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Color name
RGB 121 7 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 7 21 it is the complementary color RGB 134 248 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 7 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 7 21 shade: RGB 126 7 16, RGB 143 25 35, RGB 160 43 54, RGB 177 61 73 and RGB 194 79 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 7 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 7 21 shade: RGB 121 7 21, RGB 104 0 2, RGB 87 0 0, RGB 70 0 0 and RGB 53 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 7 21 shade: RGB 120 7 20 and RGB 120 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 7 21 shade: RGB 120 7 20, RGB 120 7 51, RGB 120 7 82, RGB 120 7 112 and RGB 97 7 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 7 21 shade matches the following richer shades: RGB 120 7 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 7 21 shade: RGB 120 7 20, RGB 110 17 28, RGB 99 27 36, RGB 89 37 44 and RGB 79 48 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 7 21 shade: RGB 120 7 82, RGB 120 7 52, RGB 120 7 22, RGB 120 22 7 and RGB 120 52 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 7 21 shade: RGB 42 2 7, RGB 81 4 14, RGB 120 7 20, RGB 159 9 27 and RGB 198 11 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 7 21 shade: RGB 121 7 21, RGB 112 120 7 and RGB 7 67 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 7 21 shade: RGB 121 7 21, RGB 22 120 7 and RGB 7 22 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 7 21 shade: RGB 121 7 21, RGB 112 120 7, RGB 7 120 105 and RGB 14 7 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 7 21 shade: RGB 121 7 21, RGB 78 120 7, RGB 7 120 105 and RGB 48 7 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

Complementary color

CMYK 46 / 0 / 6 / 3

HEX #86F8EA

RGB 134 248 234

HSL 172.63, 0.89%, 0.75%

LAB 90.85, -35.83, -3.38

 

CMYK 0 / 94 / 87 / 51

HEX #7E0710

RGB 126 7 16

HSL 355.46, 0.89%, 0.26%

LAB 25.64, 46.49, 31.04

 

CMYK 0 / 83 / 76 / 44

HEX #8F1923

RGB 143 25 35

HSL 354.92, 0.7%, 0.33%

LAB 31.01, 48.05, 26.22

 

CMYK 0 / 73 / 66 / 37

HEX #A02B36

RGB 160 43 54

HSL 354.36, 0.58%, 0.4%

LAB 36.87, 48.35, 22.15

 

CMYK 0 / 66 / 59 / 31

HEX #B13D49

RGB 177 61 73

HSL 353.79, 0.49%, 0.47%

LAB 43.01, 47.92, 18.9

 

CMYK 0 / 59 / 53 / 24

HEX #C24F5C

RGB 194 79 92

HSL 353.22, 0.49%, 0.54%

LAB 49.29, 47.15, 16.3

 

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

CMYK 0 / 100 / 98 / 59

HEX #680002

RGB 104 0 2

HSL 358.85, 1%, 0.2%

LAB 19.83, 41.49, 29.55

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 94 / 83 / 53

HEX #780714

RGB 120 7 20

HSL 353.1, 0.89%, 0.25%

LAB 24.31, 44.91, 26.89

 

CMYK 0 / 94 / 94 / 53

HEX #780707

RGB 120 7 7

HSL 0, 0.89%, 0.25%

LAB 24.19, 44.58, 33.28

 

CMYK 0 / 94 / 83 / 53

HEX #780714

RGB 120 7 20

HSL 353.1, 0.89%, 0.25%

LAB 24.31, 44.91, 26.89

 

CMYK 0 / 94 / 58 / 53

HEX #780733

RGB 120 7 51

HSL 336.64, 0.89%, 0.25%

LAB 24.9, 46.58, 6.72

 

CMYK 0 / 94 / 32 / 53

HEX #780752

RGB 120 7 82

HSL 320.18, 0.89%, 0.25%

LAB 26.02, 49.64, -12.71

 

CMYK 0 / 94 / 7 / 53

HEX #780770

RGB 120 7 112

HSL 304.25, 0.89%, 0.25%

LAB 27.61, 53.78, -29.88

 

CMYK 19 / 94 / 0 / 53

HEX #610778

RGB 97 7 120

HSL 287.79, 0.89%, 0.25%

LAB 23.83, 50.98, -41.31

 

CMYK 0 / 94 / 83 / 53

HEX #780714

RGB 120 7 20

HSL 353.1, 0.89%, 0.25%

LAB 24.31, 44.91, 26.89

 

CMYK 0 / 94 / 83 / 53

HEX #780714

RGB 120 7 20

HSL 353.1, 0.89%, 0.25%

LAB 24.31, 44.91, 26.89

 

CMYK 0 / 85 / 75 / 57

HEX #6E111C

RGB 110 17 28

HSL 352.9, 0.73%, 0.25%

LAB 23, 39.88, 19.6

 

