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Color name
RGB 11 141 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 141 56 it is the complementary color RGB 244 114 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 141 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 141 56 shade: RGB 16 141 51, RGB 33 159 70, RGB 50 177 89, RGB 67 195 108 and RGB 84 213 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 141 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 141 56 shade: RGB 11 141 56, RGB 0 123 37, RGB 0 105 18, RGB 0 87 0 and RGB 0 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 141 56 shade: RGB 10 142 56, RGB 10 142 20, RGB 36 142 10, RGB 71 142 10 and RGB 107 142 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 141 56 shade: RGB 10 142 56, RGB 10 142 91, RGB 10 142 127, RGB 10 121 142 and RGB 10 86 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 141 56 shade matches the following richer shades: RGB 10 142 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 141 56 shade: RGB 10 142 56, RGB 23 129 60, RGB 35 117 63, RGB 47 105 67 and RGB 60 92 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 141 56 shade: RGB 37 142 10, RGB 10 142 19, RGB 10 142 54, RGB 10 142 89 and RGB 10 142 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 141 56 shade: RGB 4 65 25, RGB 7 103 41, RGB 10 142 56, RGB 13 180 71 and RGB 16 219 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 141 56 shade: RGB 11 141 56, RGB 10 72 142 and RGB 142 10 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 141 56 shade: RGB 11 141 56, RGB 54 10 142 and RGB 142 54 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 141 56 shade: RGB 11 141 56, RGB 10 72 142, RGB 142 10 98 and RGB 142 80 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 141 56 shade: RGB 11 141 56, RGB 10 32 142, RGB 142 10 98 and RGB 142 120 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

Complementary color

CMYK 0 / 53 / 18 / 4

HEX #F472C7

RGB 244 114 199

HSL 320.77, 0.86%, 0.7%

LAB 66.05, 59.51, -20.69

 

CMYK 89 / 0 / 64 / 45

HEX #108D33

RGB 16 141 51

HSL 136.8, 0.8%, 0.31%

LAB 51.15, -50.78, 38.29

 

CMYK 79 / 0 / 56 / 38

HEX #219F46

RGB 33 159 70

HSL 137.62, 0.66%, 0.38%

LAB 57.62, -52.44, 36.74

 

CMYK 72 / 0 / 50 / 31

HEX #32B159

RGB 50 177 89

HSL 138.43, 0.56%, 0.45%

LAB 64.03, -53.44, 35.16

 

CMYK 66 / 0 / 45 / 24

HEX #43C36C

RGB 67 195 108

HSL 139.22, 0.52%, 0.51%

LAB 70.39, -54, 33.64

 

CMYK 61 / 0 / 40 / 16

HEX #54D57F

RGB 84 213 127

HSL 140, 0.61%, 0.58%

LAB 76.68, -54.28, 32.2

 

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

CMYK 100 / 0 / 70 / 52

HEX #007B25

RGB 0 123 37

HSL 138.05, 1%, 0.24%

LAB 44.66, -47.8, 37.44

 

CMYK 100 / 0 / 83 / 59

HEX #006912

RGB 0 105 18

HSL 130.29, 1%, 0.21%

LAB 38.1, -43.88, 38.33

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 93 / 0 / 61 / 44

HEX #0A8E38

RGB 10 142 56

HSL 140.91, 0.87%, 0.3%

LAB 51.49, -50.91, 36.29

 

CMYK 93 / 0 / 86 / 44

HEX #0A8E14

RGB 10 142 20

HSL 124.55, 0.87%, 0.3%

LAB 51.22, -54.3, 50

 

CMYK 75 / 0 / 93 / 44

HEX #248E0A

RGB 36 142 10

HSL 108.18, 0.87%, 0.3%

LAB 51.55, -51.57, 52.58

 

CMYK 50 / 0 / 93 / 44

HEX #478E0A

RGB 71 142 10

HSL 92.27, 0.87%, 0.3%

LAB 52.63, -42.72, 53.93

 

CMYK 25 / 0 / 93 / 44

HEX #6B8E0A

RGB 107 142 10

HSL 75.91, 0.87%, 0.3%

LAB 54.55, -29.21, 56.29

 

CMYK 93 / 0 / 61 / 44

HEX #0A8E38

RGB 10 142 56

HSL 140.91, 0.87%, 0.3%

LAB 51.49, -50.91, 36.29

 

CMYK 93 / 0 / 36 / 44

HEX #0A8E5B

RGB 10 142 91

HSL 156.82, 0.87%, 0.3%

LAB 52.02, -44.58, 18.36

 

CMYK 93 / 0 / 11 / 44

HEX #0A8E7F

RGB 10 142 127

HSL 173.18, 0.87%, 0.3%

LAB 52.89, -35.22, -1.03

 

CMYK 93 / 15 / 0 / 44

HEX #0A798E

RGB 10 121 142

HSL 189.55, 0.87%, 0.3%

LAB 46.57, -19.94, -19.3

 

CMYK 93 / 39 / 0 / 44

HEX #0A568E

RGB 10 86 142

HSL 205.45, 0.87%, 0.3%

LAB 35.35, 0.82, -36.85

 

CMYK 93 / 0 / 61 / 44

HEX #0A8E38

RGB 10 142 56

HSL 140.91, 0.87%, 0.3%

LAB 51.49, -50.91, 36.29

 

