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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 89 108 it is the complementary color RGB 135 166 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 89 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 89 108 shade: RGB 125 89 103, RGB 142 107 122, RGB 159 125 141, RGB 176 143 160 and RGB 193 161 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 89 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 89 108 shade: RGB 120 89 108, RGB 103 71 89, RGB 86 53 70, RGB 69 35 51 and RGB 52 17 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 89 108 shade: RGB 120 88 108, RGB 120 88 99, RGB 120 88 91 and RGB 120 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 89 108 shade: RGB 120 88 108, RGB 120 88 116, RGB 115 88 120, RGB 107 88 120 and RGB 98 88 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 89 108 shade matches the following richer shades: RGB 120 88 108, RGB 137 71 111, RGB 154 55 115, RGB 170 38 119 and RGB 187 21 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 89 108 shade: RGB 120 88 108, RGB 103 105 104, RGB 86 122 100, RGB 69 139 96 and RGB 52 156 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 89 108 shade: RGB 115 88 120, RGB 120 88 116, RGB 120 88 108, RGB 120 88 99 and RGB 120 88 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 89 108 shade: RGB 72 53 65, RGB 96 71 86, RGB 120 88 108, RGB 143 106 129 and RGB 162 129 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 89 108 shade: RGB 120 89 108, RGB 120 107 88 and RGB 88 120 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 89 108 shade: RGB 120 89 108, RGB 108 120 88 and RGB 88 108 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 89 108 shade: RGB 120 89 108, RGB 120 107 88, RGB 88 120 100 and RGB 88 101 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 89 108 shade: RGB 120 89 108, RGB 120 116 88, RGB 88 120 100 and RGB 88 92 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

Complementary color

CMYK 19 / 0 / 11 / 35

HEX #87A693

RGB 135 166 147

HSL 143.23, 0.15%, 0.59%

LAB 65.38, -14.58, 6.32

 

CMYK 0 / 29 / 18 / 51

HEX #7D5967

RGB 125 89 103

HSL 336.67, 0.17%, 0.42%

LAB 41.98, 17.14, -2.13

 

CMYK 0 / 25 / 14 / 44

HEX #8E6B7A

RGB 142 107 122

HSL 334.29, 0.14%, 0.49%

LAB 49.09, 16.45, -2.9

 

CMYK 0 / 21 / 11 / 38

HEX #9F7D8D

RGB 159 125 141

HSL 331.76, 0.15%, 0.56%

LAB 56.05, 15.84, -3.61

 

CMYK 0 / 19 / 9 / 31

HEX #B08FA0

RGB 176 143 160

HSL 329.09, 0.17%, 0.63%

LAB 62.85, 15.3, -4.27

 

CMYK 0 / 17 / 7 / 24

HEX #C1A1B3

RGB 193 161 179

HSL 326.25, 0.21%, 0.69%

LAB 69.53, 14.81, -4.88

 

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

CMYK 0 / 31 / 14 / 60

HEX #674759

RGB 103 71 89

HSL 326.25, 0.18%, 0.34%

LAB 34.21, 16.82, -5.16

 

CMYK 0 / 38 / 19 / 66

HEX #563546

RGB 86 53 70

HSL 329.09, 0.24%, 0.27%

LAB 26.64, 17.66, -4.35

 

CMYK 0 / 49 / 26 / 73

HEX #452333

RGB 69 35 51

HSL 331.76, 0.33%, 0.2%

LAB 18.83, 18.62, -3.31

 

CMYK 0 / 67 / 38 / 80

HEX #341120

RGB 52 17 32

HSL 334.29, 0.51%, 0.14%

LAB 10.81, 19.58, -1.78

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 0 / 27 / 18 / 53

HEX #785863

RGB 120 88 99

HSL 339.38, 0.15%, 0.41%

LAB 41.01, 15.05, -1.15

 

CMYK 0 / 27 / 24 / 53

HEX #78585B

RGB 120 88 91

HSL 354.38, 0.15%, 0.41%

LAB 40.78, 13.69, 3.44

 

CMYK 0 / 27 / 27 / 53

HEX #785858

RGB 120 88 88

HSL 0, 0.15%, 0.41%

LAB 40.7, 13.21, 5.17

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 0 / 27 / 3 / 53

HEX #785874

RGB 120 88 116

HSL 307.5, 0.15%, 0.41%

LAB 41.58, 18.26, -10.74

 

CMYK 4 / 27 / 0 / 53

HEX #735878

RGB 115 88 120

HSL 290.63, 0.15%, 0.41%

LAB 41.18, 17.26, -13.84

 

CMYK 11 / 27 / 0 / 53

HEX #6B5878

RGB 107 88 120

HSL 275.63, 0.15%, 0.41%

LAB 40.35, 14.37, -15.2

 

CMYK 18 / 27 / 0 / 53

HEX #625878

RGB 98 88 120

HSL 258.75, 0.15%, 0.41%

LAB 39.47, 11.17, -16.62

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 0 / 48 / 19 / 46

HEX #89476F

RGB 137 71 111

HSL 323.64, 0.32%, 0.41%

LAB 39.53, 33.44, -10.54

 

