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Color name
RGB 119 59 49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 59 49 it is the complementary color RGB 136 196 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 59 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 59 49 shade: RGB 124 59 44, RGB 141 77 63, RGB 158 95 82, RGB 175 113 101 and RGB 192 131 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 59 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 59 49 shade: RGB 119 59 49, RGB 102 41 30, RGB 85 23 11, RGB 68 5 0 and RGB 51 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 59 49 shade: RGB 119 58 48 and RGB 119 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 59 49 shade: RGB 119 58 48, RGB 119 77 48, RGB 119 97 48, RGB 119 116 48 and RGB 103 119 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 59 49 shade matches the following richer shades: RGB 119 58 48, RGB 133 49 35, RGB 146 39 21 and RGB 160 29 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 59 49 shade: RGB 119 58 48, RGB 105 68 62, RGB 92 78 76, RGB 78 88 89 and RGB 65 97 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 59 49 shade: RGB 119 48 77, RGB 119 48 58, RGB 119 58 48, RGB 119 77 48 and RGB 119 95 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 59 49 shade: RGB 60 30 24, RGB 90 44 36, RGB 119 58 48, RGB 148 73 60 and RGB 178 87 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 59 49 shade: RGB 119 59 49, RGB 95 119 48 and RGB 48 67 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 59 49 shade: RGB 119 59 49, RGB 48 119 58 and RGB 58 48 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 59 49 shade: RGB 119 59 49, RGB 95 119 48, RGB 48 110 119 and RGB 72 48 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 59 49 shade: RGB 119 59 49, RGB 74 119 48, RGB 48 110 119 and RGB 93 48 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

Complementary color

CMYK 34 / 5 / 0 / 19

HEX #88C4CE

RGB 136 196 206

HSL 188.57, 0.42%, 0.67%

LAB 75.56, -16.75, -11.17

 

CMYK 0 / 52 / 65 / 51

HEX #7C3B2C

RGB 124 59 44

HSL 11.25, 0.48%, 0.33%

LAB 33.12, 26.87, 22.31

 

CMYK 0 / 45 / 55 / 45

HEX #8D4D3F

RGB 141 77 63

HSL 10.77, 0.38%, 0.4%

LAB 40.13, 25.45, 20.15

 

CMYK 0 / 40 / 48 / 38

HEX #9E5F52

RGB 158 95 82

HSL 10.26, 0.32%, 0.47%

LAB 47.06, 24.18, 18.35

 

CMYK 0 / 35 / 42 / 31

HEX #AF7165

RGB 175 113 101

HSL 9.73, 0.32%, 0.54%

LAB 53.88, 23.08, 16.82

 

CMYK 0 / 32 / 38 / 25

HEX #C08378

RGB 192 131 120

HSL 9.17, 0.36%, 0.61%

LAB 60.6, 22.11, 15.47

 

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

CMYK 0 / 60 / 71 / 60

HEX #66291E

RGB 102 41 30

HSL 9.17, 0.55%, 0.26%

LAB 25.27, 26.64, 20.64

 

CMYK 0 / 73 / 87 / 67

HEX #55170B

RGB 85 23 11

HSL 9.73, 0.77%, 0.19%

LAB 18.22, 28.02, 22.9

 

CMYK 0 / 93 / 100 / 73

HEX #440500

RGB 68 5 0

HSL 4.41, 1%, 0.13%

LAB 11.54, 28.78, 18.03

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 60 / 60 / 53

HEX #773030

RGB 119 48 48

HSL 0, 0.43%, 0.33%

LAB 30.03, 31.14, 15.67

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 35 / 60 / 53

HEX #774D30

RGB 119 77 48

HSL 24.51, 0.43%, 0.33%

LAB 36.82, 14.45, 24.31

 

CMYK 0 / 18 / 60 / 53

HEX #776130

RGB 119 97 48

HSL 41.41, 0.43%, 0.33%

LAB 42.28, 2.47, 30.88

 

CMYK 0 / 3 / 60 / 53

HEX #777430

RGB 119 116 48

HSL 57.46, 0.43%, 0.33%

LAB 47.79, -8.47, 37.19

 

CMYK 13 / 0 / 60 / 53

HEX #677730

RGB 103 119 48

HSL 73.52, 0.43%, 0.33%

LAB 47.35, -17.3, 36.34

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 63 / 74 / 48

HEX #853123

RGB 133 49 35

HSL 8.57, 0.58%, 0.33%

LAB 32.49, 35.2, 27.4

 

CMYK 0 / 73 / 86 / 43

HEX #922715

RGB 146 39 21

HSL 8.64, 0.75%, 0.33%

LAB 33.17, 43.78, 36.73

 

