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Color name
RGB 120 123 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 123 19 it is the complementary color RGB 135 132 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 123 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 123 19 shade: RGB 125 123 14, RGB 142 141 33, RGB 159 159 52, RGB 176 177 71 and RGB 193 195 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 123 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 103 105 0, RGB 86 87 0, RGB 69 69 0 and RGB 52 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 123 98 19, RGB 123 70 19, RGB 123 42 19 and RGB 123 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 92 123 19, RGB 64 123 19, RGB 36 123 19 and RGB 19 123 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 123 19 shade matches the following richer shades: RGB 120 123 19 and RGB 131 135 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 109 111 30, RGB 98 100 42, RGB 87 88 53 and RGB 76 77 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 123 19 shade: RGB 123 69 19, RGB 123 97 19, RGB 121 123 19, RGB 93 123 19 and RGB 66 123 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 123 19 shade: RGB 50 52 8, RGB 85 87 13, RGB 120 123 19, RGB 155 159 24 and RGB 190 194 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 19 123 41 and RGB 83 19 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 19 121 123 and RGB 123 19 121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 19 123 41, RGB 21 19 123 and RGB 123 19 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 123 19 shade: RGB 120 123 19, RGB 19 123 73, RGB 21 19 123 and RGB 123 19 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

Complementary color

CMYK 43 / 44 / 0 / 7

HEX #8784EC

RGB 135 132 236

HSL 241.73, 0.73%, 0.72%

LAB 59.63, 26.81, -52.27

 

CMYK 0 / 2 / 89 / 51

HEX #7D7B0E

RGB 125 123 14

HSL 58.92, 0.8%, 0.27%

LAB 50.17, -11.32, 52.52

 

CMYK 0 / 1 / 77 / 44

HEX #8E8D21

RGB 142 141 33

HSL 59.45, 0.62%, 0.34%

LAB 56.99, -12.55, 53.55

 

CMYK 0 / 0 / 67 / 38

HEX #9F9F34

RGB 159 159 52

HSL 60, 0.51%, 0.41%

LAB 63.68, -13.51, 53.39

 

CMYK 1 / 0 / 60 / 31

HEX #B0B147

RGB 176 177 71

HSL 60.57, 0.43%, 0.49%

LAB 70.27, -14.26, 52.67

 

CMYK 1 / 0 / 54 / 24

HEX #C1C35A

RGB 193 195 90

HSL 61.14, 0.47%, 0.56%

LAB 76.74, -14.87, 51.68

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 2 / 0 / 100 / 59

HEX #676900

RGB 103 105 0

HSL 61.14, 1%, 0.21%

LAB 42.74, -12.19, 48.99

 

CMYK 1 / 0 / 100 / 66

HEX #565700

RGB 86 87 0

HSL 60.69, 1%, 0.17%

LAB 35.59, -10.34, 43.05

 

CMYK 0 / 0 / 100 / 73

HEX #454500

RGB 69 69 0

HSL 60, 1%, 0.14%

LAB 28.17, -8.42, 36.78

 

CMYK 0 / 2 / 100 / 80

HEX #343300

RGB 52 51 0

HSL 58.85, 1%, 0.1%

LAB 20.43, -6.38, 28.63

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 0 / 20 / 85 / 52

HEX #7B6213

RGB 123 98 19

HSL 45.58, 0.73%, 0.28%

LAB 42.75, 2.06, 44.78

 

CMYK 0 / 43 / 85 / 52

HEX #7B4613

RGB 123 70 19

HSL 29.42, 0.73%, 0.28%

LAB 35.28, 18.7, 38.12

 

CMYK 0 / 66 / 85 / 52

HEX #7B2A13

RGB 123 42 19

HSL 13.27, 0.73%, 0.28%

LAB 29.19, 34.05, 32.48

 

CMYK 0 / 85 / 85 / 52

HEX #7B1313

RGB 123 19 19

HSL 0, 0.73%, 0.28%

LAB 25.93, 43.02, 29.34

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 25 / 0 / 85 / 52

HEX #5C7B13

RGB 92 123 19

HSL 77.88, 0.73%, 0.28%

LAB 47.61, -26.06, 48.04

 

CMYK 48 / 0 / 85 / 52

HEX #407B13

RGB 64 123 19

HSL 94.04, 0.73%, 0.28%

LAB 46.05, -36.92, 46.04

 

CMYK 71 / 0 / 85 / 52

HEX #247B13

RGB 36 123 19

HSL 110.19, 0.73%, 0.28%

LAB 45.06, -44.75, 44.78

 

CMYK 85 / 0 / 76 / 52

HEX #137B1E

RGB 19 123 30

HSL 126.35, 0.73%, 0.28%

LAB 44.8, -46.79, 40.59

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 3 / 0 / 95 / 47

HEX #838707

RGB 131 135 7

HSL 61.88, 0.9%, 0.28%

LAB 54.21, -15.15, 57.28

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 2 / 0 / 73 / 56

HEX #6D6F1E

RGB 109 111 30

HSL 61.48, 0.57%, 0.28%

LAB 45.24, -11.57, 42.46

 

