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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 155 118 it is the complementary color RGB 135 100 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 155 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 155 118 shade: RGB 125 155 113, RGB 142 173 132, RGB 159 191 151, RGB 176 209 170 and RGB 193 227 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 155 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 155 118 shade: RGB 120 155 118, RGB 103 137 99, RGB 86 119 80, RGB 69 101 61 and RGB 52 83 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 155 118 shade: RGB 120 156 118, RGB 131 156 118, RGB 141 156 118, RGB 151 156 118 and RGB 156 151 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 155 118 shade: RGB 120 156 118, RGB 118 156 127, RGB 118 156 137, RGB 118 156 147 and RGB 118 155 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 155 118 shade matches the following richer shades: RGB 120 156 118, RGB 104 175 99, RGB 87 194 80, RGB 70 213 61 and RGB 53 232 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 155 118 shade: RGB 120 156 118, RGB 137 137 137, RGB 154 118 156, RGB 171 99 175 and RGB 188 80 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 155 118 shade: RGB 141 156 118, RGB 131 156 118, RGB 121 156 118, RGB 118 156 126 and RGB 118 156 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 155 118 shade: RGB 82 111 81, RGB 100 135 98, RGB 120 156 118, RGB 144 173 142 and RGB 168 191 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 155 118 shade: RGB 120 155 118, RGB 118 151 156 and RGB 156 118 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 155 118 shade: RGB 120 155 118, RGB 118 121 156 and RGB 156 118 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 155 118 shade: RGB 120 155 118, RGB 118 151 156, RGB 153 118 156 and RGB 156 123 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 155 118 shade: RGB 120 155 118, RGB 118 140 156, RGB 153 118 156 and RGB 156 135 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

Complementary color

CMYK 1 / 27 / 0 / 46

HEX #876489

RGB 135 100 137

HSL 296.76, 0.16%, 0.46%

LAB 47.07, 20.84, -14.97

 

CMYK 19 / 0 / 27 / 39

HEX #7D9B71

RGB 125 155 113

HSL 102.86, 0.17%, 0.53%

LAB 60.78, -18.64, 18.69

 

CMYK 18 / 0 / 24 / 32

HEX #8EAD84

RGB 142 173 132

HSL 105.37, 0.2%, 0.6%

LAB 67.5, -18.51, 17.65

 

CMYK 17 / 0 / 21 / 25

HEX #9FBF97

RGB 159 191 151

HSL 108, 0.24%, 0.67%

LAB 74.1, -18.38, 16.68

 

CMYK 16 / 0 / 19 / 18

HEX #B0D1AA

RGB 176 209 170

HSL 110.77, 0.3%, 0.74%

LAB 80.59, -18.27, 15.76

 

CMYK 15 / 0 / 17 / 11

HEX #C1E3BD

RGB 193 227 189

HSL 113.68, 0.4%, 0.82%

LAB 86.97, -18.18, 14.9

 

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

CMYK 25 / 0 / 28 / 46

HEX #678963

RGB 103 137 99

HSL 113.68, 0.16%, 0.46%

LAB 53.68, -19.79, 16.61

 

CMYK 28 / 0 / 33 / 53

HEX #567750

RGB 86 119 80

HSL 110.77, 0.2%, 0.39%

LAB 46.65, -20.02, 17.77

 

CMYK 32 / 0 / 40 / 60

HEX #45653D

RGB 69 101 61

HSL 108, 0.25%, 0.32%

LAB 39.43, -20.24, 19.03

 

CMYK 37 / 0 / 49 / 67

HEX #34532A

RGB 52 83 42

HSL 105.37, 0.33%, 0.25%

LAB 32, -20.45, 20.41

 

CMYK 23 / 0 / 24 / 39

HEX #789C76

RGB 120 156 118

HSL 116.84, 0.16%, 0.54%

LAB 60.85, -20.11, 15.96

 

