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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 35 153 it is the complementary color RGB 136 220 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 35 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 35 153 shade: RGB 124 35 148, RGB 141 53 167, RGB 158 71 186, RGB 175 89 205 and RGB 192 107 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 35 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 35 153 shade: RGB 119 35 153, RGB 102 17 134, RGB 85 0 115, RGB 68 0 96 and RGB 51 0 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 35 153 shade: RGB 119 34 153, RGB 151 34 153, RGB 153 34 123, RGB 153 34 91 and RGB 153 34 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 35 153 shade: RGB 119 34 153, RGB 87 34 153, RGB 55 34 153 and RGB 34 34 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 35 153 shade matches the following richer shades: RGB 119 34 153, RGB 126 19 169 and RGB 132 4 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 35 153 shade: RGB 119 34 153, RGB 113 50 138, RGB 106 65 123, RGB 100 80 107 and RGB 93 95 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 35 153 shade: RGB 54 34 153, RGB 86 34 153, RGB 118 34 153, RGB 149 34 153 and RGB 153 34 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 35 153 shade: RGB 67 19 86, RGB 93 27 120, RGB 119 34 153, RGB 145 42 187 and RGB 167 60 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 35 153 shade: RGB 119 35 153, RGB 153 34 46 and RGB 34 153 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 35 153 shade: RGB 119 35 153, RGB 153 118 34 and RGB 34 153 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 35 153 shade: RGB 119 35 153, RGB 153 34 46, RGB 70 153 34 and RGB 34 153 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 35 153 shade: RGB 119 35 153, RGB 153 58 34, RGB 70 153 34 and RGB 34 130 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

Complementary color

CMYK 38 / 0 / 54 / 14

HEX #88DC66

RGB 136 220 102

HSL 102.71, 0.63%, 0.63%

LAB 80.39, -46.68, 49.49

 

CMYK 16 / 76 / 0 / 42

HEX #7C2394

RGB 124 35 148

HSL 287.26, 0.62%, 0.36%

LAB 33.19, 53.65, -43.48

 

CMYK 16 / 68 / 0 / 35

HEX #8D35A7

RGB 141 53 167

HSL 286.32, 0.52%, 0.43%

LAB 39.58, 53.98, -44.58

 

CMYK 15 / 62 / 0 / 27

HEX #9E47BA

RGB 158 71 186

HSL 285.39, 0.45%, 0.5%

LAB 46.07, 53.74, -45.28

 

CMYK 15 / 57 / 0 / 20

HEX #AF59CD

RGB 175 89 205

HSL 284.48, 0.54%, 0.58%

LAB 52.58, 53.2, -45.76

 

CMYK 14 / 52 / 0 / 12

HEX #C06BE0

RGB 192 107 224

HSL 283.59, 0.65%, 0.65%

LAB 59.07, 52.52, -46.11

 

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

CMYK 24 / 87 / 0 / 47

HEX #661186

RGB 102 17 134

HSL 283.59, 0.77%, 0.3%

LAB 26.58, 52.36, -45.66

 

CMYK 26 / 100 / 0 / 55

HEX #550073

RGB 85 0 115

HSL 284.35, 1%, 0.23%

LAB 20.71, 49.75, -43.27

 

CMYK 29 / 100 / 0 / 62

HEX #440060

RGB 68 0 96

HSL 282.5, 1%, 0.19%

LAB 15.87, 43.45, -38.85

 

CMYK 34 / 100 / 0 / 70

HEX #33004D

RGB 51 0 77

HSL 279.74, 1%, 0.15%

LAB 10.85, 36.93, -34.28

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 1 / 78 / 0 / 40

HEX #972299

RGB 151 34 153

HSL 298.99, 0.64%, 0.37%

LAB 37.88, 60.53, -38.76

 

CMYK 0 / 78 / 20 / 40

HEX #99227B

RGB 153 34 123

HSL 315.13, 0.64%, 0.37%

LAB 36.64, 56.36, -22.22

 

CMYK 0 / 78 / 41 / 40

HEX #99225B

RGB 153 34 91

HSL 331.26, 0.64%, 0.37%

LAB 35.34, 52.43, -3.91

 

CMYK 0 / 78 / 61 / 40

HEX #99223B

RGB 153 34 59

HSL 347.39, 0.64%, 0.37%

LAB 34.46, 49.65, 15.56

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 43 / 78 / 0 / 40

HEX #572299

RGB 87 34 153

HSL 266.72, 0.64%, 0.37%

LAB 28.03, 48.21, -55.16

 

CMYK 64 / 78 / 0 / 40

HEX #372299

RGB 55 34 153

HSL 250.59, 0.64%, 0.37%

LAB 24.5, 43.61, -61.09

 

CMYK 78 / 78 / 0 / 40

HEX #222299

RGB 34 34 153

HSL 240, 0.64%, 0.37%

LAB 22.94, 41.54, -63.71

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 25 / 89 / 0 / 34

HEX #7E13A9

RGB 126 19 169

HSL 282.8, 0.8%, 0.37%

LAB 33.49, 62.75, -55.72

 