CMYK 0 / 73 / 64 / 61

HEX #631B24

RGB 99 27 36

HSL 352.5, 0.57%, 0.25%

LAB 22.17, 32.94, 12.63

 

CMYK 0 / 58 / 51 / 65

HEX #59252C

RGB 89 37 44

HSL 351.92, 0.41%, 0.25%

LAB 22.4, 24.71, 7.13

 

CMYK 0 / 39 / 34 / 69

HEX #4F3034

RGB 79 48 52

HSL 352.26, 0.24%, 0.25%

LAB 23.75, 14.77, 3.37

 

CMYK 0 / 94 / 32 / 53

HEX #780752

RGB 120 7 82

HSL 320.18, 0.89%, 0.25%

LAB 26.02, 49.64, -12.71

 

CMYK 0 / 94 / 57 / 53

HEX #780734

RGB 120 7 52

HSL 336.11, 0.89%, 0.25%

LAB 24.93, 46.66, 6.07

 

CMYK 0 / 94 / 82 / 53

HEX #780716

RGB 120 7 22

HSL 352.04, 0.89%, 0.25%

LAB 24.33, 44.97, 25.65

 

CMYK 0 / 82 / 94 / 53

HEX #781607

RGB 120 22 7

HSL 7.96, 0.89%, 0.25%

LAB 25.51, 40.85, 34.54

 

CMYK 0 / 57 / 94 / 53

HEX #783407

RGB 120 52 7

HSL 23.89, 0.89%, 0.25%

LAB 30.56, 27.33, 38.75

 

CMYK 0 / 95 / 83 / 84

HEX #2A0207

RGB 42 2 7

HSL 352.5, 0.91%, 0.09%

LAB 4.98, 19.68, 4.95

 

CMYK 0 / 95 / 83 / 68

HEX #51040E

RGB 81 4 14

HSL 352.21, 0.91%, 0.17%

LAB 14.78, 33.94, 17.03

 

CMYK 0 / 94 / 83 / 53

HEX #780714

RGB 120 7 20

HSL 353.1, 0.89%, 0.25%

LAB 24.31, 44.91, 26.89

 

CMYK 0 / 94 / 83 / 38

HEX #9F091B

RGB 159 9 27

HSL 352.8, 0.89%, 0.33%

LAB 33.23, 55.53, 34.48

 

CMYK 0 / 94 / 83 / 22

HEX #C60B22

RGB 198 11 34

HSL 352.62, 0.89%, 0.41%

LAB 41.78, 65.63, 41.67

 

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

CMYK 7 / 0 / 94 / 53

HEX #707807

RGB 112 120 7

HSL 64.25, 0.89%, 0.25%

LAB 48.12, -15.93, 51.86

 

CMYK 94 / 44 / 0 / 53

HEX #074378

RGB 7 67 120

HSL 208.14, 0.89%, 0.25%

LAB 27.89, 4.05, -35.16

 

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

CMYK 82 / 0 / 94 / 53

HEX #167807

RGB 22 120 7

HSL 112.04, 0.89%, 0.25%

LAB 43.68, -46.81, 46.39

 

CMYK 94 / 82 / 0 / 53

HEX #071678

RGB 7 22 120

HSL 232.04, 0.89%, 0.25%

LAB 15.36, 35.28, -55.61

 

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

CMYK 7 / 0 / 94 / 53

HEX #707807

RGB 112 120 7

HSL 64.25, 0.89%, 0.25%

LAB 48.12, -15.93, 51.86

 

CMYK 94 / 0 / 13 / 53

HEX #077869

RGB 7 120 105

HSL 172.04, 0.89%, 0.25%

LAB 44.94, -31.82, 0.26

 

CMYK 88 / 94 / 0 / 53

HEX #0E0778

RGB 14 7 120

HSL 243.72, 0.89%, 0.25%

LAB 13.24, 42.62, -59.12

 

CMYK 0 / 94 / 83 / 53

HEX #790715

RGB 121 7 21

HSL 352.63, 0.89%, 0.25%

LAB 24.55, 45.22, 26.58

 

CMYK 35 / 0 / 94 / 53

HEX #4E7807

RGB 78 120 7

HSL 82.3, 0.89%, 0.25%

LAB 45.73, -30.84, 48.92

 

CMYK 94 / 0 / 13 / 53

HEX #077869

RGB 7 120 105

HSL 172.04, 0.89%, 0.25%

LAB 44.94, -31.82, 0.26

 

CMYK 60 / 94 / 0 / 53

HEX #300778

RGB 48 7 120

HSL 261.77, 0.89%, 0.25%

LAB 16.19, 44.59, -54.14

 

Description

Color code: RGB 121 7 21 | qconv.com Color code: RGB 121 7 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 7 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 7 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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