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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 125 155 it is the complementary color RGB 135 130 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 125 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 125 155 shade: RGB 125 125 150, RGB 142 143 169, RGB 159 161 188, RGB 176 179 207 and RGB 193 197 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 125 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 103 107 136, RGB 86 89 117, RGB 69 71 98 and RGB 52 53 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 124 120 155, RGB 134 120 155, RGB 143 120 155 and RGB 153 120 155

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 125 155 shade: RGB 120 125 155 and RGB 120 120 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 125 155 shade matches the following richer shades: RGB 120 125 155, RGB 101 111 174, RGB 82 98 193, RGB 63 84 212 and RGB 44 70 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 139 138 136, RGB 158 152 117, RGB 177 165 98 and RGB 196 179 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 125 155 shade: RGB 120 144 155, RGB 120 134 155, RGB 120 125 155, RGB 124 120 155 and RGB 133 120 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 125 155 shade: RGB 81 86 110, RGB 99 104 134, RGB 120 125 155, RGB 143 147 172 and RGB 167 170 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 155 120 153 and RGB 139 155 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 155 120 125 and RGB 125 155 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 155 120 153, RGB 155 150 120 and RGB 120 155 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 125 155 shade: RGB 120 125 155, RGB 155 120 142, RGB 155 150 120 and RGB 120 155 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

Complementary color

CMYK 0 / 4 / 26 / 47

HEX #878264

RGB 135 130 100

HSL 51.43, 0.15%, 0.46%

LAB 54.07, -3.26, 16.96

 

CMYK 17 / 17 / 0 / 41

HEX #7D7D96

RGB 125 125 150

HSL 240, 0.11%, 0.54%

LAB 53.2, 5.41, -13.43

 

CMYK 16 / 15 / 0 / 34

HEX #8E8FA9

RGB 142 143 169

HSL 237.78, 0.14%, 0.61%

LAB 60.12, 5.13, -13.77

 

CMYK 15 / 14 / 0 / 26

HEX #9FA1BC

RGB 159 161 188

HSL 235.86, 0.18%, 0.68%

LAB 66.89, 4.86, -14.13

 

CMYK 15 / 14 / 0 / 19

HEX #B0B3CF

RGB 176 179 207

HSL 234.19, 0.24%, 0.75%

LAB 73.53, 4.62, -14.49

 

CMYK 15 / 13 / 0 / 11

HEX #C1C5E2

RGB 193 197 226

HSL 232.73, 0.36%, 0.82%

LAB 80.04, 4.39, -14.86

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 24 / 21 / 0 / 47

HEX #676B88

RGB 103 107 136

HSL 232.73, 0.14%, 0.47%

LAB 45.88, 5.26, -16.46

 

CMYK 26 / 24 / 0 / 54

HEX #565975

RGB 86 89 117

HSL 234.19, 0.15%, 0.4%

LAB 38.56, 5.64, -16.25

 

CMYK 30 / 28 / 0 / 62

HEX #454762

RGB 69 71 98

HSL 235.86, 0.17%, 0.33%

LAB 31, 6.1, -16.1

 

CMYK 34 / 33 / 0 / 69

HEX #34354F

RGB 52 53 79

HSL 237.78, 0.21%, 0.26%

LAB 23.14, 6.67, -16.02

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 20 / 23 / 0 / 39

HEX #7C789B

RGB 124 120 155

HSL 246.86, 0.15%, 0.54%

LAB 51.93, 9.19, -18.27

 

CMYK 14 / 23 / 0 / 39

HEX #86789B

RGB 134 120 155

HSL 264, 0.15%, 0.54%

LAB 52.8, 12.57, -16.86

 

CMYK 8 / 23 / 0 / 39

HEX #8F789B

RGB 143 120 155

HSL 279.43, 0.15%, 0.54%

LAB 53.64, 15.68, -15.51

 

CMYK 1 / 23 / 0 / 39

HEX #99789B

RGB 153 120 155

HSL 296.57, 0.15%, 0.54%

LAB 54.63, 19.18, -13.92

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 23 / 23 / 0 / 39

HEX #78789B

RGB 120 120 155

HSL 240, 0.15%, 0.54%

LAB 51.6, 7.87, -18.81

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 42 / 36 / 0 / 32

HEX #656FAE

RGB 101 111 174

HSL 231.78, 0.31%, 0.54%

LAB 48.5, 12.74, -34.82

 

CMYK 58 / 49 / 0 / 24

HEX #5262C1

RGB 82 98 193

HSL 231.35, 0.47%, 0.54%

LAB 44.77, 22.35, -51.86

 

CMYK 70 / 60 / 0 / 17

HEX #3F54D4

RGB 63 84 212

HSL 231.54, 0.63%, 0.54%

LAB 41.45, 34.64, -68.24

 

