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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 243 145 it is the complementary color RGB 244 12 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 243 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 243 145 shade: RGB 16 243 140, RGB 33 255 159, RGB 50 255 178, RGB 67 255 197 and RGB 84 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 243 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 0 225 126, RGB 0 207 107, RGB 0 189 88 and RGB 0 171 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 11 243 82, RGB 11 243 20, RGB 65 243 11 and RGB 127 243 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 11 243 208, RGB 11 216 243, RGB 11 153 243 and RGB 11 91 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 243 145 shade matches the following richer shades: RGB 11 243 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 32 222 142, RGB 52 202 139, RGB 73 181 135 and RGB 93 161 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 243 145 shade: RGB 11 243 19, RGB 11 243 81, RGB 11 243 142, RGB 11 243 204 and RGB 11 220 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 243 145 shade: RGB 7 164 98, RGB 9 204 121, RGB 11 243 145, RGB 50 245 163 and RGB 90 247 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 11 65 243 and RGB 243 50 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 142 11 243 and RGB 243 142 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 11 65 243, RGB 243 11 112 and RGB 243 189 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 243 145 shade: RGB 11 243 145, RGB 26 11 243, RGB 243 11 112 and RGB 228 243 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

Complementary color

CMYK 0 / 95 / 55 / 4

HEX #F40C6E

RGB 244 12 110

HSL 334.66, 0.91%, 0.5%

LAB 52.53, 80.09, 11.29

 

CMYK 93 / 0 / 42 / 5

HEX #10F38C

RGB 16 243 140

HSL 152.78, 0.9%, 0.51%

LAB 85.05, -70.48, 36.42

 

CMYK 87 / 0 / 38 / 0

HEX #21FF9F

RGB 33 255 159

HSL 154.05, 1%, 0.56%

LAB 89.09, -70.18, 32.31

 

CMYK 80 / 0 / 30 / 0

HEX #32FFB2

RGB 50 255 178

HSL 157.46, 1%, 0.6%

LAB 89.59, -65.09, 23.44

 

CMYK 74 / 0 / 23 / 0

HEX #43FFC5

RGB 67 255 197

HSL 161.49, 1%, 0.63%

LAB 90.2, -59.18, 14.62

 

CMYK 67 / 0 / 15 / 0

HEX #54FFD8

RGB 84 255 216

HSL 166.32, 1%, 0.66%

LAB 90.95, -52.53, 5.92

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 100 / 0 / 44 / 12

HEX #00E17E

RGB 0 225 126

HSL 153.6, 1%, 0.44%

LAB 79.25, -67.52, 35.83

 

CMYK 100 / 0 / 48 / 19

HEX #00CF6B

RGB 0 207 107

HSL 151.01, 1%, 0.41%

LAB 73.34, -64.88, 37.73

 

CMYK 100 / 0 / 53 / 26

HEX #00BD58

RGB 0 189 88

HSL 147.94, 1%, 0.37%

LAB 67.35, -62.08, 39.64

 

CMYK 100 / 0 / 60 / 33

HEX #00AB45

RGB 0 171 69

HSL 144.21, 1%, 0.34%

LAB 61.27, -59.08, 41.48

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 95 / 0 / 66 / 5

HEX #0BF352

RGB 11 243 82

HSL 138.36, 0.91%, 0.5%

LAB 84.37, -78.7, 61.86

 

CMYK 95 / 0 / 92 / 5

HEX #0BF314

RGB 11 243 20

HSL 122.33, 0.91%, 0.5%

LAB 84.08, -82.41, 78.42

 

CMYK 73 / 0 / 95 / 5

HEX #41F30B

RGB 65 243 11

HSL 106.03, 0.91%, 0.5%

LAB 84.61, -77.73, 80.03

 

CMYK 48 / 0 / 95 / 5

HEX #7FF30B

RGB 127 243 11

HSL 90, 0.91%, 0.5%

LAB 86.32, -63.68, 82.13

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 95 / 0 / 14 / 5

HEX #0BF3D0

RGB 11 243 208

HSL 170.95, 0.91%, 0.5%

LAB 86.37, -55.71, 3.36

 

CMYK 95 / 11 / 0 / 5

HEX #0BD8F3

RGB 11 216 243

HSL 186.98, 0.91%, 0.5%

LAB 79.42, -33.88, -25.51

 

CMYK 95 / 37 / 0 / 5

HEX #0B99F3

RGB 11 153 243

HSL 203.28, 0.91%, 0.5%

LAB 61.07, -0.66, -54.12

 

CMYK 95 / 63 / 0 / 5

HEX #0B5BF3

RGB 11 91 243

HSL 219.31, 0.91%, 0.5%

LAB 44.27, 37.9, -81.28

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 86 / 0 / 36 / 13

HEX #20DE8E

RGB 32 222 142

HSL 154.74, 0.75%, 0.5%

LAB 78.75, -62.04, 27.09

 

