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Color name
RGB 11 170 64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 170 64 it is the complementary color RGB 244 85 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 170 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 170 64 shade: RGB 16 170 59, RGB 33 188 78, RGB 50 206 97, RGB 67 224 116 and RGB 84 242 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 170 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 170 64 shade: RGB 11 170 64, RGB 0 152 45, RGB 0 134 26, RGB 0 116 7 and RGB 0 98 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 170 64 shade: RGB 10 167 63, RGB 10 167 20, RGB 43 167 10, RGB 85 167 10 and RGB 127 167 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 170 64 shade: RGB 10 167 63, RGB 10 167 105, RGB 10 167 147, RGB 10 145 167 and RGB 10 103 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 170 64 shade matches the following richer shades: RGB 10 167 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 170 64 shade: RGB 10 167 63, RGB 25 153 67, RGB 39 138 72, RGB 54 124 77 and RGB 68 110 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 170 64 shade: RGB 42 167 10, RGB 10 167 21, RGB 10 167 63, RGB 10 167 104 and RGB 10 167 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 170 64 shade: RGB 5 90 33, RGB 8 129 48, RGB 10 167 63, RGB 13 206 77 and RGB 20 240 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 170 64 shade: RGB 11 170 64, RGB 10 84 167 and RGB 167 10 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 170 64 shade: RGB 11 170 64, RGB 63 10 167 and RGB 167 63 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 170 64 shade: RGB 11 170 64, RGB 10 84 167, RGB 167 10 115 and RGB 167 94 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 170 64 shade: RGB 11 170 64, RGB 10 36 167, RGB 167 10 115 and RGB 167 141 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

Complementary color

CMYK 0 / 65 / 22 / 4

HEX #F455BF

RGB 244 85 191

HSL 320, 0.88%, 0.65%

LAB 61.21, 70.71, -23.55

 

CMYK 91 / 0 / 65 / 33

HEX #10AA3B

RGB 16 170 59

HSL 136.75, 0.83%, 0.36%

LAB 60.94, -59.17, 45.66

 

CMYK 82 / 0 / 59 / 26

HEX #21BC4E

RGB 33 188 78

HSL 137.42, 0.7%, 0.43%

LAB 67.16, -61.11, 44.23

 

CMYK 76 / 0 / 53 / 19

HEX #32CE61

RGB 50 206 97

HSL 138.08, 0.61%, 0.5%

LAB 73.34, -62.42, 42.7

 

CMYK 70 / 0 / 48 / 12

HEX #43E074

RGB 67 224 116

HSL 138.73, 0.72%, 0.57%

LAB 79.48, -63.27, 41.19

 

CMYK 65 / 0 / 44 / 5

HEX #54F287

RGB 84 242 135

HSL 139.37, 0.86%, 0.64%

LAB 85.57, -63.81, 39.73

 

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

CMYK 100 / 0 / 70 / 40

HEX #00982D

RGB 0 152 45

HSL 137.76, 1%, 0.3%

LAB 54.71, -56.03, 44.81

 

CMYK 100 / 0 / 81 / 47

HEX #00861A

RGB 0 134 26

HSL 131.64, 1%, 0.26%

LAB 48.42, -52.22, 45.57

 

CMYK 100 / 0 / 94 / 55

HEX #007407

RGB 0 116 7

HSL 123.62, 1%, 0.23%

LAB 42.01, -47.86, 44.86

 

CMYK 100 / 0 / 100 / 62

HEX #006200

RGB 0 98 0

HSL 120, 1%, 0.19%

LAB 35.47, -42.76, 41.27

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 94 / 0 / 88 / 35

HEX #0AA714

RGB 10 167 20

HSL 123.82, 0.89%, 0.35%

LAB 59.66, -61.64, 57.54

 

CMYK 74 / 0 / 94 / 35

HEX #2BA70A

RGB 43 167 10

HSL 107.39, 0.89%, 0.35%

LAB 60.04, -58.36, 59.77

 

CMYK 49 / 0 / 94 / 35

HEX #55A70A

RGB 85 167 10

HSL 91.34, 0.89%, 0.35%

LAB 61.3, -48.09, 61.32

 

CMYK 24 / 0 / 94 / 35

HEX #7FA70A

RGB 127 167 10

HSL 75.29, 0.89%, 0.35%

LAB 63.48, -32.73, 64

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 94 / 0 / 37 / 35

HEX #0AA769

RGB 10 167 105

HSL 156.31, 0.89%, 0.35%

LAB 60.54, -51.01, 22.11

 

CMYK 94 / 0 / 12 / 35

HEX #0AA793

RGB 10 167 147

HSL 172.36, 0.89%, 0.35%

LAB 61.49, -40.57, 0.15

 

CMYK 94 / 13 / 0 / 35

HEX #0A91A7

RGB 10 145 167

HSL 188.41, 0.89%, 0.35%

LAB 55.18, -23.86, -20.65

 

