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Color name
RGB 119 91 82

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 91 82 it is the complementary color RGB 136 164 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 91 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 91 82 shade: RGB 124 91 77, RGB 141 109 96, RGB 158 127 115, RGB 175 145 134 and RGB 192 163 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 91 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 91 82 shade: RGB 119 91 82, RGB 102 73 63, RGB 85 55 44, RGB 68 37 25 and RGB 51 19 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 91 82 shade: RGB 117 90 81 and RGB 117 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 91 82 shade: RGB 117 90 81, RGB 117 99 81, RGB 117 109 81, RGB 115 117 81 and RGB 105 117 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 91 82 shade matches the following richer shades: RGB 117 90 81, RGB 133 81 65, RGB 149 73 49, RGB 165 65 33 and RGB 181 57 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 91 82 shade: RGB 117 90 81, RGB 101 98 97, RGB 85 106 113, RGB 69 115 129 and RGB 52 123 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 91 82 shade: RGB 117 81 92, RGB 117 81 82, RGB 117 89 81, RGB 117 99 81 and RGB 117 108 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 91 82 shade: RGB 68 52 47, RGB 93 71 64, RGB 117 90 81, RGB 141 108 98 and RGB 161 130 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 91 82 shade: RGB 119 91 82, RGB 101 117 81 and RGB 81 87 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 91 82 shade: RGB 119 91 82, RGB 81 117 89 and RGB 89 81 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 91 82 shade: RGB 119 91 82, RGB 101 117 81, RGB 81 108 117 and RGB 97 81 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 91 82 shade: RGB 119 91 82, RGB 91 117 81, RGB 81 108 117 and RGB 107 81 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

Complementary color

CMYK 21 / 5 / 0 / 32

HEX #88A4AD

RGB 136 164 173

HSL 194.59, 0.18%, 0.61%

LAB 65.59, -7.63, -7.87

 

CMYK 0 / 27 / 38 / 51

HEX #7C5B4D

RGB 124 91 77

HSL 17.87, 0.23%, 0.39%

LAB 41.69, 11.5, 13.36

 

CMYK 0 / 23 / 32 / 45

HEX #8D6D60

RGB 141 109 96

HSL 17.33, 0.19%, 0.46%

LAB 48.82, 10.73, 12.13

 

CMYK 0 / 20 / 27 / 38

HEX #9E7F73

RGB 158 127 115

HSL 16.74, 0.18%, 0.54%

LAB 55.77, 10.08, 11.04

 

CMYK 0 / 17 / 23 / 31

HEX #AF9186

RGB 175 145 134

HSL 16.1, 0.2%, 0.61%

LAB 62.58, 9.52, 10.05

 

CMYK 0 / 15 / 20 / 25

HEX #C0A399

RGB 192 163 153

HSL 15.38, 0.24%, 0.68%

LAB 69.26, 9.03, 9.13

 

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

CMYK 0 / 28 / 38 / 60

HEX #66493F

RGB 102 73 63

HSL 15.38, 0.24%, 0.32%

LAB 33.88, 10.86, 10.85

 

CMYK 0 / 35 / 48 / 67

HEX #55372C

RGB 85 55 44

HSL 16.1, 0.32%, 0.25%

LAB 26.29, 11.89, 12.34

 

CMYK 0 / 46 / 63 / 73

HEX #442519

RGB 68 37 25

HSL 16.74, 0.46%, 0.18%

LAB 18.46, 13.26, 14.23

 

CMYK 0 / 63 / 88 / 80

HEX #331306

RGB 51 19 6

HSL 17.33, 0.79%, 0.11%

LAB 10.43, 15.05, 13.48

 

CMYK 0 / 23 / 31 / 54

HEX #755A51

RGB 117 90 81

HSL 15, 0.18%, 0.39%

LAB 40.72, 9.65, 9.45

 

CMYK 0 / 31 / 31 / 54

HEX #755151

RGB 117 81 81

HSL 0, 0.18%, 0.39%

LAB 38.31, 15.1, 6.05

 

CMYK 0 / 23 / 31 / 54

HEX #755A51

RGB 117 90 81

HSL 15, 0.18%, 0.39%

LAB 40.72, 9.65, 9.45

 

CMYK 0 / 15 / 31 / 54

HEX #756351

RGB 117 99 81

HSL 30, 0.18%, 0.39%

LAB 43.21, 4.25, 12.91

 

CMYK 0 / 7 / 31 / 54

HEX #756D51

RGB 117 109 81

HSL 46.67, 0.18%, 0.39%

LAB 46.06, -1.63, 16.8

 

CMYK 2 / 0 / 31 / 54

HEX #737551

RGB 115 117 81

HSL 63.33, 0.18%, 0.39%

LAB 48.21, -7.07, 19.66

 

CMYK 10 / 0 / 31 / 54

HEX #697551

RGB 105 117 81

HSL 80, 0.18%, 0.39%

LAB 47.39, -11.26, 18.42

 

CMYK 0 / 23 / 31 / 54

HEX #755A51

RGB 117 90 81

HSL 15, 0.18%, 0.39%

LAB 40.72, 9.65, 9.45

 

CMYK 0 / 39 / 51 / 48

HEX #855141

RGB 133 81 65

HSL 14.12, 0.34%, 0.39%

LAB 40, 19.93, 18.56

 

CMYK 0 / 51 / 67 / 42

HEX #954931

RGB 149 73 49

HSL 14.4, 0.51%, 0.39%

LAB 40.21, 29.9, 28.84

 

