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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 63 106 it is the complementary color RGB 135 192 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 63 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 63 106 shade: RGB 125 63 101, RGB 142 81 120, RGB 159 99 139, RGB 176 117 158 and RGB 193 135 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 63 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 103 45 87, RGB 86 27 68, RGB 69 9 49 and RGB 52 0 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 120 63 90, RGB 120 63 75 and RGB 120 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 118 63 120, RGB 103 63 120, RGB 88 63 120 and RGB 72 63 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 63 106 shade matches the following richer shades: RGB 120 63 106, RGB 135 48 113, RGB 149 33 121, RGB 164 18 128 and RGB 179 3 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 105 78 98, RGB 90 93 91, RGB 75 107 83 and RGB 60 122 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 63 106 shade: RGB 103 63 120, RGB 118 63 120, RGB 120 63 106, RGB 120 63 91 and RGB 120 63 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 63 106 shade: RGB 66 34 58, RGB 93 49 82, RGB 120 63 106, RGB 147 77 130 and RGB 170 95 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 120 88 63 and RGB 63 120 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 106 120 63 and RGB 63 106 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 120 88 63, RGB 63 120 76 and RGB 63 95 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 63 106 shade: RGB 120 63 106, RGB 120 105 63, RGB 63 120 76 and RGB 63 78 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

Complementary color

CMYK 30 / 0 / 22 / 25

HEX #87C095

RGB 135 192 149

HSL 134.74, 0.31%, 0.64%

LAB 72.91, -27.35, 15.87

 

CMYK 0 / 50 / 19 / 51

HEX #7D3F65

RGB 125 63 101

HSL 323.23, 0.33%, 0.37%

LAB 35.7, 31.98, -10.23

 

CMYK 0 / 43 / 15 / 44

HEX #8E5178

RGB 142 81 120

HSL 321.64, 0.27%, 0.44%

LAB 42.75, 31.15, -11.16

 

CMYK 0 / 38 / 13 / 38

HEX #9F638B

RGB 159 99 139

HSL 320, 0.24%, 0.51%

LAB 49.69, 30.33, -11.92

 

CMYK 0 / 34 / 10 / 31

HEX #B0759E

RGB 176 117 158

HSL 318.31, 0.27%, 0.57%

LAB 56.51, 29.55, -12.59

 

CMYK 0 / 30 / 8 / 24

HEX #C187B1

RGB 193 135 177

HSL 316.55, 0.32%, 0.64%

LAB 63.21, 28.82, -13.18

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 56 / 16 / 60

HEX #672D57

RGB 103 45 87

HSL 316.55, 0.39%, 0.29%

LAB 27.98, 31.85, -13.3

 

CMYK 0 / 69 / 21 / 66

HEX #561B44

RGB 86 27 68

HSL 318.31, 0.52%, 0.22%

LAB 20.75, 32.29, -11.91

 

CMYK 0 / 87 / 29 / 73

HEX #450931

RGB 69 9 49

HSL 320, 0.77%, 0.15%

LAB 13.72, 31.74, -9.6

 

CMYK 0 / 100 / 42 / 80

HEX #34001E

RGB 52 0 30

HSL 325.38, 1%, 0.1%

LAB 7.44, 28.44, -5.3

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 48 / 25 / 53

HEX #783F5A

RGB 120 63 90

HSL 331.58, 0.31%, 0.36%

LAB 34.57, 28.37, -5.02

 

CMYK 0 / 48 / 38 / 53

HEX #783F4B

RGB 120 63 75

HSL 347.37, 0.31%, 0.36%

LAB 34.1, 26.18, 3.88

 

CMYK 0 / 48 / 48 / 53

HEX #783F3F

RGB 120 63 63

HSL 0, 0.31%, 0.36%

LAB 33.79, 24.7, 11.11

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 2 / 48 / 0 / 53

HEX #763F78

RGB 118 63 120

HSL 297.89, 0.31%, 0.36%

LAB 35.52, 33.12, -22.52

 

CMYK 14 / 48 / 0 / 53

HEX #673F78

RGB 103 63 120

HSL 282.11, 0.31%, 0.36%

LAB 33.55, 28.3, -25.75

 

CMYK 27 / 48 / 0 / 53

HEX #583F78

RGB 88 63 120

HSL 266.32, 0.31%, 0.36%

LAB 31.77, 23.58, -28.67

 

CMYK 40 / 48 / 0 / 53

HEX #483F78

RGB 72 63 120

HSL 249.47, 0.31%, 0.36%

LAB 30.13, 18.82, -31.38

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 64 / 16 / 47

HEX #873071

RGB 135 48 113

HSL 315.17, 0.48%, 0.36%

LAB 34.92, 44.77, -18.87

 

CMYK 0 / 78 / 19 / 42

HEX #952179

RGB 149 33 121

HSL 314.48, 0.64%, 0.36%

LAB 35.71, 55.42, -22.48

 

