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Color name
RGB 119 43 45

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 43 45 it is the complementary color RGB 136 212 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 43 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 43 45 shade: RGB 124 43 40, RGB 141 61 59, RGB 158 79 78, RGB 175 97 97 and RGB 192 115 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 43 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 102 25 26, RGB 85 7 7, RGB 68 0 0 and RGB 51 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 43 45 shade: RGB 119 43 45 and RGB 119 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 119 43 65, RGB 119 43 86, RGB 119 43 107 and RGB 111 43 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 43 45 shade matches the following richer shades: RGB 119 43 45, RGB 133 30 32, RGB 146 16 20 and RGB 159 3 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 106 56 57, RGB 93 69 70, RGB 80 82 82 and RGB 67 96 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 43 45 shade: RGB 119 43 86, RGB 119 43 66, RGB 119 43 45, RGB 119 61 43 and RGB 119 81 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 43 45 shade: RGB 59 21 22, RGB 89 32 33, RGB 119 43 45, RGB 150 54 56 and RGB 180 65 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 107 119 43 and RGB 43 76 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 45 119 43 and RGB 43 45 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 107 119 43, RGB 43 119 117 and RGB 56 43 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 43 45 shade: RGB 119 43 45, RGB 84 119 43, RGB 43 119 117 and RGB 79 43 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

Complementary color

CMYK 36 / 0 / 1 / 17

HEX #88D4D2

RGB 136 212 210

HSL 178.42, 0.47%, 0.68%

LAB 80.17, -23.86, -6.47

 

CMYK 0 / 65 / 68 / 51

HEX #7C2B28

RGB 124 43 40

HSL 2.14, 0.51%, 0.32%

LAB 29.83, 34.99, 20.74

 

CMYK 0 / 57 / 58 / 45

HEX #8D3D3B

RGB 141 61 59

HSL 1.46, 0.41%, 0.39%

LAB 36.59, 33.84, 17.98

 

CMYK 0 / 50 / 51 / 38

HEX #9E4F4E

RGB 158 79 78

HSL 0.75, 0.34%, 0.46%

LAB 43.38, 32.64, 15.79

 

CMYK 0 / 45 / 45 / 31

HEX #AF6161

RGB 175 97 97

HSL 0, 0.33%, 0.53%

LAB 50.13, 31.48, 14

 

CMYK 0 / 40 / 40 / 25

HEX #C07374

RGB 192 115 116

HSL 359.22, 0.38%, 0.6%

LAB 56.81, 30.42, 12.49

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 75 / 75 / 60

HEX #66191A

RGB 102 25 26

HSL 359.22, 0.61%, 0.25%

LAB 22.28, 34.22, 19.67

 

CMYK 0 / 92 / 92 / 67

HEX #550707

RGB 85 7 7

HSL 0, 0.85%, 0.18%

LAB 16, 33.96, 21.82

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 64 / 64 / 53

HEX #772B2B

RGB 119 43 43

HSL 0, 0.47%, 0.32%

LAB 28.96, 33.3, 17.52

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 64 / 45 / 53

HEX #772B41

RGB 119 43 65

HSL 342.63, 0.47%, 0.32%

LAB 29.49, 35.35, 3.75

 

CMYK 0 / 64 / 28 / 53

HEX #772B56

RGB 119 43 86

HSL 326.05, 0.47%, 0.32%

LAB 30.21, 38.05, -9

 

CMYK 0 / 64 / 10 / 53

HEX #772B6B

RGB 119 43 107

HSL 309.47, 0.47%, 0.32%

LAB 31.14, 41.39, -21.14

 

CMYK 7 / 64 / 0 / 53

HEX #6F2B77

RGB 111 43 119

HSL 293.68, 0.47%, 0.32%

LAB 30.49, 41.39, -29.86

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 77 / 76 / 48

HEX #851E20

RGB 133 30 32

HSL 358.83, 0.63%, 0.32%

LAB 29.46, 43.18, 25.79

 

CMYK 0 / 89 / 86 / 43

HEX #921014

RGB 146 16 20

HSL 358.15, 0.8%, 0.32%

LAB 30.72, 50.61, 35.05

 

CMYK 0 / 98 / 96 / 38

HEX #9F0307

RGB 159 3 7

HSL 358.46, 0.96%, 0.32%

LAB 32.81, 55.96, 43.96

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 47 / 46 / 58

HEX #6A3839

RGB 106 56 57

HSL 358.8, 0.31%, 0.32%

LAB 29.88, 22.23, 9.26

 