CMYK 74 / 0 / 31 / 21

HEX #34CA8B

RGB 52 202 139

HSL 154.8, 0.59%, 0.5%

LAB 72.78, -53.21, 20.59

 

CMYK 60 / 0 / 25 / 29

HEX #49B587

RGB 73 181 135

HSL 154.44, 0.43%, 0.5%

LAB 66.68, -41.93, 14.37

 

CMYK 42 / 0 / 18 / 37

HEX #5DA184

RGB 93 161 132

HSL 154.41, 0.27%, 0.5%

LAB 61.21, -28.49, 8.41

 

CMYK 95 / 0 / 92 / 5

HEX #0BF313

RGB 11 243 19

HSL 122.07, 0.91%, 0.5%

LAB 84.08, -82.44, 78.54

 

CMYK 95 / 0 / 67 / 5

HEX #0BF351

RGB 11 243 81

HSL 138.1, 0.91%, 0.5%

LAB 84.36, -78.8, 62.25

 

CMYK 95 / 0 / 42 / 5

HEX #0BF38E

RGB 11 243 142

HSL 153.88, 0.91%, 0.5%

LAB 85.06, -70.29, 35.43

 

CMYK 95 / 0 / 16 / 5

HEX #0BF3CC

RGB 11 243 204

HSL 169.91, 0.91%, 0.5%

LAB 86.27, -56.73, 5.31

 

CMYK 95 / 9 / 0 / 5

HEX #0BDCF3

RGB 11 220 243

HSL 185.95, 0.91%, 0.5%

LAB 80.59, -35.76, -23.72

 

CMYK 96 / 0 / 40 / 36

HEX #07A462

RGB 7 164 98

HSL 154.78, 0.92%, 0.34%

LAB 59.41, -51.49, 24.4

 

CMYK 96 / 0 / 41 / 20

HEX #09CC79

RGB 9 204 121

HSL 154.46, 0.92%, 0.42%

LAB 72.64, -61.06, 29.75

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 80 / 0 / 33 / 4

HEX #32F5A3

RGB 50 245 163

HSL 154.77, 0.91%, 0.58%

LAB 86.32, -64.54, 26.61

 

CMYK 64 / 0 / 27 / 3

HEX #5AF7B4

RGB 90 247 180

HSL 154.39, 0.91%, 0.66%

LAB 87.96, -56.37, 20.29

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 95 / 73 / 0 / 5

HEX #0B41F3

RGB 11 65 243

HSL 226.03, 0.91%, 0.5%

LAB 38.42, 53.67, -90.93

 

CMYK 0 / 79 / 95 / 5

HEX #F3320B

RGB 243 50 11

HSL 10.09, 0.91%, 0.5%

LAB 53.34, 69.98, 63.26

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 42 / 95 / 0 / 5

HEX #8E0BF3

RGB 142 11 243

HSL 273.88, 0.91%, 0.5%

LAB 41.94, 80.77, -84.8

 

CMYK 0 / 42 / 95 / 5

HEX #F38E0B

RGB 243 142 11

HSL 33.88, 0.91%, 0.5%

LAB 68.33, 31.03, 72.5

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 95 / 73 / 0 / 5

HEX #0B41F3

RGB 11 65 243

HSL 226.03, 0.91%, 0.5%

LAB 38.42, 53.67, -90.93

 

CMYK 0 / 95 / 54 / 5

HEX #F30B70

RGB 243 11 112

HSL 333.88, 0.91%, 0.5%

LAB 52.36, 80.07, 9.8

 

CMYK 0 / 22 / 95 / 5

HEX #F3BD0B

RGB 243 189 11

HSL 46.03, 0.91%, 0.5%

LAB 79.31, 6.38, 80.17

 

CMYK 95 / 0 / 40 / 5

HEX #0BF391

RGB 11 243 145

HSL 154.66, 0.91%, 0.5%

LAB 85.11, -69.74, 34

 

CMYK 89 / 95 / 0 / 5

HEX #1A0BF3

RGB 26 11 243

HSL 243.88, 0.91%, 0.5%

LAB 31.65, 74.8, -102.19

 

CMYK 0 / 95 / 54 / 5

HEX #F30B70

RGB 243 11 112

HSL 333.88, 0.91%, 0.5%

LAB 52.36, 80.07, 9.8

 

CMYK 6 / 0 / 95 / 5

HEX #E4F30B

RGB 228 243 11

HSL 63.88, 0.91%, 0.5%

LAB 91.96, -26.87, 88.94

 

Description

Color code: RGB 11 243 145 | qconv.com Color code: RGB 11 243 145 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 243 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 243 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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