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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 44 130 it is the complementary color RGB 134 211 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 44 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 44 130 shade: RGB 126 44 125, RGB 143 62 144, RGB 160 80 163, RGB 177 98 182 and RGB 194 116 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 44 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 44 130 shade: RGB 121 44 130, RGB 104 26 111, RGB 87 8 92, RGB 70 0 73 and RGB 53 0 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 44 130 shade: RGB 120 44 129, RGB 129 44 115, RGB 129 44 92, RGB 129 44 69 and RGB 129 44 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 44 130 shade: RGB 120 44 129, RGB 97 44 129, RGB 74 44 129, RGB 51 44 129 and RGB 44 44 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 44 130 shade matches the following richer shades: RGB 120 44 129, RGB 131 30 143, RGB 142 16 157 and RGB 153 2 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 44 130 shade: RGB 120 44 129, RGB 109 58 115, RGB 98 72 101, RGB 87 86 87 and RGB 75 100 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 44 130 shade: RGB 73 44 129, RGB 96 44 129, RGB 119 44 129, RGB 129 44 116 and RGB 129 44 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 44 130 shade: RGB 63 23 67, RGB 91 33 98, RGB 120 44 129, RGB 148 54 159 and RGB 177 65 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 44 130 shade: RGB 121 44 130, RGB 129 51 44 and RGB 44 129 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 44 130 shade: RGB 121 44 130, RGB 129 119 44 and RGB 44 129 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 44 130 shade: RGB 121 44 130, RGB 129 51 44, RGB 54 129 44 and RGB 44 122 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 44 130 shade: RGB 121 44 130, RGB 129 76 44, RGB 54 129 44 and RGB 44 96 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

Complementary color

CMYK 36 / 0 / 41 / 17

HEX #86D37D

RGB 134 211 125

HSL 113.72, 0.49%, 0.66%

LAB 77.96, -40.47, 35.24

 

CMYK 0 / 65 / 1 / 51

HEX #7E2C7D

RGB 126 44 125

HSL 300.73, 0.48%, 0.33%

LAB 33.39, 46.09, -28.91

 

CMYK 1 / 57 / 0 / 44

HEX #8F3E90

RGB 143 62 144

HSL 299.27, 0.4%, 0.4%

LAB 40.08, 45.86, -29.91

 

CMYK 2 / 51 / 0 / 36

HEX #A050A3

RGB 160 80 163

HSL 297.83, 0.34%, 0.48%

LAB 46.78, 45.31, -30.62

 

CMYK 3 / 46 / 0 / 29

HEX #B162B6

RGB 177 98 182

HSL 296.43, 0.37%, 0.55%

LAB 53.45, 44.61, -31.16

 

CMYK 3 / 42 / 0 / 21

HEX #C274C9

RGB 194 116 201

HSL 295.06, 0.44%, 0.62%

LAB 60.05, 43.87, -31.6

 

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

CMYK 6 / 77 / 0 / 56

HEX #681A6F

RGB 104 26 111

HSL 295.06, 0.62%, 0.27%

LAB 26.24, 45.37, -31.59

 

CMYK 5 / 91 / 0 / 64

HEX #57085C

RGB 87 8 92

HSL 296.43, 0.84%, 0.2%

LAB 19.93, 43.63, -29.43

 

CMYK 4 / 100 / 0 / 71

HEX #460049

RGB 70 0 73

HSL 297.53, 1%, 0.14%

LAB 14.31, 39.26, -25.72

 

CMYK 2 / 100 / 0 / 79

HEX #350036

RGB 53 0 54

HSL 298.89, 1%, 0.11%

LAB 9.18, 32.51, -20.62

 

CMYK 7 / 66 / 0 / 49

HEX #782C81

RGB 120 44 129

HSL 293.65, 0.49%, 0.34%

LAB 32.66, 45.28, -32.63

 

CMYK 0 / 66 / 11 / 49

HEX #812C73

RGB 129 44 115

HSL 309.88, 0.49%, 0.34%

LAB 33.36, 45.16, -22.63

 

CMYK 0 / 66 / 29 / 49

HEX #812C5C

RGB 129 44 92

HSL 326.12, 0.49%, 0.34%

LAB 32.35, 41.63, -9.49

 

CMYK 0 / 66 / 47 / 49

HEX #812C45

RGB 129 44 69

HSL 342.35, 0.49%, 0.34%

LAB 31.57, 38.81, 4.34

 

CMYK 0 / 66 / 64 / 49

HEX #812C2E

RGB 129 44 46

HSL 358.59, 0.49%, 0.34%

LAB 31.03, 36.78, 18.61

 

CMYK 7 / 66 / 0 / 49

HEX #782C81

RGB 120 44 129

HSL 293.65, 0.49%, 0.34%

LAB 32.66, 45.28, -32.63

 

CMYK 25 / 66 / 0 / 49

HEX #612C81

RGB 97 44 129

HSL 277.41, 0.49%, 0.34%

LAB 29.23, 39.45, -38.3

 

CMYK 43 / 66 / 0 / 49

HEX #4A2C81

RGB 74 44 129

HSL 261.18, 0.49%, 0.34%

LAB 26.28, 33.99, -43.2

 

CMYK 60 / 66 / 0 / 49

HEX #332C81

RGB 51 44 129

HSL 244.94, 0.49%, 0.34%

LAB 23.97, 29.31, -47.06

 

CMYK 66 / 66 / 0 / 49

HEX #2C2C81

RGB 44 44 129

HSL 240, 0.49%, 0.34%

LAB 23.41, 28.12, -48

 

CMYK 7 / 66 / 0 / 49

HEX #782C81

RGB 120 44 129

HSL 293.65, 0.49%, 0.34%

LAB 32.66, 45.28, -32.63

 

