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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 202 22 it is the complementary color RGB 135 53 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 202 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 202 22 shade: RGB 125 202 17, RGB 142 220 36, RGB 159 238 55, RGB 176 255 74 and RGB 193 255 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 202 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 202 22 shade: RGB 120 202 22, RGB 103 184 3, RGB 86 166 0, RGB 69 148 0 and RGB 52 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 202 22 shade: RGB 120 201 22, RGB 168 201 22, RGB 201 186 22, RGB 201 138 22 and RGB 201 90 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 202 22 shade: RGB 120 201 22, RGB 71 201 22, RGB 23 201 22, RGB 22 201 69 and RGB 22 201 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 202 22 shade matches the following richer shades: RGB 120 201 22 and RGB 121 220 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 202 22 shade: RGB 120 201 22, RGB 118 183 40, RGB 116 165 58, RGB 115 147 76 and RGB 113 129 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 202 22 shade: RGB 201 187 22, RGB 169 201 22, RGB 121 201 22, RGB 73 201 22 and RGB 25 201 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 202 22 shade: RGB 75 127 14, RGB 98 164 18, RGB 120 201 22, RGB 141 230 35 and RGB 160 234 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 202 22 shade: RGB 120 202 22, RGB 22 201 139 and RGB 201 22 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 202 22 shade: RGB 120 202 22, RGB 22 121 201 and RGB 201 22 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 202 22 shade: RGB 120 202 22, RGB 22 201 139, RGB 103 22 201 and RGB 201 22 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 202 22 shade: RGB 120 202 22, RGB 22 201 192, RGB 103 22 201 and RGB 201 22 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

Complementary color

CMYK 42 / 77 / 0 / 9

HEX #8735E9

RGB 135 53 233

HSL 267.33, 0.8%, 0.56%

LAB 43.62, 67.46, -76.41

 

CMYK 38 / 0 / 92 / 21

HEX #7DCA11

RGB 125 202 17

HSL 84.97, 0.84%, 0.43%

LAB 73.96, -48.54, 71.45

 

CMYK 35 / 0 / 84 / 14

HEX #8EDC24

RGB 142 220 36

HSL 85.43, 0.72%, 0.5%

LAB 80.22, -49.42, 73.51

 

CMYK 33 / 0 / 77 / 7

HEX #9FEE37

RGB 159 238 55

HSL 85.9, 0.84%, 0.57%

LAB 86.4, -50.08, 74.44

 

CMYK 31 / 0 / 71 / 0

HEX #B0FF4A

RGB 176 255 74

HSL 86.19, 1%, 0.65%

LAB 92.24, -50.15, 74.34

 

CMYK 24 / 0 / 64 / 0

HEX #C1FF5D

RGB 193 255 93

HSL 82.96, 1%, 0.68%

LAB 93.3, -42.84, 68.73

 

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

CMYK 44 / 0 / 98 / 28

HEX #67B803

RGB 103 184 3

HSL 86.85, 0.97%, 0.37%

LAB 67.41, -49.06, 67.43

 

CMYK 48 / 0 / 100 / 35

HEX #56A600

RGB 86 166 0

HSL 88.92, 1%, 0.33%

LAB 61, -47.6, 62.48

 

CMYK 53 / 0 / 100 / 42

HEX #459400

RGB 69 148 0

HSL 92.03, 1%, 0.29%

LAB 54.5, -45.96, 57.09

 

CMYK 60 / 0 / 100 / 49

HEX #348200

RGB 52 130 0

HSL 96, 1%, 0.25%

LAB 47.87, -44.1, 51.61

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 16 / 0 / 89 / 21

HEX #A8C916

RGB 168 201 22

HSL 71.06, 0.8%, 0.44%

LAB 76.16, -31.59, 73.49

 

CMYK 0 / 7 / 89 / 21

HEX #C9BA16

RGB 201 186 22

HSL 54.97, 0.8%, 0.44%

LAB 74.57, -10.17, 73.29

 

CMYK 0 / 31 / 89 / 21

HEX #C98A16

RGB 201 138 22

HSL 38.88, 0.8%, 0.44%

LAB 62.21, 15.43, 63.62

 

CMYK 0 / 55 / 89 / 21

HEX #C95A16

RGB 201 90 22

HSL 22.79, 0.8%, 0.44%

LAB 51.6, 40.89, 55.42

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 65 / 0 / 89 / 21

HEX #47C916

RGB 71 201 22

HSL 103.58, 0.8%, 0.44%

LAB 71.67, -63.49, 67.93

 

CMYK 89 / 0 / 89 / 21

HEX #17C916

RGB 23 201 22

HSL 119.66, 0.8%, 0.44%

LAB 70.88, -70.38, 66.94

 

CMYK 89 / 0 / 66 / 21

HEX #16C945

RGB 22 201 69

HSL 135.75, 0.8%, 0.44%

LAB 71.13, -67.2, 52.67

 

