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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 130 50 it is the complementary color RGB 244 125 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 130 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 130 50 shade: RGB 16 130 45, RGB 33 148 64, RGB 50 166 83, RGB 67 184 102 and RGB 84 202 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 130 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 130 50 shade: RGB 11 130 50, RGB 0 112 31, RGB 0 94 12, RGB 0 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 130 50 shade: RGB 11 131 50, RGB 11 131 18, RGB 36 131 11, RGB 69 131 11 and RGB 101 131 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 130 50 shade: RGB 11 131 50, RGB 11 131 83, RGB 11 131 115, RGB 11 114 131 and RGB 11 82 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 130 50 shade matches the following richer shades: RGB 11 131 50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 130 50 shade: RGB 11 131 50, RGB 22 119 54, RGB 34 108 58, RGB 46 96 62 and RGB 57 85 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 130 50 shade: RGB 37 131 11, RGB 11 131 17, RGB 11 131 49, RGB 11 131 81 and RGB 11 131 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 130 50 shade: RGB 4 55 21, RGB 8 93 36, RGB 11 131 50, RGB 14 169 65 and RGB 18 207 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 130 50 shade: RGB 11 130 50, RGB 11 69 131 and RGB 131 11 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 130 50 shade: RGB 11 130 50, RGB 49 11 131 and RGB 131 49 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 130 50 shade: RGB 11 130 50, RGB 11 69 131, RGB 131 11 93 and RGB 131 73 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 130 50 shade: RGB 11 130 50, RGB 11 33 131, RGB 131 11 93 and RGB 131 109 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

Complementary color

CMYK 0 / 49 / 16 / 4

HEX #F47DCD

RGB 244 125 205

HSL 319.66, 0.84%, 0.72%

LAB 68.25, 55.19, -20.71

 

CMYK 88 / 0 / 65 / 49

HEX #10822D

RGB 16 130 45

HSL 135.26, 0.78%, 0.29%

LAB 47.32, -47.86, 36.77

 

CMYK 78 / 0 / 57 / 42

HEX #219440

RGB 33 148 64

HSL 136.17, 0.64%, 0.35%

LAB 53.89, -49.44, 35.25

 

CMYK 70 / 0 / 50 / 35

HEX #32A653

RGB 50 166 83

HSL 137.07, 0.54%, 0.42%

LAB 60.4, -50.33, 33.68

 

CMYK 64 / 0 / 45 / 28

HEX #43B866

RGB 67 184 102

HSL 137.95, 0.47%, 0.49%

LAB 66.85, -50.8, 32.17

 

CMYK 58 / 0 / 40 / 21

HEX #54CA79

RGB 84 202 121

HSL 138.81, 0.53%, 0.56%

LAB 73.22, -50.99, 30.74

 

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

CMYK 100 / 0 / 72 / 56

HEX #00701F

RGB 0 112 31

HSL 136.61, 1%, 0.22%

LAB 40.71, -44.92, 35.85

 

CMYK 100 / 0 / 87 / 63

HEX #005E0C

RGB 0 94 12

HSL 127.66, 1%, 0.18%

LAB 34.05, -40.82, 36.47

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 92 / 0 / 62 / 49

HEX #0B8332

RGB 11 131 50

HSL 139.5, 0.85%, 0.28%

LAB 47.67, -47.98, 34.76

 

CMYK 92 / 0 / 86 / 49

HEX #0B8312

RGB 11 131 18

HSL 123.5, 0.85%, 0.28%

LAB 47.43, -51, 47.08

 

CMYK 73 / 0 / 92 / 49

HEX #24830B

RGB 36 131 11

HSL 107.5, 0.85%, 0.28%

LAB 47.79, -47.88, 49.2

 

CMYK 47 / 0 / 92 / 49

HEX #45830B

RGB 69 131 11

HSL 91, 0.85%, 0.28%

LAB 48.91, -38.88, 50.59

 

CMYK 23 / 0 / 92 / 49

HEX #65830B

RGB 101 131 11

HSL 75, 0.85%, 0.28%

LAB 50.71, -26.41, 52.83

 

CMYK 92 / 0 / 62 / 49

HEX #0B8332

RGB 11 131 50

HSL 139.5, 0.85%, 0.28%

LAB 47.67, -47.98, 34.76

 

CMYK 92 / 0 / 37 / 49

HEX #0B8353

RGB 11 131 83

HSL 156, 0.85%, 0.28%

LAB 48.17, -42.01, 17.68

 

CMYK 92 / 0 / 12 / 49

HEX #0B8373

RGB 11 131 115

HSL 172, 0.85%, 0.28%

LAB 48.94, -33.68, 0.18

 

CMYK 92 / 13 / 0 / 49

HEX #0B7283

RGB 11 114 131

HSL 188.5, 0.85%, 0.28%

LAB 43.86, -20.03, -16.9

 

CMYK 92 / 37 / 0 / 49

HEX #0B5283

RGB 11 82 131

HSL 204.5, 0.85%, 0.28%

LAB 33.44, -1.06, -33.14

 

CMYK 92 / 0 / 62 / 49

HEX #0B8332

RGB 11 131 50

HSL 139.5, 0.85%, 0.28%

LAB 47.67, -47.98, 34.76

 

