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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 48 244 it is the complementary color RGB 134 207 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 48 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 48 244 shade: RGB 126 48 239, RGB 143 66 255, RGB 160 84 255, RGB 177 102 255 and RGB 194 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 48 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 48 244 shade: RGB 121 48 244, RGB 104 30 225, RGB 87 12 206, RGB 70 0 187 and RGB 53 0 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 48 244 shade: RGB 120 46 244, RGB 173 46 244, RGB 226 46 244, RGB 244 46 208 and RGB 244 46 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 48 244 shade: RGB 120 46 244, RGB 66 46 244 and RGB 46 46 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 48 244 shade matches the following richer shades: RGB 120 46 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 48 244 shade: RGB 120 46 244, RGB 124 64 226, RGB 129 82 208, RGB 133 99 190 and RGB 138 117 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 48 244 shade: RGB 46 79 244, RGB 66 46 244, RGB 119 46 244, RGB 171 46 244 and RGB 224 46 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 48 244 shade: RGB 80 10 197, RGB 96 12 236, RGB 120 46 244, RGB 145 85 246 and RGB 170 125 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 48 244 shade: RGB 121 48 244, RGB 244 46 132 and RGB 53 244 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 48 244 shade: RGB 121 48 244, RGB 244 119 46 and RGB 46 244 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 48 244 shade: RGB 121 48 244, RGB 244 46 132, RGB 171 244 46 and RGB 46 244 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 48 244 shade: RGB 121 48 244, RGB 244 46 72, RGB 171 244 46 and RGB 46 244 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

Complementary color

CMYK 35 / 0 / 95 / 19

HEX #86CF0B

RGB 134 207 11

HSL 82.35, 0.9%, 0.43%

LAB 75.9, -47.53, 73.93

 

CMYK 47 / 80 / 0 / 6

HEX #7E30EF

RGB 126 48 239

HSL 264.5, 0.86%, 0.56%

LAB 42.43, 69.52, -81.81

 

CMYK 44 / 74 / 0 / 0

HEX #8F42FF

RGB 143 66 255

HSL 264.44, 1%, 0.63%

LAB 48.2, 68.63, -81.23

 

CMYK 37 / 67 / 0 / 0

HEX #A054FF

RGB 160 84 255

HSL 266.67, 1%, 0.66%

LAB 52.99, 63.46, -73.36

 

CMYK 31 / 60 / 0 / 0

HEX #B166FF

RGB 177 102 255

HSL 269.41, 1%, 0.7%

LAB 58.1, 58.17, -65

 

CMYK 24 / 53 / 0 / 0

HEX #C278FF

RGB 194 120 255

HSL 272.89, 1%, 0.74%

LAB 63.44, 53, -56.35

 

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

CMYK 54 / 87 / 0 / 12

HEX #681EE1

RGB 104 30 225

HSL 262.77, 0.76%, 0.5%

LAB 36.57, 69.62, -83.6

 

CMYK 58 / 94 / 0 / 19

HEX #570CCE

RGB 87 12 206

HSL 263.2, 0.89%, 0.43%

LAB 31.22, 67.88, -81.54

 

CMYK 63 / 100 / 0 / 27

HEX #4600BB

RGB 70 0 187

HSL 262.46, 1%, 0.37%

LAB 26.42, 64.43, -78.39

 

CMYK 68 / 100 / 0 / 34

HEX #3500A8

RGB 53 0 168

HSL 258.93, 1%, 0.33%

LAB 22.25, 59.06, -73.99

 

CMYK 51 / 81 / 0 / 4

HEX #782EF4

RGB 120 46 244

HSL 262.42, 0.9%, 0.57%

LAB 41.97, 70.72, -85.41

 

CMYK 29 / 81 / 0 / 4

HEX #AD2EF4

RGB 173 46 244

HSL 278.48, 0.9%, 0.57%

LAB 48.72, 77.83, -74.08

 

CMYK 7 / 81 / 0 / 4

HEX #E22EF4

RGB 226 46 244

HSL 294.55, 0.9%, 0.57%

LAB 56.74, 86.49, -60.73

 

CMYK 0 / 81 / 15 / 4

HEX #F42ED0

RGB 244 46 208

HSL 310.91, 0.9%, 0.57%

LAB 57.79, 84.68, -38.57

 

CMYK 0 / 81 / 37 / 4

HEX #F42E9A

RGB 244 46 154

HSL 327.27, 0.9%, 0.57%

LAB 55.6, 78.5, -10.6

 

CMYK 51 / 81 / 0 / 4

HEX #782EF4

RGB 120 46 244

HSL 262.42, 0.9%, 0.57%

LAB 41.97, 70.72, -85.41

 

CMYK 73 / 81 / 0 / 4

HEX #422EF4

RGB 66 46 244

HSL 246.06, 0.9%, 0.57%

LAB 37.2, 65.87, -93.46

 

CMYK 81 / 81 / 0 / 4

HEX #2E2EF4

RGB 46 46 244

HSL 240, 0.9%, 0.57%

LAB 36.11, 64.79, -95.29

 

CMYK 51 / 81 / 0 / 4

HEX #782EF4

RGB 120 46 244

HSL 262.42, 0.9%, 0.57%

LAB 41.97, 70.72, -85.41

 

