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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 43 200 it is the complementary color RGB 135 212 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 43 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 43 200 shade: RGB 125 43 195, RGB 142 61 214, RGB 159 79 233, RGB 176 97 252 and RGB 193 115 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 43 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 43 200 shade: RGB 120 43 200, RGB 103 25 181, RGB 86 7 162, RGB 69 0 143 and RGB 52 0 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 43 200 shade: RGB 120 42 201, RGB 163 42 201, RGB 201 42 197, RGB 201 42 154 and RGB 201 42 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 43 200 shade: RGB 120 42 201, RGB 77 42 201 and RGB 42 42 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 43 200 shade matches the following richer shades: RGB 120 42 201, RGB 120 23 221 and RGB 120 3 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 43 200 shade: RGB 120 42 201, RGB 121 62 182, RGB 121 82 162, RGB 122 102 142 and RGB 122 122 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 43 200 shade: RGB 42 50 201, RGB 77 42 201, RGB 119 42 201, RGB 162 42 201 and RGB 201 42 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 43 200 shade: RGB 80 28 133, RGB 100 35 167, RGB 120 42 201, RGB 141 70 215 and RGB 162 104 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 43 200 shade: RGB 120 43 200, RGB 201 42 93 and RGB 42 201 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 43 200 shade: RGB 120 43 200, RGB 201 119 42 and RGB 42 201 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 43 200 shade: RGB 120 43 200, RGB 201 42 93, RGB 125 201 42 and RGB 42 201 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 43 200 shade: RGB 120 43 200, RGB 201 42 45, RGB 125 201 42 and RGB 42 201 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

Complementary color

CMYK 36 / 0 / 74 / 17

HEX #87D437

RGB 135 212 55

HSL 89.43, 0.65%, 0.52%

LAB 77.59, -47.68, 65.61

 

CMYK 36 / 78 / 0 / 24

HEX #7D2BC3

RGB 125 43 195

HSL 272.37, 0.64%, 0.47%

LAB 37.89, 60.94, -63.97

 

CMYK 34 / 71 / 0 / 16

HEX #8E3DD6

RGB 142 61 214

HSL 271.76, 0.65%, 0.54%

LAB 44.15, 60.92, -64.69

 

CMYK 32 / 66 / 0 / 9

HEX #9F4FE9

RGB 159 79 233

HSL 271.17, 0.78%, 0.61%

LAB 50.51, 60.45, -65.09

 

CMYK 30 / 62 / 0 / 1

HEX #B061FC

RGB 176 97 252

HSL 270.58, 0.96%, 0.68%

LAB 56.89, 59.74, -65.3

 

CMYK 24 / 55 / 0 / 0

HEX #C173FF

RGB 193 115 255

HSL 273.43, 1%, 0.73%

LAB 62.35, 55.32, -58.09

 

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

CMYK 43 / 86 / 0 / 29

HEX #6719B5

RGB 103 25 181

HSL 270, 0.76%, 0.4%

LAB 31.61, 60.59, -66.11

 

CMYK 47 / 96 / 0 / 36

HEX #5607A2

RGB 86 7 162

HSL 270.58, 0.92%, 0.33%

LAB 25.98, 58.48, -64.03

 

CMYK 52 / 100 / 0 / 44

HEX #45008F

RGB 69 0 143

HSL 268.95, 1%, 0.28%

LAB 21.01, 54.08, -60.62

 

CMYK 58 / 100 / 0 / 51

HEX #34007C

RGB 52 0 124

HSL 265.16, 1%, 0.24%

LAB 16.43, 48.23, -56.28

 

CMYK 40 / 79 / 0 / 21

HEX #782AC9

RGB 120 42 201

HSL 269.43, 0.65%, 0.48%

LAB 37.6, 61.91, -67.97

 

CMYK 19 / 79 / 0 / 21

HEX #A32AC9

RGB 163 42 201

HSL 285.66, 0.65%, 0.48%

LAB 43.74, 69.04, -57.71

 

CMYK 0 / 79 / 2 / 21

HEX #C92AC5

RGB 201 42 197

HSL 301.51, 0.65%, 0.48%

LAB 49.62, 75.5, -45.63

 

CMYK 0 / 79 / 23 / 21

HEX #C92A9A

RGB 201 42 154

HSL 317.74, 0.65%, 0.48%

LAB 47.5, 69.52, -23.65

 

CMYK 0 / 79 / 45 / 21

HEX #C92A6F

RGB 201 42 111

HSL 333.96, 0.65%, 0.48%

LAB 45.94, 64.87, 0.13

 

CMYK 40 / 79 / 0 / 21

HEX #782AC9

RGB 120 42 201

HSL 269.43, 0.65%, 0.48%

LAB 37.6, 61.91, -67.97

 

CMYK 62 / 79 / 0 / 21

HEX #4D2AC9

RGB 77 42 201

HSL 253.21, 0.65%, 0.48%

LAB 32.81, 56.35, -76.02

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 40 / 79 / 0 / 21

HEX #782AC9

RGB 120 42 201

HSL 269.43, 0.65%, 0.48%

LAB 37.6, 61.91, -67.97

 

CMYK 46 / 90 / 0 / 13

HEX #7817DD

RGB 120 23 221

HSL 269.39, 0.81%, 0.48%

LAB 37.53, 72.04, -79.66

 

