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Color name
RGB 119 23 69

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 23 69 it is the complementary color RGB 136 232 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 23 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 23 69 shade: RGB 124 23 64, RGB 141 41 83, RGB 158 59 102, RGB 175 77 121 and RGB 192 95 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 23 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 23 69 shade: RGB 119 23 69, RGB 102 5 50, RGB 85 0 31, RGB 68 0 12 and RGB 51 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 23 69 shade: RGB 119 22 69, RGB 119 22 43 and RGB 119 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 23 69 shade: RGB 119 22 69, RGB 119 22 95, RGB 118 22 119, RGB 91 22 119 and RGB 65 22 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 23 69 shade matches the following richer shades: RGB 119 22 69 and RGB 131 11 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 23 69 shade: RGB 119 22 69, RGB 108 34 69, RGB 96 45 70, RGB 85 57 70 and RGB 73 69 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 23 69 shade: RGB 118 22 119, RGB 119 22 95, RGB 119 22 69, RGB 119 22 43 and RGB 119 27 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 23 69 shade: RGB 50 9 29, RGB 85 16 49, RGB 119 22 69, RGB 154 29 89 and RGB 189 36 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 23 69 shade: RGB 119 23 69, RGB 119 92 22 and RGB 22 108 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 23 69 shade: RGB 119 23 69, RGB 69 119 22 and RGB 22 69 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 23 69 shade: RGB 119 23 69, RGB 119 92 22, RGB 22 119 73 and RGB 22 50 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 23 69 shade: RGB 119 23 69, RGB 118 119 22, RGB 22 119 73 and RGB 24 22 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

Complementary color

CMYK 41 / 0 / 20 / 9

HEX #88E8BA

RGB 136 232 186

HSL 151.25, 0.68%, 0.72%

LAB 85.25, -38.59, 13.6

 

CMYK 0 / 81 / 48 / 51

HEX #7C1740

RGB 124 23 64

HSL 335.64, 0.69%, 0.29%

LAB 27.49, 44.96, 1.66

 

CMYK 0 / 71 / 41 / 45

HEX #8D2953

RGB 141 41 83

HSL 334.8, 0.55%, 0.36%

LAB 33.72, 45.54, -1.4

 

CMYK 0 / 63 / 35 / 38

HEX #9E3B66

RGB 158 59 102

HSL 333.94, 0.46%, 0.43%

LAB 40.17, 45.33, -3.64

 

CMYK 0 / 56 / 31 / 31

HEX #AF4D79

RGB 175 77 121

HSL 333.06, 0.39%, 0.49%

LAB 46.71, 44.76, -5.35

 

CMYK 0 / 51 / 27 / 25

HEX #C05F8C

RGB 192 95 140

HSL 332.16, 0.43%, 0.56%

LAB 53.26, 44.02, -6.71

 

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

CMYK 0 / 95 / 51 / 60

HEX #660532

RGB 102 5 50

HSL 332.16, 0.91%, 0.21%

LAB 20.69, 42.15, 0.86

 

CMYK 0 / 100 / 64 / 67

HEX #55001F

RGB 85 0 31

HSL 338.12, 1%, 0.17%

LAB 15.65, 37.42, 6.85

 

CMYK 0 / 100 / 82 / 73

HEX #44000C

RGB 68 0 12

HSL 349.41, 1%, 0.13%

LAB 10.96, 31.5, 12.3

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 82 / 64 / 53

HEX #77162B

RGB 119 22 43

HSL 347.01, 0.69%, 0.28%

LAB 25.77, 42.04, 13.36

 

CMYK 0 / 82 / 82 / 53

HEX #771616

RGB 119 22 22

HSL 0, 0.69%, 0.28%

LAB 25.42, 40.93, 26.74

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 82 / 20 / 53

HEX #77165F

RGB 119 22 95

HSL 314.85, 0.69%, 0.28%

LAB 27.63, 47.66, -18.84

 

CMYK 1 / 82 / 0 / 53

HEX #761677

RGB 118 22 119

HSL 299.38, 0.69%, 0.28%

LAB 28.79, 51.24, -32.5

 

CMYK 24 / 82 / 0 / 53

HEX #5B1677

RGB 91 22 119

HSL 282.68, 0.69%, 0.28%

LAB 24.1, 45.66, -40.29

 

CMYK 45 / 82 / 0 / 53

HEX #411677

RGB 65 22 119

HSL 266.6, 0.69%, 0.28%

LAB 20.16, 40.94, -46.87

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 92 / 48 / 49

HEX #830B44

RGB 131 11 68

HSL 331.5, 0.85%, 0.28%

LAB 28.07, 50.15, -0.01

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 69 / 36 / 58

HEX #6C2245

RGB 108 34 69

HSL 331.62, 0.52%, 0.28%

LAB 26.05, 36.33, -4.19

 

