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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 218 250 it is the complementary color RGB 134 37 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 218 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 218 250 shade: RGB 126 218 245, RGB 143 236 255, RGB 160 254 255, RGB 177 255 255 and RGB 194 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 218 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 218 250 shade: RGB 121 218 250, RGB 104 200 231, RGB 87 182 212, RGB 70 164 193 and RGB 53 146 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 218 250 shade: RGB 122 218 250, RGB 122 183 250, RGB 122 149 250, RGB 129 122 250 and RGB 163 122 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 218 250 shade: RGB 122 218 250, RGB 122 183 250, RGB 122 149 250 and RGB 122 122 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 218 250 shade matches the following richer shades: RGB 122 218 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 218 250 shade: RGB 122 218 250, RGB 133 212 239, RGB 144 207 227, RGB 155 201 216 and RGB 166 195 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 218 250 shade: RGB 122 250 211, RGB 122 250 245, RGB 122 220 250, RGB 122 186 250 and RGB 122 152 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 218 250 shade: RGB 42 196 247, RGB 82 207 248, RGB 122 218 250, RGB 161 229 251 and RGB 201 240 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 218 250 shade: RGB 121 218 250, RGB 177 122 250 and RGB 250 228 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 218 250 shade: RGB 121 218 250, RGB 250 122 220 and RGB 220 250 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 218 250 shade: RGB 121 218 250, RGB 177 122 250, RGB 250 152 122 and RGB 194 250 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 218 250 shade: RGB 121 218 250, RGB 216 122 250, RGB 250 152 122 and RGB 156 250 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

Complementary color

CMYK 0 / 72 / 96 / 47

HEX #862505

RGB 134 37 5

HSL 14.88, 0.93%, 0.27%

LAB 30.41, 40.04, 40.63

 

CMYK 49 / 11 / 0 / 4

HEX #7EDAF5

RGB 126 218 245

HSL 193.61, 0.86%, 0.73%

LAB 82.47, -20.39, -21.7

 

CMYK 44 / 7 / 0 / 0

HEX #8FECFF

RGB 143 236 255

HSL 190.18, 1%, 0.78%

LAB 88.47, -22.89, -17.83

 

CMYK 37 / 0 / 0 / 0

HEX #A0FEFF

RGB 160 254 255

HSL 180.63, 1%, 0.81%

LAB 94.13, -27.54, -9.29

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

CMYK 55 / 13 / 0 / 9

HEX #68C8E7

RGB 104 200 231

HSL 194.65, 0.73%, 0.66%

LAB 76.08, -19.77, -24.01

 

CMYK 59 / 14 / 0 / 17

HEX #57B6D4

RGB 87 182 212

HSL 194.4, 0.59%, 0.59%

LAB 69.64, -19.34, -23.59

 

CMYK 64 / 15 / 0 / 24

HEX #46A4C1

RGB 70 164 193

HSL 194.15, 0.5%, 0.52%

LAB 63.1, -18.76, -23.13

 

CMYK 70 / 16 / 0 / 32

HEX #3592AE

RGB 53 146 174

HSL 193.88, 0.53%, 0.45%

LAB 56.46, -17.99, -22.63

 

CMYK 51 / 13 / 0 / 2

HEX #7ADAFA

RGB 122 218 250

HSL 195, 0.93%, 0.73%

LAB 82.48, -19.89, -24.36

 

CMYK 51 / 27 / 0 / 2

HEX #7AB7FA

RGB 122 183 250

HSL 211.41, 0.93%, 0.73%

LAB 72.83, -1.4, -39.21

 

CMYK 51 / 40 / 0 / 2

HEX #7A95FA

RGB 122 149 250

HSL 227.34, 0.93%, 0.73%

LAB 63.78, 17.97, -53.44

 

CMYK 48 / 51 / 0 / 2

HEX #817AFA

RGB 129 122 250

HSL 243.28, 0.93%, 0.73%

LAB 57.55, 35.35, -63.37

 

CMYK 35 / 51 / 0 / 2

HEX #A37AFA

RGB 163 122 250

HSL 259.22, 0.93%, 0.73%

LAB 60.43, 43.1, -58.58

 

CMYK 51 / 13 / 0 / 2

HEX #7ADAFA

RGB 122 218 250

HSL 195, 0.93%, 0.73%

LAB 82.48, -19.89, -24.36

 

CMYK 51 / 27 / 0 / 2

HEX #7AB7FA

RGB 122 183 250

HSL 211.41, 0.93%, 0.73%

LAB 72.83, -1.4, -39.21

 

CMYK 51 / 40 / 0 / 2

HEX #7A95FA

RGB 122 149 250

HSL 227.34, 0.93%, 0.73%

LAB 63.78, 17.97, -53.44

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 51 / 13 / 0 / 2

HEX #7ADAFA

RGB 122 218 250

HSL 195, 0.93%, 0.73%

LAB 82.48, -19.89, -24.36

 

CMYK 51 / 13 / 0 / 2

HEX #7ADAFA

RGB 122 218 250

HSL 195, 0.93%, 0.73%

LAB 82.48, -19.89, -24.36

 

