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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 196 28 it is the complementary color RGB 134 59 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 196 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 196 28 shade: RGB 126 196 23, RGB 143 214 42, RGB 160 232 61, RGB 177 250 80 and RGB 194 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 196 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 104 178 9, RGB 87 160 0, RGB 70 142 0 and RGB 53 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 166 196 28, RGB 196 180 28, RGB 196 135 28 and RGB 196 89 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 75 196 28, RGB 30 196 28, RGB 28 196 71 and RGB 28 196 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 196 28 shade matches the following richer shades: RGB 121 196 28 and RGB 123 214 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 119 178 46, RGB 117 160 64, RGB 115 141 82 and RGB 113 123 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 196 28 shade: RGB 196 179 28, RGB 168 196 28, RGB 123 196 28, RGB 78 196 28 and RGB 33 196 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 196 28 shade: RGB 76 124 17, RGB 98 160 22, RGB 121 196 28, RGB 142 224 41 and RGB 161 229 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 28 196 134 and RGB 196 28 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 28 123 196 and RGB 196 28 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 28 196 134, RGB 100 28 196 and RGB 196 28 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 196 28 shade: RGB 121 196 28, RGB 28 196 185, RGB 100 28 196 and RGB 196 28 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

Complementary color

CMYK 41 / 74 / 0 / 11

HEX #863BE3

RGB 134 59 227

HSL 266.79, 0.75%, 0.56%

LAB 43.86, 63.45, -72.63

 

CMYK 36 / 0 / 88 / 23

HEX #7EC417

RGB 126 196 23

HSL 84.28, 0.79%, 0.43%

LAB 72.21, -45.57, 69.04

 

CMYK 33 / 0 / 80 / 16

HEX #8FD62A

RGB 143 214 42

HSL 84.77, 0.68%, 0.5%

LAB 78.52, -46.35, 70.54

 

CMYK 31 / 0 / 74 / 9

HEX #A0E83D

RGB 160 232 61

HSL 85.26, 0.79%, 0.57%

LAB 84.75, -46.92, 71.04

 

CMYK 29 / 0 / 68 / 2

HEX #B1FA50

RGB 177 250 80

HSL 85.76, 0.94%, 0.65%

LAB 90.92, -47.33, 70.9

 

CMYK 24 / 0 / 61 / 0

HEX #C2FF63

RGB 194 255 99

HSL 83.46, 1%, 0.69%

LAB 93.4, -42.03, 66.45

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 42 / 0 / 95 / 30

HEX #68B209

RGB 104 178 9

HSL 86.27, 0.9%, 0.37%

LAB 65.6, -46.21, 65.28

 

CMYK 46 / 0 / 100 / 37

HEX #57A000

RGB 87 160 0

HSL 87.38, 1%, 0.31%

LAB 59.13, -44.9, 61.04

 

CMYK 51 / 0 / 100 / 44

HEX #468E00

RGB 70 142 0

HSL 90.42, 1%, 0.28%

LAB 52.56, -43.32, 55.59

 

CMYK 57 / 0 / 100 / 51

HEX #357C00

RGB 53 124 0

HSL 94.35, 1%, 0.24%

LAB 45.87, -41.55, 50.04

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 15 / 0 / 86 / 23

HEX #A6C41C

RGB 166 196 28

HSL 70.71, 0.75%, 0.44%

LAB 74.62, -29.92, 71.03

 

CMYK 0 / 8 / 86 / 23

HEX #C4B41C

RGB 196 180 28

HSL 54.29, 0.75%, 0.44%

LAB 72.54, -9.14, 70.27

 

CMYK 0 / 31 / 86 / 23

HEX #C4871C

RGB 196 135 28

HSL 38.21, 0.75%, 0.44%

LAB 60.91, 15.01, 60.71

 

CMYK 0 / 55 / 86 / 23

HEX #C4591C

RGB 196 89 28

HSL 21.79, 0.75%, 0.44%

LAB 50.65, 39.57, 52.17

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 62 / 0 / 86 / 23

HEX #4BC41C

RGB 75 196 28

HSL 103.21, 0.75%, 0.44%

LAB 70.22, -60.72, 65.52

 

CMYK 85 / 0 / 86 / 23

HEX #1EC41C

RGB 30 196 28

HSL 119.29, 0.75%, 0.44%

LAB 69.36, -68.13, 64.43

 

CMYK 86 / 0 / 64 / 23

HEX #1CC447

RGB 28 196 71

HSL 135.36, 0.75%, 0.44%

LAB 69.6, -64.99, 50.14

 

CMYK 86 / 0 / 41 / 23

HEX #1CC474

RGB 28 196 116

HSL 151.43, 0.75%, 0.44%

LAB 70.17, -58.17, 29.1

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 43 / 0 / 96 / 16

HEX #7BD609

RGB 123 214 9

HSL 86.63, 0.92%, 0.44%

LAB 77.47, -54.12, 75.16

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 33 / 0 / 74 / 30

HEX #77B22E

RGB 119 178 46

HSL 86.82, 0.59%, 0.44%

LAB 66.49, -39.43, 57.56

 

