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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 100 40 it is the complementary color RGB 134 155 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 100 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 100 40 shade: RGB 126 100 35, RGB 143 118 54, RGB 160 136 73, RGB 177 154 92 and RGB 194 172 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 100 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 100 40 shade: RGB 121 100 40, RGB 104 82 21, RGB 87 64 2, RGB 70 46 0 and RGB 53 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 100 40 shade: RGB 122 101 40, RGB 122 79 40, RGB 122 57 40 and RGB 122 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 100 40 shade: RGB 122 101 40, RGB 121 122 40, RGB 99 122 40, RGB 77 122 40 and RGB 55 122 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 100 40 shade matches the following richer shades: RGB 122 101 40, RGB 135 107 27, RGB 148 113 14 and RGB 162 120 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 100 40 shade: RGB 122 101 40, RGB 109 94 54, RGB 95 88 67, RGB 82 82 80 and RGB 69 75 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 100 40 shade: RGB 122 57 40, RGB 122 78 40, RGB 122 100 40, RGB 122 122 40 and RGB 100 122 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 100 40 shade: RGB 60 50 20, RGB 91 75 30, RGB 122 101 40, RGB 153 126 51 and RGB 184 152 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 100 40 shade: RGB 121 100 40, RGB 46 122 40 and RGB 67 40 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 100 40 shade: RGB 121 100 40, RGB 40 122 100 and RGB 100 40 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 100 40 shade: RGB 121 100 40, RGB 46 122 40, RGB 40 62 122 and RGB 116 40 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 100 40 shade: RGB 121 100 40, RGB 40 122 59, RGB 40 62 122 and RGB 122 40 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

Complementary color

CMYK 38 / 28 / 0 / 16

HEX #869BD7

RGB 134 155 215

HSL 224.44, 0.5%, 0.68%

LAB 64.5, 7.33, -32.96

 

CMYK 0 / 21 / 72 / 51

HEX #7E6423

RGB 126 100 35

HSL 42.86, 0.57%, 0.32%

LAB 43.76, 3.07, 39.32

 

CMYK 0 / 17 / 62 / 44

HEX #8F7636

RGB 143 118 54

HSL 43.15, 0.45%, 0.39%

LAB 50.76, 1.86, 38.18

 

CMYK 0 / 15 / 54 / 37

HEX #A08849

RGB 160 136 73

HSL 43.45, 0.37%, 0.46%

LAB 57.62, 0.9, 36.86

 

CMYK 0 / 13 / 48 / 31

HEX #B19A5C

RGB 177 154 92

HSL 43.76, 0.35%, 0.53%

LAB 64.35, 0.12, 35.53

 

CMYK 0 / 11 / 43 / 24

HEX #C2AC6F

RGB 194 172 111

HSL 44.1, 0.4%, 0.6%

LAB 70.96, -0.52, 34.24

 

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

CMYK 0 / 21 / 80 / 59

HEX #685215

RGB 104 82 21

HSL 44.1, 0.66%, 0.25%

LAB 36.05, 2.39, 37.09

 

CMYK 0 / 26 / 98 / 66

HEX #574002

RGB 87 64 2

HSL 43.76, 0.96%, 0.17%

LAB 28.64, 4.17, 37.17

 

CMYK 0 / 34 / 100 / 73

HEX #462E00

RGB 70 46 0

HSL 39.43, 1%, 0.14%

LAB 21.04, 6.73, 29.93

 

CMYK 0 / 47 / 100 / 79

HEX #351C00

RGB 53 28 0

HSL 31.7, 1%, 0.1%

LAB 13.15, 9.64, 19.72

 

CMYK 0 / 17 / 67 / 52

HEX #7A6528

RGB 122 101 40

HSL 44.63, 0.51%, 0.32%

LAB 43.65, 0.91, 36.67

 

CMYK 0 / 35 / 67 / 52

HEX #7A4F28

RGB 122 79 40

HSL 28.54, 0.51%, 0.32%

LAB 37.63, 14, 29.96

 

CMYK 0 / 53 / 67 / 52

HEX #7A3928

RGB 122 57 40

HSL 12.44, 0.51%, 0.32%

LAB 32.3, 26.86, 23.68

 

CMYK 0 / 67 / 67 / 52

HEX #7A2828

RGB 122 40 40

HSL 0, 0.51%, 0.32%

LAB 28.92, 35.67, 19.53

 

CMYK 0 / 17 / 67 / 52

HEX #7A6528

RGB 122 101 40

HSL 44.63, 0.51%, 0.32%

LAB 43.65, 0.91, 36.67

 

CMYK 1 / 0 / 67 / 52

HEX #797A28

RGB 121 122 40

HSL 60.73, 0.51%, 0.32%

LAB 49.66, -11.46, 43.02

 

CMYK 19 / 0 / 67 / 52

HEX #637A28

RGB 99 122 40

HSL 76.83, 0.51%, 0.32%

LAB 47.91, -21.29, 40.65

 

CMYK 37 / 0 / 67 / 52

HEX #4D7A28

RGB 77 122 40

HSL 92.93, 0.51%, 0.32%

LAB 46.51, -30.28, 38.73

 

CMYK 55 / 0 / 67 / 52

HEX #377A28

RGB 55 122 40

HSL 109.02, 0.51%, 0.32%

LAB 45.48, -37.78, 37.31

 

CMYK 0 / 17 / 67 / 52

HEX #7A6528

RGB 122 101 40

HSL 44.63, 0.51%, 0.32%

LAB 43.65, 0.91, 36.67

 