CMYK 44 / 11 / 0 / 6

HEX #85D4EF

RGB 133 212 239

HSL 195.28, 0.77%, 0.73%

LAB 80.91, -17.35, -20.85

 

CMYK 37 / 9 / 0 / 11

HEX #90CFE3

RGB 144 207 227

HSL 194.46, 0.6%, 0.73%

LAB 79.67, -15.09, -16.26

 

CMYK 28 / 7 / 0 / 15

HEX #9BC9D8

RGB 155 201 216

HSL 194.75, 0.44%, 0.73%

LAB 78.29, -11.58, -12.37

 

CMYK 19 / 5 / 0 / 20

HEX #A6C3CD

RGB 166 195 205

HSL 195.38, 0.28%, 0.73%

LAB 77.01, -7.59, -8.28

 

CMYK 51 / 0 / 16 / 2

HEX #7AFAD3

RGB 122 250 211

HSL 161.72, 0.93%, 0.73%

LAB 90.42, -44.67, 7.89

 

CMYK 51 / 0 / 2 / 2

HEX #7AFAF5

RGB 122 250 245

HSL 177.66, 0.93%, 0.73%

LAB 91.28, -36.63, -8.5

 

CMYK 51 / 12 / 0 / 2

HEX #7ADCFA

RGB 122 220 250

HSL 194.06, 0.93%, 0.73%

LAB 83.03, -20.9, -23.51

 

CMYK 51 / 26 / 0 / 2

HEX #7ABAFA

RGB 122 186 250

HSL 210, 0.93%, 0.73%

LAB 73.65, -3.05, -37.94

 

CMYK 51 / 39 / 0 / 2

HEX #7A98FA

RGB 122 152 250

HSL 225.94, 0.93%, 0.73%

LAB 64.56, 16.22, -52.2

 

CMYK 83 / 21 / 0 / 3

HEX #2AC4F7

RGB 42 196 247

HSL 194.93, 0.93%, 0.57%

LAB 73.99, -21.22, -35.98

 

CMYK 67 / 17 / 0 / 3

HEX #52CFF8

RGB 82 207 248

HSL 194.82, 0.92%, 0.65%

LAB 77.99, -22.08, -30.27

 

CMYK 51 / 13 / 0 / 2

HEX #7ADAFA

RGB 122 218 250

HSL 195, 0.93%, 0.73%

LAB 82.48, -19.89, -24.36

 

CMYK 36 / 9 / 0 / 2

HEX #A1E5FB

RGB 161 229 251

HSL 194.67, 0.92%, 0.81%

LAB 87.28, -15.95, -17.44

 

CMYK 21 / 5 / 0 / 1

HEX #C9F0FD

RGB 201 240 253

HSL 195, 0.93%, 0.89%

LAB 92.5, -9.82, -10.45

 

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

CMYK 29 / 51 / 0 / 2

HEX #B17AFA

RGB 177 122 250

HSL 265.78, 0.93%, 0.73%

LAB 61.8, 46.54, -56.32

 

CMYK 0 / 9 / 51 / 2

HEX #FAE47A

RGB 250 228 122

HSL 49.69, 0.93%, 0.73%

LAB 90.42, -5.72, 53.94

 

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

CMYK 0 / 51 / 12 / 2

HEX #FA7ADC

RGB 250 122 220

HSL 314.06, 0.93%, 0.73%

LAB 69.05, 60.66, -27.76

 

CMYK 12 / 0 / 51 / 2

HEX #DCFA7A

RGB 220 250 122

HSL 74.06, 0.93%, 0.73%

LAB 93.88, -28.16, 57.49

 

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

CMYK 29 / 51 / 0 / 2

HEX #B17AFA

RGB 177 122 250

HSL 265.78, 0.93%, 0.73%

LAB 61.8, 46.54, -56.32

 

CMYK 0 / 39 / 51 / 2

HEX #FA987A

RGB 250 152 122

HSL 14.06, 0.93%, 0.73%

LAB 72.35, 33.71, 31.37

 

CMYK 22 / 0 / 51 / 2

HEX #C2FA7A

RGB 194 250 122

HSL 86.25, 0.93%, 0.73%

LAB 92.24, -37.76, 55.14

 

CMYK 52 / 13 / 0 / 2

HEX #79DAFA

RGB 121 218 250

HSL 194.88, 0.93%, 0.73%

LAB 82.44, -20.1, -24.42

 

CMYK 14 / 51 / 0 / 2

HEX #D87AFA

RGB 216 122 250

HSL 284.06, 0.93%, 0.73%

LAB 66.07, 56.56, -49.27

 

CMYK 0 / 39 / 51 / 2

HEX #FA987A

RGB 250 152 122

HSL 14.06, 0.93%, 0.73%

LAB 72.35, 33.71, 31.37

 

CMYK 38 / 0 / 51 / 2

HEX #9CFA7A

RGB 156 250 122

HSL 104.06, 0.93%, 0.73%

LAB 90.25, -50.59, 52.28

 

Description

Color code: RGB 121 218 250 | qconv.com Color code: RGB 121 218 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 218 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 218 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 13 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 13% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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