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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 0 179 it is the complementary color RGB 134 255 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 0 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 0 179 shade: RGB 126 0 174, RGB 143 18 193, RGB 160 36 212, RGB 177 54 231 and RGB 194 72 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 0 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 0 179 shade: RGB 121 0 179, RGB 104 0 160, RGB 87 0 141, RGB 70 0 122 and RGB 53 0 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 0 179 shade: RGB 120 0 178, RGB 168 0 178, RGB 178 0 140, RGB 178 0 91 and RGB 178 0 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 0 179 shade: RGB 120 0 178, RGB 72 0 178, RGB 24 0 178 and RGB 0 0 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 0 179 shade matches the following richer shades: RGB 120 0 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 0 179 shade: RGB 120 0 178, RGB 115 14 164, RGB 110 28 149, RGB 105 43 135 and RGB 100 57 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 0 179 shade: RGB 23 0 178, RGB 71 0 178, RGB 119 0 178, RGB 166 0 178 and RGB 178 0 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 0 179 shade: RGB 64 0 95, RGB 92 0 137, RGB 120 0 178, RGB 148 0 219 and RGB 174 6 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 0 179 shade: RGB 121 0 179, RGB 178 0 23 and RGB 0 178 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 0 179 shade: RGB 121 0 179, RGB 178 118 0 and RGB 0 178 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 0 179 shade: RGB 121 0 179, RGB 178 0 23, RGB 59 178 0 and RGB 0 178 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 0 179 shade: RGB 121 0 179, RGB 178 29 0, RGB 59 178 0 and RGB 0 148 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

Complementary color

CMYK 47 / 0 / 70 / 0

HEX #86FF4C

RGB 134 255 76

HSL 100.56, 1%, 0.65%

LAB 90.37, -63.41, 71.15

 

CMYK 28 / 100 / 0 / 32

HEX #7E00AE

RGB 126 0 174

HSL 283.45, 1%, 0.34%

LAB 32.9, 66.69, -59.68

 

CMYK 26 / 91 / 0 / 24

HEX #8F12C1

RGB 143 18 193

HSL 282.86, 0.83%, 0.41%

LAB 38.06, 70.06, -62.41

 

CMYK 25 / 83 / 0 / 17

HEX #A024D4

RGB 160 36 212

HSL 282.27, 0.71%, 0.49%

LAB 43.49, 72.31, -64.5

 

CMYK 23 / 77 / 0 / 9

HEX #B136E7

RGB 177 54 231

HSL 281.69, 0.79%, 0.56%

LAB 49.2, 73.47, -65.96

 

CMYK 22 / 71 / 0 / 2

HEX #C248FA

RGB 194 72 250

HSL 281.12, 0.95%, 0.63%

LAB 55.08, 73.92, -66.99

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 35 / 100 / 0 / 37

HEX #6800A0

RGB 104 0 160

HSL 279, 1%, 0.31%

LAB 28.06, 61.28, -59.29

 

CMYK 38 / 100 / 0 / 45

HEX #57008D

RGB 87 0 141

HSL 277.02, 1%, 0.28%

LAB 23.5, 55.39, -55.17

 

CMYK 43 / 100 / 0 / 52

HEX #46007A

RGB 70 0 122

HSL 274.43, 1%, 0.24%

LAB 18.83, 49.38, -50.95

 

CMYK 49 / 100 / 0 / 60

HEX #350067

RGB 53 0 103

HSL 270.87, 1%, 0.2%

LAB 14.04, 43.23, -46.6

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 6 / 100 / 0 / 30

HEX #A800B2

RGB 168 0 178

HSL 296.63, 1%, 0.35%

LAB 40.47, 73.41, -49.45

 

CMYK 0 / 100 / 21 / 30

HEX #B2008C

RGB 178 0 140

HSL 312.81, 1%, 0.35%

LAB 40.18, 69.86, -26.88

 

CMYK 0 / 100 / 49 / 30

HEX #B2005B

RGB 178 0 91

HSL 329.33, 1%, 0.35%

LAB 38.23, 64.85, 0.92

 

CMYK 0 / 100 / 76 / 30

HEX #B2002B

RGB 178 0 43

HSL 345.51, 1%, 0.35%

LAB 37.19, 62.05, 30.27

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 60 / 100 / 0 / 30

HEX #4800B2

RGB 72 0 178

HSL 264.27, 1%, 0.35%

LAB 25.54, 62.44, -74.48

 

CMYK 87 / 100 / 0 / 30

HEX #1800B2

RGB 24 0 178

HSL 248.09, 1%, 0.35%

LAB 21.61, 60.71, -81.13

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 30 / 91 / 0 / 36

HEX #730EA4

RGB 115 14 164

HSL 280.4, 0.84%, 0.35%

LAB 30.97, 61.14, -56.89

 