CMYK 0 / 21 / 80 / 47

HEX #876B1B

RGB 135 107 27

HSL 44.44, 0.67%, 0.32%

LAB 46.64, 2.87, 45.88

 

CMYK 0 / 24 / 91 / 42

HEX #94710E

RGB 148 113 14

HSL 44.33, 0.83%, 0.32%

LAB 49.66, 5.15, 53.09

 

CMYK 0 / 26 / 99 / 36

HEX #A27801

RGB 162 120 1

HSL 44.35, 0.99%, 0.32%

LAB 53.08, 7.48, 58.93

 

CMYK 0 / 17 / 67 / 52

HEX #7A6528

RGB 122 101 40

HSL 44.63, 0.51%, 0.32%

LAB 43.65, 0.91, 36.67

 

CMYK 0 / 14 / 50 / 57

HEX #6D5E36

RGB 109 94 54

HSL 43.64, 0.34%, 0.32%

LAB 40.45, 0.17, 25.06

 

CMYK 0 / 7 / 29 / 63

HEX #5F5843

RGB 95 88 67

HSL 45, 0.17%, 0.32%

LAB 37.51, -0.9, 13.23

 

CMYK 0 / 0 / 2 / 68

HEX #525250

RGB 82 82 80

HSL 60, 0.01%, 0.32%

LAB 34.82, -0.42, 1.17

 

CMYK 26 / 19 / 0 / 64

HEX #454B5D

RGB 69 75 93

HSL 225, 0.15%, 0.32%

LAB 32.01, 2.12, -11.38

 

CMYK 0 / 53 / 67 / 52

HEX #7A3928

RGB 122 57 40

HSL 12.44, 0.51%, 0.32%

LAB 32.3, 26.86, 23.68

 

CMYK 0 / 36 / 67 / 52

HEX #7A4E28

RGB 122 78 40

HSL 27.8, 0.51%, 0.32%

LAB 37.37, 14.6, 29.66

 

CMYK 0 / 18 / 67 / 52

HEX #7A6428

RGB 122 100 40

HSL 43.9, 0.51%, 0.32%

LAB 43.37, 1.5, 36.37

 

CMYK 0 / 0 / 67 / 52

HEX #7A7A28

RGB 122 122 40

HSL 60, 0.51%, 0.32%

LAB 49.75, -11.01, 43.14

 

CMYK 18 / 0 / 67 / 52

HEX #647A28

RGB 100 122 40

HSL 76.1, 0.51%, 0.32%

LAB 47.98, -20.86, 40.75

 

CMYK 0 / 17 / 67 / 76

HEX #3C3214

RGB 60 50 20

HSL 45, 0.5%, 0.16%

LAB 21.18, 0.02, 20.45

 

CMYK 0 / 18 / 67 / 64

HEX #5B4B1E

RGB 91 75 30

HSL 44.26, 0.5%, 0.24%

LAB 32.59, 0.78, 28.69

 

CMYK 0 / 17 / 67 / 52

HEX #7A6528

RGB 122 101 40

HSL 44.63, 0.51%, 0.32%

LAB 43.65, 0.91, 36.67

 

CMYK 0 / 18 / 67 / 40

HEX #997E33

RGB 153 126 51

HSL 44.12, 0.5%, 0.4%

LAB 53.96, 1.67, 43.47

 

CMYK 0 / 17 / 67 / 28

HEX #B8983D

RGB 184 152 61

HSL 44.39, 0.5%, 0.48%

LAB 64.15, 1.78, 50.73

 

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

CMYK 62 / 0 / 67 / 52

HEX #2E7A28

RGB 46 122 40

HSL 115.61, 0.51%, 0.32%

LAB 45.16, -40.27, 36.86

 

CMYK 45 / 67 / 0 / 52

HEX #43287A

RGB 67 40 122

HSL 259.76, 0.51%, 0.32%

LAB 24.05, 32.74, -42.43

 

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

CMYK 67 / 0 / 18 / 52

HEX #287A64

RGB 40 122 100

HSL 163.9, 0.51%, 0.32%

LAB 46.03, -30.27, 4.88

 

CMYK 18 / 67 / 0 / 52

HEX #64287A

RGB 100 40 122

HSL 283.9, 0.51%, 0.32%

LAB 28.46, 40.6, -35.09

 

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

CMYK 62 / 0 / 67 / 52

HEX #2E7A28

RGB 46 122 40

HSL 115.61, 0.51%, 0.32%

LAB 45.16, -40.27, 36.86

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 5 / 67 / 0 / 52

HEX #74287A

RGB 116 40 122

HSL 295.61, 0.51%, 0.32%

LAB 30.96, 44.69, -30.96

 

CMYK 0 / 17 / 67 / 53

HEX #796428

RGB 121 100 40

HSL 44.44, 0.5%, 0.32%

LAB 43.26, 1.03, 36.22

 

CMYK 67 / 0 / 52 / 52

HEX #287A3B

RGB 40 122 59

HSL 133.9, 0.51%, 0.32%

LAB 45.2, -39.12, 27.28

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 0 / 67 / 16 / 52

HEX #7A2867

RGB 122 40 103

HSL 313.9, 0.51%, 0.32%

LAB 30.96, 42.96, -18.81

 

Description

Color code: RGB 121 100 40 | qconv.com Color code: RGB 121 100 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 100 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 100 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 67 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 67% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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