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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 84 126 it is the complementary color RGB 244 171 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 84 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 84 126 shade: RGB 16 84 121, RGB 33 102 140, RGB 50 120 159, RGB 67 138 178 and RGB 84 156 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 84 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 0 66 107, RGB 0 48 88, RGB 0 30 69 and RGB 0 12 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 11 53 126, RGB 11 22 126, RGB 31 11 126 and RGB 62 11 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 11 53 126, RGB 11 22 126 and RGB 11 11 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 84 126 shade matches the following richer shades: RGB 11 84 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 22 81 115, RGB 33 78 104, RGB 44 75 93 and RGB 55 72 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 84 126 shade: RGB 11 126 105, RGB 11 117 126, RGB 11 86 126, RGB 11 55 126 and RGB 11 24 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 84 126 shade: RGB 4 33 50, RGB 7 59 88, RGB 11 84 126, RGB 14 109 164 and RGB 17 135 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 74 11 126 and RGB 126 120 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 126 11 86 and RGB 86 126 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 74 11 126, RGB 126 51 11 and RGB 63 126 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 84 126 shade: RGB 11 84 126, RGB 109 11 126, RGB 126 51 11 and RGB 28 126 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

Complementary color

CMYK 0 / 30 / 47 / 4

HEX #F4AB81

RGB 244 171 129

HSL 21.91, 0.84%, 0.73%

LAB 76.03, 22.05, 32.31

 

CMYK 87 / 31 / 0 / 53

HEX #105479

RGB 16 84 121

HSL 201.14, 0.77%, 0.27%

LAB 33.63, -5.99, -26.66

 

CMYK 76 / 27 / 0 / 45

HEX #21668C

RGB 33 102 140

HSL 201.31, 0.62%, 0.34%

LAB 40.77, -7.76, -27.06

 

CMYK 69 / 25 / 0 / 38

HEX #32789F

RGB 50 120 159

HSL 201.47, 0.52%, 0.41%

LAB 47.77, -9, -27.39

 

CMYK 62 / 22 / 0 / 30

HEX #438AB2

RGB 67 138 178

HSL 201.62, 0.45%, 0.48%

LAB 54.64, -9.9, -27.68

 

CMYK 57 / 21 / 0 / 23

HEX #549CC5

RGB 84 156 197

HSL 201.77, 0.49%, 0.55%

LAB 61.39, -10.57, -27.95

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 100 / 38 / 0 / 58

HEX #00426B

RGB 0 66 107

HSL 202.99, 1%, 0.21%

LAB 26.61, -1.44, -28.95

 

CMYK 100 / 45 / 0 / 65

HEX #003058

RGB 0 48 88

HSL 207.27, 1%, 0.17%

LAB 19.3, 2.6, -28.24

 

CMYK 100 / 57 / 0 / 73

HEX #001E45

RGB 0 30 69

HSL 213.91, 1%, 0.14%

LAB 11.68, 7.18, -27.58

 

CMYK 100 / 76 / 0 / 80

HEX #000C32

RGB 0 12 50

HSL 225.6, 1%, 0.1%

LAB 4.46, 9.77, -25.64

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 91 / 58 / 0 / 51

HEX #0B357E

RGB 11 53 126

HSL 218.09, 0.84%, 0.27%

LAB 24.08, 16.79, -45.09

 

CMYK 91 / 83 / 0 / 51

HEX #0B167E

RGB 11 22 126

HSL 234.26, 0.84%, 0.27%

LAB 16.26, 37.58, -57.94

 

CMYK 75 / 91 / 0 / 51

HEX #1F0B7E

RGB 31 11 126

HSL 250.43, 0.84%, 0.27%

LAB 15.68, 43.67, -58.87

 

CMYK 51 / 91 / 0 / 51

HEX #3E0B7E

RGB 62 11 126

HSL 266.61, 0.84%, 0.27%

LAB 19.1, 46.38, -53.11

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 91 / 58 / 0 / 51

HEX #0B357E

RGB 11 53 126

HSL 218.09, 0.84%, 0.27%

LAB 24.08, 16.79, -45.09

 

CMYK 91 / 83 / 0 / 51

HEX #0B167E

RGB 11 22 126

HSL 234.26, 0.84%, 0.27%

LAB 16.26, 37.58, -57.94

 

CMYK 91 / 91 / 0 / 51

HEX #0B0B7E

RGB 11 11 126

HSL 240, 0.84%, 0.27%

LAB 14.5, 42.81, -60.88

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 81 / 30 / 0 / 55

HEX #165173

RGB 22 81 115

HSL 201.94, 0.68%, 0.27%

LAB 32.47, -5.83, -24.75

 

