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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 120 46 it is the complementary color RGB 135 135 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 120 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 120 46 shade: RGB 125 120 41, RGB 142 138 60, RGB 159 156 79, RGB 176 174 98 and RGB 193 192 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 120 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 120 46 shade: RGB 120 120 46, RGB 103 102 27, RGB 86 84 8, RGB 69 66 0 and RGB 52 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 120 46 shade: RGB 122 122 46, RGB 122 101 46, RGB 122 81 46, RGB 122 60 46 and RGB 122 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 120 46 shade: RGB 122 122 46, RGB 101 122 46, RGB 81 122 46, RGB 60 122 46 and RGB 46 122 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 120 46 shade matches the following richer shades: RGB 122 122 46, RGB 135 135 32, RGB 149 149 19 and RGB 162 162 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 120 46 shade: RGB 122 122 46, RGB 108 108 59, RGB 94 94 73, RGB 81 81 87 and RGB 67 67 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 120 46 shade: RGB 122 81 46, RGB 122 101 46, RGB 122 122 46, RGB 101 122 46 and RGB 81 122 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 120 46 shade: RGB 62 62 23, RGB 92 92 34, RGB 122 122 46, RGB 151 151 57 and RGB 181 181 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 120 46 shade: RGB 120 120 46, RGB 46 122 61 and RGB 91 46 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 120 46 shade: RGB 120 120 46, RGB 46 122 122 and RGB 122 46 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 120 46 shade: RGB 120 120 46, RGB 46 122 61, RGB 46 46 122 and RGB 122 46 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 120 46 shade: RGB 120 120 46, RGB 46 122 84, RGB 46 46 122 and RGB 122 46 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

Complementary color

CMYK 35 / 35 / 0 / 18

HEX #8787D1

RGB 135 135 209

HSL 240, 0.45%, 0.67%

LAB 59.05, 17.56, -38.1

 

CMYK 0 / 4 / 67 / 51

HEX #7D7829

RGB 125 120 41

HSL 56.43, 0.51%, 0.33%

LAB 49.44, -8.46, 42.46

 

CMYK 0 / 3 / 58 / 44

HEX #8E8A3C

RGB 142 138 60

HSL 57.07, 0.41%, 0.4%

LAB 56.34, -9.26, 41.5

 

CMYK 0 / 2 / 50 / 38

HEX #9F9C4F

RGB 159 156 79

HSL 57.75, 0.34%, 0.47%

LAB 63.1, -9.88, 40.33

 

CMYK 0 / 1 / 44 / 31

HEX #B0AE62

RGB 176 174 98

HSL 58.46, 0.33%, 0.54%

LAB 69.74, -10.36, 39.11

 

CMYK 0 / 1 / 39 / 24

HEX #C1C075

RGB 193 192 117

HSL 59.21, 0.38%, 0.61%

LAB 76.27, -10.75, 37.9

 

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

CMYK 0 / 1 / 74 / 60

HEX #67661B

RGB 103 102 27

HSL 59.21, 0.58%, 0.25%

LAB 41.95, -9.53, 40.27

 

CMYK 0 / 2 / 91 / 66

HEX #565408

RGB 86 84 8

HSL 58.46, 0.83%, 0.18%

LAB 34.67, -8.32, 39.78

 

CMYK 0 / 4 / 100 / 73

HEX #454200

RGB 69 66 0

HSL 57.39, 1%, 0.14%

LAB 27.19, -6.6, 35.95

 

CMYK 0 / 8 / 100 / 80

HEX #343000

RGB 52 48 0

HSL 55.38, 1%, 0.1%

LAB 19.41, -4.46, 27.47

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 0 / 17 / 62 / 52

HEX #7A652E

RGB 122 101 46

HSL 43.42, 0.45%, 0.33%

LAB 43.72, 1.36, 33.69

 

CMYK 0 / 34 / 62 / 52

HEX #7A512E

RGB 122 81 46

HSL 27.63, 0.45%, 0.33%

LAB 38.23, 13.26, 27.28

 

CMYK 0 / 51 / 62 / 52

HEX #7A3C2E

RGB 122 60 46

HSL 11.05, 0.45%, 0.33%

LAB 33.06, 25.62, 20.93

 

CMYK 0 / 62 / 62 / 52

HEX #7A2E2E

RGB 122 46 46

HSL 0, 0.45%, 0.33%

LAB 30.13, 33.17, 17.19

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 17 / 0 / 62 / 52

HEX #657A2E

RGB 101 122 46

HSL 76.58, 0.45%, 0.33%

LAB 48.11, -19.93, 38.13

 

CMYK 34 / 0 / 62 / 52

HEX #517A2E

RGB 81 122 46

HSL 92.37, 0.45%, 0.33%

LAB 46.8, -28.16, 36.29

 

CMYK 51 / 0 / 62 / 52

HEX #3C7A2E

RGB 60 122 46

HSL 108.95, 0.45%, 0.33%

LAB 45.74, -35.58, 34.81

 

CMYK 62 / 0 / 57 / 52

HEX #2E7A34

RGB 46 122 52

HSL 124.74, 0.45%, 0.33%

LAB 45.29, -38.78, 31.13

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 0 / 0 / 76 / 47

HEX #878720

RGB 135 135 32

HSL 60, 0.62%, 0.33%

LAB 54.64, -12.56, 51.49

 