CMYK 89 / 0 / 41 / 21

HEX #16C976

RGB 22 201 118

HSL 152.18, 0.8%, 0.44%

LAB 71.73, -59.97, 30.11

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 45 / 0 / 98 / 14

HEX #79DC04

RGB 121 220 4

HSL 87.5, 0.96%, 0.44%

LAB 79.19, -57.12, 76.95

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 36 / 0 / 78 / 28

HEX #76B728

RGB 118 183 40

HSL 87.27, 0.64%, 0.44%

LAB 67.93, -42.3, 60.89

 

CMYK 30 / 0 / 65 / 35

HEX #74A53A

RGB 116 165 58

HSL 87.48, 0.48%, 0.44%

LAB 62.45, -33.86, 48.64

 

CMYK 22 / 0 / 48 / 42

HEX #73934C

RGB 115 147 76

HSL 87.04, 0.32%, 0.44%

LAB 57.11, -23.76, 33.82

 

CMYK 12 / 0 / 26 / 49

HEX #71815F

RGB 113 129 95

HSL 88.24, 0.15%, 0.44%

LAB 51.88, -12.39, 16.54

 

CMYK 0 / 7 / 89 / 21

HEX #C9BB16

RGB 201 187 22

HSL 55.31, 0.8%, 0.44%

LAB 74.84, -10.68, 73.5

 

CMYK 16 / 0 / 89 / 21

HEX #A9C916

RGB 169 201 22

HSL 70.73, 0.8%, 0.44%

LAB 76.23, -31.18, 73.58

 

CMYK 40 / 0 / 89 / 21

HEX #79C916

RGB 121 201 22

HSL 86.82, 0.8%, 0.44%

LAB 73.48, -49.4, 70.18

 

CMYK 64 / 0 / 89 / 21

HEX #49C916

RGB 73 201 22

HSL 102.91, 0.8%, 0.44%

LAB 71.72, -63.06, 67.99

 

CMYK 88 / 0 / 89 / 21

HEX #19C916

RGB 25 201 22

HSL 118.99, 0.8%, 0.44%

LAB 70.9, -70.22, 66.96

 

CMYK 41 / 0 / 89 / 50

HEX #4B7F0E

RGB 75 127 14

HSL 87.61, 0.8%, 0.28%

LAB 47.89, -34.93, 49.19

 

CMYK 40 / 0 / 89 / 36

HEX #62A412

RGB 98 164 18

HSL 87.12, 0.8%, 0.36%

LAB 60.95, -42.32, 59.94

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 39 / 0 / 85 / 10

HEX #8DE623

RGB 141 230 35

HSL 87.38, 0.8%, 0.52%

LAB 83.11, -53.82, 76.23

 

CMYK 32 / 0 / 69 / 8

HEX #A0EA48

RGB 160 234 72

HSL 87.41, 0.79%, 0.6%

LAB 85.4, -47.1, 67.88

 

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

CMYK 89 / 0 / 31 / 21

HEX #16C98B

RGB 22 201 139

HSL 159.22, 0.8%, 0.44%

LAB 72.1, -55.68, 19.6

 

CMYK 0 / 89 / 4 / 21

HEX #C916C0

RGB 201 22 192

HSL 303.02, 0.8%, 0.44%

LAB 48, 78.67, -45.3

 

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

CMYK 89 / 40 / 0 / 21

HEX #1679C9

RGB 22 121 201

HSL 206.82, 0.8%, 0.44%

LAB 49.57, 2.95, -48.9

 

CMYK 0 / 89 / 40 / 21

HEX #C91679

RGB 201 22 121

HSL 326.82, 0.8%, 0.44%

LAB 44.76, 70.1, -7.77

 

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

CMYK 89 / 0 / 31 / 21

HEX #16C98B

RGB 22 201 139

HSL 159.22, 0.8%, 0.44%

LAB 72.1, -55.68, 19.6

 

CMYK 49 / 89 / 0 / 21

HEX #6716C9

RGB 103 22 201

HSL 267.15, 0.8%, 0.44%

LAB 33.3, 66.01, -75.13

 

CMYK 0 / 89 / 58 / 21

HEX #C91655

RGB 201 22 85

HSL 338.88, 0.8%, 0.44%

LAB 43.72, 67.21, 13.17

 

CMYK 41 / 0 / 89 / 21

HEX #78CA16

RGB 120 202 22

HSL 87.33, 0.8%, 0.44%

LAB 73.73, -50.14, 70.37

 

CMYK 89 / 0 / 4 / 21

HEX #16C9C0

RGB 22 201 192

HSL 176.98, 0.8%, 0.44%

LAB 73.38, -42.09, -7.16

 

CMYK 49 / 89 / 0 / 21

HEX #6716C9

RGB 103 22 201

HSL 267.15, 0.8%, 0.44%

LAB 33.3, 66.01, -75.13

 

CMYK 0 / 89 / 85 / 21

HEX #C9161F

RGB 201 22 31

HSL 356.98, 0.8%, 0.44%

LAB 42.9, 64.86, 44.51

 

Description

Color code: RGB 120 202 22 | qconv.com Color code: RGB 120 202 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 202 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 202 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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