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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 197 68 it is the complementary color RGB 135 58 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 197 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 197 68 shade: RGB 125 197 63, RGB 142 215 82, RGB 159 233 101, RGB 176 251 120 and RGB 193 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 197 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 197 68 shade: RGB 120 197 68, RGB 103 179 49, RGB 86 161 30, RGB 69 143 11 and RGB 52 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 197 68 shade: RGB 120 197 67, RGB 155 197 67, RGB 190 197 67, RGB 197 169 67 and RGB 197 134 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 197 68 shade: RGB 120 197 67, RGB 85 197 67, RGB 67 197 85, RGB 67 197 120 and RGB 67 197 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 197 68 shade matches the following richer shades: RGB 120 197 67, RGB 116 217 47 and RGB 112 237 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 197 68 shade: RGB 120 197 67, RGB 123 177 87, RGB 127 157 107, RGB 131 138 127 and RGB 135 118 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 197 68 shade: RGB 190 197 67, RGB 156 197 67, RGB 121 197 67, RGB 87 197 67 and RGB 67 197 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 197 68 shade: RGB 81 139 42, RGB 100 171 52, RGB 120 197 67, RGB 142 207 99 and RGB 165 216 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 197 68 shade: RGB 120 197 68, RGB 67 197 169 and RGB 197 67 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 197 68 shade: RGB 120 197 68, RGB 67 121 197 and RGB 197 67 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 197 68 shade: RGB 120 197 68, RGB 67 197 169, RGB 143 67 197 and RGB 197 67 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 197 68 shade: RGB 120 197 68, RGB 67 186 197, RGB 143 67 197 and RGB 197 78 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

Complementary color

CMYK 28 / 69 / 0 / 27

HEX #873ABB

RGB 135 58 187

HSL 275.81, 0.53%, 0.48%

LAB 40.84, 54.73, -54.43

 

CMYK 37 / 0 / 68 / 23

HEX #7DC53F

RGB 125 197 63

HSL 92.24, 0.54%, 0.51%

LAB 72.66, -44.32, 57.58

 

CMYK 34 / 0 / 62 / 16

HEX #8ED752

RGB 142 215 82

HSL 92.93, 0.62%, 0.58%

LAB 79.02, -44.55, 56.89

 

CMYK 32 / 0 / 57 / 9

HEX #9FE965

RGB 159 233 101

HSL 93.64, 0.75%, 0.65%

LAB 85.3, -44.67, 55.97

 

CMYK 30 / 0 / 52 / 2

HEX #B0FB78

RGB 176 251 120

HSL 94.35, 0.94%, 0.73%

LAB 91.5, -44.7, 54.92

 

CMYK 24 / 0 / 45 / 0

HEX #C1FF8B

RGB 193 255 139

HSL 92.07, 1%, 0.77%

LAB 93.76, -38.52, 49.07

 

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

CMYK 42 / 0 / 73 / 30

HEX #67B331

RGB 103 179 49

HSL 95.08, 0.57%, 0.45%

LAB 66.02, -45.28, 55.75

 

CMYK 47 / 0 / 81 / 37

HEX #56A11E

RGB 86 161 30

HSL 94.35, 0.69%, 0.37%

LAB 59.49, -44.69, 55.51

 

CMYK 52 / 0 / 92 / 44

HEX #458F0B

RGB 69 143 11

HSL 93.64, 0.86%, 0.3%

LAB 52.88, -43.73, 53.93

 

CMYK 58 / 0 / 100 / 51

HEX #347D00

RGB 52 125 0

HSL 95.04, 1%, 0.25%

LAB 46.17, -42.22, 50.27

 

CMYK 39 / 0 / 66 / 23

HEX #78C543

RGB 120 197 67

HSL 95.54, 0.53%, 0.52%

LAB 72.45, -45.71, 55.68

 

CMYK 21 / 0 / 66 / 23

HEX #9BC543

RGB 155 197 67

HSL 79.38, 0.53%, 0.52%

LAB 74.39, -32.93, 58.32

 

CMYK 4 / 0 / 66 / 23

HEX #BEC543

RGB 190 197 67

HSL 63.23, 0.53%, 0.52%

LAB 76.85, -18.74, 61.65

 

CMYK 0 / 14 / 66 / 23

HEX #C5A943

RGB 197 169 67

HSL 47.08, 0.53%, 0.52%

LAB 69.93, -1.32, 54.61

 

CMYK 0 / 32 / 66 / 23

HEX #C58643

RGB 197 134 67

HSL 30.92, 0.53%, 0.52%

LAB 61.07, 17.68, 44.94

 

CMYK 39 / 0 / 66 / 23

HEX #78C543

RGB 120 197 67

HSL 95.54, 0.53%, 0.52%

LAB 72.45, -45.71, 55.68

 

CMYK 57 / 0 / 66 / 23

HEX #55C543

RGB 85 197 67

HSL 111.69, 0.53%, 0.52%

LAB 71.06, -56.06, 53.77

 

CMYK 66 / 0 / 57 / 23

HEX #43C555

RGB 67 197 85

HSL 128.31, 0.53%, 0.52%

LAB 70.72, -58.11, 45.32

 

CMYK 66 / 0 / 39 / 23

HEX #43C578

RGB 67 197 120

HSL 144.46, 0.53%, 0.52%

LAB 71.2, -52.67, 28.51

 

CMYK 66 / 0 / 21 / 23

HEX #43C59B

RGB 67 197 155

HSL 160.62, 0.53%, 0.52%

LAB 71.89, -45.35, 10.82

 

CMYK 39 / 0 / 66 / 23

HEX #78C543

RGB 120 197 67

HSL 95.54, 0.53%, 0.52%

LAB 72.45, -45.71, 55.68

 

