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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 217 167 it is the complementary color RGB 134 38 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 217 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 217 167 shade: RGB 126 217 162, RGB 143 235 181, RGB 160 253 200, RGB 177 255 219 and RGB 194 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 217 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 217 167 shade: RGB 121 217 167, RGB 104 199 148, RGB 87 181 129, RGB 70 163 110 and RGB 53 145 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 217 167 shade: RGB 119 216 166, RGB 119 216 140, RGB 125 216 119, RGB 151 216 119 and RGB 177 216 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 217 167 shade: RGB 119 216 166, RGB 119 216 192, RGB 119 215 216, RGB 119 188 216 and RGB 119 162 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 217 167 shade matches the following richer shades: RGB 119 216 166, RGB 105 230 165 and RGB 91 244 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 217 167 shade: RGB 119 216 166, RGB 133 202 166, RGB 147 188 167, RGB 161 174 168 and RGB 175 160 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 217 167 shade: RGB 126 216 119, RGB 119 216 139, RGB 119 216 165, RGB 119 216 190 and RGB 119 216 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 217 167 shade: RGB 55 198 124, RGB 87 207 145, RGB 119 216 166, RGB 151 225 187 and RGB 184 235 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 217 167 shade: RGB 121 217 167, RGB 119 152 216 and RGB 216 126 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 217 167 shade: RGB 121 217 167, RGB 165 119 216 and RGB 216 165 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 217 167 shade: RGB 121 217 167, RGB 119 152 216, RGB 216 119 171 and RGB 216 184 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 217 167 shade: RGB 121 217 167, RGB 119 122 216, RGB 216 119 171 and RGB 216 213 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

Complementary color

CMYK 0 / 72 / 34 / 47

HEX #862658

RGB 134 38 88

HSL 328.75, 0.56%, 0.34%

LAB 32.17, 45.2, -7.09

 

CMYK 42 / 0 / 25 / 15

HEX #7ED9A2

RGB 126 217 162

HSL 143.74, 0.54%, 0.67%

LAB 79.99, -39.26, 18.75

 

CMYK 39 / 0 / 23 / 8

HEX #8FEBB5

RGB 143 235 181

HSL 144.78, 0.7%, 0.74%

LAB 86.3, -39.01, 17.73

 

CMYK 37 / 0 / 21 / 1

HEX #A0FDC8

RGB 160 253 200

HSL 145.81, 0.96%, 0.81%

LAB 92.53, -38.76, 16.76

 

CMYK 31 / 0 / 14 / 0

HEX #B1FFDB

RGB 177 255 219

HSL 152.31, 1%, 0.85%

LAB 94.3, -31.18, 9.63

 

CMYK 24 / 0 / 7 / 0

HEX #C2FFEE

RGB 194 255 238

HSL 163.28, 1%, 0.88%

LAB 95.65, -22.43, 1.91

 

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

CMYK 48 / 0 / 26 / 22

HEX #68C794

RGB 104 199 148

HSL 147.79, 0.46%, 0.59%

LAB 73.5, -39.84, 17.01

 

CMYK 52 / 0 / 29 / 29

HEX #57B581

RGB 87 181 129

HSL 146.81, 0.39%, 0.53%

LAB 67.02, -40, 18.18

 

CMYK 57 / 0 / 33 / 36

HEX #46A36E

RGB 70 163 110

HSL 145.81, 0.4%, 0.46%

LAB 60.45, -40.07, 19.45

 

CMYK 63 / 0 / 37 / 43

HEX #35915B

RGB 53 145 91

HSL 144.78, 0.46%, 0.39%

LAB 53.77, -39.99, 20.85

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 45 / 0 / 35 / 15

HEX #77D88C

RGB 119 216 140

HSL 132.99, 0.55%, 0.66%

LAB 79, -44.74, 28.82

 

CMYK 42 / 0 / 45 / 15

HEX #7DD877

RGB 125 216 119

HSL 116.29, 0.55%, 0.66%

LAB 78.93, -46.26, 39.41

 

CMYK 30 / 0 / 45 / 15

HEX #97D877

RGB 151 216 119

HSL 100.21, 0.55%, 0.66%

LAB 80.19, -37.92, 41.27

 

CMYK 18 / 0 / 45 / 15

HEX #B1D877

RGB 177 216 119

HSL 84.12, 0.55%, 0.66%

LAB 81.72, -28.61, 43.51

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 45 / 0 / 11 / 15

HEX #77D8C0

RGB 119 216 192

HSL 165.15, 0.55%, 0.66%

LAB 80.09, -34.32, 2.95

 

CMYK 45 / 0 / 0 / 15

HEX #77D7D8

RGB 119 215 216

HSL 180.62, 0.55%, 0.66%

LAB 80.45, -28.05, -9.33

 

CMYK 45 / 13 / 0 / 15

HEX #77BCD8

RGB 119 188 216

HSL 197.32, 0.55%, 0.66%

LAB 72.79, -14.42, -20.85

 

CMYK 45 / 25 / 0 / 15

HEX #77A2D8

RGB 119 162 216

HSL 213.4, 0.55%, 0.66%

LAB 65.53, -0.28, -31.99

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 54 / 0 / 28 / 10

HEX #69E6A5

RGB 105 230 165

HSL 148.8, 0.71%, 0.66%

LAB 83.08, -49.54, 21.34

 