CMYK 0 / 0 / 87 / 42

HEX #959513

RGB 149 149 19

HSL 60, 0.77%, 0.33%

LAB 59.83, -14.09, 60.17

 

CMYK 0 / 0 / 97 / 36

HEX #A2A205

RGB 162 162 5

HSL 60, 0.94%, 0.33%

LAB 64.59, -15.28, 66.63

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 0 / 0 / 45 / 58

HEX #6C6C3B

RGB 108 108 59

HSL 60, 0.29%, 0.33%

LAB 44.56, -7.88, 27.33

 

CMYK 0 / 0 / 22 / 63

HEX #5E5E49

RGB 94 94 73

HSL 60, 0.13%, 0.33%

LAB 39.35, -3.97, 12.08

 

CMYK 7 / 7 / 0 / 66

HEX #515157

RGB 81 81 87

HSL 240, 0.04%, 0.33%

LAB 34.65, 1.33, -3.51

 

CMYK 33 / 33 / 0 / 61

HEX #434364

RGB 67 67 100

HSL 240, 0.2%, 0.33%

LAB 29.73, 8.62, -19.36

 

CMYK 0 / 34 / 62 / 52

HEX #7A512E

RGB 122 81 46

HSL 27.63, 0.45%, 0.33%

LAB 38.23, 13.26, 27.28

 

CMYK 0 / 17 / 62 / 52

HEX #7A652E

RGB 122 101 46

HSL 43.42, 0.45%, 0.33%

LAB 43.72, 1.36, 33.69

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 17 / 0 / 62 / 52

HEX #657A2E

RGB 101 122 46

HSL 76.58, 0.45%, 0.33%

LAB 48.11, -19.93, 38.13

 

CMYK 34 / 0 / 62 / 52

HEX #517A2E

RGB 81 122 46

HSL 92.37, 0.45%, 0.33%

LAB 46.8, -28.16, 36.29

 

CMYK 0 / 0 / 63 / 76

HEX #3E3E17

RGB 62 62 23

HSL 60, 0.46%, 0.17%

LAB 25.36, -6.33, 23.55

 

CMYK 0 / 0 / 63 / 64

HEX #5C5C22

RGB 92 92 34

HSL 60, 0.46%, 0.25%

LAB 37.92, -8.57, 32.55

 

CMYK 0 / 0 / 62 / 52

HEX #7A7A2E

RGB 122 122 46

HSL 60, 0.45%, 0.33%

LAB 49.8, -10.59, 40.46

 

CMYK 0 / 0 / 62 / 41

HEX #979739

RGB 151 151 57

HSL 60, 0.45%, 0.41%

LAB 60.79, -12.48, 48.02

 

CMYK 0 / 0 / 62 / 29

HEX #B5B544

RGB 181 181 68

HSL 60, 0.45%, 0.49%

LAB 71.75, -14.4, 55.69

 

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

CMYK 62 / 0 / 50 / 52

HEX #2E7A3D

RGB 46 122 61

HSL 131.84, 0.45%, 0.33%

LAB 45.41, -37.41, 26.5

 

CMYK 25 / 62 / 0 / 52

HEX #5B2E7A

RGB 91 46 122

HSL 275.53, 0.45%, 0.33%

LAB 28.34, 35.13, -35.37

 

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

CMYK 62 / 0 / 0 / 52

HEX #2E7A7A

RGB 46 122 122

HSL 180, 0.45%, 0.33%

LAB 46.85, -22.9, -6.95

 

CMYK 0 / 62 / 0 / 52

HEX #7A2E7A

RGB 122 46 122

HSL 300, 0.45%, 0.33%

LAB 32.91, 43.55, -27.82

 

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

CMYK 62 / 0 / 50 / 52

HEX #2E7A3D

RGB 46 122 61

HSL 131.84, 0.45%, 0.33%

LAB 45.41, -37.41, 26.5

 

CMYK 62 / 62 / 0 / 52

HEX #2E2E7A

RGB 46 46 122

HSL 240, 0.45%, 0.33%

LAB 23.47, 24.61, -43.46

 

CMYK 0 / 62 / 13 / 52

HEX #7A2E6A

RGB 122 46 106

HSL 312.63, 0.45%, 0.33%

LAB 32.11, 40.69, -18.96

 

CMYK 0 / 0 / 62 / 53

HEX #78782E

RGB 120 120 46

HSL 60, 0.45%, 0.33%

LAB 49.04, -10.39, 39.58

 

CMYK 62 / 0 / 31 / 52

HEX #2E7A54

RGB 46 122 84

HSL 150, 0.45%, 0.33%

LAB 45.83, -32.94, 14.02

 

CMYK 62 / 62 / 0 / 52

HEX #2E2E7A

RGB 46 46 122

HSL 240, 0.45%, 0.33%

LAB 23.47, 24.61, -43.46

 

CMYK 0 / 62 / 31 / 52

HEX #7A2E54

RGB 122 46 84

HSL 330, 0.45%, 0.33%

LAB 31.19, 37.3, -6.17

 

Description

Color code: RGB 120 120 46 | qconv.com Color code: RGB 120 120 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 120 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 120 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 62 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 62% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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