CMYK 0 / 61 / 80 / 35

HEX #A54121

RGB 165 65 33

HSL 14.55, 0.67%, 0.39%

LAB 41.04, 39.57, 39.3

 

CMYK 0 / 69 / 91 / 29

HEX #B53911

RGB 181 57 17

HSL 14.63, 0.83%, 0.39%

LAB 42.45, 48.52, 48.78

 

CMYK 0 / 23 / 31 / 54

HEX #755A51

RGB 117 90 81

HSL 15, 0.18%, 0.39%

LAB 40.72, 9.65, 9.45

 

CMYK 0 / 3 / 4 / 60

HEX #656261

RGB 101 98 97

HSL 15, 0.02%, 0.39%

LAB 41.79, 0.98, 0.98

 

CMYK 25 / 6 / 0 / 56

HEX #556A71

RGB 85 106 113

HSL 195, 0.14%, 0.39%

LAB 43.41, -6.06, -6.5

 

CMYK 47 / 11 / 0 / 49

HEX #457381

RGB 69 115 129

HSL 194, 0.3%, 0.39%

LAB 45.79, -11.73, -12.62

 

CMYK 64 / 15 / 0 / 43

HEX #347B91

RGB 52 123 145

HSL 194.19, 0.47%, 0.39%

LAB 48.18, -15.08, -18.52

 

CMYK 0 / 31 / 21 / 54

HEX #75515C

RGB 117 81 92

HSL 341.67, 0.18%, 0.39%

LAB 38.62, 16.86, -0.36

 

CMYK 0 / 31 / 30 / 54

HEX #755152

RGB 117 81 82

HSL 358.33, 0.18%, 0.39%

LAB 38.33, 15.25, 5.46

 

CMYK 0 / 24 / 31 / 54

HEX #755951

RGB 117 89 81

HSL 13.33, 0.18%, 0.39%

LAB 40.44, 10.25, 9.07

 

CMYK 0 / 15 / 31 / 54

HEX #756351

RGB 117 99 81

HSL 30, 0.18%, 0.39%

LAB 43.21, 4.25, 12.91

 

CMYK 0 / 8 / 31 / 54

HEX #756C51

RGB 117 108 81

HSL 45, 0.18%, 0.39%

LAB 45.77, -1.05, 16.41

 

CMYK 0 / 24 / 31 / 73

HEX #44342F

RGB 68 52 47

HSL 14.29, 0.18%, 0.23%

LAB 23.3, 6.29, 5.9

 

CMYK 0 / 24 / 31 / 64

HEX #5D4740

RGB 93 71 64

HSL 14.48, 0.18%, 0.31%

LAB 32.27, 8.24, 7.81

 

CMYK 0 / 23 / 31 / 54

HEX #755A51

RGB 117 90 81

HSL 15, 0.18%, 0.39%

LAB 40.72, 9.65, 9.45

 

CMYK 0 / 23 / 30 / 45

HEX #8D6C62

RGB 141 108 98

HSL 13.95, 0.18%, 0.47%

LAB 48.6, 11.6, 10.65

 

CMYK 0 / 19 / 25 / 37

HEX #A18278

RGB 161 130 120

HSL 14.63, 0.18%, 0.55%

LAB 56.98, 10.32, 9.9

 

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

CMYK 14 / 0 / 31 / 54

HEX #657551

RGB 101 117 81

HSL 86.67, 0.18%, 0.39%

LAB 47.08, -12.9, 17.95

 

CMYK 31 / 26 / 0 / 54

HEX #515775

RGB 81 87 117

HSL 230, 0.18%, 0.39%

LAB 37.57, 5.23, -17.81

 

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

CMYK 31 / 0 / 24 / 54

HEX #517559

RGB 81 117 89

HSL 133.33, 0.18%, 0.39%

LAB 45.9, -19.09, 11.43

 

CMYK 24 / 31 / 0 / 54

HEX #595175

RGB 89 81 117

HSL 253.33, 0.18%, 0.39%

LAB 36.54, 11.7, -19.34

 

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

CMYK 14 / 0 / 31 / 54

HEX #657551

RGB 101 117 81

HSL 86.67, 0.18%, 0.39%

LAB 47.08, -12.9, 17.95

 

CMYK 31 / 8 / 0 / 54

HEX #516C75

RGB 81 108 117

HSL 195, 0.18%, 0.39%

LAB 43.89, -7.52, -8.23

 

CMYK 17 / 31 / 0 / 54

HEX #615175

RGB 97 81 117

HSL 266.67, 0.18%, 0.39%

LAB 37.32, 14.46, -18.08

 

CMYK 0 / 24 / 31 / 53

HEX #775B52

RGB 119 91 82

HSL 14.59, 0.18%, 0.39%

LAB 41.24, 10.05, 9.6

 

CMYK 22 / 0 / 31 / 54

HEX #5B7551

RGB 91 117 81

HSL 103.33, 0.18%, 0.39%

LAB 46.37, -16.87, 16.86

 

CMYK 31 / 8 / 0 / 54

HEX #516C75

RGB 81 108 117

HSL 195, 0.18%, 0.39%

LAB 43.89, -7.52, -8.23

 

CMYK 9 / 31 / 0 / 54

HEX #6B5175

RGB 107 81 117

HSL 283.33, 0.18%, 0.39%

LAB 38.37, 17.99, -16.38

 

Description

Color code: RGB 119 91 82 | qconv.com Color code: RGB 119 91 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 91 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 91 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 31 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 31% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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