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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 99 47 it is the complementary color RGB 135 156 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 99 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 99 47 shade: RGB 125 99 42, RGB 142 117 61, RGB 159 135 80, RGB 176 153 99 and RGB 193 171 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 99 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 99 47 shade: RGB 120 99 47, RGB 103 81 28, RGB 86 63 9, RGB 69 45 0 and RGB 52 27 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 99 47 shade: RGB 121 99 47, RGB 121 79 47, RGB 121 59 47 and RGB 121 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 99 47 shade: RGB 121 99 47, RGB 121 119 47, RGB 102 121 47, RGB 82 121 47 and RGB 62 121 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 99 47 shade matches the following richer shades: RGB 121 99 47, RGB 134 105 33, RGB 148 111 19 and RGB 162 117 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 99 47 shade: RGB 121 99 47, RGB 107 94 60, RGB 93 88 74, RGB 80 82 87 and RGB 66 76 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 99 47 shade: RGB 121 59 47, RGB 121 79 47, RGB 121 98 47, RGB 121 118 47 and RGB 103 121 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 99 47 shade: RGB 61 50 24, RGB 91 75 35, RGB 121 99 47, RGB 150 124 58 and RGB 180 148 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 99 47 shade: RGB 120 99 47, RGB 54 121 47 and RGB 69 47 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 99 47 shade: RGB 120 99 47, RGB 47 121 98 and RGB 98 47 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 99 47 shade: RGB 120 99 47, RGB 54 121 47, RGB 47 69 121 and RGB 113 47 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 99 47 shade: RGB 120 99 47, RGB 47 121 61, RGB 47 69 121 and RGB 121 47 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

Complementary color

CMYK 35 / 25 / 0 / 18

HEX #879CD0

RGB 135 156 208

HSL 222.74, 0.44%, 0.67%

LAB 64.55, 5.17, -28.99

 

CMYK 0 / 21 / 66 / 51

HEX #7D632A

RGB 125 99 42

HSL 41.2, 0.5%, 0.33%

LAB 43.43, 3.64, 35.53

 

CMYK 0 / 18 / 57 / 44

HEX #8E753D

RGB 142 117 61

HSL 41.48, 0.4%, 0.4%

LAB 50.46, 2.54, 34.18

 

CMYK 0 / 15 / 50 / 38

HEX #9F8750

RGB 159 135 80

HSL 41.77, 0.33%, 0.47%

LAB 57.35, 1.68, 32.8

 

CMYK 0 / 13 / 44 / 31

HEX #B09963

RGB 176 153 99

HSL 42.08, 0.33%, 0.54%

LAB 64.09, 0.97, 31.47

 

CMYK 0 / 11 / 39 / 24

HEX #C1AB76

RGB 193 171 118

HSL 42.4, 0.38%, 0.61%

LAB 70.71, 0.39, 30.22

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 0 / 21 / 73 / 60

HEX #67511C

RGB 103 81 28

HSL 42.4, 0.57%, 0.26%

LAB 35.7, 2.89, 33.48

 

CMYK 0 / 27 / 90 / 66

HEX #563F09

RGB 86 63 9

HSL 42.08, 0.81%, 0.19%

LAB 28.26, 4.55, 33.98

 

CMYK 0 / 35 / 100 / 73

HEX #452D00

RGB 69 45 0

HSL 39.13, 1%, 0.14%

LAB 20.6, 6.85, 29.41

 

CMYK 0 / 48 / 100 / 80

HEX #341B00

RGB 52 27 0

HSL 31.15, 1%, 0.1%

LAB 12.7, 9.78, 19.07

 

CMYK 0 / 18 / 61 / 53

HEX #79632F

RGB 121 99 47

HSL 42.16, 0.44%, 0.33%

LAB 43.05, 2.15, 32.37

 

CMYK 0 / 35 / 61 / 53

HEX #794F2F

RGB 121 79 47

HSL 25.95, 0.44%, 0.33%

LAB 37.59, 14.08, 25.9

 

CMYK 0 / 51 / 61 / 53

HEX #793B2F

RGB 121 59 47

HSL 9.73, 0.44%, 0.33%

LAB 32.7, 25.85, 19.81

 

CMYK 0 / 61 / 61 / 53

HEX #792F2F

RGB 121 47 47

HSL 0, 0.44%, 0.33%

LAB 30.16, 32.36, 16.55

 

CMYK 0 / 18 / 61 / 53

HEX #79632F

RGB 121 99 47

HSL 42.16, 0.44%, 0.33%

LAB 43.05, 2.15, 32.37

 

CMYK 0 / 2 / 61 / 53

HEX #79772F

RGB 121 119 47

HSL 58.38, 0.44%, 0.33%

LAB 48.84, -9.31, 38.91

 

CMYK 16 / 0 / 61 / 53

HEX #66792F

RGB 102 121 47

HSL 75.41, 0.44%, 0.33%

LAB 47.89, -18.88, 37.41

 

CMYK 32 / 0 / 61 / 53

HEX #52792F

RGB 82 121 47

HSL 91.62, 0.44%, 0.33%

LAB 46.54, -27.18, 35.53

 

CMYK 49 / 0 / 61 / 53

HEX #3E792F

RGB 62 121 47

HSL 107.84, 0.44%, 0.33%

LAB 45.5, -34.39, 34.07

 

CMYK 0 / 18 / 61 / 53

HEX #79632F

RGB 121 99 47

HSL 42.16, 0.44%, 0.33%

LAB 43.05, 2.15, 32.37

 

CMYK 0 / 22 / 75 / 47

HEX #866921

RGB 134 105 33

HSL 42.77, 0.6%, 0.33%

LAB 46.02, 3.83, 42.8

 

