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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 64 115 it is the complementary color RGB 136 191 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 64 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 64 115 shade: RGB 124 64 110, RGB 141 82 129, RGB 158 100 148, RGB 175 118 167 and RGB 192 136 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 64 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 102 46 96, RGB 85 28 77, RGB 68 10 58 and RGB 51 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 119 64 100, RGB 119 64 85, RGB 119 64 70 and RGB 119 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 108 64 119, RGB 93 64 119, RGB 78 64 119 and RGB 64 64 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 64 115 shade matches the following richer shades: RGB 119 64 115, RGB 134 49 128, RGB 149 34 140, RGB 163 19 153 and RGB 178 4 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 104 79 102, RGB 89 93 89, RGB 74 108 77 and RGB 59 123 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 64 115 shade: RGB 93 64 119, RGB 108 64 119, RGB 119 64 115, RGB 119 64 100 and RGB 119 64 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 64 115 shade: RGB 65 35 63, RGB 92 49 89, RGB 119 64 115, RGB 146 78 141 and RGB 169 96 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 119 78 64 and RGB 64 119 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 115 119 64 and RGB 64 115 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 119 78 64, RGB 64 119 67 and RGB 64 104 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 64 115 shade: RGB 119 64 115, RGB 119 95 64, RGB 64 119 67 and RGB 64 88 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

Complementary color

CMYK 29 / 0 / 27 / 25

HEX #88BF8C

RGB 136 191 140

HSL 124.36, 0.3%, 0.64%

LAB 72.49, -28.16, 20.13

 

CMYK 0 / 48 / 11 / 51

HEX #7C406E

RGB 124 64 110

HSL 314, 0.32%, 0.37%

LAB 36.13, 32.64, -15.26

 

CMYK 0 / 42 / 9 / 45

HEX #8D5281

RGB 141 82 129

HSL 312.2, 0.26%, 0.44%

LAB 43.19, 31.83, -16

 

CMYK 0 / 37 / 6 / 38

HEX #9E6494

RGB 158 100 148

HSL 310.34, 0.23%, 0.51%

LAB 50.12, 31.03, -16.61

 

CMYK 0 / 33 / 5 / 31

HEX #AF76A7

RGB 175 118 167

HSL 308.42, 0.26%, 0.57%

LAB 56.94, 30.27, -17.14

 

CMYK 0 / 29 / 3 / 25

HEX #C088BA

RGB 192 136 186

HSL 306.43, 0.31%, 0.64%

LAB 63.64, 29.56, -17.63

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 55 / 6 / 60

HEX #662E60

RGB 102 46 96

HSL 306.43, 0.38%, 0.29%

LAB 28.44, 32.63, -18.46

 

CMYK 0 / 67 / 9 / 67

HEX #551C4D

RGB 85 28 77

HSL 308.42, 0.5%, 0.22%

LAB 21.2, 33.07, -17.36

 

CMYK 0 / 85 / 15 / 73

HEX #440A3A

RGB 68 10 58

HSL 310.34, 0.74%, 0.15%

LAB 14.13, 32.54, -15.47

 

CMYK 0 / 100 / 24 / 80

HEX #330027

RGB 51 0 39

HSL 314.12, 1%, 0.1%

LAB 7.68, 29.49, -11.87

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 46 / 16 / 53

HEX #774064

RGB 119 64 100

HSL 320.73, 0.3%, 0.36%

LAB 35.02, 29.1, -10.72

 

CMYK 0 / 46 / 29 / 53

HEX #774055

RGB 119 64 85

HSL 337.09, 0.3%, 0.36%

LAB 34.49, 26.64, -1.97

 

CMYK 0 / 46 / 41 / 53

HEX #774046

RGB 119 64 70

HSL 353.45, 0.3%, 0.36%

LAB 34.05, 24.55, 6.98

 

CMYK 0 / 46 / 46 / 53

HEX #774040

RGB 119 64 64

HSL 0, 0.3%, 0.36%

LAB 33.9, 23.82, 10.6

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 9 / 46 / 0 / 53

HEX #6C4077

RGB 108 64 119

HSL 288, 0.3%, 0.36%

LAB 34.37, 29.09, -23.8

 

CMYK 22 / 46 / 0 / 53

HEX #5D4077

RGB 93 64 119

HSL 271.64, 0.3%, 0.36%

LAB 32.54, 24.26, -26.8

 

CMYK 34 / 46 / 0 / 53

HEX #4E4077

RGB 78 64 119

HSL 255.27, 0.3%, 0.36%

LAB 30.92, 19.62, -29.46

 

CMYK 46 / 46 / 0 / 53

HEX #404077

RGB 64 64 119

HSL 240, 0.3%, 0.36%

LAB 29.64, 15.61, -31.58

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 63 / 4 / 47

HEX #863180

RGB 134 49 128

HSL 304.24, 0.46%, 0.36%

LAB 35.64, 46.56, -27.14

 