CMYK 2 / 0 / 58 / 61

HEX #62642A

RGB 98 100 42

HSL 62.07, 0.41%, 0.28%

LAB 41.02, -9.65, 32.07

 

CMYK 1 / 0 / 40 / 65

HEX #575835

RGB 87 88 53

HSL 61.71, 0.25%, 0.28%

LAB 36.49, -6.54, 20.18

 

CMYK 1 / 0 / 16 / 70

HEX #4C4D41

RGB 76 77 65

HSL 65, 0.08%, 0.28%

LAB 32.32, -2.86, 6.99

 

CMYK 0 / 44 / 85 / 52

HEX #7B4513

RGB 123 69 19

HSL 28.85, 0.73%, 0.28%

LAB 35.03, 19.29, 37.89

 

CMYK 0 / 21 / 85 / 52

HEX #7B6113

RGB 123 97 19

HSL 45, 0.73%, 0.28%

LAB 42.47, 2.65, 44.53

 

CMYK 2 / 0 / 85 / 52

HEX #797B13

RGB 121 123 19

HSL 61.15, 0.73%, 0.28%

LAB 49.83, -13.04, 50.84

 

CMYK 24 / 0 / 85 / 52

HEX #5D7B13

RGB 93 123 19

HSL 77.31, 0.73%, 0.28%

LAB 47.68, -25.63, 48.12

 

CMYK 46 / 0 / 85 / 52

HEX #427B13

RGB 66 123 19

HSL 92.88, 0.73%, 0.28%

LAB 46.14, -36.23, 46.16

 

CMYK 4 / 0 / 85 / 80

HEX #323408

RGB 50 52 8

HSL 62.73, 0.73%, 0.12%

LAB 20.64, -7.53, 25.55

 

CMYK 2 / 0 / 85 / 66

HEX #55570D

RGB 85 87 13

HSL 61.62, 0.74%, 0.2%

LAB 35.55, -10.38, 38.95

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 3 / 0 / 85 / 38

HEX #9B9F18

RGB 155 159 24

HSL 61.78, 0.74%, 0.36%

LAB 63.2, -16.48, 62.03

 

CMYK 2 / 0 / 85 / 24

HEX #BEC21E

RGB 190 194 30

HSL 61.46, 0.73%, 0.44%

LAB 75.84, -18.8, 72.34

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 85 / 0 / 67 / 52

HEX #137B29

RGB 19 123 41

HSL 132.69, 0.73%, 0.28%

LAB 44.89, -45.63, 35.93

 

CMYK 33 / 85 / 0 / 52

HEX #53137B

RGB 83 19 123

HSL 276.92, 0.73%, 0.28%

LAB 22.77, 46.13, -45.05

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 85 / 2 / 0 / 52

HEX #13797B

RGB 19 121 123

HSL 181.15, 0.73%, 0.28%

LAB 45.97, -25.81, -8.93

 

CMYK 0 / 85 / 2 / 52

HEX #7B1379

RGB 123 19 121

HSL 301.15, 0.73%, 0.28%

LAB 29.56, 53.44, -32.49

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 85 / 0 / 67 / 52

HEX #137B29

RGB 19 123 41

HSL 132.69, 0.73%, 0.28%

LAB 44.89, -45.63, 35.93

 

CMYK 83 / 85 / 0 / 52

HEX #15137B

RGB 21 19 123

HSL 241.15, 0.73%, 0.28%

LAB 15.77, 38.64, -56.82

 

CMYK 0 / 85 / 19 / 52

HEX #7B1364

RGB 123 19 100

HSL 313.27, 0.73%, 0.28%

LAB 28.37, 50.18, -20.89

 

CMYK 2 / 0 / 85 / 52

HEX #787B13

RGB 120 123 19

HSL 61.73, 0.73%, 0.28%

LAB 49.75, -13.51, 50.73

 

CMYK 85 / 0 / 41 / 52

HEX #137B49

RGB 19 123 73

HSL 151.15, 0.73%, 0.28%

LAB 45.34, -40.32, 19.59

 

CMYK 83 / 85 / 0 / 52

HEX #15137B

RGB 21 19 123

HSL 241.15, 0.73%, 0.28%

LAB 15.77, 38.64, -56.82

 

CMYK 0 / 85 / 44 / 52

HEX #7B1345

RGB 123 19 69

HSL 331.15, 0.73%, 0.28%

LAB 27.04, 46.34, -2.4

 

Description

Color code: RGB 120 123 19 | qconv.com Color code: RGB 120 123 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 123 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 123 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 85 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 85% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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