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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 132 119 it is the complementary color RGB 134 123 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 132 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 132 119 shade: RGB 126 132 114, RGB 143 150 133, RGB 160 168 152, RGB 177 186 171 and RGB 194 204 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 132 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 132 119 shade: RGB 121 132 119, RGB 104 114 100, RGB 87 96 81, RGB 70 78 62 and RGB 53 60 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 132 119 shade: RGB 120 131 118, RGB 123 131 118, RGB 127 131 118, RGB 130 131 118 and RGB 131 128 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 132 119 shade: RGB 120 131 118, RGB 118 131 120, RGB 118 131 123, RGB 118 131 126 and RGB 118 131 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 132 119 shade matches the following richer shades: RGB 120 131 118, RGB 106 151 98, RGB 92 171 78, RGB 78 191 58 and RGB 64 212 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 132 119 shade: RGB 120 131 118, RGB 134 110 138, RGB 148 90 159, RGB 162 70 179 and RGB 176 50 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 132 119 shade: RGB 127 131 118, RGB 124 131 118, RGB 120 131 118, RGB 118 131 119 and RGB 118 131 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 132 119 shade: RGB 80 87 79, RGB 100 109 99, RGB 120 131 118, RGB 141 151 140 and RGB 163 170 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 132 119 shade: RGB 121 132 119, RGB 118 130 131 and RGB 131 118 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 132 119 shade: RGB 121 132 119, RGB 118 120 131 and RGB 131 118 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 132 119 shade: RGB 121 132 119, RGB 118 130 131, RGB 129 118 131 and RGB 131 119 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 132 119 shade: RGB 121 132 119, RGB 118 127 131, RGB 129 118 131 and RGB 131 122 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

Complementary color

CMYK 1 / 10 / 0 / 47

HEX #867B88

RGB 134 123 136

HSL 290.77, 0.05%, 0.51%

LAB 52.96, 6.73, -5.53

 

CMYK 5 / 0 / 14 / 48

HEX #7E8472

RGB 126 132 114

HSL 80, 0.07%, 0.48%

LAB 54.19, -5.68, 8.97

 

CMYK 5 / 0 / 11 / 41

HEX #8F9685

RGB 143 150 133

HSL 84.71, 0.07%, 0.55%

LAB 61.09, -5.76, 8.1

 

CMYK 5 / 0 / 10 / 34

HEX #A0A898

RGB 160 168 152

HSL 90, 0.08%, 0.63%

LAB 67.83, -5.83, 7.29

 

CMYK 5 / 0 / 8 / 27

HEX #B1BAAB

RGB 177 186 171

HSL 96, 0.1%, 0.7%

LAB 74.45, -5.9, 6.52

 

CMYK 5 / 0 / 7 / 20

HEX #C2CCBE

RGB 194 204 190

HSL 102.86, 0.12%, 0.77%

LAB 80.95, -5.98, 5.79

 

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

CMYK 9 / 0 / 12 / 55

HEX #687264

RGB 104 114 100

HSL 102.86, 0.07%, 0.42%

LAB 46.84, -6.64, 6.48

 

CMYK 9 / 0 / 16 / 62

HEX #576051

RGB 87 96 81

HSL 96, 0.08%, 0.35%

LAB 39.56, -6.63, 7.4

 

CMYK 10 / 0 / 21 / 69

HEX #464E3E

RGB 70 78 62

HSL 90, 0.11%, 0.27%

LAB 32.03, -6.63, 8.41

 

CMYK 12 / 0 / 28 / 76

HEX #353C2B

RGB 53 60 43

HSL 84.71, 0.17%, 0.2%

LAB 24.2, -6.63, 9.56

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 6 / 0 / 10 / 49

HEX #7B8376

RGB 123 131 118

HSL 96.92, 0.05%, 0.49%

LAB 53.76, -5.53, 6.01

 

CMYK 3 / 0 / 10 / 49

HEX #7F8376

RGB 127 131 118

HSL 78.46, 0.05%, 0.49%

LAB 54.08, -4, 6.51

 

CMYK 1 / 0 / 10 / 49

HEX #828376

RGB 130 131 118

HSL 64.62, 0.05%, 0.49%

LAB 54.33, -2.84, 6.9

 

CMYK 0 / 2 / 10 / 49

HEX #838076

RGB 131 128 118

HSL 46.15, 0.05%, 0.49%

LAB 53.57, -0.75, 5.82

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 10 / 0 / 8 / 49

HEX #768378

RGB 118 131 120

HSL 129.23, 0.05%, 0.49%

LAB 53.43, -7.02, 4.32

 

CMYK 10 / 0 / 6 / 49

HEX #76837B

RGB 118 131 123

HSL 143.08, 0.05%, 0.49%

LAB 53.51, -6.42, 2.69

 

CMYK 10 / 0 / 4 / 49

HEX #76837E

RGB 118 131 126

HSL 156.92, 0.05%, 0.49%

LAB 53.59, -5.8, 1.07

 

CMYK 10 / 0 / 1 / 49

HEX #768382

RGB 118 131 130

HSL 175.38, 0.05%, 0.49%

LAB 53.7, -4.96, -1.09

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 30 / 0 / 35 / 41

HEX #6A9762

RGB 106 151 98

HSL 110.94, 0.21%, 0.49%

LAB 58.11, -26, 23.18

 