CMYK 47 / 0 / 78 / 15

HEX #74D92F

RGB 116 217 47

HSL 95.65, 0.69%, 0.52%

LAB 78.2, -56.27, 68.39

 

CMYK 53 / 0 / 88 / 7

HEX #70ED1C

RGB 112 237 28

HSL 95.89, 0.85%, 0.52%

LAB 84.02, -65.44, 77.87

 

CMYK 39 / 0 / 66 / 23

HEX #78C543

RGB 120 197 67

HSL 95.54, 0.53%, 0.52%

LAB 72.45, -45.71, 55.68

 

CMYK 31 / 0 / 51 / 31

HEX #7BB157

RGB 123 177 87

HSL 96, 0.37%, 0.52%

LAB 66.78, -33.87, 40.17

 

CMYK 19 / 0 / 32 / 38

HEX #7F9D6B

RGB 127 157 107

HSL 96, 0.2%, 0.52%

LAB 61.38, -19.89, 22.84

 

CMYK 5 / 0 / 8 / 46

HEX #838A7F

RGB 131 138 127

HSL 98.18, 0.04%, 0.52%

LAB 56.62, -4.72, 5

 

CMYK 8 / 19 / 0 / 43

HEX #877692

RGB 135 118 146

HSL 276.43, 0.11%, 0.52%

LAB 52.04, 12.11, -12.75

 

CMYK 4 / 0 / 66 / 23

HEX #BEC543

RGB 190 197 67

HSL 63.23, 0.53%, 0.52%

LAB 76.85, -18.74, 61.65

 

CMYK 21 / 0 / 66 / 23

HEX #9CC543

RGB 156 197 67

HSL 78.92, 0.53%, 0.52%

LAB 74.45, -32.54, 58.4

 

CMYK 39 / 0 / 66 / 23

HEX #79C543

RGB 121 197 67

HSL 95.08, 0.53%, 0.52%

LAB 72.5, -45.37, 55.74

 

CMYK 56 / 0 / 66 / 23

HEX #57C543

RGB 87 197 67

HSL 110.77, 0.53%, 0.52%

LAB 71.12, -55.55, 53.86

 

CMYK 66 / 0 / 58 / 23

HEX #43C552

RGB 67 197 82

HSL 126.92, 0.53%, 0.52%

LAB 70.69, -58.49, 46.67

 

CMYK 42 / 0 / 70 / 45

HEX #518B2A

RGB 81 139 42

HSL 95.88, 0.54%, 0.35%

LAB 52.27, -36.35, 44.05

 

CMYK 42 / 0 / 70 / 33

HEX #64AB34

RGB 100 171 52

HSL 95.8, 0.53%, 0.44%

LAB 63.41, -42.74, 51.9

 

CMYK 39 / 0 / 66 / 23

HEX #78C543

RGB 120 197 67

HSL 95.54, 0.53%, 0.52%

LAB 72.45, -45.71, 55.68

 

CMYK 31 / 0 / 52 / 19

HEX #8ECF63

RGB 142 207 99

HSL 96.11, 0.53%, 0.6%

LAB 76.85, -39.38, 46.73

 

CMYK 24 / 0 / 40 / 15

HEX #A5D882

RGB 165 216 130

HSL 95.58, 0.52%, 0.68%

LAB 81.14, -31.61, 37.15

 

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

CMYK 66 / 0 / 14 / 23

HEX #43C5A9

RGB 67 197 169

HSL 167.08, 0.53%, 0.52%

LAB 72.22, -41.96, 3.71

 

CMYK 0 / 66 / 12 / 23

HEX #C543AD

RGB 197 67 173

HSL 311.08, 0.53%, 0.52%

LAB 50.57, 62.96, -30.19

 

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

CMYK 66 / 39 / 0 / 23

HEX #4379C5

RGB 67 121 197

HSL 215.08, 0.53%, 0.52%

LAB 50.57, 6.59, -44.95

 

CMYK 0 / 66 / 39 / 23

HEX #C54379

RGB 197 67 121

HSL 335.08, 0.53%, 0.52%

LAB 48.59, 56.18, -2.17

 

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

CMYK 66 / 0 / 14 / 23

HEX #43C5A9

RGB 67 197 169

HSL 167.08, 0.53%, 0.52%

LAB 72.22, -41.96, 3.71

 

CMYK 27 / 66 / 0 / 23

HEX #8F43C5

RGB 143 67 197

HSL 275.08, 0.53%, 0.52%

LAB 44.07, 54.52, -55.01

 

CMYK 0 / 66 / 52 / 23

HEX #C5435F

RGB 197 67 95

HSL 347.08, 0.53%, 0.52%

LAB 47.89, 53.68, 12.64

 

CMYK 39 / 0 / 65 / 23

HEX #78C544

RGB 120 197 68

HSL 95.81, 0.53%, 0.52%

LAB 72.46, -45.62, 55.28

 

CMYK 66 / 6 / 0 / 23

HEX #43BAC5

RGB 67 186 197

HSL 185.08, 0.53%, 0.52%

LAB 69.71, -29.2, -15.3

 

CMYK 27 / 66 / 0 / 23

HEX #8F43C5

RGB 143 67 197

HSL 275.08, 0.53%, 0.52%

LAB 44.07, 54.52, -55.01

 

CMYK 0 / 60 / 66 / 23

HEX #C54E43

RGB 197 78 67

HSL 5.08, 0.53%, 0.52%

LAB 49.16, 46.86, 31.02

 

Description

Color code: RGB 120 197 68 | qconv.com Color code: RGB 120 197 68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 197 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 197 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 65% 23% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 神戸市民間病院協会
Link: http://kobe-minkan.or.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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