CMYK 51 / 81 / 0 / 4

HEX #782EF4

RGB 120 46 244

HSL 262.42, 0.9%, 0.57%

LAB 41.97, 70.72, -85.41

 

CMYK 45 / 72 / 0 / 11

HEX #7C40E2

RGB 124 64 226

HSL 262.22, 0.74%, 0.57%

LAB 43.42, 59.34, -72.82

 

CMYK 38 / 61 / 0 / 18

HEX #8152D0

RGB 129 82 208

HSL 262.38, 0.57%, 0.57%

LAB 45.98, 46.46, -58.35

 

CMYK 30 / 48 / 0 / 25

HEX #8563BE

RGB 133 99 190

HSL 262.42, 0.41%, 0.57%

LAB 49.04, 33.15, -43.06

 

CMYK 20 / 32 / 0 / 32

HEX #8A75AD

RGB 138 117 173

HSL 262.5, 0.25%, 0.57%

LAB 53.11, 19.84, -26.82

 

CMYK 81 / 68 / 0 / 4

HEX #2E4FF4

RGB 46 79 244

HSL 230, 0.9%, 0.57%

LAB 42.31, 47.28, -85.03

 

CMYK 73 / 81 / 0 / 4

HEX #422EF4

RGB 66 46 244

HSL 246.06, 0.9%, 0.57%

LAB 37.2, 65.87, -93.46

 

CMYK 51 / 81 / 0 / 4

HEX #772EF4

RGB 119 46 244

HSL 262.12, 0.9%, 0.57%

LAB 41.86, 70.61, -85.6

 

CMYK 30 / 81 / 0 / 4

HEX #AB2EF4

RGB 171 46 244

HSL 277.88, 0.9%, 0.57%

LAB 48.44, 77.53, -74.55

 

CMYK 8 / 81 / 0 / 4

HEX #E02EF4

RGB 224 46 244

HSL 293.94, 0.9%, 0.57%

LAB 56.42, 86.15, -61.26

 

CMYK 59 / 95 / 0 / 23

HEX #500AC5

RGB 80 10 197

HSL 262.46, 0.9%, 0.41%

LAB 29.3, 65.6, -79.49

 

CMYK 59 / 95 / 0 / 7

HEX #600CEC

RGB 96 12 236

HSL 262.5, 0.9%, 0.49%

LAB 35.61, 75.42, -91.49

 

CMYK 51 / 81 / 0 / 4

HEX #782EF4

RGB 120 46 244

HSL 262.42, 0.9%, 0.57%

LAB 41.97, 70.72, -85.41

 

CMYK 41 / 65 / 0 / 4

HEX #9155F6

RGB 145 85 246

HSL 262.36, 0.9%, 0.65%

LAB 50.89, 57.93, -71.84

 

CMYK 31 / 50 / 0 / 3

HEX #AA7DF8

RGB 170 125 248

HSL 261.95, 0.9%, 0.73%

LAB 61.65, 42.66, -55.51

 

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

CMYK 0 / 81 / 46 / 4

HEX #F42E84

RGB 244 46 132

HSL 333.94, 0.9%, 0.57%

LAB 54.92, 76.5, 1.46

 

CMYK 78 / 0 / 81 / 4

HEX #35F42E

RGB 53 244 46

HSL 117.88, 0.9%, 0.57%

LAB 84.82, -78.55, 74.22

 

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

CMYK 0 / 51 / 81 / 4

HEX #F4772E

RGB 244 119 46

HSL 22.12, 0.9%, 0.57%

LAB 63.86, 43.75, 59.35

 

CMYK 81 / 0 / 51 / 4

HEX #2EF477

RGB 46 244 119

HSL 142.12, 0.9%, 0.57%

LAB 85.31, -72.23, 46.93

 

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

CMYK 0 / 81 / 46 / 4

HEX #F42E84

RGB 244 46 132

HSL 333.94, 0.9%, 0.57%

LAB 54.92, 76.5, 1.46

 

CMYK 30 / 0 / 81 / 4

HEX #ABF42E

RGB 171 244 46

HSL 82.12, 0.9%, 0.57%

LAB 88.71, -48.69, 79.2

 

CMYK 81 / 0 / 35 / 4

HEX #2EF49E

RGB 46 244 158

HSL 153.94, 0.9%, 0.57%

LAB 85.88, -65.55, 28.54

 

CMYK 50 / 80 / 0 / 4

HEX #7930F4

RGB 121 48 244

HSL 262.35, 0.9%, 0.57%

LAB 42.32, 70.12, -84.82

 

CMYK 0 / 81 / 70 / 4

HEX #F42E48

RGB 244 46 72

HSL 352.12, 0.9%, 0.57%

LAB 53.66, 72.73, 35.54

 

CMYK 30 / 0 / 81 / 4

HEX #ABF42E

RGB 171 244 46

HSL 82.12, 0.9%, 0.57%

LAB 88.71, -48.69, 79.2

 

CMYK 81 / 0 / 11 / 4

HEX #2EF4D9

RGB 46 244 217

HSL 171.82, 0.9%, 0.57%

LAB 87.14, -52, -0.2

 

Description

Color code: RGB 121 48 244 | qconv.com Color code: RGB 121 48 244 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 48 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 48 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 80 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 80% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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