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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 134 129 it is the complementary color RGB 134 121 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 134 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 134 129 shade: RGB 126 134 124, RGB 143 152 143, RGB 160 170 162, RGB 177 188 181 and RGB 194 206 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 134 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 134 129 shade: RGB 121 134 129, RGB 104 116 110, RGB 87 98 91, RGB 70 80 72 and RGB 53 62 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 134 129 shade: RGB 121 133 128, RGB 121 133 125, RGB 121 133 122, RGB 123 133 121 and RGB 127 133 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 134 129 shade: RGB 121 133 128, RGB 121 133 132, RGB 121 131 133, RGB 121 128 133 and RGB 121 125 133

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 134 129 shade matches the following richer shades: RGB 121 133 128, RGB 100 154 133, RGB 79 175 138, RGB 59 195 143 and RGB 38 216 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 134 129 shade: RGB 121 133 128, RGB 141 113 124, RGB 162 92 119, RGB 183 71 114 and RGB 203 51 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 134 129 shade: RGB 121 133 121, RGB 121 133 125, RGB 121 133 128, RGB 121 133 132 and RGB 121 132 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 134 129 shade: RGB 81 90 87, RGB 101 112 108, RGB 121 133 128, RGB 142 153 149 and RGB 164 173 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 134 129 shade: RGB 121 134 129, RGB 121 123 133 and RGB 133 123 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 134 129 shade: RGB 121 134 129, RGB 128 121 133 and RGB 133 128 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 134 129 shade: RGB 121 134 129, RGB 121 123 133, RGB 133 121 126 and RGB 133 131 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 134 129 shade: RGB 121 134 129, RGB 122 121 133, RGB 133 121 126 and RGB 132 133 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

Complementary color

CMYK 0 / 10 / 6 / 47

HEX #86797E

RGB 134 121 126

HSL 336.92, 0.05%, 0.5%

LAB 52.12, 5.92, -0.92

 

CMYK 6 / 0 / 7 / 47

HEX #7E867C

RGB 126 134 124

HSL 108, 0.04%, 0.51%

LAB 55.01, -4.93, 4.36

 

CMYK 6 / 0 / 6 / 40

HEX #8F988F

RGB 143 152 143

HSL 120, 0.04%, 0.58%

LAB 61.89, -5, 3.61

 

CMYK 6 / 0 / 5 / 33

HEX #A0AAA2

RGB 160 170 162

HSL 132, 0.06%, 0.65%

LAB 68.63, -5.06, 2.9

 

CMYK 6 / 0 / 4 / 26

HEX #B1BCB5

RGB 177 188 181

HSL 141.82, 0.08%, 0.72%

LAB 75.23, -5.13, 2.22

 

CMYK 6 / 0 / 3 / 19

HEX #C2CEC8

RGB 194 206 200

HSL 150, 0.11%, 0.78%

LAB 81.72, -5.19, 1.56

 

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

CMYK 10 / 0 / 5 / 55

HEX #68746E

RGB 104 116 110

HSL 150, 0.05%, 0.43%

LAB 47.7, -5.76, 1.78

 

CMYK 11 / 0 / 7 / 62

HEX #57625B

RGB 87 98 91

HSL 141.82, 0.06%, 0.36%

LAB 40.44, -5.77, 2.54

 

CMYK 13 / 0 / 10 / 69

HEX #465048

RGB 70 80 72

HSL 132, 0.07%, 0.29%

LAB 32.93, -5.79, 3.37

 

CMYK 15 / 0 / 15 / 76

HEX #353E35

RGB 53 62 53

HSL 120, 0.08%, 0.23%

LAB 25.13, -5.84, 4.29

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 9 / 0 / 6 / 48

HEX #79857D

RGB 121 133 125

HSL 140, 0.05%, 0.5%

LAB 54.37, -6.03, 2.8

 

CMYK 9 / 0 / 8 / 48

HEX #79857A

RGB 121 133 122

HSL 125, 0.05%, 0.5%

LAB 54.29, -6.63, 4.43

 

CMYK 8 / 0 / 9 / 48

HEX #7B8579

RGB 123 133 121

HSL 110, 0.05%, 0.5%

LAB 54.41, -6.08, 5.21

 

CMYK 5 / 0 / 9 / 48

HEX #7F8579

RGB 127 133 121

HSL 90, 0.05%, 0.5%

LAB 54.73, -4.57, 5.7

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 9 / 0 / 1 / 48

HEX #798584

RGB 121 133 132

HSL 175, 0.05%, 0.5%

LAB 54.56, -4.59, -0.97

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 9 / 4 / 0 / 48

HEX #798085

RGB 121 128 133

HSL 205, 0.05%, 0.5%

LAB 53.16, -1.53, -3.6

 

CMYK 9 / 6 / 0 / 48

HEX #797D85

RGB 121 125 133

HSL 220, 0.05%, 0.5%

LAB 52.32, 0.19, -4.86

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 35 / 0 / 14 / 40

HEX #649A85

RGB 100 154 133

HSL 156.67, 0.21%, 0.5%

LAB 59.45, -22.72, 5.38

 

