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Color name
RGB 120 40 98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 40 98 it is the complementary color RGB 135 215 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 40 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 40 98 shade: RGB 125 40 93, RGB 142 58 112, RGB 159 76 131, RGB 176 94 150 and RGB 193 112 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 40 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 40 98 shade: RGB 120 40 98, RGB 103 22 79, RGB 86 4 60, RGB 69 0 41 and RGB 52 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 40 98 shade: RGB 118 39 96, RGB 118 39 75, RGB 118 39 54 and RGB 118 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 40 98 shade: RGB 118 39 96, RGB 118 39 118, RGB 97 39 118, RGB 76 39 118 and RGB 55 39 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 40 98 shade matches the following richer shades: RGB 118 39 96, RGB 131 26 102, RGB 144 13 108 and RGB 156 1 114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 40 98 shade: RGB 118 39 96, RGB 105 52 91, RGB 92 65 85, RGB 80 77 79 and RGB 67 90 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 40 98 shade: RGB 97 39 118, RGB 118 39 118, RGB 118 39 97, RGB 118 39 76 and RGB 118 39 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 40 98 shade: RGB 56 18 46, RGB 87 29 71, RGB 118 39 96, RGB 149 49 122 and RGB 180 60 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 40 98 shade: RGB 120 40 98, RGB 118 76 39 and RGB 39 118 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 40 98 shade: RGB 120 40 98, RGB 97 118 39 and RGB 39 97 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 40 98 shade: RGB 120 40 98, RGB 118 76 39, RGB 39 118 60 and RGB 39 81 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 40 98 shade: RGB 120 40 98, RGB 118 100 39, RGB 39 118 60 and RGB 39 57 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

Complementary color

CMYK 37 / 0 / 27 / 16

HEX #87D79D

RGB 135 215 157

HSL 136.5, 0.5%, 0.69%

LAB 79.72, -36.71, 21.06

 

CMYK 0 / 68 / 26 / 51

HEX #7D285D

RGB 125 40 93

HSL 322.59, 0.52%, 0.32%

LAB 31.04, 42.32, -12.2

 

CMYK 0 / 59 / 21 / 44

HEX #8E3A70

RGB 142 58 112

HSL 321.43, 0.42%, 0.39%

LAB 37.75, 42.05, -13.8

 

CMYK 0 / 52 / 18 / 38

HEX #9F4C83

RGB 159 76 131

HSL 320.24, 0.35%, 0.46%

LAB 44.49, 41.45, -15

 

CMYK 0 / 47 / 15 / 31

HEX #B05E96

RGB 176 94 150

HSL 319.02, 0.34%, 0.53%

LAB 51.2, 40.71, -15.95

 

CMYK 0 / 42 / 12 / 24

HEX #C170A9

RGB 193 112 169

HSL 317.78, 0.4%, 0.6%

LAB 57.84, 39.94, -16.73

 

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

CMYK 0 / 79 / 23 / 60

HEX #67164F

RGB 103 22 79

HSL 317.78, 0.65%, 0.25%

LAB 23.74, 41.15, -14.5

 

CMYK 0 / 95 / 30 / 66

HEX #56043C

RGB 86 4 60

HSL 319.02, 0.91%, 0.18%

LAB 17.42, 39.43, -11.47

 

CMYK 0 / 100 / 41 / 73

HEX #450029

RGB 69 0 41

HSL 324.35, 1%, 0.14%

LAB 12.13, 34.19, -6.17

 

CMYK 0 / 100 / 58 / 80

HEX #340016

RGB 52 0 22

HSL 334.62, 1%, 0.1%

LAB 7.12, 27.45, 0.42

 

CMYK 0 / 67 / 19 / 54

HEX #762760

RGB 118 39 96

HSL 316.71, 0.5%, 0.31%

LAB 29.78, 41.11, -16.18

 

CMYK 0 / 67 / 36 / 54

HEX #76274B

RGB 118 39 75

HSL 332.66, 0.5%, 0.31%

LAB 28.93, 38.11, -3.71

 

CMYK 0 / 67 / 54 / 54

HEX #762736

RGB 118 39 54

HSL 348.61, 0.5%, 0.31%

LAB 28.3, 35.79, 9.35

 

CMYK 0 / 67 / 67 / 54

HEX #762727

RGB 118 39 39

HSL 0, 0.5%, 0.31%

LAB 27.98, 34.59, 18.83

 

CMYK 0 / 67 / 19 / 54

HEX #762760

RGB 118 39 96

HSL 316.71, 0.5%, 0.31%

LAB 29.78, 41.11, -16.18

 

CMYK 0 / 67 / 0 / 54

HEX #762776

RGB 118 39 118

HSL 300, 0.5%, 0.31%

LAB 30.9, 44.89, -28.51

 

CMYK 18 / 67 / 0 / 54

HEX #612776

RGB 97 39 118

HSL 284.05, 0.5%, 0.31%

LAB 27.57, 39.45, -34.01

 

CMYK 36 / 67 / 0 / 54

HEX #4C2776

RGB 76 39 118

HSL 268.1, 0.5%, 0.31%

LAB 24.63, 34.23, -38.91

 

CMYK 53 / 67 / 0 / 54

HEX #372776

RGB 55 39 118

HSL 252.15, 0.5%, 0.31%

LAB 22.2, 29.57, -42.95

 

CMYK 0 / 67 / 19 / 54

HEX #762760

RGB 118 39 96

HSL 316.71, 0.5%, 0.31%

LAB 29.78, 41.11, -16.18

 

