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Color name
RGB 121 62 173

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 62 173 it is the complementary color RGB 134 193 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 62 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 62 173 shade: RGB 126 62 168, RGB 143 80 187, RGB 160 98 206, RGB 177 116 225 and RGB 194 134 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 62 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 62 173 shade: RGB 121 62 173, RGB 104 44 154, RGB 87 26 135, RGB 70 8 116 and RGB 53 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 62 173 shade: RGB 120 62 172, RGB 150 62 172, RGB 172 62 164, RGB 172 62 134 and RGB 172 62 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 62 173 shade: RGB 120 62 172, RGB 91 62 172 and RGB 62 62 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 62 173 shade matches the following richer shades: RGB 120 62 172, RGB 121 43 191, RGB 123 24 210 and RGB 124 5 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 62 173 shade: RGB 120 62 172, RGB 119 81 153, RGB 118 100 134, RGB 117 119 115 and RGB 115 138 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 62 173 shade: RGB 62 64 172, RGB 89 62 172, RGB 119 62 172, RGB 148 62 172 and RGB 172 62 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 62 173 shade: RGB 78 40 111, RGB 99 51 142, RGB 120 62 172, RGB 141 82 192 and RGB 161 113 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 62 173 shade: RGB 121 62 173, RGB 172 62 93 and RGB 62 172 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 62 173 shade: RGB 121 62 173, RGB 172 119 62 and RGB 62 172 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 62 173 shade: RGB 121 62 173, RGB 172 62 93, RGB 115 172 62 and RGB 62 172 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 62 173 shade: RGB 121 62 173, RGB 172 64 62, RGB 115 172 62 and RGB 62 170 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

Complementary color

CMYK 31 / 0 / 58 / 24

HEX #86C152

RGB 134 193 82

HSL 91.89, 0.47%, 0.54%

LAB 72.11, -37.74, 48.99

 

CMYK 25 / 63 / 0 / 34

HEX #7E3EA8

RGB 126 62 168

HSL 276.23, 0.46%, 0.45%

LAB 39.08, 46.44, -46.08

 

CMYK 24 / 57 / 0 / 27

HEX #8F50BB

RGB 143 80 187

HSL 275.33, 0.44%, 0.52%

LAB 45.86, 45.69, -46.32

 

CMYK 22 / 52 / 0 / 19

HEX #A062CE

RGB 160 98 206

HSL 274.44, 0.52%, 0.6%

LAB 52.58, 44.84, -46.45

 

CMYK 21 / 48 / 0 / 12

HEX #B174E1

RGB 177 116 225

HSL 273.58, 0.64%, 0.67%

LAB 59.23, 43.98, -46.53

 

CMYK 20 / 45 / 0 / 4

HEX #C286F4

RGB 194 134 244

HSL 272.73, 0.83%, 0.74%

LAB 65.79, 43.14, -46.59

 

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

CMYK 32 / 71 / 0 / 40

HEX #682C9A

RGB 104 44 154

HSL 272.73, 0.56%, 0.39%

LAB 31.98, 47.06, -49.24

 

CMYK 36 / 81 / 0 / 47

HEX #571A87

RGB 87 26 135

HSL 273.58, 0.68%, 0.32%

LAB 25.3, 47.07, -48.48

 

CMYK 40 / 93 / 0 / 55

HEX #460874

RGB 70 8 116

HSL 274.44, 0.87%, 0.24%

LAB 18.96, 45.78, -46.89

 

CMYK 45 / 100 / 0 / 62

HEX #350061

RGB 53 0 97

HSL 272.78, 1%, 0.19%

LAB 13.35, 41.8, -43.74

 

CMYK 30 / 64 / 0 / 33

HEX #783EAC

RGB 120 62 172

HSL 271.64, 0.47%, 0.46%

LAB 38.58, 45.98, -49.31

 

CMYK 13 / 64 / 0 / 33

HEX #963EAC

RGB 150 62 172

HSL 288, 0.47%, 0.46%

LAB 42.62, 53.12, -42.61

 

CMYK 0 / 64 / 5 / 33

HEX #AC3EA4

RGB 172 62 164

HSL 304.36, 0.47%, 0.46%

LAB 45.49, 57.16, -33.11

 

CMYK 0 / 64 / 22 / 33

HEX #AC3E86

RGB 172 62 134

HSL 320.73, 0.47%, 0.46%

LAB 44.14, 52.52, -17.17

 

CMYK 0 / 64 / 39 / 33

HEX #AC3E69

RGB 172 62 105

HSL 336.55, 0.47%, 0.46%

LAB 43.12, 48.82, -0.9

 

CMYK 30 / 64 / 0 / 33

HEX #783EAC

RGB 120 62 172

HSL 271.64, 0.47%, 0.46%

LAB 38.58, 45.98, -49.31

 

CMYK 47 / 64 / 0 / 33

HEX #5B3EAC

RGB 91 62 172

HSL 255.82, 0.47%, 0.46%

LAB 35.3, 39.66, -54.78

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 30 / 64 / 0 / 33

HEX #783EAC

RGB 120 62 172

HSL 271.64, 0.47%, 0.46%

LAB 38.58, 45.98, -49.31

 

CMYK 37 / 77 / 0 / 25

HEX #792BBF

RGB 121 43 191

HSL 271.62, 0.63%, 0.46%

LAB 37.03, 59.36, -63.05

 

CMYK 41 / 89 / 0 / 18

HEX #7B18D2

RGB 123 24 210

HSL 271.94, 0.79%, 0.46%

LAB 36.96, 69.74, -74.23

 