CMYK 0 / 25 / 87 / 42

HEX #946F13

RGB 148 111 19

HSL 42.79, 0.77%, 0.33%

LAB 49.14, 6.41, 51.34

 

CMYK 0 / 28 / 96 / 36

HEX #A27506

RGB 162 117 6

HSL 42.69, 0.93%, 0.33%

LAB 52.31, 9.26, 57.42

 

CMYK 0 / 18 / 61 / 53

HEX #79632F

RGB 121 99 47

HSL 42.16, 0.44%, 0.33%

LAB 43.05, 2.15, 32.37

 

CMYK 0 / 12 / 44 / 58

HEX #6B5E3C

RGB 107 94 60

HSL 43.4, 0.28%, 0.33%

LAB 40.34, -0.06, 21.4

 

CMYK 0 / 5 / 20 / 64

HEX #5D584A

RGB 93 88 74

HSL 44.21, 0.11%, 0.33%

LAB 37.48, -0.63, 8.85

 

CMYK 8 / 6 / 0 / 66

HEX #505257

RGB 80 82 87

HSL 222.86, 0.04%, 0.33%

LAB 34.86, 0.32, -3.2

 

CMYK 35 / 25 / 0 / 60

HEX #424C65

RGB 66 76 101

HSL 222.86, 0.21%, 0.33%

LAB 32.41, 2.72, -15.86

 

CMYK 0 / 51 / 61 / 53

HEX #793B2F

RGB 121 59 47

HSL 9.73, 0.44%, 0.33%

LAB 32.7, 25.85, 19.81

 

CMYK 0 / 35 / 61 / 53

HEX #794F2F

RGB 121 79 47

HSL 25.95, 0.44%, 0.33%

LAB 37.59, 14.08, 25.9

 

CMYK 0 / 19 / 61 / 53

HEX #79622F

RGB 121 98 47

HSL 41.35, 0.44%, 0.33%

LAB 42.77, 2.73, 32.05

 

CMYK 0 / 2 / 61 / 53

HEX #79762F

RGB 121 118 47

HSL 57.57, 0.44%, 0.33%

LAB 48.54, -8.75, 38.58

 

CMYK 15 / 0 / 61 / 53

HEX #67792F

RGB 103 121 47

HSL 74.59, 0.44%, 0.33%

LAB 47.96, -18.45, 37.52

 

CMYK 0 / 18 / 61 / 76

HEX #3D3218

RGB 61 50 24

HSL 42.16, 0.44%, 0.17%

LAB 21.35, 0.94, 18.25

 

CMYK 0 / 18 / 62 / 64

HEX #5B4B23

RGB 91 75 35

HSL 42.86, 0.44%, 0.25%

LAB 32.65, 1.21, 26.01

 

CMYK 0 / 18 / 61 / 53

HEX #79632F

RGB 121 99 47

HSL 42.16, 0.44%, 0.33%

LAB 43.05, 2.15, 32.37

 

CMYK 0 / 17 / 61 / 41

HEX #967C3A

RGB 150 124 58

HSL 43.04, 0.44%, 0.41%

LAB 53.17, 1.93, 39.09

 

CMYK 0 / 18 / 61 / 29

HEX #B49446

RGB 180 148 70

HSL 42.55, 0.44%, 0.49%

LAB 62.78, 2.81, 44.9

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 55 / 0 / 61 / 53

HEX #36792F

RGB 54 121 47

HSL 114.32, 0.44%, 0.33%

LAB 45.17, -36.86, 33.6

 

CMYK 43 / 61 / 0 / 53

HEX #452F79

RGB 69 47 121

HSL 257.84, 0.44%, 0.33%

LAB 25.8, 28.63, -38.96

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 61 / 0 / 19 / 53

HEX #2F7962

RGB 47 121 98

HSL 161.35, 0.44%, 0.33%

LAB 45.85, -28.89, 5.84

 

CMYK 19 / 61 / 0 / 53

HEX #622F79

RGB 98 47 121

HSL 281.35, 0.44%, 0.33%

LAB 29.44, 36.23, -32.92

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 55 / 0 / 61 / 53

HEX #36792F

RGB 54 121 47

HSL 114.32, 0.44%, 0.33%

LAB 45.17, -36.86, 33.6

 

CMYK 61 / 43 / 0 / 53

HEX #2F4579

RGB 47 69 121

HSL 222.16, 0.44%, 0.33%

LAB 30.01, 8.74, -32.31

 

CMYK 7 / 61 / 0 / 53

HEX #712F79

RGB 113 47 121

HSL 293.51, 0.44%, 0.33%

LAB 31.63, 40.38, -29.3

 

CMYK 0 / 18 / 61 / 53

HEX #78632F

RGB 120 99 47

HSL 42.74, 0.44%, 0.33%

LAB 42.95, 1.68, 32.22

 

CMYK 61 / 0 / 50 / 53

HEX #2F793D

RGB 47 121 61

HSL 131.35, 0.44%, 0.33%

LAB 45.1, -36.74, 26.12

 

CMYK 61 / 43 / 0 / 53

HEX #2F4579

RGB 47 69 121

HSL 222.16, 0.44%, 0.33%

LAB 30.01, 8.74, -32.31

 

CMYK 0 / 61 / 12 / 53

HEX #792F6A

RGB 121 47 106

HSL 312.16, 0.44%, 0.33%

LAB 32.12, 39.91, -18.95

 

Description

Color code: RGB 120 99 47 | qconv.com Color code: RGB 120 99 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 99 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 99 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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