CMYK 16 / 0 / 24 / 39

HEX #839C76

RGB 131 156 118

HSL 99.47, 0.16%, 0.54%

LAB 61.58, -16.09, 17.07

 

CMYK 10 / 0 / 24 / 39

HEX #8D9C76

RGB 141 156 118

HSL 83.68, 0.16%, 0.54%

LAB 62.29, -12.31, 18.17

 

CMYK 3 / 0 / 24 / 39

HEX #979C76

RGB 151 156 118

HSL 67.89, 0.16%, 0.54%

LAB 63.06, -8.42, 19.35

 

CMYK 0 / 3 / 24 / 39

HEX #9C9776

RGB 156 151 118

HSL 52.11, 0.16%, 0.54%

LAB 62.09, -3.72, 18.09

 

CMYK 23 / 0 / 24 / 39

HEX #789C76

RGB 120 156 118

HSL 116.84, 0.16%, 0.54%

LAB 60.85, -20.11, 15.96

 

CMYK 24 / 0 / 19 / 39

HEX #769C7F

RGB 118 156 127

HSL 134.21, 0.16%, 0.54%

LAB 60.92, -19.13, 11

 

CMYK 24 / 0 / 12 / 39

HEX #769C89

RGB 118 156 137

HSL 150, 0.16%, 0.54%

LAB 61.16, -17.12, 5.72

 

CMYK 24 / 0 / 6 / 39

HEX #769C93

RGB 118 156 147

HSL 165.79, 0.16%, 0.54%

LAB 61.42, -14.97, 0.46

 

CMYK 24 / 1 / 0 / 39

HEX #769B9C

RGB 118 155 156

HSL 181.58, 0.16%, 0.54%

LAB 61.39, -12.39, -4.68

 

CMYK 23 / 0 / 24 / 39

HEX #789C76

RGB 120 156 118

HSL 116.84, 0.16%, 0.54%

LAB 60.85, -20.11, 15.96

 

CMYK 41 / 0 / 43 / 31

HEX #68AF63

RGB 104 175 99

HSL 116.05, 0.32%, 0.54%

LAB 65.36, -37.81, 32.08

 

CMYK 55 / 0 / 59 / 24

HEX #57C250

RGB 87 194 80

HSL 116.32, 0.48%, 0.54%

LAB 70.31, -53.07, 47.29

 

CMYK 67 / 0 / 71 / 16

HEX #46D53D

RGB 70 213 61

HSL 116.45, 0.64%, 0.54%

LAB 75.59, -65.45, 60.75

 

CMYK 77 / 0 / 81 / 9

HEX #35E82B

RGB 53 232 43

HSL 116.83, 0.8%, 0.54%

LAB 81.1, -75.23, 71.56

 

CMYK 23 / 0 / 24 / 39

HEX #789C76

RGB 120 156 118

HSL 116.84, 0.16%, 0.54%

LAB 60.85, -20.11, 15.96

 

CMYK 0 / 0 / 0 / 46

HEX #898989

RGB 137 137 137

HSL 0, 0%, 0.54%

LAB 57.09, 0, -0.01

 

CMYK 1 / 24 / 0 / 39

HEX #9A769C

RGB 154 118 156

HSL 296.84, 0.16%, 0.54%

LAB 54.27, 20.89, -15.04

 

CMYK 2 / 43 / 0 / 31

HEX #AB63AF

RGB 171 99 175

HSL 296.84, 0.32%, 0.54%

LAB 52.59, 40.92, -28.49

 

CMYK 3 / 59 / 0 / 24

HEX #BC50C2

RGB 188 80 194

HSL 296.84, 0.48%, 0.54%

LAB 52.2, 58.67, -39.94

 

CMYK 10 / 0 / 24 / 39

HEX #8D9C76

RGB 141 156 118

HSL 83.68, 0.16%, 0.54%

LAB 62.29, -12.31, 18.17

 

CMYK 16 / 0 / 24 / 39

HEX #839C76

RGB 131 156 118

HSL 99.47, 0.16%, 0.54%

LAB 61.58, -16.09, 17.07

 