CMYK 81 / 70 / 0 / 9

HEX #2C46E7

RGB 44 70 231

HSL 231.66, 0.8%, 0.54%

LAB 39.05, 48.01, -83.07

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 0 / 1 / 2 / 45

HEX #8B8A88

RGB 139 138 136

HSL 40, 0.01%, 0.54%

LAB 57.51, -0.01, 1.19

 

CMYK 0 / 4 / 26 / 38

HEX #9E9875

RGB 158 152 117

HSL 51.22, 0.17%, 0.54%

LAB 62.52, -3.61, 19.25

 

CMYK 0 / 7 / 45 / 31

HEX #B1A562

RGB 177 165 98

HSL 50.89, 0.34%, 0.54%

LAB 67.38, -5.19, 36.19

 

CMYK 0 / 9 / 60 / 23

HEX #C4B34F

RGB 196 179 79

HSL 51.28, 0.5%, 0.54%

LAB 72.59, -6.23, 52.11

 

CMYK 23 / 7 / 0 / 39

HEX #78909B

RGB 120 144 155

HSL 198.86, 0.15%, 0.54%

LAB 58.33, -5.95, -8.65

 

CMYK 23 / 14 / 0 / 39

HEX #78869B

RGB 120 134 155

HSL 216, 0.15%, 0.54%

LAB 55.49, -0.29, -12.9

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 20 / 23 / 0 / 39

HEX #7C789B

RGB 124 120 155

HSL 246.86, 0.15%, 0.54%

LAB 51.93, 9.19, -18.27

 

CMYK 14 / 23 / 0 / 39

HEX #85789B

RGB 133 120 155

HSL 262.29, 0.15%, 0.54%

LAB 52.71, 12.23, -17.01

 

CMYK 26 / 22 / 0 / 57

HEX #51566E

RGB 81 86 110

HSL 229.66, 0.15%, 0.37%

LAB 36.99, 3.94, -14.38

 

CMYK 26 / 22 / 0 / 47

HEX #636886

RGB 99 104 134

HSL 231.43, 0.15%, 0.46%

LAB 44.62, 5.23, -17.21

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 17 / 15 / 0 / 33

HEX #8F93AC

RGB 143 147 172

HSL 231.72, 0.15%, 0.62%

LAB 61.38, 3.87, -13.57

 

CMYK 12 / 11 / 0 / 25

HEX #A7AABE

RGB 167 170 190

HSL 232.17, 0.15%, 0.7%

LAB 69.95, 2.97, -10.58

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 0 / 23 / 1 / 39

HEX #9B7899

RGB 155 120 153

HSL 303.43, 0.15%, 0.54%

LAB 54.76, 19.49, -12.54

 

CMYK 10 / 0 / 23 / 39

HEX #8B9B78

RGB 139 155 120

HSL 87.43, 0.15%, 0.54%

LAB 61.9, -12.21, 16.5

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 0 / 23 / 19 / 39

HEX #9B787D

RGB 155 120 125

HSL 351.43, 0.15%, 0.54%

LAB 53.9, 14.45, 2.52

 

CMYK 19 / 0 / 23 / 39

HEX #7D9B78

RGB 125 155 120

HSL 111.43, 0.15%, 0.54%

LAB 60.92, -17.43, 14.99

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 0 / 23 / 1 / 39

HEX #9B7899

RGB 155 120 153

HSL 303.43, 0.15%, 0.54%

LAB 54.76, 19.49, -12.54

 

CMYK 0 / 3 / 23 / 39

HEX #9B9678

RGB 155 150 120

HSL 51.43, 0.15%, 0.54%

LAB 61.77, -3.27, 16.52

 

CMYK 23 / 0 / 22 / 39

HEX #789B79

RGB 120 155 121

HSL 121.71, 0.15%, 0.54%

LAB 60.62, -19.05, 13.96

 

CMYK 23 / 19 / 0 / 39

HEX #787D9B

RGB 120 125 155

HSL 231.43, 0.15%, 0.54%

LAB 52.98, 4.93, -16.71

 

CMYK 0 / 23 / 8 / 39

HEX #9B788E

RGB 155 120 142

HSL 322.29, 0.15%, 0.54%

LAB 54.4, 17.4, -6.68

 

CMYK 0 / 3 / 23 / 39

HEX #9B9678

RGB 155 150 120

HSL 51.43, 0.15%, 0.54%

LAB 61.77, -3.27, 16.52

 

CMYK 23 / 0 / 15 / 39

HEX #789B84

RGB 120 155 132

HSL 140.57, 0.15%, 0.54%

LAB 60.87, -16.94, 8.14

 

Description

Color code: RGB 120 125 155 | qconv.com Color code: RGB 120 125 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 125 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 125 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 19 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 19% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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