CMYK 0 / 53 / 27 / 62

HEX #602D46

RGB 96 45 70

HSL 330.59, 0.36%, 0.28%

LAB 26.17, 26.47, -4.89

 

CMYK 0 / 33 / 18 / 67

HEX #553946

RGB 85 57 70

HSL 332.14, 0.2%, 0.28%

LAB 27.57, 14.7, -2.98

 

CMYK 0 / 5 / 3 / 71

HEX #494547

RGB 73 69 71

HSL 330, 0.03%, 0.28%

LAB 29.73, 2.11, -0.61

 

CMYK 1 / 82 / 0 / 53

HEX #761677

RGB 118 22 119

HSL 299.38, 0.69%, 0.28%

LAB 28.79, 51.24, -32.5

 

CMYK 0 / 82 / 20 / 53

HEX #77165F

RGB 119 22 95

HSL 314.85, 0.69%, 0.28%

LAB 27.63, 47.66, -18.84

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 82 / 64 / 53

HEX #77162B

RGB 119 22 43

HSL 347.01, 0.69%, 0.28%

LAB 25.77, 42.04, 13.36

 

CMYK 0 / 77 / 82 / 53

HEX #771B16

RGB 119 27 22

HSL 3.09, 0.69%, 0.28%

LAB 26.05, 39.18, 27.39

 

CMYK 0 / 82 / 42 / 80

HEX #32091D

RGB 50 9 29

HSL 330.73, 0.69%, 0.12%

LAB 8.67, 22.72, -2.72

 

CMYK 0 / 81 / 42 / 67

HEX #551031

RGB 85 16 49

HSL 331.3, 0.68%, 0.2%

LAB 18.03, 34.03, -2.77

 

CMYK 0 / 82 / 42 / 53

HEX #771645

RGB 119 22 69

HSL 330.93, 0.69%, 0.28%

LAB 26.52, 44.35, -3.25

 

CMYK 0 / 81 / 42 / 40

HEX #9A1D59

RGB 154 29 89

HSL 331.2, 0.68%, 0.36%

LAB 34.94, 53.99, -3.19

 

CMYK 0 / 81 / 42 / 26

HEX #BD246D

RGB 189 36 109

HSL 331.37, 0.68%, 0.44%

LAB 43.04, 63.19, -3.15

 

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

CMYK 0 / 23 / 82 / 53

HEX #775C16

RGB 119 92 22

HSL 43.3, 0.69%, 0.28%

LAB 40.63, 3.78, 41.6

 

CMYK 82 / 9 / 0 / 53

HEX #166C77

RGB 22 108 119

HSL 186.8, 0.69%, 0.28%

LAB 41.58, -20.08, -13.15

 

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

CMYK 42 / 0 / 82 / 53

HEX #457716

RGB 69 119 22

HSL 90.93, 0.69%, 0.28%

LAB 44.97, -33.24, 44.2

 

CMYK 82 / 42 / 0 / 53

HEX #164577

RGB 22 69 119

HSL 210.93, 0.69%, 0.28%

LAB 28.8, 3.64, -33.06

 

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

CMYK 0 / 23 / 82 / 53

HEX #775C16

RGB 119 92 22

HSL 43.3, 0.69%, 0.28%

LAB 40.63, 3.78, 41.6

 

CMYK 82 / 0 / 39 / 53

HEX #167749

RGB 22 119 73

HSL 151.55, 0.69%, 0.28%

LAB 44.01, -38.36, 17.83

 

CMYK 82 / 58 / 0 / 53

HEX #163277

RGB 22 50 119

HSL 222.68, 0.69%, 0.28%

LAB 22.94, 16.97, -42.48

 

CMYK 0 / 81 / 42 / 53

HEX #771745

RGB 119 23 69

HSL 331.25, 0.68%, 0.28%

LAB 26.63, 44.03, -3.08

 

CMYK 1 / 0 / 82 / 53

HEX #767716

RGB 118 119 22

HSL 60.62, 0.69%, 0.28%

LAB 48.39, -12.15, 48.59

 

CMYK 82 / 0 / 39 / 53

HEX #167749

RGB 22 119 73

HSL 151.55, 0.69%, 0.28%

LAB 44.01, -38.36, 17.83

 

CMYK 80 / 82 / 0 / 53

HEX #181677

RGB 24 22 119

HSL 241.24, 0.69%, 0.28%

LAB 16, 35.88, -53.87

 

Description

Color code: RGB 119 23 69 | qconv.com Color code: RGB 119 23 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 23 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 23 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 42 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 42% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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