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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 202 195 it is the complementary color RGB 134 53 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 202 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 202 195 shade: RGB 126 202 190, RGB 143 220 209, RGB 160 238 228, RGB 177 255 247 and RGB 194 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 202 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 202 195 shade: RGB 121 202 195, RGB 104 184 176, RGB 87 166 157, RGB 70 148 138 and RGB 53 130 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 202 195 shade: RGB 120 201 194, RGB 120 201 172, RGB 120 201 150, RGB 120 201 128 and RGB 133 201 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 202 195 shade: RGB 120 201 194, RGB 120 186 201, RGB 120 164 201, RGB 120 142 201 and RGB 120 120 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 202 195 shade matches the following richer shades: RGB 120 201 194, RGB 104 216 206, RGB 89 231 219 and RGB 74 247 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 202 195 shade: RGB 120 201 194, RGB 135 185 181, RGB 150 170 168, RGB 165 155 156 and RGB 181 140 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 202 195 shade: RGB 120 201 149, RGB 120 201 171, RGB 120 201 193, RGB 120 187 201 and RGB 120 166 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 202 195 shade: RGB 68 170 161, RGB 90 189 180, RGB 120 201 194, RGB 149 212 207 and RGB 179 224 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 202 195 shade: RGB 121 202 195, RGB 128 120 201 and RGB 201 160 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 202 195 shade: RGB 121 202 195, RGB 193 120 201 and RGB 201 193 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 202 195 shade: RGB 121 202 195, RGB 128 120 201, RGB 201 120 128 and RGB 193 201 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 202 195 shade: RGB 121 202 195, RGB 152 120 201, RGB 201 120 128 and RGB 168 201 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

Complementary color

CMYK 0 / 60 / 55 / 47

HEX #86353C

RGB 134 53 60

HSL 354.81, 0.43%, 0.37%

LAB 33.86, 35.37, 13.5

 

CMYK 38 / 0 / 6 / 21

HEX #7ECABE

RGB 126 202 190

HSL 170.53, 0.42%, 0.64%

LAB 76.31, -26.29, -1.45

 

CMYK 35 / 0 / 5 / 14

HEX #8FDCD1

RGB 143 220 209

HSL 171.43, 0.52%, 0.71%

LAB 82.72, -26.14, -2.14

 

CMYK 33 / 0 / 4 / 7

HEX #A0EEE4

RGB 160 238 228

HSL 172.31, 0.7%, 0.78%

LAB 89.03, -26, -2.79

 

CMYK 31 / 0 / 3 / 0

HEX #B1FFF7

RGB 177 255 247

HSL 173.85, 1%, 0.85%

LAB 94.98, -25.39, -3.81

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

CMYK 43 / 0 / 4 / 28

HEX #68B8B0

RGB 104 184 176

HSL 174, 0.36%, 0.56%

LAB 69.72, -26.49, -3.61

 

CMYK 48 / 0 / 5 / 35

HEX #57A69D

RGB 87 166 157

HSL 173.16, 0.31%, 0.5%

LAB 63.12, -26.54, -2.87

 

CMYK 53 / 0 / 7 / 42

HEX #46948A

RGB 70 148 138

HSL 172.31, 0.36%, 0.43%

LAB 56.4, -26.54, -2.05

 

CMYK 59 / 0 / 8 / 49

HEX #358277

RGB 53 130 119

HSL 171.43, 0.42%, 0.36%

LAB 49.56, -26.44, -1.15

 

CMYK 40 / 0 / 3 / 21

HEX #78C9C2

RGB 120 201 194

HSL 174.81, 0.43%, 0.63%

LAB 75.86, -26.42, -4.3

 

CMYK 40 / 0 / 14 / 21

HEX #78C9AC

RGB 120 201 172

HSL 158.52, 0.43%, 0.63%

LAB 75.29, -31.47, 6.75

 

CMYK 40 / 0 / 25 / 21

HEX #78C996

RGB 120 201 150

HSL 142.22, 0.43%, 0.63%

LAB 74.8, -35.99, 17.86

 

CMYK 40 / 0 / 36 / 21

HEX #78C980

RGB 120 201 128

HSL 125.93, 0.43%, 0.63%

LAB 74.4, -39.9, 28.91

 

CMYK 34 / 0 / 40 / 21

HEX #85C978

RGB 133 201 120

HSL 110.37, 0.43%, 0.63%

LAB 74.9, -37.04, 33.82

 

CMYK 40 / 0 / 3 / 21

HEX #78C9C2

RGB 120 201 194

HSL 174.81, 0.43%, 0.63%

LAB 75.86, -26.42, -4.3

 

CMYK 40 / 7 / 0 / 21

HEX #78BAC9

RGB 120 186 201

HSL 191.11, 0.43%, 0.63%

LAB 71.78, -17.1, -14.19

 

CMYK 40 / 18 / 0 / 21

HEX #78A4C9

RGB 120 164 201

HSL 207.41, 0.43%, 0.63%

LAB 65.56, -5.31, -23.62

 

CMYK 40 / 29 / 0 / 21

HEX #788EC9

RGB 120 142 201

HSL 223.7, 0.43%, 0.63%

LAB 59.49, 7.17, -33

 

CMYK 40 / 40 / 0 / 21

HEX #7878C9

RGB 120 120 201

HSL 240, 0.43%, 0.63%

LAB 53.65, 20.18, -42.16

 

CMYK 40 / 0 / 3 / 21

HEX #78C9C2

RGB 120 201 194

HSL 174.81, 0.43%, 0.63%

LAB 75.86, -26.42, -4.3

 

CMYK 52 / 0 / 5 / 15

HEX #68D8CE

RGB 104 216 206

HSL 174.64, 0.59%, 0.63%

LAB 79.9, -34.35, -4.86

 