CMYK 0 / 77 / 6 / 42

HEX #95228C

RGB 149 34 140

HSL 304.7, 0.63%, 0.36%

LAB 36.79, 57.97, -32.57

 

CMYK 0 / 88 / 6 / 36

HEX #A31399

RGB 163 19 153

HSL 304.17, 0.79%, 0.36%

LAB 38.82, 66.41, -37.15

 

CMYK 0 / 98 / 7 / 30

HEX #B204A6

RGB 178 4 166

HSL 304.14, 0.96%, 0.36%

LAB 41.7, 72.89, -40.24

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 24 / 2 / 59

HEX #684F66

RGB 104 79 102

HSL 304.8, 0.14%, 0.36%

LAB 36.92, 14.85, -9.29

 

CMYK 4 / 0 / 4 / 64

HEX #595D59

RGB 89 93 89

HSL 120, 0.02%, 0.36%

LAB 39.03, -2.42, 1.74

 

CMYK 31 / 0 / 29 / 58

HEX #4A6C4D

RGB 74 108 77

HSL 125.29, 0.19%, 0.36%

LAB 42.33, -19.18, 13.54

 

CMYK 52 / 0 / 48 / 52

HEX #3B7B40

RGB 59 123 64

HSL 124.69, 0.35%, 0.36%

LAB 46.27, -33.83, 26.04

 

CMYK 22 / 46 / 0 / 53

HEX #5D4077

RGB 93 64 119

HSL 271.64, 0.3%, 0.36%

LAB 32.54, 24.26, -26.8

 

CMYK 9 / 46 / 0 / 53

HEX #6C4077

RGB 108 64 119

HSL 288, 0.3%, 0.36%

LAB 34.37, 29.09, -23.8

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 46 / 16 / 53

HEX #774064

RGB 119 64 100

HSL 320.73, 0.3%, 0.36%

LAB 35.02, 29.1, -10.72

 

CMYK 0 / 46 / 28 / 53

HEX #774056

RGB 119 64 86

HSL 336, 0.3%, 0.36%

LAB 34.52, 26.79, -2.56

 

CMYK 0 / 46 / 3 / 75

HEX #41233F

RGB 65 35 63

HSL 304, 0.3%, 0.2%

LAB 18.73, 19.41, -11.86

 

CMYK 0 / 47 / 3 / 64

HEX #5C3159

RGB 92 49 89

HSL 304.19, 0.3%, 0.28%

LAB 27.28, 26.14, -15.82

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 47 / 3 / 43

HEX #924E8D

RGB 146 78 141

HSL 304.41, 0.3%, 0.44%

LAB 43.48, 37.93, -22.75

 

CMYK 0 / 43 / 3 / 34

HEX #A960A4

RGB 169 96 164

HSL 304.11, 0.3%, 0.52%

LAB 51.25, 39.83, -24.18

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 34 / 46 / 53

HEX #774E40

RGB 119 78 64

HSL 15.27, 0.3%, 0.36%

LAB 37.37, 15.49, 15.34

 

CMYK 46 / 0 / 16 / 53

HEX #407764

RGB 64 119 100

HSL 159.27, 0.3%, 0.36%

LAB 45.91, -23.12, 4.82

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 3 / 0 / 46 / 53

HEX #737740

RGB 115 119 64

HSL 64.36, 0.3%, 0.36%

LAB 48.52, -10.38, 29.62

 

CMYK 46 / 3 / 0 / 53

HEX #407377

RGB 64 115 119

HSL 184.36, 0.3%, 0.36%

LAB 45.2, -15.95, -7.56

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 34 / 46 / 53

HEX #774E40

RGB 119 78 64

HSL 15.27, 0.3%, 0.36%

LAB 37.37, 15.49, 15.34

 

CMYK 46 / 0 / 44 / 53

HEX #407743

RGB 64 119 67

HSL 123.27, 0.3%, 0.36%

LAB 45.21, -29.96, 23.06

 

CMYK 46 / 13 / 0 / 53

HEX #406877

RGB 64 104 119

HSL 196.36, 0.3%, 0.36%

LAB 41.72, -9.7, -12.79

 

CMYK 0 / 46 / 3 / 53

HEX #774073

RGB 119 64 115

HSL 304.36, 0.3%, 0.36%

LAB 35.65, 31.89, -19.2

 

CMYK 0 / 20 / 46 / 53

HEX #775F40

RGB 119 95 64

HSL 33.82, 0.3%, 0.36%

LAB 41.96, 5.27, 21.4

 

CMYK 46 / 0 / 44 / 53

HEX #407743

RGB 64 119 67

HSL 123.27, 0.3%, 0.36%

LAB 45.21, -29.96, 23.06

 

CMYK 46 / 26 / 0 / 53

HEX #405877

RGB 64 88 119

HSL 213.82, 0.3%, 0.36%

LAB 36.75, -0.02, -20.42

 

Description

Color code: RGB 119 64 115 | qconv.com Color code: RGB 119 64 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 64 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 64 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 3 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 3% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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