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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 114 81 it is the complementary color RGB 135 141 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 114 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 114 81 shade: RGB 125 114 76, RGB 142 132 95, RGB 159 150 114, RGB 176 168 133 and RGB 193 186 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 114 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 114 81 shade: RGB 120 114 81, RGB 103 96 62, RGB 86 78 43, RGB 69 60 24 and RGB 52 42 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 114 81 shade: RGB 118 112 80, RGB 118 102 80, RGB 118 92 80, RGB 118 81 80 and RGB 118 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 114 81 shade: RGB 118 112 80, RGB 113 118 80, RGB 103 118 80, RGB 93 118 80 and RGB 83 118 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 114 81 shade matches the following richer shades: RGB 118 112 80, RGB 134 123 64, RGB 150 134 48, RGB 166 145 32 and RGB 182 157 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 114 81 shade: RGB 118 112 80, RGB 102 101 96, RGB 86 90 112, RGB 70 79 128 and RGB 53 67 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 114 81 shade: RGB 118 91 80, RGB 118 101 80, RGB 118 112 80, RGB 114 118 80 and RGB 104 118 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 114 81 shade: RGB 69 65 47, RGB 93 89 63, RGB 118 112 80, RGB 142 135 97 and RGB 162 155 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 114 81 shade: RGB 120 114 81, RGB 80 118 81 and RGB 96 80 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 114 81 shade: RGB 120 114 81, RGB 80 118 112 and RGB 112 80 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 114 81 shade: RGB 120 114 81, RGB 80 118 81, RGB 80 86 118 and RGB 118 80 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 114 81 shade: RGB 120 114 81, RGB 80 118 93, RGB 80 86 118 and RGB 118 80 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

Complementary color

CMYK 22 / 19 / 0 / 32

HEX #878DAE

RGB 135 141 174

HSL 230.77, 0.19%, 0.61%

LAB 59.21, 5.13, -18.05

 

CMYK 0 / 9 / 39 / 51

HEX #7D724C

RGB 125 114 76

HSL 46.53, 0.24%, 0.39%

LAB 48.15, -1.73, 22.62

 

CMYK 0 / 7 / 33 / 44

HEX #8E845F

RGB 142 132 95

HSL 47.23, 0.2%, 0.46%

LAB 55.15, -2.18, 21.38

 

CMYK 0 / 6 / 28 / 38

HEX #9F9672

RGB 159 150 114

HSL 48, 0.19%, 0.54%

LAB 62, -2.54, 20.22

 

CMYK 0 / 5 / 24 / 31

HEX #B0A885

RGB 176 168 133

HSL 48.84, 0.21%, 0.61%

LAB 68.7, -2.85, 19.16

 

CMYK 0 / 4 / 21 / 24

HEX #C1BA98

RGB 193 186 152

HSL 49.76, 0.25%, 0.68%

LAB 75.28, -3.11, 18.16

 

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

CMYK 0 / 7 / 40 / 60

HEX #67603E

RGB 103 96 62

HSL 49.76, 0.25%, 0.32%

LAB 40.57, -2.81, 20.44

 

CMYK 0 / 9 / 50 / 66

HEX #564E2B

RGB 86 78 43

HSL 48.84, 0.33%, 0.25%

LAB 33.14, -2.24, 21.84

 

CMYK 0 / 13 / 65 / 73

HEX #453C18

RGB 69 60 24

HSL 48, 0.48%, 0.18%

LAB 25.45, -1.41, 23.29

 

CMYK 0 / 19 / 90 / 80

HEX #342A05

RGB 52 42 5

HSL 47.23, 0.82%, 0.11%

LAB 17.45, -0.14, 23.12

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 0 / 14 / 32 / 54

HEX #766650

RGB 118 102 80

HSL 34.74, 0.19%, 0.39%

LAB 44.14, 2.76, 14.8

 

CMYK 0 / 22 / 32 / 54

HEX #765C50

RGB 118 92 80

HSL 18.95, 0.19%, 0.39%

LAB 41.35, 8.73, 10.96

 

CMYK 0 / 31 / 32 / 54

HEX #765150

RGB 118 81 80

HSL 1.58, 0.19%, 0.39%

LAB 38.4, 15.37, 6.82

 

CMYK 0 / 32 / 32 / 54

HEX #765050

RGB 118 80 80

HSL 0, 0.19%, 0.39%

LAB 38.14, 15.97, 6.45

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 4 / 0 / 32 / 54

HEX #717650

RGB 113 118 80

HSL 67.89, 0.19%, 0.39%

LAB 48.32, -8.63, 20.35

 

CMYK 13 / 0 / 32 / 54

HEX #677650

RGB 103 118 80

HSL 83.68, 0.19%, 0.39%

LAB 47.52, -12.79, 19.14

 

CMYK 21 / 0 / 32 / 54

HEX #5D7650

RGB 93 118 80

HSL 99.47, 0.19%, 0.39%

LAB 46.79, -16.8, 18.04

 

CMYK 30 / 0 / 32 / 54

HEX #537650

RGB 83 118 80

HSL 115.26, 0.19%, 0.39%

LAB 46.14, -20.61, 17.06

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 0 / 8 / 52 / 47

HEX #867B40

RGB 134 123 64

HSL 50.57, 0.35%, 0.39%

LAB 51.39, -4.18, 33.5

 