CMYK 0 / 82 / 96 / 37

HEX #A01D07

RGB 160 29 7

HSL 8.63, 0.92%, 0.33%

LAB 34.74, 51.36, 45.22

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 35 / 41 / 59

HEX #69443E

RGB 105 68 62

HSL 8.37, 0.26%, 0.33%

LAB 32.89, 15.15, 10.18

 

CMYK 0 / 15 / 17 / 64

HEX #5C4E4C

RGB 92 78 76

HSL 7.5, 0.1%, 0.33%

LAB 34.49, 5.46, 3.34

 

CMYK 12 / 1 / 0 / 65

HEX #4E5859

RGB 78 88 89

HSL 185.45, 0.07%, 0.33%

LAB 36.59, -3.68, -1.92

 

CMYK 37 / 6 / 0 / 60

HEX #416167

RGB 65 97 103

HSL 189.47, 0.23%, 0.33%

LAB 38.99, -9.95, -7.13

 

CMYK 0 / 60 / 35 / 53

HEX #77304D

RGB 119 48 77

HSL 335.49, 0.43%, 0.33%

LAB 30.81, 34.3, -2.22

 

CMYK 0 / 60 / 51 / 53

HEX #77303A

RGB 119 48 58

HSL 351.55, 0.43%, 0.33%

LAB 30.26, 32.07, 9.45

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 35 / 60 / 53

HEX #774D30

RGB 119 77 48

HSL 24.51, 0.43%, 0.33%

LAB 36.82, 14.45, 24.31

 

CMYK 0 / 20 / 60 / 53

HEX #775F30

RGB 119 95 48

HSL 39.72, 0.43%, 0.33%

LAB 41.72, 3.66, 30.22

 

CMYK 0 / 50 / 60 / 76

HEX #3C1E18

RGB 60 30 24

HSL 10, 0.43%, 0.16%

LAB 15.25, 13.85, 10.51

 

CMYK 0 / 51 / 60 / 65

HEX #5A2C24

RGB 90 44 36

HSL 8.89, 0.43%, 0.25%

LAB 24.01, 20.19, 14.72

 

CMYK 0 / 51 / 60 / 53

HEX #773A30

RGB 119 58 48

HSL 8.45, 0.43%, 0.33%

LAB 32.17, 25.65, 18.45

 

CMYK 0 / 51 / 59 / 42

HEX #94493C

RGB 148 73 60

HSL 8.86, 0.42%, 0.41%

LAB 40.23, 30.3, 22.3

 

CMYK 0 / 51 / 60 / 30

HEX #B25748

RGB 178 87 72

HSL 8.49, 0.42%, 0.49%

LAB 47.94, 35.68, 25.94

 

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

CMYK 20 / 0 / 60 / 53

HEX #5F7730

RGB 95 119 48

HSL 80.28, 0.43%, 0.33%

LAB 46.76, -20.75, 35.52

 

CMYK 60 / 44 / 0 / 53

HEX #304377

RGB 48 67 119

HSL 223.94, 0.43%, 0.33%

LAB 29.35, 9.59, -32.11

 

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

CMYK 60 / 0 / 51 / 53

HEX #30773A

RGB 48 119 58

HSL 128.45, 0.43%, 0.33%

LAB 44.42, -36.12, 26.9

 

CMYK 51 / 60 / 0 / 53

HEX #3A3077

RGB 58 48 119

HSL 248.45, 0.43%, 0.33%

LAB 24.78, 24.75, -39.39

 

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

CMYK 20 / 0 / 60 / 53

HEX #5F7730

RGB 95 119 48

HSL 80.28, 0.43%, 0.33%

LAB 46.76, -20.75, 35.52

 

CMYK 60 / 8 / 0 / 53

HEX #306E77

RGB 48 110 119

HSL 187.61, 0.43%, 0.33%

LAB 42.93, -17, -11.03

 

CMYK 39 / 60 / 0 / 53

HEX #483077

RGB 72 48 119

HSL 260.28, 0.43%, 0.33%

LAB 26.23, 28.16, -36.99

 

CMYK 0 / 50 / 59 / 53

HEX #773B31

RGB 119 59 49

HSL 8.57, 0.42%, 0.33%

LAB 32.42, 25.17, 18.14

 

CMYK 38 / 0 / 60 / 53

HEX #4A7730

RGB 74 119 48

HSL 98.03, 0.43%, 0.33%

LAB 45.45, -29.17, 33.66

 

CMYK 60 / 8 / 0 / 53

HEX #306E77

RGB 48 110 119

HSL 187.61, 0.43%, 0.33%

LAB 42.93, -17, -11.03

 

CMYK 22 / 60 / 0 / 53

HEX #5D3077

RGB 93 48 119

HSL 278.03, 0.43%, 0.33%

LAB 28.83, 33.81, -32.67

 

Description

Color code: RGB 119 59 49 | qconv.com Color code: RGB 119 59 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 59 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 59 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 59 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 59% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Example – Responsive...
Link: http://mpcreation.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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