CMYK 0 / 26 / 25 / 64

HEX #5D4546

RGB 93 69 70

HSL 357.5, 0.15%, 0.32%

LAB 31.87, 10.48, 3.4

 

CMYK 2 / 0 / 0 / 68

HEX #505252

RGB 80 82 82

HSL 180, 0.01%, 0.32%

LAB 34.7, -0.8, -0.29

 

CMYK 30 / 0 / 1 / 62

HEX #43605F

RGB 67 96 95

HSL 177.93, 0.18%, 0.32%

LAB 38.53, -10.87, -2.88

 

CMYK 0 / 64 / 28 / 53

HEX #772B56

RGB 119 43 86

HSL 326.05, 0.47%, 0.32%

LAB 30.21, 38.05, -9

 

CMYK 0 / 64 / 45 / 53

HEX #772B42

RGB 119 43 66

HSL 341.84, 0.47%, 0.32%

LAB 29.52, 35.46, 3.14

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 49 / 64 / 53

HEX #773D2B

RGB 119 61 43

HSL 14.21, 0.47%, 0.32%

LAB 32.77, 23.52, 22.32

 

CMYK 0 / 32 / 64 / 53

HEX #77512B

RGB 119 81 43

HSL 30, 0.47%, 0.32%

LAB 37.81, 11.63, 28.39

 

CMYK 0 / 64 / 63 / 77

HEX #3B1516

RGB 59 21 22

HSL 358.42, 0.48%, 0.16%

LAB 12.76, 18.89, 8.61

 

CMYK 0 / 64 / 63 / 65

HEX #592021

RGB 89 32 33

HSL 358.95, 0.47%, 0.24%

LAB 21.08, 26.39, 12.89

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 0 / 64 / 63 / 41

HEX #963638

RGB 150 54 56

HSL 358.75, 0.47%, 0.4%

LAB 36.76, 40.44, 20.37

 

CMYK 0 / 64 / 62 / 29

HEX #B44144

RGB 180 65 68

HSL 358.43, 0.47%, 0.48%

LAB 44.09, 46.84, 23.46

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 10 / 0 / 64 / 53

HEX #6B772B

RGB 107 119 43

HSL 69.47, 0.47%, 0.32%

LAB 47.62, -15.96, 39.13

 

CMYK 64 / 36 / 0 / 53

HEX #2B4C77

RGB 43 76 119

HSL 213.95, 0.47%, 0.32%

LAB 31.84, 2.48, -28.18

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 62 / 0 / 64 / 53

HEX #2D772B

RGB 45 119 43

HSL 118.42, 0.47%, 0.32%

LAB 44.13, -39, 34.28

 

CMYK 64 / 62 / 0 / 53

HEX #2B2D77

RGB 43 45 119

HSL 238.42, 0.47%, 0.32%

LAB 22.73, 23.65, -42.77

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 10 / 0 / 64 / 53

HEX #6B772B

RGB 107 119 43

HSL 69.47, 0.47%, 0.32%

LAB 47.62, -15.96, 39.13

 

CMYK 64 / 0 / 2 / 53

HEX #2B7775

RGB 43 119 117

HSL 178.42, 0.47%, 0.32%

LAB 45.62, -23.41, -5.82

 

CMYK 53 / 64 / 0 / 53

HEX #382B77

RGB 56 43 119

HSL 250.26, 0.47%, 0.32%

LAB 23.34, 27.56, -41.73

 

CMYK 0 / 64 / 62 / 53

HEX #772B2D

RGB 119 43 45

HSL 358.42, 0.47%, 0.32%

LAB 29, 33.46, 16.27

 

CMYK 29 / 0 / 64 / 53

HEX #54772B

RGB 84 119 43

HSL 87.63, 0.47%, 0.32%

LAB 45.98, -25.81, 36.87

 

CMYK 64 / 0 / 2 / 53

HEX #2B7775

RGB 43 119 117

HSL 178.42, 0.47%, 0.32%

LAB 45.62, -23.41, -5.82

 

CMYK 34 / 64 / 0 / 53

HEX #4F2B77

RGB 79 43 119

HSL 268.42, 0.47%, 0.32%

LAB 25.93, 32.95, -37.42

 

Description

Color code: RGB 119 43 45 | qconv.com Color code: RGB 119 43 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 43 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 43 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 62 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 62% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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