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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 178 243 it is the complementary color RGB 135 77 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 178 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 178 243 shade: RGB 125 178 238, RGB 142 196 255, RGB 159 214 255, RGB 176 232 255 and RGB 193 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 178 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 178 243 shade: RGB 120 178 243, RGB 103 160 224, RGB 86 142 205, RGB 69 124 186 and RGB 52 106 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 178 243 shade: RGB 118 177 243, RGB 118 144 243, RGB 127 118 243, RGB 160 118 243 and RGB 194 118 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 178 243 shade: RGB 118 177 243, RGB 118 144 243 and RGB 118 118 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 178 243 shade matches the following richer shades: RGB 118 177 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 178 243 shade: RGB 118 177 243, RGB 130 178 231, RGB 142 178 219, RGB 154 179 207 and RGB 166 180 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 178 243 shade: RGB 118 243 241, RGB 118 212 243, RGB 118 178 243, RGB 118 145 243 and RGB 125 118 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 178 243 shade: RGB 43 134 236, RGB 80 155 239, RGB 118 177 243, RGB 156 199 246 and RGB 194 220 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 178 243 shade: RGB 120 178 243, RGB 207 118 243 and RGB 228 243 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 178 243 shade: RGB 120 178 243, RGB 243 118 178 and RGB 178 243 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 178 243 shade: RGB 120 178 243, RGB 207 118 243, RGB 243 183 118 and RGB 154 243 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 178 243 shade: RGB 120 178 243, RGB 243 118 241, RGB 243 183 118 and RGB 118 243 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

Complementary color

CMYK 0 / 43 / 91 / 47

HEX #874D0C

RGB 135 77 12

HSL 31.71, 0.84%, 0.29%

LAB 38.7, 19.92, 44.31

 

CMYK 47 / 25 / 0 / 7

HEX #7DB2EE

RGB 125 178 238

HSL 211.86, 0.77%, 0.71%

LAB 71.13, -1.45, -35.35

 

CMYK 44 / 23 / 0 / 0

HEX #8EC4FF

RGB 142 196 255

HSL 211.33, 1%, 0.78%

LAB 77.55, -2.46, -34.5

 

CMYK 38 / 16 / 0 / 0

HEX #9FD6FF

RGB 159 214 255

HSL 205.63, 1%, 0.81%

LAB 83.28, -7.76, -25.63

 

CMYK 31 / 9 / 0 / 0

HEX #B0E8FF

RGB 176 232 255

HSL 197.47, 1%, 0.85%

LAB 89, -12.5, -16.88

 

CMYK 24 / 2 / 0 / 0

HEX #C1FAFF

RGB 193 250 255

HSL 184.84, 1%, 0.88%

LAB 94.71, -16.74, -8.26

 

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

CMYK 54 / 29 / 0 / 12

HEX #67A0E0

RGB 103 160 224

HSL 211.74, 0.66%, 0.64%

LAB 64.49, -0.49, -38.09

 

CMYK 58 / 31 / 0 / 20

HEX #568ECD

RGB 86 142 205

HSL 211.76, 0.54%, 0.57%

LAB 57.78, 0.31, -38.05

 

CMYK 63 / 33 / 0 / 27

HEX #457CBA

RGB 69 124 186

HSL 211.79, 0.46%, 0.5%

LAB 50.95, 1.32, -38.03

 

CMYK 69 / 37 / 0 / 35

HEX #346AA7

RGB 52 106 167

HSL 211.83, 0.53%, 0.43%

LAB 43.99, 2.61, -38.02

 

CMYK 51 / 27 / 0 / 5

HEX #76B1F3

RGB 118 177 243

HSL 211.68, 0.84%, 0.71%

LAB 70.71, -1.03, -38.74

 

CMYK 51 / 41 / 0 / 5

HEX #7690F3

RGB 118 144 243

HSL 227.52, 0.84%, 0.71%

LAB 61.89, 17.9, -52.62

 

CMYK 48 / 51 / 0 / 5

HEX #7F76F3

RGB 127 118 243

HSL 244.32, 0.84%, 0.71%

LAB 56.03, 35.22, -61.94

 

CMYK 34 / 51 / 0 / 5

HEX #A076F3

RGB 160 118 243

HSL 260.16, 0.84%, 0.71%

LAB 58.88, 42.81, -57.21

 

CMYK 20 / 51 / 0 / 5

HEX #C276F3

RGB 194 118 243

HSL 276.48, 0.84%, 0.71%

LAB 62.42, 51.4, -51.36

 

CMYK 51 / 27 / 0 / 5

HEX #76B1F3

RGB 118 177 243

HSL 211.68, 0.84%, 0.71%

LAB 70.71, -1.03, -38.74

 

CMYK 51 / 41 / 0 / 5

HEX #7690F3

RGB 118 144 243

HSL 227.52, 0.84%, 0.71%

LAB 61.89, 17.9, -52.62

 

CMYK 51 / 51 / 0 / 5

HEX #7676F3

RGB 118 118 243

HSL 240, 0.84%, 0.71%

LAB 55.36, 33.33, -63.05

 

CMYK 51 / 27 / 0 / 5

HEX #76B1F3

RGB 118 177 243

HSL 211.68, 0.84%, 0.71%

LAB 70.71, -1.03, -38.74

 