CMYK 22 / 0 / 24 / 39

HEX #799C76

RGB 121 156 118

HSL 115.26, 0.16%, 0.54%

LAB 60.91, -19.75, 16.05

 

CMYK 24 / 0 / 19 / 39

HEX #769C7E

RGB 118 156 126

HSL 132.63, 0.16%, 0.54%

LAB 60.9, -19.32, 11.53

 

CMYK 24 / 0 / 13 / 39

HEX #769C88

RGB 118 156 136

HSL 148.42, 0.16%, 0.54%

LAB 61.14, -17.33, 6.25

 

CMYK 26 / 0 / 27 / 56

HEX #526F51

RGB 82 111 81

HSL 118, 0.16%, 0.38%

LAB 43.88, -17.07, 13.38

 

CMYK 26 / 0 / 27 / 47

HEX #648762

RGB 100 135 98

HSL 116.76, 0.16%, 0.46%

LAB 52.86, -20.02, 16.02

 

CMYK 23 / 0 / 24 / 39

HEX #789C76

RGB 120 156 118

HSL 116.84, 0.16%, 0.54%

LAB 60.85, -20.11, 15.96

 

CMYK 17 / 0 / 18 / 32

HEX #90AD8E

RGB 144 173 142

HSL 116.13, 0.16%, 0.62%

LAB 67.85, -16.04, 12.67

 

CMYK 12 / 0 / 13 / 25

HEX #A8BFA6

RGB 168 191 166

HSL 115.2, 0.16%, 0.7%

LAB 75.04, -12.59, 9.99

 

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

CMYK 24 / 3 / 0 / 39

HEX #76979C

RGB 118 151 156

HSL 187.89, 0.16%, 0.54%

LAB 60.24, -10.22, -6.39

 

CMYK 0 / 24 / 13 / 39

HEX #9C7688

RGB 156 118 136

HSL 331.58, 0.16%, 0.54%

LAB 53.82, 17.85, -4.03

 

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

CMYK 24 / 22 / 0 / 39

HEX #76799C

RGB 118 121 156

HSL 235.26, 0.16%, 0.54%

LAB 51.75, 6.88, -19.17

 

CMYK 0 / 24 / 22 / 39

HEX #9C7679

RGB 156 118 121

HSL 355.26, 0.16%, 0.54%

LAB 53.39, 15.35, 4.13

 

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

CMYK 24 / 3 / 0 / 39

HEX #76979C

RGB 118 151 156

HSL 187.89, 0.16%, 0.54%

LAB 60.24, -10.22, -6.39

 

CMYK 2 / 24 / 0 / 39

HEX #99769C

RGB 153 118 156

HSL 295.26, 0.16%, 0.54%

LAB 54.16, 20.54, -15.21

 

CMYK 0 / 21 / 24 / 39

HEX #9C7B76

RGB 156 123 118

HSL 7.89, 0.16%, 0.54%

LAB 54.6, 12.01, 7.61

 

CMYK 23 / 0 / 24 / 39

HEX #789B76

RGB 120 155 118

HSL 116.76, 0.16%, 0.54%

LAB 60.55, -19.59, 15.55

 

CMYK 24 / 10 / 0 / 39

HEX #768C9C

RGB 118 140 156

HSL 205.26, 0.16%, 0.54%

LAB 57.08, -4.11, -11.1

 

CMYK 2 / 24 / 0 / 39

HEX #99769C

RGB 153 118 156

HSL 295.26, 0.16%, 0.54%

LAB 54.16, 20.54, -15.21

 

CMYK 0 / 13 / 24 / 39

HEX #9C8776

RGB 156 135 118

HSL 26.84, 0.16%, 0.54%

LAB 57.75, 5.18, 12.07

 

Description

Color code: RGB 120 155 118 | qconv.com Color code: RGB 120 155 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 155 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 155 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 24 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 24% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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