CMYK 28 / 98 / 0 / 28

HEX #8404B8

RGB 132 4 184

HSL 282.67, 0.96%, 0.37%

LAB 34.91, 68.81, -62.32

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 18 / 64 / 0 / 46

HEX #71328A

RGB 113 50 138

HSL 282.95, 0.47%, 0.37%

LAB 33.19, 42.49, -37.42

 

CMYK 14 / 47 / 0 / 52

HEX #6A417B

RGB 106 65 123

HSL 282.41, 0.31%, 0.37%

LAB 34.55, 28.76, -26.03

 

CMYK 7 / 25 / 0 / 58

HEX #64506B

RGB 100 80 107

HSL 284.44, 0.14%, 0.37%

LAB 36.94, 13.8, -12.41

 

CMYK 2 / 0 / 3 / 63

HEX #5D5F5C

RGB 93 95 92

HSL 100, 0.02%, 0.37%

LAB 40.06, -1.41, 1.43

 

CMYK 65 / 78 / 0 / 40

HEX #362299

RGB 54 34 153

HSL 250.08, 0.64%, 0.37%

LAB 24.41, 43.49, -61.24

 

CMYK 44 / 78 / 0 / 40

HEX #562299

RGB 86 34 153

HSL 266.22, 0.64%, 0.37%

LAB 27.91, 48.04, -55.37

 

CMYK 23 / 78 / 0 / 40

HEX #762299

RGB 118 34 153

HSL 282.35, 0.64%, 0.37%

LAB 32.47, 53.83, -47.74

 

CMYK 3 / 78 / 0 / 40

HEX #952299

RGB 149 34 153

HSL 297.98, 0.64%, 0.37%

LAB 37.54, 60.11, -39.33

 

CMYK 0 / 78 / 18 / 40

HEX #99227E

RGB 153 34 126

HSL 313.61, 0.64%, 0.37%

LAB 36.79, 56.79, -23.87

 

CMYK 22 / 78 / 0 / 66

HEX #431356

RGB 67 19 86

HSL 282.99, 0.64%, 0.21%

LAB 17.14, 34.32, -30.09

 

CMYK 23 / 78 / 0 / 53

HEX #5D1B78

RGB 93 27 120

HSL 282.58, 0.63%, 0.29%

LAB 25.16, 44.39, -39.2

 

CMYK 22 / 78 / 0 / 40

HEX #772299

RGB 119 34 153

HSL 282.86, 0.64%, 0.37%

LAB 32.63, 54.02, -47.49

 

CMYK 22 / 78 / 0 / 27

HEX #912ABB

RGB 145 42 187

HSL 282.62, 0.63%, 0.45%

LAB 40.02, 63.06, -55.69

 

CMYK 20 / 71 / 0 / 18

HEX #A73CD2

RGB 167 60 210

HSL 282.8, 0.63%, 0.53%

LAB 47.11, 65.31, -57.45

 

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

CMYK 0 / 78 / 70 / 40

HEX #99222E

RGB 153 34 46

HSL 353.95, 0.64%, 0.37%

LAB 34.22, 48.86, 23.59

 

CMYK 78 / 0 / 54 / 40

HEX #229946

RGB 34 153 70

HSL 138.15, 0.64%, 0.37%

LAB 55.65, -50.19, 34.37

 

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

CMYK 0 / 23 / 78 / 40

HEX #997622

RGB 153 118 34

HSL 42.35, 0.64%, 0.37%

LAB 51.66, 5.28, 48.58

 

CMYK 78 / 0 / 23 / 40

HEX #229976

RGB 34 153 118

HSL 162.35, 0.64%, 0.37%

LAB 56.52, -40.46, 9.39

 

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

CMYK 0 / 78 / 70 / 40

HEX #99222E

RGB 153 34 46

HSL 353.95, 0.64%, 0.37%

LAB 34.22, 48.86, 23.59

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 0 / 8 / 40

HEX #22998D

RGB 34 153 141

HSL 173.95, 0.64%, 0.37%

LAB 57.12, -34.24, -2.82

 

CMYK 22 / 77 / 0 / 40

HEX #772399

RGB 119 35 153

HSL 282.71, 0.63%, 0.37%

LAB 32.75, 53.65, -47.28

 

CMYK 0 / 62 / 78 / 40

HEX #993A22

RGB 153 58 34

HSL 12.1, 0.64%, 0.37%

LAB 37.69, 38.42, 34.68

 

CMYK 54 / 0 / 78 / 40

HEX #469922

RGB 70 153 34

HSL 101.85, 0.64%, 0.37%

LAB 56.29, -46.24, 50.99

 

CMYK 78 / 15 / 0 / 40

HEX #228299

RGB 34 130 153

HSL 191.6, 0.64%, 0.37%

LAB 50.22, -18.94, -20.13

 

Description

Color code: RGB 119 35 153 | qconv.com Color code: RGB 119 35 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 35 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 35 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 77 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 77% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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