CMYK 55 / 0 / 21 / 31

HEX #4FAF8A

RGB 79 175 138

HSL 156.88, 0.38%, 0.5%

LAB 65.09, -37.3, 10.51

 

CMYK 70 / 0 / 27 / 24

HEX #3BC38F

RGB 59 195 143

HSL 157.06, 0.54%, 0.5%

LAB 70.83, -48.55, 15.78

 

CMYK 82 / 0 / 31 / 15

HEX #26D894

RGB 38 216 148

HSL 157.08, 0.7%, 0.5%

LAB 77.08, -58.14, 21.71

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 0 / 20 / 12 / 45

HEX #8D717C

RGB 141 113 124

HSL 336.43, 0.11%, 0.5%

LAB 50.6, 12.91, -1.88

 

CMYK 0 / 43 / 27 / 36

HEX #A25C77

RGB 162 92 119

HSL 336.86, 0.28%, 0.5%

LAB 47.84, 32.1, -2.68

 

CMYK 0 / 61 / 38 / 28

HEX #B74772

RGB 183 71 114

HSL 336.96, 0.44%, 0.5%

LAB 46.7, 49.34, -0.97

 

CMYK 0 / 75 / 46 / 20

HEX #CB336D

RGB 203 51 109

HSL 337.11, 0.6%, 0.5%

LAB 47.19, 62.56, 3.23

 

CMYK 9 / 0 / 9 / 48

HEX #798579

RGB 121 133 121

HSL 120, 0.05%, 0.5%

LAB 54.26, -6.83, 4.97

 

CMYK 9 / 0 / 6 / 48

HEX #79857D

RGB 121 133 125

HSL 140, 0.05%, 0.5%

LAB 54.37, -6.03, 2.8

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 9 / 0 / 1 / 48

HEX #798584

RGB 121 133 132

HSL 175, 0.05%, 0.5%

LAB 54.56, -4.59, -0.97

 

CMYK 9 / 1 / 0 / 48

HEX #798485

RGB 121 132 133

HSL 185, 0.05%, 0.5%

LAB 54.3, -3.81, -1.93

 

CMYK 10 / 0 / 3 / 65

HEX #515A57

RGB 81 90 87

HSL 160, 0.05%, 0.34%

LAB 37.39, -4.19, 0.52

 

CMYK 10 / 0 / 4 / 56

HEX #65706C

RGB 101 112 108

HSL 158.18, 0.05%, 0.42%

LAB 46.23, -5, 0.8

 

CMYK 9 / 0 / 4 / 48

HEX #798580

RGB 121 133 128

HSL 155, 0.05%, 0.5%

LAB 54.45, -5.42, 1.18

 

CMYK 7 / 0 / 3 / 40

HEX #8E9995

RGB 142 153 149

HSL 158.18, 0.05%, 0.58%

LAB 62.26, -4.73, 0.74

 

CMYK 5 / 0 / 2 / 32

HEX #A4ADA9

RGB 164 173 169

HSL 153.33, 0.05%, 0.66%

LAB 69.93, -3.93, 0.95

 

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

CMYK 9 / 8 / 0 / 48

HEX #797B85

RGB 121 123 133

HSL 230, 0.05%, 0.5%

LAB 51.75, 1.35, -5.69

 

CMYK 0 / 8 / 9 / 48

HEX #857B79

RGB 133 123 121

HSL 10, 0.05%, 0.5%

LAB 52.43, 3.44, 2.46

 

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

CMYK 4 / 9 / 0 / 48

HEX #807985

RGB 128 121 133

HSL 275, 0.05%, 0.5%

LAB 51.79, 5.07, -5.57

 

CMYK 0 / 4 / 9 / 48

HEX #858079

RGB 133 128 121

HSL 35, 0.05%, 0.5%

LAB 53.82, 0.57, 4.46

 

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

CMYK 9 / 8 / 0 / 48

HEX #797B85

RGB 121 123 133

HSL 230, 0.05%, 0.5%

LAB 51.75, 1.35, -5.69

 

CMYK 0 / 9 / 5 / 48

HEX #85797E

RGB 133 121 126

HSL 335, 0.05%, 0.5%

LAB 52.03, 5.54, -1.06

 

CMYK 0 / 2 / 9 / 48

HEX #858379

RGB 133 131 121

HSL 50, 0.05%, 0.5%

LAB 54.66, -1.14, 5.66

 

CMYK 10 / 0 / 4 / 47

HEX #798681

RGB 121 134 129

HSL 156.92, 0.05%, 0.5%

LAB 54.76, -5.78, 1.06

 

CMYK 8 / 9 / 0 / 48

HEX #7A7985

RGB 122 121 133

HSL 245, 0.05%, 0.5%

LAB 51.27, 2.88, -6.4

 

CMYK 0 / 9 / 5 / 48

HEX #85797E

RGB 133 121 126

HSL 335, 0.05%, 0.5%

LAB 52.03, 5.54, -1.06

 

CMYK 1 / 0 / 9 / 48

HEX #848579

RGB 132 133 121

HSL 65, 0.05%, 0.5%

LAB 55.14, -2.65, 6.34

 

Description

Color code: RGB 121 134 129 | qconv.com Color code: RGB 121 134 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 134 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 134 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 4 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 4% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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