CMYK 50 / 99 / 0 / 5

HEX #7803F1

RGB 120 3 241

HSL 269.5, 0.98%, 0.48%

LAB 38.57, 79.31, -89.34

 

CMYK 40 / 79 / 0 / 21

HEX #782AC9

RGB 120 42 201

HSL 269.43, 0.65%, 0.48%

LAB 37.6, 61.91, -67.97

 

CMYK 34 / 66 / 0 / 29

HEX #793EB6

RGB 121 62 182

HSL 269.5, 0.49%, 0.48%

LAB 39.39, 48.65, -53.92

 

CMYK 25 / 49 / 0 / 36

HEX #7952A2

RGB 121 82 162

HSL 269.25, 0.33%, 0.48%

LAB 42.32, 32.66, -37.38

 

CMYK 14 / 28 / 0 / 44

HEX #7A668E

RGB 122 102 142

HSL 270, 0.16%, 0.48%

LAB 46.44, 16.19, -19.03

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 75 / 0 / 21

HEX #2A32C9

RGB 42 50 201

HSL 236.98, 0.65%, 0.48%

LAB 31.79, 49.23, -77.8

 

CMYK 62 / 79 / 0 / 21

HEX #4D2AC9

RGB 77 42 201

HSL 253.21, 0.65%, 0.48%

LAB 32.81, 56.35, -76.02

 

CMYK 41 / 79 / 0 / 21

HEX #772AC9

RGB 119 42 201

HSL 269.06, 0.65%, 0.48%

LAB 37.47, 61.76, -68.19

 

CMYK 19 / 79 / 0 / 21

HEX #A22AC9

RGB 162 42 201

HSL 285.28, 0.65%, 0.48%

LAB 43.59, 68.86, -57.97

 

CMYK 0 / 79 / 1 / 21

HEX #C92AC7

RGB 201 42 199

HSL 300.75, 0.65%, 0.48%

LAB 49.73, 75.81, -46.61

 

CMYK 40 / 79 / 0 / 48

HEX #501C85

RGB 80 28 133

HSL 269.71, 0.65%, 0.32%

LAB 24.42, 44.52, -48.71

 

CMYK 40 / 79 / 0 / 35

HEX #6423A7

RGB 100 35 167

HSL 269.55, 0.65%, 0.4%

LAB 31.12, 53.41, -58.55

 

CMYK 40 / 79 / 0 / 21

HEX #782AC9

RGB 120 42 201

HSL 269.43, 0.65%, 0.48%

LAB 37.6, 61.91, -67.97

 

CMYK 34 / 67 / 0 / 16

HEX #8D46D7

RGB 141 70 215

HSL 269.38, 0.64%, 0.56%

LAB 45.56, 56.86, -62.97

 

CMYK 27 / 53 / 0 / 13

HEX #A268DF

RGB 162 104 223

HSL 269.24, 0.65%, 0.64%

LAB 54.98, 46.08, -52.26

 

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

CMYK 0 / 79 / 54 / 21

HEX #C92A5D

RGB 201 42 93

HSL 340.75, 0.65%, 0.48%

LAB 45.45, 63.38, 10.57

 

CMYK 79 / 0 / 72 / 21

HEX #2AC938

RGB 42 201 56

HSL 125.28, 0.65%, 0.48%

LAB 71.25, -66.52, 57.95

 

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

CMYK 0 / 41 / 79 / 21

HEX #C9772A

RGB 201 119 42

HSL 29.06, 0.65%, 0.48%

LAB 57.83, 26.34, 53.23

 

CMYK 79 / 0 / 41 / 21

HEX #2AC977

RGB 42 201 119

HSL 149.06, 0.65%, 0.48%

LAB 71.96, -58.04, 29.94

 

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

CMYK 0 / 79 / 54 / 21

HEX #C92A5D

RGB 201 42 93

HSL 340.75, 0.65%, 0.48%

LAB 45.45, 63.38, 10.57

 

CMYK 38 / 0 / 79 / 21

HEX #7DC92A

RGB 125 201 42

HSL 88.68, 0.65%, 0.48%

LAB 73.74, -47.28, 65.84

 

CMYK 79 / 0 / 25 / 21

HEX #2AC997

RGB 42 201 151

HSL 161.13, 0.65%, 0.48%

LAB 72.56, -51.32, 13.86

 

CMYK 40 / 79 / 0 / 22

HEX #782BC8

RGB 120 43 200

HSL 269.43, 0.65%, 0.48%

LAB 37.65, 61.3, -67.32

 

CMYK 0 / 79 / 78 / 21

HEX #C92A2D

RGB 201 42 45

HSL 358.87, 0.65%, 0.48%

LAB 44.61, 60.77, 38.58

 

CMYK 38 / 0 / 79 / 21

HEX #7DC92A

RGB 125 201 42

HSL 88.68, 0.65%, 0.48%

LAB 73.74, -47.28, 65.84

 

CMYK 79 / 0 / 1 / 21

HEX #2AC9C7

RGB 42 201 199

HSL 179.25, 0.65%, 0.48%

LAB 73.8, -38.68, -10.31

 

Description

Color code: RGB 120 43 200 | qconv.com Color code: RGB 120 43 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 43 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 43 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 79 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 79% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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