CMYK 68 / 25 / 0 / 59

HEX #214E68

RGB 33 78 104

HSL 201.97, 0.52%, 0.27%

LAB 31.28, -6.38, -19.65

 

CMYK 53 / 19 / 0 / 64

HEX #2C4B5D

RGB 44 75 93

HSL 202.04, 0.36%, 0.27%

LAB 30.3, -5.81, -14.14

 

CMYK 33 / 12 / 0 / 68

HEX #374852

RGB 55 72 82

HSL 202.22, 0.2%, 0.27%

LAB 29.55, -3.95, -8.15

 

CMYK 91 / 0 / 17 / 51

HEX #0B7E69

RGB 11 126 105

HSL 169.04, 0.84%, 0.27%

LAB 46.99, -34.31, 3.24

 

CMYK 91 / 7 / 0 / 51

HEX #0B757E

RGB 11 117 126

HSL 184.7, 0.84%, 0.27%

LAB 44.66, -23.36, -12.7

 

CMYK 91 / 32 / 0 / 51

HEX #0B567E

RGB 11 86 126

HSL 200.87, 0.84%, 0.27%

LAB 34.46, -5.65, -28.45

 

CMYK 91 / 56 / 0 / 51

HEX #0B377E

RGB 11 55 126

HSL 217.04, 0.84%, 0.27%

LAB 24.67, 15.36, -44.12

 

CMYK 91 / 81 / 0 / 51

HEX #0B187E

RGB 11 24 126

HSL 233.22, 0.84%, 0.27%

LAB 16.65, 36.44, -57.29

 

CMYK 92 / 34 / 0 / 80

HEX #042132

RGB 4 33 50

HSL 202.17, 0.85%, 0.11%

LAB 11.58, -3.44, -14.27

 

CMYK 92 / 33 / 0 / 65

HEX #073B58

RGB 7 59 88

HSL 201.48, 0.85%, 0.19%

LAB 23.26, -4.28, -21.94

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 91 / 34 / 0 / 36

HEX #0E6DA4

RGB 14 109 164

HSL 202, 0.84%, 0.35%

LAB 43.82, -4.57, -36.58

 

CMYK 92 / 33 / 0 / 21

HEX #1187CA

RGB 17 135 202

HSL 201.73, 0.84%, 0.43%

LAB 53.72, -5.34, -42.88

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 41 / 91 / 0 / 51

HEX #4A0B7E

RGB 74 11 126

HSL 272.87, 0.84%, 0.27%

LAB 20.83, 47.88, -50.19

 

CMYK 0 / 5 / 91 / 51

HEX #7E780B

RGB 126 120 11

HSL 56.87, 0.84%, 0.27%

LAB 49.37, -9.28, 52.57

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 0 / 91 / 32 / 51

HEX #7E0B56

RGB 126 11 86

HSL 320.87, 0.84%, 0.27%

LAB 27.7, 50.81, -12.69

 

CMYK 32 / 0 / 91 / 51

HEX #567E0B

RGB 86 126 11

HSL 80.87, 0.84%, 0.27%

LAB 48.16, -30.29, 50.33

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 41 / 91 / 0 / 51

HEX #4A0B7E

RGB 74 11 126

HSL 272.87, 0.84%, 0.27%

LAB 20.83, 47.88, -50.19

 

CMYK 0 / 60 / 91 / 51

HEX #7E330B

RGB 126 51 11

HSL 20.87, 0.84%, 0.27%

LAB 31.41, 30.49, 38.31

 

CMYK 50 / 0 / 91 / 51

HEX #3F7E0B

RGB 63 126 11

HSL 92.87, 0.84%, 0.27%

LAB 46.98, -38.84, 48.85

 

CMYK 91 / 33 / 0 / 51

HEX #0B547E

RGB 11 84 126

HSL 201.91, 0.84%, 0.27%

LAB 33.81, -4.38, -29.48

 

CMYK 13 / 91 / 0 / 51

HEX #6D0B7E

RGB 109 11 126

HSL 291.13, 0.84%, 0.27%

LAB 26.73, 53.38, -40.34

 

CMYK 0 / 60 / 91 / 51

HEX #7E330B

RGB 126 51 11

HSL 20.87, 0.84%, 0.27%

LAB 31.41, 30.49, 38.31

 

CMYK 78 / 0 / 91 / 51

HEX #1C7E0B

RGB 28 126 11

HSL 111.13, 0.84%, 0.27%

LAB 45.9, -47.67, 47.49

 

Description

Color code: RGB 11 84 126 | qconv.com Color code: RGB 11 84 126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 84 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 84 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 33 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 33% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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