CMYK 61 / 0 / 5 / 9

HEX #59E7DB

RGB 89 231 219

HSL 174.93, 0.75%, 0.63%

LAB 84.17, -40.68, -5.52

 

CMYK 70 / 0 / 6 / 3

HEX #4AF7E8

RGB 74 247 232

HSL 174.8, 0.92%, 0.63%

LAB 88.83, -46.48, -5.5

 

CMYK 40 / 0 / 3 / 21

HEX #78C9C2

RGB 120 201 194

HSL 174.81, 0.43%, 0.63%

LAB 75.86, -26.42, -4.3

 

CMYK 27 / 0 / 2 / 27

HEX #87B9B5

RGB 135 185 181

HSL 175.2, 0.26%, 0.63%

LAB 71.68, -17.24, -3.3

 

CMYK 12 / 0 / 1 / 33

HEX #96AAA8

RGB 150 170 168

HSL 174, 0.11%, 0.63%

LAB 68.07, -7.34, -1.34

 

CMYK 0 / 6 / 5 / 35

HEX #A59B9C

RGB 165 155 156

HSL 354, 0.05%, 0.63%

LAB 64.84, 3.83, 0.78

 

CMYK 0 / 23 / 21 / 29

HEX #B58C8F

RGB 181 140 143

HSL 355.61, 0.22%, 0.63%

LAB 62.14, 16.01, 4.4

 

CMYK 40 / 0 / 26 / 21

HEX #78C995

RGB 120 201 149

HSL 141.48, 0.43%, 0.63%

LAB 74.78, -36.18, 18.37

 

CMYK 40 / 0 / 15 / 21

HEX #78C9AB

RGB 120 201 171

HSL 157.78, 0.43%, 0.63%

LAB 75.27, -31.69, 7.25

 

CMYK 40 / 0 / 4 / 21

HEX #78C9C1

RGB 120 201 193

HSL 174.07, 0.43%, 0.63%

LAB 75.83, -26.66, -3.8

 

CMYK 40 / 7 / 0 / 21

HEX #78BBC9

RGB 120 187 201

HSL 190.37, 0.43%, 0.63%

LAB 72.06, -17.62, -13.76

 

CMYK 40 / 17 / 0 / 21

HEX #78A6C9

RGB 120 166 201

HSL 205.93, 0.43%, 0.63%

LAB 66.12, -6.42, -22.76

 

CMYK 60 / 0 / 5 / 33

HEX #44AAA1

RGB 68 170 161

HSL 174.71, 0.43%, 0.47%

LAB 63.8, -31.51, -4.19

 

CMYK 52 / 0 / 5 / 26

HEX #5ABDB4

RGB 90 189 180

HSL 174.55, 0.43%, 0.55%

LAB 70.78, -31.16, -4.32

 

CMYK 40 / 0 / 3 / 21

HEX #78C9C2

RGB 120 201 194

HSL 174.81, 0.43%, 0.63%

LAB 75.86, -26.42, -4.3

 

CMYK 30 / 0 / 2 / 17

HEX #95D4CF

RGB 149 212 207

HSL 175.24, 0.42%, 0.71%

LAB 80.73, -20.98, -3.96

 

CMYK 20 / 0 / 2 / 12

HEX #B3E0DC

RGB 179 224 220

HSL 174.67, 0.42%, 0.79%

LAB 86.04, -15.32, -2.86

 

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

CMYK 36 / 40 / 0 / 21

HEX #8078C9

RGB 128 120 201

HSL 245.93, 0.43%, 0.63%

LAB 54.28, 22.31, -41.11

 

CMYK 0 / 20 / 40 / 21

HEX #C9A078

RGB 201 160 120

HSL 29.63, 0.43%, 0.63%

LAB 68.69, 9.8, 26.61

 

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

CMYK 4 / 40 / 0 / 21

HEX #C178C9

RGB 193 120 201

HSL 294.07, 0.43%, 0.63%

LAB 60.77, 41.43, -30.49

 

CMYK 0 / 4 / 40 / 21

HEX #C9C178

RGB 201 193 120

HSL 54.07, 0.43%, 0.63%

LAB 77.23, -7.73, 37.72

 

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

CMYK 36 / 40 / 0 / 21

HEX #8078C9

RGB 128 120 201

HSL 245.93, 0.43%, 0.63%

LAB 54.28, 22.31, -41.11

 

CMYK 0 / 40 / 36 / 21

HEX #C97880

RGB 201 120 128

HSL 354.07, 0.43%, 0.63%

LAB 59.35, 32.57, 9.3

 

CMYK 4 / 0 / 40 / 21

HEX #C1C978

RGB 193 201 120

HSL 65.93, 0.43%, 0.63%

LAB 78.73, -15.01, 39.5

 

CMYK 40 / 0 / 3 / 21

HEX #79CAC3

RGB 121 202 195

HSL 174.81, 0.43%, 0.63%

LAB 76.22, -26.41, -4.31

 

CMYK 24 / 40 / 0 / 21

HEX #9878C9

RGB 152 120 201

HSL 263.7, 0.43%, 0.63%

LAB 56.41, 29.1, -37.61

 

CMYK 0 / 40 / 36 / 21

HEX #C97880

RGB 201 120 128

HSL 354.07, 0.43%, 0.63%

LAB 59.35, 32.57, 9.3

 

CMYK 16 / 0 / 40 / 21

HEX #A8C978

RGB 168 201 120

HSL 84.44, 0.43%, 0.63%

LAB 76.95, -24.64, 36.87

 

Description

Color code: RGB 121 202 195 | qconv.com Color code: RGB 121 202 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 202 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 202 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 3% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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