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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 136 186 it is the complementary color RGB 244 119 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 136 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 136 186 shade: RGB 16 136 181, RGB 33 154 200, RGB 50 172 219, RGB 67 190 238 and RGB 84 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 136 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 136 186 shade: RGB 11 136 186, RGB 0 118 167, RGB 0 100 148, RGB 0 82 129 and RGB 0 64 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 136 186 shade: RGB 10 137 187, RGB 10 89 187, RGB 10 41 187, RGB 27 10 187 and RGB 75 10 187

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 136 186 shade: RGB 10 137 187, RGB 10 89 187, RGB 10 41 187 and RGB 10 10 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 136 186 shade matches the following richer shades: RGB 10 137 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 136 186 shade: RGB 10 137 187, RGB 27 130 171, RGB 43 123 155, RGB 59 116 139 and RGB 75 109 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 136 186 shade: RGB 10 187 143, RGB 10 185 187, RGB 10 137 187, RGB 10 90 187 and RGB 10 43 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 136 186 shade: RGB 6 80 109, RGB 8 108 148, RGB 10 137 187, RGB 13 165 226 and RGB 38 184 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 136 186 shade: RGB 11 136 186, RGB 96 10 187 and RGB 187 167 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 136 186 shade: RGB 11 136 186, RGB 187 10 137 and RGB 137 187 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 136 186 shade: RGB 11 136 186, RGB 96 10 187, RGB 187 61 10 and RGB 102 187 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 136 186 shade: RGB 11 136 186, RGB 149 10 187, RGB 187 61 10 and RGB 49 187 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

Complementary color

CMYK 0 / 51 / 72 / 4

HEX #F47745

RGB 244 119 69

HSL 17.14, 0.89%, 0.61%

LAB 64.04, 44.62, 48.99

 

CMYK 91 / 25 / 0 / 29

HEX #1088B5

RGB 16 136 181

HSL 196.36, 0.84%, 0.39%

LAB 53.01, -13.78, -32.02

 

CMYK 84 / 23 / 0 / 22

HEX #219AC8

RGB 33 154 200

HSL 196.53, 0.72%, 0.46%

LAB 59.53, -15.76, -32.63

 

CMYK 77 / 21 / 0 / 14

HEX #32ACDB

RGB 50 172 219

HSL 196.69, 0.7%, 0.53%

LAB 65.98, -17.32, -33.15

 

CMYK 72 / 20 / 0 / 7

HEX #43BEEE

RGB 67 190 238

HSL 196.84, 0.83%, 0.6%

LAB 72.36, -18.55, -33.61

 

CMYK 67 / 18 / 0 / 0

HEX #54D0FF

RGB 84 208 255

HSL 196.49, 1%, 0.66%

LAB 78.59, -20.15, -33.08

 

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

CMYK 100 / 29 / 0 / 35

HEX #0076A7

RGB 0 118 167

HSL 197.6, 1%, 0.33%

LAB 46.64, -9.43, -33.9

 

CMYK 100 / 32 / 0 / 42

HEX #006494

RGB 0 100 148

HSL 199.46, 1%, 0.29%

LAB 40, -6.12, -33.1

 

CMYK 100 / 36 / 0 / 49

HEX #005281

RGB 0 82 129

HSL 201.86, 1%, 0.25%

LAB 33.18, -2.59, -32.34

 

CMYK 100 / 42 / 0 / 57

HEX #00406E

RGB 0 64 110

HSL 205.09, 1%, 0.22%

LAB 26.14, 1.22, -31.63

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 95 / 52 / 0 / 27

HEX #0A59BB

RGB 10 89 187

HSL 213.22, 0.9%, 0.39%

LAB 39.24, 17.31, -57.43

 

CMYK 95 / 78 / 0 / 27

HEX #0A29BB

RGB 10 41 187

HSL 229.49, 0.9%, 0.39%

LAB 27.4, 48.07, -76.86

 

CMYK 86 / 95 / 0 / 27

HEX #1B0ABB

RGB 27 10 187

HSL 245.76, 0.9%, 0.39%

LAB 23.8, 60.75, -82.85

 

CMYK 60 / 95 / 0 / 27

HEX #4B0ABB

RGB 75 10 187

HSL 262.03, 0.9%, 0.39%

LAB 27.58, 62.87, -76.45

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 95 / 52 / 0 / 27

HEX #0A59BB

RGB 10 89 187

HSL 213.22, 0.9%, 0.39%

LAB 39.24, 17.31, -57.43

 

CMYK 95 / 78 / 0 / 27

HEX #0A29BB

RGB 10 41 187

HSL 229.49, 0.9%, 0.39%

LAB 27.4, 48.07, -76.86

 

CMYK 95 / 95 / 0 / 27

HEX #0A0ABB

RGB 10 10 187

HSL 240, 0.9%, 0.39%

LAB 23.24, 60.48, -83.8

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 84 / 24 / 0 / 33

HEX #1B82AB

RGB 27 130 171

HSL 197.08, 0.73%, 0.39%

LAB 50.85, -13.31, -29.62

 