CMYK 27 / 0 / 60 / 37

HEX #75A040

RGB 117 160 64

HSL 86.88, 0.43%, 0.44%

LAB 61.04, -30.6, 44.41

 

CMYK 18 / 0 / 42 / 45

HEX #738D52

RGB 115 141 82

HSL 86.44, 0.26%, 0.44%

LAB 55.38, -19.93, 28.47

 

CMYK 8 / 0 / 19 / 52

HEX #717B64

RGB 113 123 100

HSL 86.09, 0.1%, 0.44%

LAB 50.21, -8.21, 11.34

 

CMYK 0 / 9 / 86 / 23

HEX #C4B31C

RGB 196 179 28

HSL 53.93, 0.75%, 0.44%

LAB 72.27, -8.62, 70.05

 

CMYK 14 / 0 / 86 / 23

HEX #A8C41C

RGB 168 196 28

HSL 70, 0.75%, 0.44%

LAB 74.75, -29.09, 71.2

 

CMYK 37 / 0 / 86 / 23

HEX #7BC41C

RGB 123 196 28

HSL 86.07, 0.75%, 0.44%

LAB 72.08, -46.49, 67.86

 

CMYK 60 / 0 / 86 / 23

HEX #4EC41C

RGB 78 196 28

HSL 102.14, 0.75%, 0.44%

LAB 70.3, -60.01, 65.63

 

CMYK 83 / 0 / 86 / 23

HEX #21C41C

RGB 33 196 28

HSL 118.21, 0.75%, 0.44%

LAB 69.39, -67.83, 64.47

 

CMYK 39 / 0 / 86 / 51

HEX #4C7C11

RGB 76 124 17

HSL 86.92, 0.76%, 0.28%

LAB 46.96, -33.1, 47.65

 

CMYK 39 / 0 / 86 / 37

HEX #62A016

RGB 98 160 22

HSL 86.96, 0.76%, 0.36%

LAB 59.7, -40.5, 58.02

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 37 / 0 / 82 / 12

HEX #8EE029

RGB 142 224 41

HSL 86.89, 0.75%, 0.52%

LAB 81.41, -50.86, 73.37

 

CMYK 30 / 0 / 66 / 10

HEX #A1E54D

RGB 161 229 77

HSL 86.84, 0.75%, 0.6%

LAB 84.04, -44.27, 64.62

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 86 / 0 / 32 / 23

HEX #1CC486

RGB 28 196 134

HSL 157.86, 0.75%, 0.44%

LAB 70.49, -54.49, 20.05

 

CMYK 0 / 86 / 3 / 23

HEX #C41CBE

RGB 196 28 190

HSL 302.14, 0.75%, 0.44%

LAB 47.34, 76.51, -45.24

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 86 / 37 / 0 / 23

HEX #1C7BC4

RGB 28 123 196

HSL 206.07, 0.75%, 0.44%

LAB 49.98, 0.21, -45.39

 

CMYK 0 / 86 / 37 / 23

HEX #C41C7B

RGB 196 28 123

HSL 326.07, 0.75%, 0.44%

LAB 44.23, 68.09, -9.91

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 86 / 0 / 32 / 23

HEX #1CC486

RGB 28 196 134

HSL 157.86, 0.75%, 0.44%

LAB 70.49, -54.49, 20.05

 

CMYK 49 / 86 / 0 / 23

HEX #641CC4

RGB 100 28 196

HSL 265.71, 0.75%, 0.44%

LAB 32.97, 62.86, -72.74

 

CMYK 0 / 86 / 55 / 23

HEX #C41C59

RGB 196 28 89

HSL 338.21, 0.75%, 0.44%

LAB 43.19, 65.14, 9.77

 

CMYK 38 / 0 / 86 / 23

HEX #79C41C

RGB 121 196 28

HSL 86.79, 0.75%, 0.44%

LAB 71.98, -47.19, 67.74

 

CMYK 86 / 0 / 6 / 23

HEX #1CC4B9

RGB 28 196 185

HSL 176.07, 0.75%, 0.44%

LAB 71.71, -41.55, -5.82

 

CMYK 49 / 86 / 0 / 23

HEX #641CC4

RGB 100 28 196

HSL 265.71, 0.75%, 0.44%

LAB 32.97, 62.86, -72.74

 

CMYK 0 / 86 / 80 / 23

HEX #C41C27

RGB 196 28 39

HSL 356.07, 0.75%, 0.44%

LAB 42.33, 62.62, 39.28

 

Description

Color code: RGB 121 196 28 | qconv.com Color code: RGB 121 196 28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 196 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 196 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 86 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 86% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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