CMYK 26 / 81 / 0 / 42

HEX #6E1C95

RGB 110 28 149

HSL 280.66, 0.68%, 0.35%

LAB 30.19, 53.59, -49.04

 

CMYK 22 / 68 / 0 / 47

HEX #692B87

RGB 105 43 135

HSL 280.43, 0.52%, 0.35%

LAB 30.59, 43.29, -39.79

 

CMYK 17 / 53 / 0 / 53

HEX #643978

RGB 100 57 120

HSL 280.95, 0.36%, 0.35%

LAB 31.79, 30.91, -28.55

 

CMYK 87 / 100 / 0 / 30

HEX #1700B2

RGB 23 0 178

HSL 247.75, 1%, 0.35%

LAB 21.57, 60.7, -81.2

 

CMYK 60 / 100 / 0 / 30

HEX #4700B2

RGB 71 0 178

HSL 263.93, 1%, 0.35%

LAB 25.42, 62.38, -74.67

 

CMYK 33 / 100 / 0 / 30

HEX #7700B2

RGB 119 0 178

HSL 280.11, 1%, 0.35%

LAB 32.12, 66.62, -63.4

 

CMYK 7 / 100 / 0 / 30

HEX #A600B2

RGB 166 0 178

HSL 295.96, 1%, 0.35%

LAB 40.12, 73.1, -50.04

 

CMYK 0 / 100 / 20 / 30

HEX #B2008E

RGB 178 0 142

HSL 312.13, 1%, 0.35%

LAB 40.28, 70.1, -27.95

 

CMYK 33 / 100 / 0 / 63

HEX #40005F

RGB 64 0 95

HSL 280.42, 1%, 0.19%

LAB 15.04, 42.69, -39.56

 

CMYK 33 / 100 / 0 / 46

HEX #5C0089

RGB 92 0 137

HSL 280.29, 1%, 0.27%

LAB 23.94, 55.15, -51.93

 

CMYK 33 / 100 / 0 / 30

HEX #7800B2

RGB 120 0 178

HSL 280.45, 1%, 0.35%

LAB 32.27, 66.74, -63.14

 

CMYK 32 / 100 / 0 / 14

HEX #9400DB

RGB 148 0 219

HSL 280.55, 1%, 0.43%

LAB 40.26, 77.84, -73.87

 

CMYK 32 / 98 / 0 / 0

HEX #AE06FF

RGB 174 6 255

HSL 280.48, 1%, 0.51%

LAB 47.43, 86.92, -82.34

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 0 / 100 / 87 / 30

HEX #B20017

RGB 178 0 23

HSL 352.25, 1%, 0.35%

LAB 36.98, 61.48, 41.62

 

CMYK 100 / 0 / 74 / 30

HEX #00B22F

RGB 0 178 47

HSL 135.84, 1%, 0.35%

LAB 63.38, -63.61, 53.07

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 0 / 34 / 100 / 30

HEX #B27600

RGB 178 118 0

HSL 39.78, 1%, 0.35%

LAB 54.47, 15.91, 60.97

 

CMYK 100 / 0 / 34 / 30

HEX #00B276

RGB 0 178 118

HSL 159.78, 1%, 0.35%

LAB 64.28, -52.71, 20.13

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 0 / 100 / 87 / 30

HEX #B20017

RGB 178 0 23

HSL 352.25, 1%, 0.35%

LAB 36.98, 61.48, 41.62

 

CMYK 67 / 0 / 100 / 30

HEX #3BB200

RGB 59 178 0

HSL 100.11, 1%, 0.35%

LAB 63.97, -59.06, 64.45

 

CMYK 100 / 0 / 13 / 30

HEX #00B29A

RGB 0 178 154

HSL 171.91, 1%, 0.35%

LAB 65.1, -43.73, 1.5

 

CMYK 32 / 100 / 0 / 30

HEX #7900B3

RGB 121 0 179

HSL 280.56, 1%, 0.35%

LAB 32.52, 67.05, -63.32

 

CMYK 0 / 84 / 100 / 30

HEX #B21D00

RGB 178 29 0

HSL 9.78, 1%, 0.35%

LAB 38.45, 56.61, 51.92

 

CMYK 67 / 0 / 100 / 30

HEX #3BB200

RGB 59 178 0

HSL 100.11, 1%, 0.35%

LAB 63.97, -59.06, 64.45

 

CMYK 100 / 17 / 0 / 30

HEX #0094B2

RGB 0 148 178

HSL 190.11, 1%, 0.35%

LAB 56.48, -21.99, -24.94

 

Description

Color code: RGB 121 0 179 | qconv.com Color code: RGB 121 0 179 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, none green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 0 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 100 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 100% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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