CMYK 51 / 27 / 0 / 5

HEX #76B1F3

RGB 118 177 243

HSL 211.68, 0.84%, 0.71%

LAB 70.71, -1.03, -38.74

 

CMYK 44 / 23 / 0 / 9

HEX #82B2E7

RGB 130 178 231

HSL 211.49, 0.68%, 0.71%

LAB 71.12, -2.21, -31.53

 

CMYK 35 / 19 / 0 / 14

HEX #8EB2DB

RGB 142 178 219

HSL 211.95, 0.52%, 0.71%

LAB 71.36, -2.27, -24.56

 

CMYK 26 / 14 / 0 / 19

HEX #9AB3CF

RGB 154 179 207

HSL 211.7, 0.36%, 0.71%

LAB 71.97, -2.29, -16.99

 

CMYK 15 / 8 / 0 / 24

HEX #A6B4C3

RGB 166 180 195

HSL 211.03, 0.19%, 0.71%

LAB 72.69, -1.74, -9.26

 

CMYK 51 / 0 / 1 / 5

HEX #76F3F1

RGB 118 243 241

HSL 179.04, 0.84%, 0.71%

LAB 89.07, -35.21, -9.72

 

CMYK 51 / 13 / 0 / 5

HEX #76D4F3

RGB 118 212 243

HSL 194.88, 0.84%, 0.71%

LAB 80.41, -19.63, -23.8

 

CMYK 51 / 27 / 0 / 5

HEX #76B2F3

RGB 118 178 243

HSL 211.2, 0.84%, 0.71%

LAB 70.98, -1.58, -38.31

 

CMYK 51 / 40 / 0 / 5

HEX #7691F3

RGB 118 145 243

HSL 227.04, 0.84%, 0.71%

LAB 62.15, 17.31, -52.21

 

CMYK 49 / 51 / 0 / 5

HEX #7D76F3

RGB 125 118 243

HSL 243.36, 0.84%, 0.71%

LAB 55.87, 34.79, -62.19

 

CMYK 82 / 43 / 0 / 7

HEX #2B86EC

RGB 43 134 236

HSL 211.71, 0.84%, 0.55%

LAB 55.71, 9.83, -58.79

 

CMYK 67 / 35 / 0 / 6

HEX #509BEF

RGB 80 155 239

HSL 211.7, 0.83%, 0.63%

LAB 62.83, 2.95, -49.04

 

CMYK 51 / 27 / 0 / 5

HEX #76B1F3

RGB 118 177 243

HSL 211.68, 0.84%, 0.71%

LAB 70.71, -1.03, -38.74

 

CMYK 37 / 19 / 0 / 4

HEX #9CC7F6

RGB 156 199 246

HSL 211.33, 0.83%, 0.79%

LAB 78.79, -2.9, -27.71

 

CMYK 22 / 12 / 0 / 2

HEX #C2DCF9

RGB 194 220 249

HSL 211.64, 0.82%, 0.87%

LAB 86.75, -2.5, -17

 

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

CMYK 15 / 51 / 0 / 5

HEX #CF76F3

RGB 207 118 243

HSL 282.72, 0.84%, 0.71%

LAB 63.91, 54.8, -48.91

 

CMYK 6 / 0 / 51 / 5

HEX #E4F376

RGB 228 243 118

HSL 67.2, 0.84%, 0.71%

LAB 92.53, -22.12, 57.86

 

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

CMYK 0 / 51 / 27 / 5

HEX #F376B2

RGB 243 118 178

HSL 331.2, 0.84%, 0.71%

LAB 65.92, 54.44, -9.05

 

CMYK 27 / 0 / 51 / 5

HEX #B2F376

RGB 178 243 118

HSL 91.2, 0.84%, 0.71%

LAB 89.33, -40.73, 53.28

 

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

CMYK 15 / 51 / 0 / 5

HEX #CF76F3

RGB 207 118 243

HSL 282.72, 0.84%, 0.71%

LAB 63.91, 54.8, -48.91

 

CMYK 0 / 25 / 51 / 5

HEX #F3B776

RGB 243 183 118

HSL 31.2, 0.84%, 0.71%

LAB 78.6, 14.32, 41.29

 

CMYK 37 / 0 / 51 / 5

HEX #9AF376

RGB 154 243 118

HSL 102.72, 0.84%, 0.71%

LAB 88.1, -48.77, 51.51

 

CMYK 51 / 27 / 0 / 5

HEX #78B2F3

RGB 120 178 243

HSL 211.71, 0.84%, 0.71%

LAB 71.08, -1.14, -38.15

 

CMYK 0 / 51 / 1 / 5

HEX #F376F1

RGB 243 118 241

HSL 300.96, 0.84%, 0.71%

LAB 68.29, 63.98, -40.62

 

CMYK 0 / 25 / 51 / 5

HEX #F3B776

RGB 243 183 118

HSL 31.2, 0.84%, 0.71%

LAB 78.6, 14.32, 41.29

 

CMYK 51 / 0 / 50 / 5

HEX #76F379

RGB 118 243 121

HSL 121.44, 0.84%, 0.71%

LAB 86.67, -58.78, 48.03

 

Description

Color code: RGB 120 178 243 | qconv.com Color code: RGB 120 178 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 178 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 178 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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