CMYK 92 / 0 / 62 / 49

HEX #0B8332

RGB 11 131 50

HSL 139.5, 0.85%, 0.28%

LAB 47.67, -47.98, 34.76

 

CMYK 82 / 0 / 55 / 53

HEX #167736

RGB 22 119 54

HSL 139.79, 0.69%, 0.28%

LAB 43.7, -41.97, 28.02

 

CMYK 69 / 0 / 46 / 58

HEX #226C3A

RGB 34 108 58

HSL 139.46, 0.52%, 0.28%

LAB 40.2, -34.81, 21.47

 

CMYK 52 / 0 / 35 / 62

HEX #2E603E

RGB 46 96 62

HSL 139.2, 0.35%, 0.28%

LAB 36.55, -25.44, 14.38

 

CMYK 33 / 0 / 22 / 67

HEX #395542

RGB 57 85 66

HSL 139.29, 0.2%, 0.28%

LAB 33.48, -15.08, 7.79

RGB 57 85 66

CMYK 72 / 0 / 92 / 49

HEX #25830B

RGB 37 131 11

HSL 107, 0.85%, 0.28%

LAB 47.82, -47.68, 49.23

 

CMYK 92 / 0 / 87 / 49

HEX #0B8311

RGB 11 131 17

HSL 123, 0.85%, 0.28%

LAB 47.42, -51.05, 47.34

 

CMYK 92 / 0 / 63 / 49

HEX #0B8331

RGB 11 131 49

HSL 139, 0.85%, 0.28%

LAB 47.66, -48.11, 35.24

 

CMYK 92 / 0 / 38 / 49

HEX #0B8351

RGB 11 131 81

HSL 155, 0.85%, 0.28%

LAB 48.13, -42.45, 18.76

 

CMYK 92 / 0 / 14 / 49

HEX #0B8371

RGB 11 131 113

HSL 171, 0.85%, 0.28%

LAB 48.88, -34.27, 1.27

 

CMYK 93 / 0 / 62 / 78

HEX #043715

RGB 4 55 21

HSL 140, 0.86%, 0.12%

LAB 19.28, -25.21, 16.68

 

CMYK 91 / 0 / 61 / 64

HEX #085D24

RGB 8 93 36

HSL 139.76, 0.84%, 0.2%

LAB 34, -36.9, 25.89

 

CMYK 92 / 0 / 62 / 49

HEX #0B8332

RGB 11 131 50

HSL 139.5, 0.85%, 0.28%

LAB 47.67, -47.98, 34.76

 

CMYK 92 / 0 / 62 / 34

HEX #0EA941

RGB 14 169 65

HSL 139.74, 0.85%, 0.36%

LAB 60.65, -58.26, 42.64

 

CMYK 91 / 0 / 61 / 19

HEX #12CF50

RGB 18 207 80

HSL 139.68, 0.84%, 0.44%

LAB 73.11, -68.02, 50.18

 

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

CMYK 92 / 47 / 0 / 49

HEX #0B4583

RGB 11 69 131

HSL 211, 0.85%, 0.28%

LAB 29.33, 7.65, -39.72

 

CMYK 0 / 92 / 84 / 49

HEX #830B15

RGB 131 11 21

HSL 355, 0.85%, 0.28%

LAB 27.07, 47.33, 29.87

 

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

CMYK 63 / 92 / 0 / 49

HEX #310B83

RGB 49 11 131

HSL 259, 0.85%, 0.28%

LAB 18.06, 46.39, -58.05

 

CMYK 0 / 63 / 92 / 49

HEX #83310B

RGB 131 49 11

HSL 19, 0.85%, 0.28%

LAB 31.91, 33.54, 39.08

 

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

CMYK 92 / 47 / 0 / 49

HEX #0B4583

RGB 11 69 131

HSL 211, 0.85%, 0.28%

LAB 29.33, 7.65, -39.72

 

CMYK 0 / 92 / 29 / 49

HEX #830B5D

RGB 131 11 93

HSL 319, 0.85%, 0.28%

LAB 29.04, 52.83, -15.15

 

CMYK 0 / 44 / 92 / 49

HEX #83490B

RGB 131 73 11

HSL 31, 0.85%, 0.28%

LAB 37.14, 20.39, 43.15

 

CMYK 92 / 0 / 62 / 49

HEX #0B8232

RGB 11 130 50

HSL 139.66, 0.84%, 0.28%

LAB 47.32, -47.64, 34.36

 

CMYK 92 / 75 / 0 / 49

HEX #0B2183

RGB 11 33 131

HSL 229, 0.85%, 0.28%

LAB 19.21, 32.75, -56.22

 

CMYK 0 / 92 / 29 / 49

HEX #830B5D

RGB 131 11 93

HSL 319, 0.85%, 0.28%

LAB 29.04, 52.83, -15.15

 

CMYK 0 / 17 / 92 / 49

HEX #836D0B

RGB 131 109 11

HSL 49, 0.85%, 0.28%

LAB 46.69, -0.7, 50.65

 

Description

Color code: RGB 11 130 50 | qconv.com Color code: RGB 11 130 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 130 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 130 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 62 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 62% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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