CMYK 0 / 80 / 22 / 49

HEX #831A66

RGB 131 26 102

HSL 316.57, 0.67%, 0.31%

LAB 30.7, 50.44, -18.45

 

CMYK 0 / 91 / 25 / 44

HEX #900D6C

RGB 144 13 108

HSL 316.49, 0.83%, 0.31%

LAB 32.48, 57.29, -19.34

 

CMYK 0 / 99 / 27 / 39

HEX #9C0172

RGB 156 1 114

HSL 316.26, 0.99%, 0.31%

LAB 34.61, 62.23, -19.67

 

CMYK 0 / 67 / 19 / 54

HEX #762760

RGB 118 39 96

HSL 316.71, 0.5%, 0.31%

LAB 29.78, 41.11, -16.18

 

CMYK 0 / 50 / 13 / 59

HEX #69345B

RGB 105 52 91

HSL 315.85, 0.34%, 0.31%

LAB 29.95, 29.36, -12.86

 

CMYK 0 / 29 / 8 / 64

HEX #5C4155

RGB 92 65 85

HSL 315.56, 0.17%, 0.31%

LAB 31.14, 15.41, -7.34

 

CMYK 0 / 4 / 1 / 69

HEX #504D4F

RGB 80 77 79

HSL 320, 0.02%, 0.31%

LAB 33.09, 1.66, -0.75

 

CMYK 26 / 0 / 19 / 65

HEX #435A49

RGB 67 90 73

HSL 135.65, 0.15%, 0.31%

LAB 35.96, -12.66, 7.02

 

CMYK 18 / 67 / 0 / 54

HEX #612776

RGB 97 39 118

HSL 284.05, 0.5%, 0.31%

LAB 27.57, 39.45, -34.01

 

CMYK 0 / 67 / 0 / 54

HEX #762776

RGB 118 39 118

HSL 300, 0.5%, 0.31%

LAB 30.9, 44.89, -28.51

 

CMYK 0 / 67 / 18 / 54

HEX #762761

RGB 118 39 97

HSL 315.95, 0.5%, 0.31%

LAB 29.83, 41.27, -16.75

 

CMYK 0 / 67 / 36 / 54

HEX #76274C

RGB 118 39 76

HSL 331.9, 0.5%, 0.31%

LAB 28.97, 38.24, -4.32

 

CMYK 0 / 67 / 53 / 54

HEX #762737

RGB 118 39 55

HSL 347.85, 0.5%, 0.31%

LAB 28.32, 35.89, 8.72

 

CMYK 0 / 68 / 18 / 78

HEX #38122E

RGB 56 18 46

HSL 315.79, 0.51%, 0.15%

LAB 12.42, 22.96, -9.65

 

CMYK 0 / 67 / 18 / 66

HEX #571D47

RGB 87 29 71

HSL 316.55, 0.5%, 0.23%

LAB 21.43, 32.14, -12.9

 

CMYK 0 / 67 / 19 / 54

HEX #762760

RGB 118 39 96

HSL 316.71, 0.5%, 0.31%

LAB 29.78, 41.11, -16.18

 

CMYK 0 / 67 / 18 / 42

HEX #95317A

RGB 149 49 122

HSL 316.2, 0.51%, 0.39%

LAB 37.83, 49.73, -19.82

 

CMYK 0 / 67 / 18 / 29

HEX #B43C93

RGB 180 60 147

HSL 316.5, 0.5%, 0.47%

LAB 45.69, 57.43, -22.54

 

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

CMYK 0 / 36 / 67 / 54

HEX #764C27

RGB 118 76 39

HSL 28.1, 0.5%, 0.31%

LAB 36.3, 13.87, 28.85

 

CMYK 67 / 0 / 8 / 54

HEX #27766C

RGB 39 118 108

HSL 172.41, 0.5%, 0.31%

LAB 44.9, -26.29, -1.52

 

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

CMYK 18 / 0 / 67 / 54

HEX #617627

RGB 97 118 39

HSL 75.95, 0.5%, 0.31%

LAB 46.5, -20.17, 39.56

 

CMYK 67 / 18 / 0 / 54

HEX #276176

RGB 39 97 118

HSL 195.95, 0.5%, 0.31%

LAB 38.36, -11.74, -17.42

 

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

CMYK 0 / 36 / 67 / 54

HEX #764C27

RGB 118 76 39

HSL 28.1, 0.5%, 0.31%

LAB 36.3, 13.87, 28.85

 

CMYK 67 / 0 / 49 / 54

HEX #27763C

RGB 39 118 60

HSL 135.95, 0.5%, 0.31%

LAB 43.82, -37.54, 25

 

CMYK 67 / 31 / 0 / 54

HEX #275176

RGB 39 81 118

HSL 208.1, 0.5%, 0.31%

LAB 33.19, -1.94, -25.44

 

CMYK 0 / 67 / 18 / 53

HEX #782862

RGB 120 40 98

HSL 316.5, 0.5%, 0.31%

LAB 30.38, 41.57, -16.52

 

CMYK 0 / 15 / 67 / 54

HEX #766427

RGB 118 100 39

HSL 46.33, 0.5%, 0.31%

LAB 42.93, -0.47, 36.26

 

CMYK 67 / 0 / 49 / 54

HEX #27763C

RGB 39 118 60

HSL 135.95, 0.5%, 0.31%

LAB 43.82, -37.54, 25

 

CMYK 67 / 52 / 0 / 54

HEX #273976

RGB 39 57 118

HSL 226.33, 0.5%, 0.31%

LAB 25.76, 14.21, -37.25

 

Description

Color code: RGB 120 40 98 | qconv.com Color code: RGB 120 40 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 40 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 40 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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