CMYK 0 / 11 / 68 / 41

HEX #968630

RGB 150 134 48

HSL 50.59, 0.52%, 0.39%

LAB 55.83, -4.34, 46.74

 

CMYK 0 / 13 / 81 / 35

HEX #A69120

RGB 166 145 32

HSL 50.6, 0.68%, 0.39%

LAB 60.3, -3.86, 57.7

 

CMYK 0 / 14 / 91 / 29

HEX #B69D10

RGB 182 157 16

HSL 50.96, 0.84%, 0.39%

LAB 65.04, -3.5, 66.18

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 0 / 1 / 6 / 60

HEX #666560

RGB 102 101 96

HSL 50, 0.03%, 0.39%

LAB 42.73, -0.61, 2.96

 

CMYK 23 / 20 / 0 / 56

HEX #565A70

RGB 86 90 112

HSL 230.77, 0.13%, 0.39%

LAB 38.66, 3.7, -13.03

 

CMYK 45 / 38 / 0 / 50

HEX #464F80

RGB 70 79 128

HSL 230.69, 0.29%, 0.39%

LAB 34.91, 10.29, -28.81

 

CMYK 63 / 53 / 0 / 44

HEX #354390

RGB 53 67 144

HSL 230.77, 0.46%, 0.39%

LAB 31.31, 19.75, -44.46

 

CMYK 0 / 23 / 32 / 54

HEX #765B50

RGB 118 91 80

HSL 17.37, 0.19%, 0.39%

LAB 41.08, 9.33, 10.58

 

CMYK 0 / 14 / 32 / 54

HEX #766550

RGB 118 101 80

HSL 33.16, 0.19%, 0.39%

LAB 43.85, 3.35, 14.41

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 3 / 0 / 32 / 54

HEX #727650

RGB 114 118 80

HSL 66.32, 0.19%, 0.39%

LAB 48.4, -8.2, 20.48

 

CMYK 12 / 0 / 32 / 54

HEX #687650

RGB 104 118 80

HSL 82.11, 0.19%, 0.39%

LAB 47.6, -12.38, 19.26

 

CMYK 0 / 6 / 32 / 73

HEX #45412F

RGB 69 65 47

HSL 49.09, 0.19%, 0.23%

LAB 27.44, -1.68, 11.63

 

CMYK 0 / 4 / 32 / 64

HEX #5D593F

RGB 93 89 63

HSL 52, 0.19%, 0.31%

LAB 37.54, -3, 15.67

 

CMYK 0 / 5 / 32 / 54

HEX #767050

RGB 118 112 80

HSL 50.53, 0.19%, 0.39%

LAB 47, -3.08, 18.67

 

CMYK 0 / 5 / 32 / 44

HEX #8E8761

RGB 142 135 97

HSL 50.67, 0.19%, 0.47%

LAB 56.03, -3.58, 21.42

 

CMYK 0 / 4 / 27 / 36

HEX #A29B76

RGB 162 155 118

HSL 50.45, 0.19%, 0.55%

LAB 63.7, -3.51, 20.37

 

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

CMYK 32 / 0 / 31 / 54

HEX #507651

RGB 80 118 81

HSL 121.58, 0.19%, 0.39%

LAB 45.98, -21.52, 16.23

 

CMYK 19 / 32 / 0 / 54

HEX #605076

RGB 96 80 118

HSL 265.26, 0.19%, 0.39%

LAB 36.99, 14.98, -19.22

 

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

CMYK 32 / 0 / 5 / 54

HEX #507670

RGB 80 118 112

HSL 170.53, 0.19%, 0.39%

LAB 46.75, -14.8, -0.99

 

CMYK 5 / 32 / 0 / 54

HEX #705076

RGB 112 80 118

HSL 290.53, 0.19%, 0.39%

LAB 38.71, 20.62, -16.43

 

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

CMYK 32 / 0 / 31 / 54

HEX #507651

RGB 80 118 81

HSL 121.58, 0.19%, 0.39%

LAB 45.98, -21.52, 16.23

 

CMYK 32 / 27 / 0 / 54

HEX #505676

RGB 80 86 118

HSL 230.53, 0.19%, 0.39%

LAB 37.24, 5.81, -18.94

 

CMYK 0 / 32 / 1 / 54

HEX #765075

RGB 118 80 117

HSL 301.58, 0.19%, 0.39%

LAB 39.37, 22.56, -14.74

 

CMYK 0 / 5 / 33 / 53

HEX #787251

RGB 120 114 81

HSL 50.77, 0.19%, 0.39%

LAB 47.78, -3.23, 19.16

 

CMYK 32 / 0 / 21 / 54

HEX #50765D

RGB 80 118 93

HSL 140.53, 0.19%, 0.39%

LAB 46.25, -19.14, 9.56

 

CMYK 32 / 27 / 0 / 54

HEX #505676

RGB 80 86 118

HSL 230.53, 0.19%, 0.39%

LAB 37.24, 5.81, -18.94

 

CMYK 0 / 32 / 11 / 54

HEX #765069

RGB 118 80 105

HSL 320.53, 0.19%, 0.39%

LAB 38.91, 20.19, -8

 

Description

Color code: RGB 120 114 81 | qconv.com Color code: RGB 120 114 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 114 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 114 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 33 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 33% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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