CMYK 63 / 0 / 32 / 4

HEX #5BF4A5

RGB 91 244 165

HSL 149.02, 0.87%, 0.66%

LAB 86.82, -58, 26.4

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 34 / 0 / 18 / 21

HEX #85CAA6

RGB 133 202 166

HSL 148.7, 0.39%, 0.66%

LAB 76.06, -29.51, 11.15

 

CMYK 22 / 0 / 11 / 26

HEX #93BCA7

RGB 147 188 167

HSL 149.27, 0.23%, 0.66%

LAB 72.87, -17.99, 6.15

 

CMYK 7 / 0 / 3 / 32

HEX #A1AEA8

RGB 161 174 168

HSL 152.31, 0.07%, 0.66%

LAB 69.95, -5.71, 1.51

 

CMYK 0 / 9 / 4 / 31

HEX #AFA0A8

RGB 175 160 168

HSL 328, 0.09%, 0.66%

LAB 67.34, 6.91, -2.17

 

CMYK 42 / 0 / 45 / 15

HEX #7ED877

RGB 126 216 119

HSL 115.67, 0.55%, 0.66%

LAB 78.97, -45.96, 39.47

 

CMYK 45 / 0 / 36 / 15

HEX #77D88B

RGB 119 216 139

HSL 132.37, 0.55%, 0.66%

LAB 78.98, -44.9, 29.31

 

CMYK 45 / 0 / 24 / 15

HEX #77D8A5

RGB 119 216 165

HSL 148.45, 0.55%, 0.66%

LAB 79.47, -40.11, 16.4

 

CMYK 45 / 0 / 12 / 15

HEX #77D8BE

RGB 119 216 190

HSL 163.92, 0.55%, 0.66%

LAB 80.04, -34.77, 3.94

 

CMYK 45 / 0 / 0 / 15

HEX #77D8D8

RGB 119 216 216

HSL 180, 0.55%, 0.66%

LAB 80.73, -28.54, -8.91

 

CMYK 72 / 0 / 37 / 22

HEX #37C67C

RGB 55 198 124

HSL 148.95, 0.57%, 0.5%

LAB 71.32, -54.29, 26.53

 

CMYK 58 / 0 / 30 / 19

HEX #57CF91

RGB 87 207 145

HSL 149, 0.56%, 0.58%

LAB 75.26, -47.89, 20.95

 

CMYK 45 / 0 / 23 / 15

HEX #77D8A6

RGB 119 216 166

HSL 149.07, 0.55%, 0.66%

LAB 79.49, -39.91, 15.9

 

CMYK 33 / 0 / 17 / 12

HEX #97E1BB

RGB 151 225 187

HSL 149.19, 0.55%, 0.74%

LAB 83.97, -30.94, 11.36

 

CMYK 22 / 0 / 11 / 8

HEX #B8EBD0

RGB 184 235 208

HSL 148.24, 0.56%, 0.82%

LAB 89, -21.62, 7.78

 

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

CMYK 45 / 30 / 0 / 15

HEX #7798D8

RGB 119 152 216

HSL 219.59, 0.55%, 0.66%

LAB 62.79, 5.41, -36.25

 

CMYK 0 / 42 / 45 / 15

HEX #D87E77

RGB 216 126 119

HSL 4.33, 0.55%, 0.66%

LAB 62.38, 34.04, 18.96

 

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

CMYK 24 / 45 / 0 / 15

HEX #A577D8

RGB 165 119 216

HSL 268.45, 0.55%, 0.66%

LAB 58.18, 36.96, -43.22

 

CMYK 0 / 24 / 45 / 15

HEX #D8A577

RGB 216 165 119

HSL 28.45, 0.55%, 0.66%

LAB 71.45, 13.07, 31.07

 

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

CMYK 45 / 30 / 0 / 15

HEX #7798D8

RGB 119 152 216

HSL 219.59, 0.55%, 0.66%

LAB 62.79, 5.41, -36.25

 

CMYK 0 / 45 / 21 / 15

HEX #D877AB

RGB 216 119 171

HSL 327.84, 0.55%, 0.66%

LAB 62.28, 44.22, -10.89

 

CMYK 0 / 15 / 45 / 15

HEX #D8B877

RGB 216 184 119

HSL 40.21, 0.55%, 0.66%

LAB 76.2, 2.93, 37.2

 

CMYK 44 / 0 / 23 / 15

HEX #79D9A7

RGB 121 217 167

HSL 148.75, 0.56%, 0.66%

LAB 79.89, -39.63, 15.94

 

CMYK 45 / 44 / 0 / 15

HEX #777AD8

RGB 119 122 216

HSL 238.14, 0.55%, 0.66%

LAB 54.86, 23.08, -48.73

 

CMYK 0 / 45 / 21 / 15

HEX #D877AB

RGB 216 119 171

HSL 327.84, 0.55%, 0.66%

LAB 62.28, 44.22, -10.89

 

CMYK 0 / 1 / 45 / 15

HEX #D8D577

RGB 216 213 119

HSL 58.14, 0.55%, 0.66%

LAB 83.71, -12.03, 46.6

 

Description

Color code: RGB 121 217 167 | qconv.com Color code: RGB 121 217 167 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 217 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 217 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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