CMYK 0 / 64 / 25 / 40

HEX #9A3773

RGB 154 55 115

HSL 323.64, 0.47%, 0.41%

LAB 39.31, 47.59, -13.12

 

CMYK 0 / 78 / 30 / 33

HEX #AA2677

RGB 170 38 119

HSL 323.18, 0.63%, 0.41%

LAB 40.02, 58.87, -14.27

 

CMYK 0 / 89 / 34 / 27

HEX #BB157B

RGB 187 21 123

HSL 323.13, 0.8%, 0.41%

LAB 42.05, 67.29, -13.37

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 2 / 0 / 1 / 59

HEX #676968

RGB 103 105 104

HSL 150, 0.01%, 0.41%

LAB 44.21, -0.98, 0.28

 

CMYK 30 / 0 / 18 / 52

HEX #567A64

RGB 86 122 100

HSL 143.33, 0.17%, 0.41%

LAB 48.03, -17.73, 8

 

CMYK 50 / 0 / 31 / 45

HEX #458B60

RGB 69 139 96

HSL 143.14, 0.34%, 0.41%

LAB 52.48, -32.39, 16.38

 

CMYK 67 / 0 / 41 / 39

HEX #349C5C

RGB 52 156 92

HSL 143.08, 0.5%, 0.41%

LAB 57.35, -44.54, 25.03

 

CMYK 4 / 27 / 0 / 53

HEX #735878

RGB 115 88 120

HSL 290.63, 0.15%, 0.41%

LAB 41.18, 17.26, -13.84

 

CMYK 0 / 27 / 3 / 53

HEX #785874

RGB 120 88 116

HSL 307.5, 0.15%, 0.41%

LAB 41.58, 18.26, -10.74

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 0 / 27 / 18 / 53

HEX #785863

RGB 120 88 99

HSL 339.38, 0.15%, 0.41%

LAB 41.01, 15.05, -1.15

 

CMYK 0 / 27 / 24 / 53

HEX #78585B

RGB 120 88 91

HSL 354.38, 0.15%, 0.41%

LAB 40.78, 13.69, 3.44

 

CMYK 0 / 26 / 10 / 72

HEX #483541

RGB 72 53 65

HSL 322.11, 0.15%, 0.25%

LAB 24.66, 10.84, -4.16

 

CMYK 0 / 26 / 10 / 62

HEX #604756

RGB 96 71 86

HSL 324, 0.15%, 0.33%

LAB 33.28, 13.43, -4.74

 

CMYK 0 / 27 / 10 / 53

HEX #78586C

RGB 120 88 108

HSL 322.5, 0.15%, 0.41%

LAB 41.3, 16.7, -6.25

 

CMYK 0 / 26 / 10 / 44

HEX #8F6A81

RGB 143 106 129

HSL 322.7, 0.15%, 0.49%

LAB 49.17, 18.67, -6.95

 

CMYK 0 / 20 / 8 / 36

HEX #A28195

RGB 162 129 149

HSL 323.64, 0.15%, 0.57%

LAB 57.61, 16.1, -5.89

 

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

CMYK 0 / 11 / 27 / 53

HEX #786B58

RGB 120 107 88

HSL 35.63, 0.15%, 0.41%

LAB 45.92, 1.87, 12.53

 

CMYK 27 / 0 / 1 / 53

HEX #587877

RGB 88 120 119

HSL 178.13, 0.15%, 0.41%

LAB 48.06, -11.61, -3.17

 

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

CMYK 10 / 0 / 27 / 53

HEX #6C7858

RGB 108 120 88

HSL 82.5, 0.15%, 0.41%

LAB 48.67, -10.58, 16.13

 

CMYK 27 / 10 / 0 / 53

HEX #586C78

RGB 88 108 120

HSL 202.5, 0.15%, 0.41%

LAB 44.46, -4.45, -9.13

 

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

CMYK 0 / 11 / 27 / 53

HEX #786B58

RGB 120 107 88

HSL 35.63, 0.15%, 0.41%

LAB 45.92, 1.87, 12.53

 

CMYK 27 / 0 / 17 / 53

HEX #587864

RGB 88 120 100

HSL 142.5, 0.15%, 0.41%

LAB 47.53, -15.95, 7.31

 

CMYK 27 / 16 / 0 / 53

HEX #586578

RGB 88 101 120

HSL 215.63, 0.15%, 0.41%

LAB 42.37, -0.27, -12.28

 

CMYK 0 / 26 / 10 / 53

HEX #78596C

RGB 120 89 108

HSL 323.23, 0.15%, 0.41%

LAB 41.56, 16.09, -5.86

 

CMYK 0 / 3 / 27 / 53

HEX #787458

RGB 120 116 88

HSL 52.5, 0.15%, 0.41%

LAB 48.5, -3.36, 16.06

 

CMYK 27 / 0 / 17 / 53

HEX #587864

RGB 88 120 100

HSL 142.5, 0.15%, 0.41%

LAB 47.53, -15.95, 7.31

 

CMYK 27 / 23 / 0 / 53

HEX #585C78

RGB 88 92 120

HSL 232.5, 0.15%, 0.41%

LAB 39.72, 5.25, -16.3

 

Description

Color code: RGB 120 89 108 | qconv.com Color code: RGB 120 89 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 89 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 89 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 10 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 10% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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