CMYK 8 / 79 / 0 / 44

HEX #831E8F

RGB 131 30 143

HSL 293.63, 0.65%, 0.34%

LAB 33.43, 55.83, -39.96

 

CMYK 10 / 90 / 0 / 38

HEX #8E109D

RGB 142 16 157

HSL 293.62, 0.82%, 0.34%

LAB 35.11, 63.73, -45.71

 

CMYK 11 / 99 / 0 / 33

HEX #9902AB

RGB 153 2 171

HSL 293.61, 0.98%, 0.34%

LAB 37.4, 69.72, -50.37

 

CMYK 7 / 66 / 0 / 49

HEX #782C81

RGB 120 44 129

HSL 293.65, 0.49%, 0.34%

LAB 32.66, 45.28, -32.63

 

CMYK 5 / 50 / 0 / 55

HEX #6D3A73

RGB 109 58 115

HSL 293.68, 0.33%, 0.34%

LAB 32.95, 32.03, -23.49

 

CMYK 3 / 29 / 0 / 60

HEX #624865

RGB 98 72 101

HSL 293.79, 0.17%, 0.34%

LAB 34.34, 16.72, -12.64

 

CMYK 0 / 1 / 0 / 66

HEX #575657

RGB 87 86 87

HSL 300, 0.01%, 0.34%

LAB 36.69, 0.62, -0.44

 

CMYK 25 / 0 / 27 / 61

HEX #4B6449

RGB 75 100 73

HSL 115.56, 0.16%, 0.34%

LAB 39.73, -15.23, 12.37

 

CMYK 43 / 66 / 0 / 49

HEX #492C81

RGB 73 44 129

HSL 260.47, 0.49%, 0.34%

LAB 26.17, 33.76, -43.39

 

CMYK 26 / 66 / 0 / 49

HEX #602C81

RGB 96 44 129

HSL 276.71, 0.49%, 0.34%

LAB 29.09, 39.2, -38.53

 

CMYK 8 / 66 / 0 / 49

HEX #772C81

RGB 119 44 129

HSL 292.94, 0.49%, 0.34%

LAB 32.5, 45.03, -32.89

 

CMYK 0 / 66 / 10 / 49

HEX #812C74

RGB 129 44 116

HSL 309.18, 0.49%, 0.34%

LAB 33.41, 45.33, -23.18

 

CMYK 0 / 66 / 28 / 49

HEX #812C5D

RGB 129 44 93

HSL 325.41, 0.49%, 0.34%

LAB 32.39, 41.77, -10.08

 

CMYK 6 / 66 / 0 / 74

HEX #3F1743

RGB 63 23 67

HSL 294.55, 0.49%, 0.18%

LAB 15.87, 26.86, -19.12

 

CMYK 7 / 66 / 0 / 62

HEX #5B2162

RGB 91 33 98

HSL 293.54, 0.5%, 0.26%

LAB 24.3, 36.49, -26.38

 

CMYK 7 / 66 / 0 / 49

HEX #782C81

RGB 120 44 129

HSL 293.65, 0.49%, 0.34%

LAB 32.66, 45.28, -32.63

 

CMYK 7 / 66 / 0 / 38

HEX #94369F

RGB 148 54 159

HSL 293.71, 0.49%, 0.42%

LAB 40.31, 53.64, -38.56

 

CMYK 7 / 66 / 0 / 25

HEX #B141BE

RGB 177 65 190

HSL 293.76, 0.49%, 0.5%

LAB 48.06, 61.68, -44.28

 

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

CMYK 0 / 60 / 66 / 49

HEX #81332C

RGB 129 51 44

HSL 4.94, 0.49%, 0.34%

LAB 32.3, 33.2, 21.47

 

CMYK 66 / 0 / 34 / 49

HEX #2C8155

RGB 44 129 85

HSL 148.94, 0.49%, 0.34%

LAB 48.12, -36.26, 16.57

 

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

CMYK 0 / 8 / 66 / 49

HEX #81772C

RGB 129 119 44

HSL 52.94, 0.49%, 0.34%

LAB 49.55, -5.86, 41.31

 

CMYK 66 / 0 / 8 / 49

HEX #2C8177

RGB 44 129 119

HSL 172.94, 0.49%, 0.34%

LAB 48.97, -27.69, -2.05

 

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

CMYK 0 / 60 / 66 / 49

HEX #81332C

RGB 129 51 44

HSL 4.94, 0.49%, 0.34%

LAB 32.3, 33.2, 21.47

 

CMYK 58 / 0 / 66 / 49

HEX #36812C

RGB 54 129 44

HSL 112.94, 0.49%, 0.34%

LAB 47.84, -40.49, 38.06

 

CMYK 66 / 5 / 0 / 49

HEX #2C7A81

RGB 44 122 129

HSL 184.94, 0.49%, 0.34%

LAB 47.03, -21.11, -10.85

 

CMYK 7 / 66 / 0 / 49

HEX #792C82

RGB 121 44 130

HSL 293.72, 0.49%, 0.34%

LAB 32.87, 45.74, -32.9

 

CMYK 0 / 41 / 66 / 49

HEX #814C2C

RGB 129 76 44

HSL 22.59, 0.49%, 0.34%

LAB 37.87, 19.26, 28.23

 

CMYK 58 / 0 / 66 / 49

HEX #36812C

RGB 54 129 44

HSL 112.94, 0.49%, 0.34%

LAB 47.84, -40.49, 38.06

 

CMYK 66 / 26 / 0 / 49

HEX #2C6081

RGB 44 96 129

HSL 203.29, 0.49%, 0.34%

LAB 38.7, -6.34, -23.59

 

Description

Color code: RGB 121 44 130 | qconv.com Color code: RGB 121 44 130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 44 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 44 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 66 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 66% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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