46 / 69 / 13

HEX #DD7845

RGB 221 120 69

HSL 20.13, 0.69%, 0.57%

LAB 60.99, 35.23, 44.69

 

CMYK 69 / 0 / 46 / 13

HEX #45DD78

RGB 69 221 120

HSL 140.13, 0.69%, 0.57%

LAB 78.66, -61.25, 38.2

 

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

CMYK 0 / 69 / 37 / 13

HEX #DD458C

RGB 221 69 140

HSL 331.97, 0.69%, 0.57%

LAB 53.52, 64.39, -5.84

 

CMYK 23 / 0 / 69 / 13

HEX #AADD45

RGB 170 221 69

HSL 80.13, 0.69%, 0.57%

LAB 82.21, -37.98, 65.92

 

CMYK 69 / 0 / 32 / 13

HEX #45DD96

RGB 69 221 150

HSL 151.97, 0.69%, 0.57%

LAB 79.14, -55.81, 23.57

 

CMYK 45 / 69 / 0 / 13

HEX #7944DD

RGB 121 68 221

HSL 260.78, 0.69%, 0.57%

LAB 43.39, 55.61, -70.04

 

CMYK 0 / 69 / 57 / 13

HEX #DD455E

RGB 221 69 94

HSL 350.13, 0.69%, 0.57%

LAB 52.33, 60.31, 19.97

 

CMYK 23 / 0 / 69 / 13

HEX #AADD45

RGB 170 221 69

HSL 80.13, 0.69%, 0.57%

LAB 82.21, -37.98, 65.92

 

CMYK 69 / 0 / 12 / 13

HEX #45DDC3

RGB 69 221 195

HSL 169.74, 0.69%, 0.57%

LAB 80.13, -45.51, 1.23

 

Description

Color code: RGB 121 68 221 | qconv.com Color code: RGB 121 68 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 68 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 68 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 69 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 69% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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