CMYK 46 / 0 / 54 / 33

HEX #5CAB4E

RGB 92 171 78

HSL 110.97, 0.37%, 0.49%

LAB 63.3, -42.69, 40.04

 

CMYK 59 / 0 / 70 / 25

HEX #4EBF3A

RGB 78 191 58

HSL 110.98, 0.53%, 0.49%

LAB 68.89, -56.42, 54.99

 

CMYK 70 / 0 / 83 / 17

HEX #40D425

RGB 64 212 37

HSL 110.74, 0.7%, 0.49%

LAB 75.02, -67.79, 67.59

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 3 / 20 / 0 / 46

HEX #866E8A

RGB 134 110 138

HSL 291.43, 0.11%, 0.49%

LAB 49.56, 14.77, -11.79

 

CMYK 7 / 43 / 0 / 38

HEX #945A9F

RGB 148 90 159

HSL 290.43, 0.28%, 0.49%

LAB 47.12, 35.51, -27.84

 

CMYK 9 / 61 / 0 / 30

HEX #A246B3

RGB 162 70 179

HSL 290.64, 0.44%, 0.49%

LAB 46.06, 53.81, -41.16

 

CMYK 12 / 75 / 0 / 22

HEX #B032C7

RGB 176 50 199

HSL 290.74, 0.6%, 0.49%

LAB 46.49, 68.61, -52.02

 

CMYK 3 / 0 / 10 / 49

HEX #7F8376

RGB 127 131 118

HSL 78.46, 0.05%, 0.49%

LAB 54.08, -4, 6.51

 

CMYK 5 / 0 / 10 / 49

HEX #7C8376

RGB 124 131 118

HSL 92.31, 0.05%, 0.49%

LAB 53.84, -5.15, 6.14

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 10 / 0 / 9 / 49

HEX #768377

RGB 118 131 119

HSL 124.62, 0.05%, 0.49%

LAB 53.4, -7.22, 4.86

 

CMYK 10 / 0 / 6 / 49

HEX #76837B

RGB 118 131 123

HSL 143.08, 0.05%, 0.49%

LAB 53.51, -6.42, 2.69

 

CMYK 8 / 0 / 9 / 66

HEX #50574F

RGB 80 87 79

HSL 112.5, 0.05%, 0.33%

LAB 36.15, -4.5, 3.7

 

CMYK 8 / 0 / 9 / 57

HEX #646D63

RGB 100 109 99

HSL 114, 0.05%, 0.41%

LAB 45.01, -5.51, 4.41

 

CMYK 8 / 0 / 10 / 49

HEX #788376

RGB 120 131 118

HSL 110.77, 0.05%, 0.49%

LAB 53.53, -6.66, 5.65

 

CMYK 7 / 0 / 7 / 41

HEX #8D978C

RGB 141 151 140

HSL 114.55, 0.05%, 0.57%

LAB 61.39, -5.75, 4.55

 

CMYK 4 / 0 / 5 / 33

HEX #A3AAA1

RGB 163 170 161

HSL 106.67, 0.05%, 0.65%

LAB 68.83, -4.18, 3.77

 

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

CMYK 10 / 1 / 0 / 49

HEX #768283

RGB 118 130 131

HSL 184.62, 0.05%, 0.49%

LAB 53.44, -4.18, -2.05

 

CMYK 0 / 10 / 5 / 49

HEX #83767D

RGB 131 118 125

HSL 327.69, 0.05%, 0.49%

LAB 50.99, 6.33, -2.01

 

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

CMYK 10 / 8 / 0 / 49

HEX #767883

RGB 118 120 131

HSL 230.77, 0.05%, 0.49%

LAB 50.6, 1.58, -6.26

 

CMYK 0 / 10 / 8 / 49

HEX #837678

RGB 131 118 120

HSL 350.77, 0.05%, 0.49%

LAB 50.85, 5.38, 0.72

 

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

CMYK 10 / 1 / 0 / 49

HEX #768283

RGB 118 130 131

HSL 184.62, 0.05%, 0.49%

LAB 53.44, -4.18, -2.05

 

CMYK 2 / 10 / 0 / 49

HEX #817683

RGB 129 118 131

HSL 290.77, 0.05%, 0.49%

LAB 50.99, 6.78, -5.57

 

CMYK 0 / 9 / 10 / 49

HEX #837776

RGB 131 119 118

HSL 4.62, 0.05%, 0.49%

LAB 51.07, 4.43, 2.22

 

CMYK 8 / 0 / 10 / 48

HEX #798477

RGB 121 132 119

HSL 110.77, 0.05%, 0.49%

LAB 53.92, -6.65, 5.64

 

CMYK 10 / 3 / 0 / 49

HEX #767F83

RGB 118 127 131

HSL 198.46, 0.05%, 0.49%

LAB 52.59, -2.47, -3.32

 

CMYK 2 / 10 / 0 / 49

HEX #817683

RGB 129 118 131

HSL 290.77, 0.05%, 0.49%

LAB 50.99, 6.78, -5.57

 

CMYK 0 / 7 / 10 / 49

HEX #837A76

RGB 131 122 118

HSL 18.46, 0.05%, 0.49%

LAB 51.9, 2.69, 3.42

 

Description

Color code: RGB 121 132 119 | qconv.com Color code: RGB 121 132 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 132 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 132 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 10 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 10% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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