CMYK 46 / 98 / 0 / 10

HEX #7C05E5

RGB 124 5 229

HSL 271.88, 0.96%, 0.46%

LAB 37.93, 76.87, -83.55

 

CMYK 30 / 64 / 0 / 33

HEX #783EAC

RGB 120 62 172

HSL 271.64, 0.47%, 0.46%

LAB 38.58, 45.98, -49.31

 

CMYK 22 / 47 / 0 / 40

HEX #775199

RGB 119 81 153

HSL 271.67, 0.31%, 0.46%

LAB 41.39, 30.44, -33.5

 

CMYK 12 / 25 / 0 / 47

HEX #766486

RGB 118 100 134

HSL 271.76, 0.15%, 0.46%

LAB 45.2, 14.17, -16.17

 

CMYK 2 / 0 / 3 / 53

HEX #757773

RGB 117 119 115

HSL 90, 0.02%, 0.46%

LAB 49.75, -1.56, 1.93

 

CMYK 17 / 0 / 30 / 46

HEX #738A60

RGB 115 138 96

HSL 92.86, 0.18%, 0.46%

LAB 54.73, -16.3, 19.86

 

CMYK 64 / 63 / 0 / 33

HEX #3E40AC

RGB 62 64 172

HSL 238.91, 0.47%, 0.46%

LAB 33.28, 33.18, -58.17

 

CMYK 48 / 64 / 0 / 33

HEX #593EAC

RGB 89 62 172

HSL 254.73, 0.47%, 0.46%

LAB 35.1, 39.26, -55.11

 

CMYK 31 / 64 / 0 / 33

HEX #773EAC

RGB 119 62 172

HSL 271.09, 0.47%, 0.46%

LAB 38.46, 45.75, -49.52

 

CMYK 14 / 64 / 0 / 33

HEX #943EAC

RGB 148 62 172

HSL 286.91, 0.47%, 0.46%

LAB 42.34, 52.64, -43.08

 

CMYK 0 / 64 / 3 / 33

HEX #AC3EA6

RGB 172 62 166

HSL 303.27, 0.47%, 0.46%

LAB 45.59, 57.5, -34.14

 

CMYK 30 / 64 / 0 / 56

HEX #4E286F

RGB 78 40 111

HSL 272.11, 0.47%, 0.3%

LAB 24.59, 32.3, -34.46

 

CMYK 30 / 64 / 0 / 44

HEX #63338E

RGB 99 51 142

HSL 271.65, 0.47%, 0.38%

LAB 31.75, 39.41, -42.31

 

CMYK 30 / 64 / 0 / 33

HEX #783EAC

RGB 120 62 172

HSL 271.64, 0.47%, 0.46%

LAB 38.58, 45.98, -49.31

 

CMYK 27 / 57 / 0 / 25

HEX #8D52C0

RGB 141 82 192

HSL 272.18, 0.47%, 0.54%

LAB 46.32, 45.29, -48.51

 

CMYK 21 / 44 / 0 / 20

HEX #A171CB

RGB 161 113 203

HSL 272, 0.46%, 0.62%

LAB 55.79, 36.16, -39.67

 

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

CMYK 0 / 64 / 46 / 33

HEX #AC3E5D

RGB 172 62 93

HSL 343.09, 0.47%, 0.46%

LAB 42.77, 47.55, 6.05

 

CMYK 64 / 0 / 56 / 33

HEX #3EAC4B

RGB 62 172 75

HSL 127.09, 0.47%, 0.46%

LAB 62.54, -51.35, 40.33

 

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

CMYK 0 / 31 / 64 / 33

HEX #AC773E

RGB 172 119 62

HSL 31.09, 0.47%, 0.46%

LAB 54.36, 14.86, 39.05

 

CMYK 64 / 0 / 31 / 33

HEX #3EAC77

RGB 62 172 119

HSL 151.09, 0.47%, 0.46%

LAB 63.23, -43.76, 18.28

 

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

CMYK 0 / 64 / 46 / 33

HEX #AC3E5D

RGB 172 62 93

HSL 343.09, 0.47%, 0.46%

LAB 42.77, 47.55, 6.05

 

CMYK 33 / 0 / 64 / 33

HEX #73AC3E

RGB 115 172 62

HSL 91.09, 0.47%, 0.46%

LAB 64.56, -37.07, 49.19

 

CMYK 64 / 0 / 18 / 33

HEX #3EAC8D

RGB 62 172 141

HSL 163.09, 0.47%, 0.46%

LAB 63.71, -38.73, 6.83

 

CMYK 30 / 64 / 0 / 32

HEX #793EAD

RGB 121 62 173

HSL 271.89, 0.47%, 0.46%

LAB 38.77, 46.45, -49.59

 

CMYK 0 / 63 / 64 / 33

HEX #AC403E

RGB 172 64 62

HSL 1.09, 0.47%, 0.46%

LAB 42.44, 44.09, 24.71

 

CMYK 33 / 0 / 64 / 33

HEX #73AC3E

RGB 115 172 62

HSL 91.09, 0.47%, 0.46%

LAB 64.56, -37.07, 49.19

 

CMYK 64 / 1 / 0 / 33

HEX #3EAAAC

RGB 62 170 172

HSL 181.09, 0.47%, 0.46%

LAB 63.96, -29.47, -10.11

 

Description

Color code: RGB 121 62 173 | qconv.com Color code: RGB 121 62 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 62 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 62 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 64 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 64% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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