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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 161 213 it is the complementary color RGB 244 94 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 161 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 161 213 shade: RGB 16 161 208, RGB 33 179 227, RGB 50 197 246, RGB 67 215 255 and RGB 84 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 161 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 0 143 194, RGB 0 125 175, RGB 0 107 156 and RGB 0 89 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 11 106 213, RGB 11 52 213, RGB 24 11 213 and RGB 79 11 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 11 106 213, RGB 11 52 213 and RGB 11 11 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 161 213 shade matches the following richer shades: RGB 11 161 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 29 152 195, RGB 47 143 176, RGB 65 134 158 and RGB 83 125 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 161 213 shade: RGB 11 213 155, RGB 11 213 209, RGB 11 162 213, RGB 11 108 213 and RGB 11 54 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 161 213 shade: RGB 7 101 134, RGB 9 131 173, RGB 11 161 213, RGB 22 186 242 and RGB 62 197 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 102 11 213 and RGB 213 182 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 213 11 162 and RGB 162 213 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 102 11 213, RGB 213 61 11 and RGB 122 213 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 161 213 shade: RGB 11 161 213, RGB 162 11 213, RGB 213 61 11 and RGB 61 213 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

Complementary color

CMYK 0 / 61 / 83 / 4

HEX #F45E2A

RGB 244 94 42

HSL 15.45, 0.9%, 0.56%

LAB 59.35, 55.24, 56.97

 

CMYK 92 / 23 / 0 / 18

HEX #10A1D0

RGB 16 161 208

HSL 194.69, 0.86%, 0.44%

LAB 61.79, -17.76, -33.6

 

CMYK 85 / 21 / 0 / 11

HEX #21B3E3

RGB 33 179 227

HSL 194.85, 0.78%, 0.51%

LAB 68.1, -19.77, -34.27

 

CMYK 80 / 20 / 0 / 4

HEX #32C5F6

RGB 50 197 246

HSL 195, 0.92%, 0.58%

LAB 74.36, -21.41, -34.86

 

CMYK 74 / 16 / 0 / 0

HEX #43D7FF

RGB 67 215 255

HSL 192.77, 1%, 0.63%

LAB 80.19, -25.87, -30.65

 

CMYK 67 / 9 / 0 / 0

HEX #54E9FF

RGB 84 233 255

HSL 187.72, 1%, 0.66%

LAB 85.7, -32.46, -22.21

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 100 / 26 / 0 / 24

HEX #008FC2

RGB 0 143 194

HSL 195.77, 1%, 0.38%

LAB 55.62, -13.53, -35.36

 

CMYK 100 / 29 / 0 / 31

HEX #007DAF

RGB 0 125 175

HSL 197.14, 1%, 0.34%

LAB 49.21, -10.43, -34.53

 

CMYK 100 / 31 / 0 / 39

HEX #006B9C

RGB 0 107 156

HSL 198.85, 1%, 0.31%

LAB 42.64, -7.19, -33.72

 

CMYK 100 / 35 / 0 / 46

HEX #005989

RGB 0 89 137

HSL 201.02, 1%, 0.27%

LAB 35.89, -3.74, -32.95

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 95 / 50 / 0 / 16

HEX #0B6AD5

RGB 11 106 213

HSL 211.78, 0.9%, 0.44%

LAB 45.88, 16.63, -61.68

 

CMYK 95 / 76 / 0 / 16

HEX #0B34D5

RGB 11 52 213

HSL 227.82, 0.9%, 0.44%

LAB 32.55, 50.81, -83.53

 

CMYK 89 / 95 / 0 / 16

HEX #180BD5

RGB 24 11 213

HSL 243.86, 0.9%, 0.44%

LAB 27.4, 67.24, -92.09

 

CMYK 63 / 95 / 0 / 16

HEX #4F0BD5

RGB 79 11 213

HSL 260.2, 0.9%, 0.44%

LAB 31.13, 69.18, -85.79

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 95 / 50 / 0 / 16

HEX #0B6AD5

RGB 11 106 213

HSL 211.78, 0.9%, 0.44%

LAB 45.88, 16.63, -61.68

 

CMYK 95 / 76 / 0 / 16

HEX #0B34D5

RGB 11 52 213

HSL 227.82, 0.9%, 0.44%

LAB 32.55, 50.81, -83.53

 

CMYK 95 / 95 / 0 / 16

HEX #0B0BD5

RGB 11 11 213

HSL 240, 0.9%, 0.44%

LAB 27.06, 67.09, -92.67

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 85 / 22 / 0 / 24

HEX #1D98C3

RGB 29 152 195

HSL 195.54, 0.74%, 0.44%

LAB 58.66, -16.74, -31.18

 

