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Color name
RGB 121 32 15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 32 15 it is the complementary color RGB 134 223 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 32 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 32 15 shade: RGB 126 32 10, RGB 143 50 29, RGB 160 68 48, RGB 177 86 67 and RGB 194 104 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 32 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 32 15 shade: RGB 121 32 15, RGB 104 14 0, RGB 87 0 0, RGB 70 0 0 and RGB 53 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 32 15 shade: RGB 122 32 15 and RGB 122 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 32 15 shade: RGB 122 32 15, RGB 122 61 15, RGB 122 90 15, RGB 122 119 15 and RGB 96 122 15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 32 15 shade matches the following richer shades: RGB 122 32 15 and RGB 133 24 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 32 15 shade: RGB 122 32 15, RGB 111 39 26, RGB 100 47 37, RGB 89 55 48 and RGB 77 62 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 32 15 shade: RGB 122 15 56, RGB 122 15 27, RGB 122 31 15, RGB 122 59 15 and RGB 122 88 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 32 15 shade: RGB 49 12 6, RGB 85 22 10, RGB 122 32 15, RGB 159 42 19 and RGB 195 51 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 32 15 shade: RGB 121 32 15, RGB 84 122 15 and RGB 15 41 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 32 15 shade: RGB 121 32 15, RGB 15 122 31 and RGB 31 15 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 32 15 shade: RGB 121 32 15, RGB 84 122 15, RGB 15 106 122 and RGB 52 15 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 32 15 shade: RGB 121 32 15, RGB 52 122 15, RGB 15 106 122 and RGB 84 15 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

Complementary color

CMYK 44 / 7 / 0 / 6

HEX #86DFF0

RGB 134 223 240

HSL 189.62, 0.78%, 0.73%

LAB 84.04, -22.39, -16.66

 

CMYK 0 / 75 / 92 / 51

HEX #7E200A

RGB 126 32 10

HSL 11.38, 0.85%, 0.27%

LAB 28.09, 39.33, 36.08

 

CMYK 0 / 65 / 80 / 44

HEX #8F321D

RGB 143 50 29

HSL 11.05, 0.66%, 0.34%

LAB 34.42, 38.24, 33.47

 

CMYK 0 / 58 / 70 / 37

HEX #A04430

RGB 160 68 48

HSL 10.71, 0.54%, 0.41%

LAB 40.93, 36.86, 30.7

 

CMYK 0 / 51 / 62 / 31

HEX #B15643

RGB 177 86 67

HSL 10.36, 0.45%, 0.48%

LAB 47.51, 35.45, 28.27

 

CMYK 0 / 46 / 56 / 24

HEX #C26856

RGB 194 104 86

HSL 10, 0.47%, 0.55%

LAB 54.07, 34.1, 26.17

 

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

CMYK 0 / 87 / 100 / 59

HEX #680E00

RGB 104 14 0

HSL 8.08, 1%, 0.2%

LAB 21.05, 37.91, 31.72

 

CMYK 0 / 100 / 100 / 66

HEX #570000

RGB 87 0 0

HSL 0, 1%, 0.17%

LAB 15.62, 36.59, 24.31

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 74 / 88 / 52

HEX #7A200F

RGB 122 32 15

HSL 9.53, 0.78%, 0.27%

LAB 27.31, 38.03, 32.77

 

CMYK 0 / 88 / 88 / 52

HEX #7A0F0F

RGB 122 15 15

HSL 0, 0.78%, 0.27%

LAB 25.3, 43.65, 30.94

 

CMYK 0 / 74 / 88 / 52

HEX #7A200F

RGB 122 32 15

HSL 9.53, 0.78%, 0.27%

LAB 27.31, 38.03, 32.77

 

CMYK 0 / 50 / 88 / 52

HEX #7A3D0F

RGB 122 61 15

HSL 25.79, 0.78%, 0.27%

LAB 32.94, 23.36, 37.68

 

CMYK 0 / 26 / 88 / 52

HEX #7A5A0F

RGB 122 90 15

HSL 42.06, 0.78%, 0.27%

LAB 40.38, 6.17, 44.02

 

CMYK 0 / 2 / 88 / 52

HEX #7A770F

RGB 122 119 15

HSL 58.32, 0.78%, 0.27%

LAB 48.72, -10.51, 50.98

 

CMYK 21 / 0 / 88 / 52

HEX #607A0F

RGB 96 122 15

HSL 74.58, 0.78%, 0.27%

LAB 47.55, -23.99, 49.16

 

CMYK 0 / 74 / 88 / 52

HEX #7A200F

RGB 122 32 15

HSL 9.53, 0.78%, 0.27%

LAB 27.31, 38.03, 32.77

 

CMYK 0 / 82 / 97 / 48

HEX #851804

RGB 133 24 4

HSL 9.3, 0.94%, 0.27%

LAB 28.51, 44.37, 39.47

 

CMYK 0 / 74 / 88 / 52

HEX #7A200F

RGB 122 32 15

HSL 9.53, 0.78%, 0.27%

LAB 27.31, 38.03, 32.77

 