CMYK 72 / 21 / 0 / 39

HEX #2B7B9B

RGB 43 123 155

HSL 197.14, 0.57%, 0.39%

LAB 48.32, -13.2, -24.21

 

CMYK 58 / 17 / 0 / 45

HEX #3B748B

RGB 59 116 139

HSL 197.25, 0.4%, 0.39%

LAB 46.02, -11.65, -18.26

 

CMYK 39 / 11 / 0 / 52

HEX #4B6D7B

RGB 75 109 123

HSL 197.5, 0.24%, 0.39%

LAB 44.04, -8.32, -11.65

 

CMYK 95 / 0 / 24 / 27

HEX #0ABB8F

RGB 10 187 143

HSL 165.08, 0.9%, 0.39%

LAB 67.72, -49.93, 11.31

 

CMYK 95 / 1 / 0 / 27

HEX #0AB9BB

RGB 10 185 187

HSL 180.68, 0.9%, 0.39%

LAB 68.28, -36.86, -12.04

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 95 / 52 / 0 / 27

HEX #0A5ABB

RGB 10 90 187

HSL 212.88, 0.9%, 0.39%

LAB 39.52, 16.65, -56.97

 

CMYK 95 / 77 / 0 / 27

HEX #0A2BBB

RGB 10 43 187

HSL 228.81, 0.9%, 0.39%

LAB 27.79, 46.96, -76.21

 

CMYK 94 / 27 / 0 / 57

HEX #06506D

RGB 6 80 109

HSL 196.89, 0.9%, 0.23%

LAB 31.53, -9.12, -22.47

 

CMYK 95 / 27 / 0 / 42

HEX #086C94

RGB 8 108 148

HSL 197.14, 0.9%, 0.31%

LAB 42.63, -10.5, -28.96

 

CMYK 95 / 27 / 0 / 27

HEX #0A89BB

RGB 10 137 187

HSL 196.95, 0.9%, 0.39%

LAB 53.54, -12.39, -34.63

 

CMYK 94 / 27 / 0 / 11

HEX #0DA5E2

RGB 13 165 226

HSL 197.18, 0.89%, 0.47%

LAB 63.74, -13.63, -40.53

 

CMYK 84 / 24 / 0 / 5

HEX #26B8F2

RGB 38 184 242

HSL 197.06, 0.89%, 0.55%

LAB 70.25, -16.94, -39.1

 

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

CMYK 49 / 95 / 0 / 27

HEX #600ABB

RGB 96 10 187

HSL 269.15, 0.9%, 0.39%

LAB 30.14, 64.58, -72.13

 

CMYK 0 / 11 / 95 / 27

HEX #BBA70A

RGB 187 167 10

HSL 53.22, 0.9%, 0.39%

LAB 68.19, -6.66, 69.66

 

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

CMYK 0 / 95 / 27 / 27

HEX #BB0A89

RGB 187 10 137

HSL 316.95, 0.9%, 0.39%

LAB 42.14, 70.27, -21.86

 

CMYK 27 / 0 / 95 / 27

HEX #89BB0A

RGB 137 187 10

HSL 76.95, 0.9%, 0.39%

LAB 70.09, -37.84, 69.5

 

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

CMYK 49 / 95 / 0 / 27

HEX #600ABB

RGB 96 10 187

HSL 269.15, 0.9%, 0.39%

LAB 30.14, 64.58, -72.13

 

CMYK 0 / 67 / 95 / 27

HEX #BB3D0A

RGB 187 61 10

HSL 17.29, 0.9%, 0.39%

LAB 44.12, 48.85, 52.68

 

CMYK 45 / 0 / 95 / 27

HEX #66BB0A

RGB 102 187 10

HSL 88.81, 0.9%, 0.39%

LAB 68.31, -50.44, 67.32

 

CMYK 94 / 27 / 0 / 27

HEX #0B88BA

RGB 11 136 186

HSL 197.14, 0.89%, 0.39%

LAB 53.19, -12.16, -34.6

 

CMYK 20 / 95 / 0 / 27

HEX #950ABB

RGB 149 10 187

HSL 287.12, 0.9%, 0.39%

LAB 38.19, 70.95, -58.63

 

CMYK 0 / 67 / 95 / 27

HEX #BB3D0A

RGB 187 61 10

HSL 17.29, 0.9%, 0.39%

LAB 44.12, 48.85, 52.68

 

CMYK 74 / 0 / 95 / 27

HEX #31BB0A

RGB 49 187 10

HSL 106.78, 0.9%, 0.39%

LAB 66.68, -63.57, 65.32

 

Description

Color code: RGB 11 136 186 | qconv.com Color code: RGB 11 136 186 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 136 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 136 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 27 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 27% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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