CMYK 0 / 89 / 22 / 36

HEX #A41280

RGB 164 18 128

HSL 314.79, 0.8%, 0.36%

LAB 37.63, 63.33, -23.64

 

CMYK 0 / 98 / 24 / 30

HEX #B30388

RGB 179 3 136

HSL 314.66, 0.97%, 0.36%

LAB 40.29, 69.25, -24.23

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 26 / 7 / 59

HEX #694E62

RGB 105 78 98

HSL 315.56, 0.15%, 0.36%

LAB 36.62, 15.03, -7.23

 

CMYK 3 / 0 / 2 / 64

HEX #5A5D5B

RGB 90 93 91

HSL 140, 0.02%, 0.36%

LAB 39.17, -1.61, 0.73

 

CMYK 30 / 0 / 22 / 58

HEX #4B6B53

RGB 75 107 83

HSL 135, 0.18%, 0.36%

LAB 42.21, -17.08, 9.8

 

CMYK 51 / 0 / 38 / 52

HEX #3C7A4C

RGB 60 122 76

HSL 135.48, 0.34%, 0.36%

LAB 46.18, -30.97, 19.2

 

CMYK 14 / 48 / 0 / 53

HEX #673F78

RGB 103 63 120

HSL 282.11, 0.31%, 0.36%

LAB 33.55, 28.3, -25.75

 

CMYK 2 / 48 / 0 / 53

HEX #763F78

RGB 118 63 120

HSL 297.89, 0.31%, 0.36%

LAB 35.52, 33.12, -22.52

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 48 / 24 / 53

HEX #783F5B

RGB 120 63 91

HSL 330.53, 0.31%, 0.36%

LAB 34.61, 28.53, -5.61

 

CMYK 0 / 48 / 37 / 53

HEX #783F4C

RGB 120 63 76

HSL 346.32, 0.31%, 0.36%

LAB 34.13, 26.31, 3.28

 

CMYK 0 / 48 / 12 / 74

HEX #42223A

RGB 66 34 58

HSL 315, 0.32%, 0.2%

LAB 18.4, 19.37, -8.89

 

CMYK 0 / 47 / 12 / 64

HEX #5D3152

RGB 93 49 82

HSL 315, 0.31%, 0.28%

LAB 27.11, 25.11, -11.47

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 48 / 12 / 42

HEX #934D82

RGB 147 77 130

HSL 314.57, 0.31%, 0.44%

LAB 42.95, 36.81, -16.9

 

CMYK 0 / 44 / 11 / 33

HEX #AA5F98

RGB 170 95 152

HSL 314.4, 0.31%, 0.52%

LAB 50.68, 38.54, -17.98

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 27 / 48 / 53

HEX #78583F

RGB 120 88 63

HSL 26.32, 0.31%, 0.36%

LAB 40.13, 9.8, 19.63

 

CMYK 48 / 0 / 8 / 53

HEX #3F786E

RGB 63 120 110

HSL 169.47, 0.31%, 0.36%

LAB 46.47, -21.37, -0.32

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 12 / 0 / 48 / 53

HEX #6A783F

RGB 106 120 63

HSL 74.74, 0.31%, 0.36%

LAB 48.08, -14.95, 29.45

 

CMYK 48 / 12 / 0 / 53

HEX #3F6A78

RGB 63 106 120

HSL 194.74, 0.31%, 0.36%

LAB 42.34, -10.84, -12.47

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 27 / 48 / 53

HEX #78583F

RGB 120 88 63

HSL 26.32, 0.31%, 0.36%

LAB 40.13, 9.8, 19.63

 

CMYK 48 / 0 / 37 / 53

HEX #3F784C

RGB 63 120 76

HSL 133.68, 0.31%, 0.36%

LAB 45.65, -29.13, 18.52

 

CMYK 48 / 21 / 0 / 53

HEX #3F5F78

RGB 63 95 120

HSL 206.32, 0.31%, 0.36%

LAB 38.89, -4.31, -17.73

 

CMYK 0 / 48 / 12 / 53

HEX #783F6A

RGB 120 63 106

HSL 314.74, 0.31%, 0.36%

LAB 35.18, 31.1, -14.25

 

CMYK 0 / 13 / 48 / 53

HEX #78693F

RGB 120 105 63

HSL 44.21, 0.31%, 0.36%

LAB 44.88, -0.28, 25.73

 

CMYK 48 / 0 / 37 / 53

HEX #3F784C

RGB 63 120 76

HSL 133.68, 0.31%, 0.36%

LAB 45.65, -29.13, 18.52

 

CMYK 48 / 35 / 0 / 53

HEX #3F4E78

RGB 63 78 120

HSL 224.21, 0.31%, 0.36%

LAB 33.69, 6.42, -25.8

 

Description

Color code: RGB 120 63 106 | qconv.com Color code: RGB 120 63 106 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 63 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 63 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 12 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 12% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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