CMYK 94 / 38 / 0 / 35

HEX #0A67A7

RGB 10 103 167

HSL 204.46, 0.89%, 0.35%

LAB 42.09, 0.12, -41.1

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 84 / 0 / 56 / 40

HEX #199943

RGB 25 153 67

HSL 139.69, 0.72%, 0.35%

LAB 55.48, -51.76, 35.63

 

CMYK 72 / 0 / 48 / 46

HEX #278A48

RGB 39 138 72

HSL 140, 0.56%, 0.35%

LAB 50.78, -43.47, 27.28

 

CMYK 56 / 0 / 38 / 51

HEX #367C4D

RGB 54 124 77

HSL 139.71, 0.39%, 0.35%

LAB 46.63, -33.36, 19.18

 

CMYK 38 / 0 / 25 / 57

HEX #446E52

RGB 68 110 82

HSL 140, 0.24%, 0.35%

LAB 42.75, -21.32, 11.08

 

CMYK 75 / 0 / 94 / 35

HEX #2AA70A

RGB 42 167 10

HSL 107.77, 0.89%, 0.35%

LAB 60.03, -58.53, 59.75

 

CMYK 94 / 0 / 87 / 35

HEX #0AA715

RGB 10 167 21

HSL 124.2, 0.89%, 0.35%

LAB 59.67, -61.6, 57.32

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 94 / 0 / 38 / 35

HEX #0AA768

RGB 10 167 104

HSL 155.92, 0.89%, 0.35%

LAB 60.52, -51.22, 22.63

 

CMYK 94 / 0 / 13 / 35

HEX #0AA792

RGB 10 167 146

HSL 171.97, 0.89%, 0.35%

LAB 61.46, -40.86, 0.67

 

CMYK 94 / 0 / 63 / 65

HEX #055A21

RGB 5 90 33

HSL 139.76, 0.89%, 0.19%

LAB 32.82, -36.61, 26.09

 

CMYK 94 / 0 / 63 / 49

HEX #088130

RGB 8 129 48

HSL 139.83, 0.88%, 0.27%

LAB 46.93, -47.79, 34.88

 

CMYK 94 / 0 / 62 / 35

HEX #0AA73F

RGB 10 167 63

HSL 140.25, 0.89%, 0.35%

LAB 59.94, -58.1, 42.74

 

CMYK 94 / 0 / 63 / 19

HEX #0DCE4D

RGB 13 206 77

HSL 139.9, 0.88%, 0.43%

LAB 72.74, -68.32, 51.05

 

CMYK 92 / 0 / 61 / 6

HEX #14F05D

RGB 20 240 93

HSL 139.91, 0.88%, 0.51%

LAB 83.58, -76.3, 56.49

 

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

CMYK 94 / 50 / 0 / 35

HEX #0A54A7

RGB 10 84 167

HSL 211.72, 0.89%, 0.35%

LAB 36.36, 12.47, -50.28

 

CMYK 0 / 94 / 87 / 35

HEX #A70A15

RGB 167 10 21

HSL 355.8, 0.89%, 0.35%

LAB 34.98, 57.38, 40

 

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

CMYK 62 / 94 / 0 / 35

HEX #3F0AA7

RGB 63 10 167

HSL 260.25, 0.89%, 0.35%

LAB 23.88, 57.12, -70.63

 

CMYK 0 / 62 / 94 / 35

HEX #A73F0A

RGB 167 63 10

HSL 20.25, 0.89%, 0.35%

LAB 40.88, 40.71, 48.82

 

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

CMYK 94 / 50 / 0 / 35

HEX #0A54A7

RGB 10 84 167

HSL 211.72, 0.89%, 0.35%

LAB 36.36, 12.47, -50.28

 

CMYK 0 / 94 / 31 / 35

HEX #A70A73

RGB 167 10 115

HSL 319.87, 0.89%, 0.35%

LAB 37.24, 63.57, -16.06

 

CMYK 0 / 44 / 94 / 35

HEX #A75E0A

RGB 167 94 10

HSL 32.1, 0.89%, 0.35%

LAB 47.29, 24.56, 53.29

 

CMYK 94 / 0 / 62 / 33

HEX #0BAA40

RGB 11 170 64

HSL 140, 0.88%, 0.35%

LAB 60.95, -58.87, 43.44

 

CMYK 94 / 78 / 0 / 35

HEX #0A24A7

RGB 10 36 167

HSL 230.06, 0.89%, 0.35%

LAB 24.05, 44, -70.44

 

CMYK 0 / 94 / 31 / 35

HEX #A70A73

RGB 167 10 115

HSL 319.87, 0.89%, 0.35%

LAB 37.24, 63.57, -16.06

 

CMYK 0 / 16 / 94 / 35

HEX #A78D0A

RGB 167 141 10

HSL 50.06, 0.89%, 0.35%

LAB 59.24, -1.76, 62.1

 

Description

Color code: RGB 11 170 64 | qconv.com Color code: RGB 11 170 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 170 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 170 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 62 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 62% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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