CMYK 0 / 65 / 77 / 56

HEX #6F271A

RGB 111 39 26

HSL 9.18, 0.62%, 0.27%

LAB 26.46, 31.12, 24.94

 

CMYK 0 / 53 / 63 / 61

HEX #642F25

RGB 100 47 37

HSL 9.52, 0.46%, 0.27%

LAB 26.38, 22.91, 17.44

 

CMYK 0 / 38 / 46 / 65

HEX #593730

RGB 89 55 48

HSL 10.24, 0.3%, 0.27%

LAB 26.93, 14.25, 10.69

 

CMYK 0 / 19 / 23 / 70

HEX #4D3E3B

RGB 77 62 59

HSL 10, 0.13%, 0.27%

LAB 27.68, 5.97, 4.29

 

CMYK 0 / 88 / 54 / 52

HEX #7A0F38

RGB 122 15 56

HSL 337.01, 0.78%, 0.27%

LAB 26.05, 45.87, 4.98

 

CMYK 0 / 88 / 78 / 52

HEX #7A0F1B

RGB 122 15 27

HSL 353.27, 0.78%, 0.27%

LAB 25.44, 44.06, 23.77

 

CMYK 0 / 75 / 88 / 52

HEX #7A1F0F

RGB 122 31 15

HSL 8.97, 0.78%, 0.27%

LAB 27.16, 38.44, 32.63

 

CMYK 0 / 52 / 88 / 52

HEX #7A3B0F

RGB 122 59 15

HSL 24.67, 0.78%, 0.27%

LAB 32.48, 24.5, 37.29

 

CMYK 0 / 28 / 88 / 52

HEX #7A580F

RGB 122 88 15

HSL 40.93, 0.78%, 0.27%

LAB 39.83, 7.36, 43.56

 

CMYK 0 / 76 / 88 / 81

HEX #310C06

RGB 49 12 6

HSL 8.37, 0.78%, 0.11%

LAB 8.39, 18.35, 10.51

 

CMYK 0 / 74 / 88 / 67

HEX #55160A

RGB 85 22 10

HSL 9.6, 0.79%, 0.19%

LAB 18.04, 28.46, 23.1

 

CMYK 0 / 74 / 88 / 52

HEX #7A200F

RGB 122 32 15

HSL 9.53, 0.78%, 0.27%

LAB 27.31, 38.03, 32.77

 

CMYK 0 / 74 / 88 / 38

HEX #9F2A13

RGB 159 42 19

HSL 9.86, 0.79%, 0.35%

LAB 36.13, 46.97, 41.25

 

CMYK 0 / 74 / 88 / 24

HEX #C33318

RGB 195 51 24

HSL 9.47, 0.78%, 0.43%

LAB 44.28, 55.54, 48.52

 

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

CMYK 31 / 0 / 88 / 52

HEX #547A0F

RGB 84 122 15

HSL 81.31, 0.78%, 0.27%

LAB 46.76, -29.08, 48.17

 

CMYK 88 / 66 / 0 / 52

HEX #0F297A

RGB 15 41 122

HSL 225.42, 0.78%, 0.27%

LAB 20.41, 23.98, -48.54

 

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

CMYK 88 / 0 / 75 / 52

HEX #0F7A1F

RGB 15 122 31

HSL 128.97, 0.78%, 0.27%

LAB 44.4, -46.82, 39.77

 

CMYK 75 / 88 / 0 / 52

HEX #1F0F7A

RGB 31 15 122

HSL 248.97, 0.78%, 0.27%

LAB 15.69, 40.87, -56.31

 

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

CMYK 31 / 0 / 88 / 52

HEX #547A0F

RGB 84 122 15

HSL 81.31, 0.78%, 0.27%

LAB 46.76, -29.08, 48.17

 

CMYK 88 / 13 / 0 / 52

HEX #0F6A7A

RGB 15 106 122

HSL 188.97, 0.78%, 0.27%

LAB 40.92, -18.6, -15.98

 

CMYK 57 / 88 / 0 / 52

HEX #340F7A

RGB 52 15 122

HSL 260.75, 0.78%, 0.27%

LAB 17.81, 42.84, -52.72

 

CMYK 0 / 74 / 88 / 53

HEX #79200F

RGB 121 32 15

HSL 9.62, 0.78%, 0.27%

LAB 27.11, 37.68, 32.51

 

CMYK 57 / 0 / 88 / 52

HEX #347A0F

RGB 52 122 15

HSL 99.25, 0.78%, 0.27%

LAB 45.2, -40.52, 46.2

 

CMYK 88 / 13 / 0 / 52

HEX #0F6A7A

RGB 15 106 122

HSL 188.97, 0.78%, 0.27%

LAB 40.92, -18.6, -15.98

 

CMYK 31 / 88 / 0 / 52

HEX #540F7A

RGB 84 15 122

HSL 278.69, 0.78%, 0.27%

LAB 22.41, 47.34, -44.99

 

Description

Color code: RGB 121 32 15 | qconv.com Color code: RGB 121 32 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 32 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 32 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 88 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 88% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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