CMYK 93 / 0 / 61 / 44

HEX #0A8E38

RGB 10 142 56

HSL 140.91, 0.87%, 0.3%

LAB 51.49, -50.91, 36.29

 

CMYK 82 / 0 / 53 / 49

HEX #17813C

RGB 23 129 60

HSL 140.94, 0.7%, 0.3%

LAB 47.25, -44.56, 29.2

 

CMYK 70 / 0 / 46 / 54

HEX #23753F

RGB 35 117 63

HSL 140.49, 0.54%, 0.3%

LAB 43.42, -37.43, 22.79

 

CMYK 55 / 0 / 36 / 59

HEX #2F6943

RGB 47 105 67

HSL 140.69, 0.38%, 0.3%

LAB 39.77, -28.46, 15.75

 

CMYK 35 / 0 / 23 / 64

HEX #3C5C47

RGB 60 92 71

HSL 140.63, 0.21%, 0.3%

LAB 36.12, -16.8, 8.42

 

CMYK 74 / 0 / 93 / 44

HEX #258E0A

RGB 37 142 10

HSL 107.73, 0.87%, 0.3%

LAB 51.57, -51.39, 52.61

 

CMYK 93 / 0 / 87 / 44

HEX #0A8E13

RGB 10 142 19

HSL 124.09, 0.87%, 0.3%

LAB 51.22, -54.36, 50.25

 

CMYK 93 / 0 / 62 / 44

HEX #0A8E36

RGB 10 142 54

HSL 140, 0.87%, 0.3%

LAB 51.47, -51.18, 37.23

 

CMYK 93 / 0 / 37 / 44

HEX #0A8E59

RGB 10 142 89

HSL 155.91, 0.87%, 0.3%

LAB 51.99, -45.02, 19.43

 

CMYK 93 / 0 / 13 / 44

HEX #0A8E7C

RGB 10 142 124

HSL 171.82, 0.87%, 0.3%

LAB 52.8, -36.1, 0.58

 

CMYK 94 / 0 / 62 / 75

HEX #044119

RGB 4 65 25

HSL 140.66, 0.88%, 0.14%

LAB 23.26, -28.57, 19.15

 

CMYK 93 / 0 / 60 / 60

HEX #076729

RGB 7 103 41

HSL 141.25, 0.87%, 0.22%

LAB 37.67, -39.87, 27.59

 

CMYK 93 / 0 / 61 / 44

HEX #0A8E38

RGB 10 142 56

HSL 140.91, 0.87%, 0.3%

LAB 51.49, -50.91, 36.29

 

CMYK 93 / 0 / 61 / 29

HEX #0DB447

RGB 13 180 71

HSL 140.84, 0.87%, 0.38%

LAB 64.31, -61.04, 44.1

 

CMYK 93 / 0 / 61 / 14

HEX #10DB56

RGB 16 219 86

HSL 140.69, 0.86%, 0.46%

LAB 76.95, -71.04, 51.93

 

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

CMYK 93 / 49 / 0 / 44

HEX #0A488E

RGB 10 72 142

HSL 211.82, 0.87%, 0.3%

LAB 31, 10.18, -43.82

 

CMYK 0 / 93 / 87 / 44

HEX #8E0A13

RGB 142 10 19

HSL 355.91, 0.87%, 0.3%

LAB 29.45, 50.54, 34.14

 

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

CMYK 62 / 93 / 0 / 44

HEX #360A8E

RGB 54 10 142

HSL 260, 0.87%, 0.3%

LAB 19.86, 50.03, -61.96

 

CMYK 0 / 62 / 93 / 44

HEX #8E360A

RGB 142 54 10

HSL 20, 0.87%, 0.3%

LAB 34.82, 35.4, 42.51

 

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

CMYK 93 / 49 / 0 / 44

HEX #0A488E

RGB 10 72 142

HSL 211.82, 0.87%, 0.3%

LAB 31, 10.18, -43.82

 

CMYK 0 / 93 / 31 / 44

HEX #8E0A62

RGB 142 10 98

HSL 320, 0.87%, 0.3%

LAB 31.46, 56.09, -14.5

 

CMYK 0 / 44 / 93 / 44

HEX #8E500A

RGB 142 80 10

HSL 31.82, 0.87%, 0.3%

LAB 40.43, 21.33, 46.65

 

CMYK 92 / 0 / 60 / 45

HEX #0B8D38

RGB 11 141 56

HSL 140.77, 0.86%, 0.3%

LAB 51.16, -50.51, 35.9

 

CMYK 93 / 77 / 0 / 44

HEX #0A208E

RGB 10 32 142

HSL 230, 0.87%, 0.3%

LAB 20.25, 37.45, -61.41

 

CMYK 0 / 93 / 31 / 44

HEX #8E0A62

RGB 142 10 98

HSL 320, 0.87%, 0.3%

LAB 31.46, 56.09, -14.5

 

CMYK 0 / 15 / 93 / 44

HEX #8E780A

RGB 142 120 10

HSL 50, 0.87%, 0.3%

LAB 50.93, -1.74, 54.66

 

Description

Color code: RGB 11 141 56 | qconv.com Color code: RGB 11 141 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 141 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 141 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 60% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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