CMYK 73 / 19 / 0 / 31

HEX #2F8FB0

RGB 47 143 176

HSL 195.35, 0.58%, 0.44%

LAB 55.47, -16.56, -25.31

 

CMYK 59 / 15 / 0 / 38

HEX #41869E

RGB 65 134 158

HSL 195.48, 0.42%, 0.44%

LAB 52.56, -14.47, -19.38

 

CMYK 41 / 11 / 0 / 45

HEX #537D8C

RGB 83 125 140

HSL 195.79, 0.26%, 0.44%

LAB 49.98, -10.43, -12.73

 

CMYK 95 / 0 / 27 / 16

HEX #0BD59B

RGB 11 213 155

HSL 162.77, 0.9%, 0.44%

LAB 76.09, -57.06, 16.62

 

CMYK 95 / 0 / 2 / 16

HEX #0BD5D1

RGB 11 213 209

HSL 178.81, 0.9%, 0.44%

LAB 77.44, -42.87, -10.31

 

CMYK 95 / 24 / 0 / 16

HEX #0BA2D5

RGB 11 162 213

HSL 195.15, 0.9%, 0.44%

LAB 62.27, -16.71, -35.64

 

CMYK 95 / 49 / 0 / 16

HEX #0B6CD5

RGB 11 108 213

HSL 211.19, 0.9%, 0.44%

LAB 46.45, 15.34, -60.77

 

CMYK 95 / 75 / 0 / 16

HEX #0B36D5

RGB 11 54 213

HSL 227.23, 0.9%, 0.44%

LAB 32.95, 49.68, -82.87

 

CMYK 95 / 25 / 0 / 47

HEX #076586

RGB 7 101 134

HSL 195.59, 0.9%, 0.28%

LAB 39.7, -11.83, -25.13

 

CMYK 95 / 24 / 0 / 32

HEX #0983AD

RGB 9 131 173

HSL 195.37, 0.9%, 0.36%

LAB 51.05, -14.23, -30.49

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 91 / 23 / 0 / 5

HEX #16BAF2

RGB 22 186 242

HSL 195.27, 0.89%, 0.52%

LAB 70.66, -18.9, -38.46

 

CMYK 75 / 19 / 0 / 4

HEX #3EC5F4

RGB 62 197 244

HSL 195.49, 0.89%, 0.6%

LAB 74.5, -20.84, -33.54

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 52 / 95 / 0 / 16

HEX #660BD5

RGB 102 11 213

HSL 267.03, 0.9%, 0.44%

LAB 33.71, 70.79, -81.43

 

CMYK 0 / 15 / 95 / 16

HEX #D5B60B

RGB 213 182 11

HSL 50.79, 0.9%, 0.44%

LAB 74.59, -3.01, 75.39

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 0 / 95 / 24 / 16

HEX #D50BA2

RGB 213 11 162

HSL 315.15, 0.9%, 0.44%

LAB 48.25, 78.27, -27.09

 

CMYK 24 / 0 / 95 / 16

HEX #A2D50B

RGB 162 213 11

HSL 75.15, 0.9%, 0.44%

LAB 79.21, -39.62, 77.21

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 52 / 95 / 0 / 16

HEX #660BD5

RGB 102 11 213

HSL 267.03, 0.9%, 0.44%

LAB 33.71, 70.79, -81.43

 

CMYK 0 / 71 / 95 / 16

HEX #D53D0B

RGB 213 61 11

HSL 14.85, 0.9%, 0.44%

LAB 48.89, 57.55, 57.76

 

CMYK 43 / 0 / 95 / 16

HEX #7AD50B

RGB 122 213 11

HSL 87.03, 0.9%, 0.44%

LAB 77.13, -54.03, 74.68

 

CMYK 95 / 24 / 0 / 16

HEX #0BA1D5

RGB 11 161 213

HSL 195.45, 0.9%, 0.44%

LAB 61.97, -16.17, -36.11

 

CMYK 24 / 95 / 0 / 16

HEX #A20BD5

RGB 162 11 213

HSL 284.85, 0.9%, 0.44%

LAB 42.35, 77.32, -66.92

 

CMYK 0 / 71 / 95 / 16

HEX #D53D0B

RGB 213 61 11

HSL 14.85, 0.9%, 0.44%

LAB 48.89, 57.55, 57.76

 

CMYK 71 / 0 / 95 / 16

HEX #3DD50B

RGB 61 213 11

HSL 105.15, 0.9%, 0.44%

LAB 75.2, -69.47, 72.31

 

Description

Color code: RGB 11 161 213 | qconv.com Color code: RGB 11 161 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 161 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 161 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 24 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 24% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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