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Color name
RGB 119 16 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 16 172 it is the complementary color RGB 136 239 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 16 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 16 172 shade: RGB 124 16 167, RGB 141 34 186, RGB 158 52 205, RGB 175 70 224 and RGB 192 88 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 16 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 102 0 153, RGB 85 0 134, RGB 68 0 115 and RGB 51 0 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 161 16 172, RGB 172 16 141, RGB 172 16 99 and RGB 172 16 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 77 16 172, RGB 34 16 172 and RGB 16 16 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 16 172 shade matches the following richer shades: RGB 119 16 172 and RGB 124 0 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 114 31 157, RGB 109 46 142, RGB 104 61 126 and RGB 99 77 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 16 172 shade: RGB 34 16 172, RGB 76 16 172, RGB 117 16 172, RGB 159 16 172 and RGB 172 16 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 16 172 shade: RGB 67 9 97, RGB 93 12 134, RGB 119 16 172, RGB 145 19 210 and RGB 167 36 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 172 16 39 and RGB 16 172 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 172 117 16 and RGB 16 172 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 172 16 39, RGB 70 172 16 and RGB 16 172 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 16 172 shade: RGB 119 16 172, RGB 172 39 16, RGB 70 172 16 and RGB 16 149 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

Complementary color

CMYK 43 / 0 / 65 / 6

HEX #88EF53

RGB 136 239 83

HSL 99.62, 0.83%, 0.63%

LAB 85.8, -56.21, 63.79

 

CMYK 26 / 90 / 0 / 35

HEX #7C10A7

RGB 124 16 167

HSL 282.91, 0.83%, 0.36%

LAB 32.8, 62.66, -55.65

 

CMYK 24 / 82 / 0 / 27

HEX #8D22BA

RGB 141 34 186

HSL 282.24, 0.69%, 0.43%

LAB 38.47, 64.69, -57.64

 

CMYK 23 / 75 / 0 / 20

HEX #9E34CD

RGB 158 52 205

HSL 281.57, 0.6%, 0.5%

LAB 44.42, 65.57, -58.96

 

CMYK 22 / 69 / 0 / 12

HEX #AF46E0

RGB 175 70 224

HSL 280.91, 0.71%, 0.58%

LAB 50.54, 65.75, -59.84

 

CMYK 21 / 64 / 0 / 5

HEX #C058F3

RGB 192 88 243

HSL 280.26, 0.87%, 0.65%

LAB 56.74, 65.5, -60.44

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 33 / 100 / 0 / 40

HEX #660099

RGB 102 0 153

HSL 280, 1%, 0.3%

LAB 27.09, 59.62, -56.62

 

CMYK 37 / 100 / 0 / 47

HEX #550086

RGB 85 0 134

HSL 278.06, 1%, 0.26%

LAB 22.49, 53.68, -52.47

 

CMYK 41 / 100 / 0 / 55

HEX #440073

RGB 68 0 115

HSL 275.48, 1%, 0.23%

LAB 17.77, 47.59, -48.21

 

CMYK 47 / 100 / 0 / 62

HEX #330060

RGB 51 0 96

HSL 271.88, 1%, 0.19%

LAB 12.91, 41.35, -43.81

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 6 / 91 / 0 / 33

HEX #A110AC

RGB 161 16 172

HSL 295.77, 0.83%, 0.37%

LAB 39.46, 69.49, -47.58

 

CMYK 0 / 91 / 18 / 33

HEX #AC108D

RGB 172 16 141

HSL 311.92, 0.83%, 0.37%

LAB 39.69, 66.99, -28.34

 

CMYK 0 / 91 / 42 / 33

HEX #AC1063

RGB 172 16 99

HSL 328.08, 0.83%, 0.37%

LAB 37.92, 62.24, -4.8

 

CMYK 0 / 91 / 67 / 33

HEX #AC1038

RGB 172 16 56

HSL 344.62, 0.83%, 0.37%

LAB 36.79, 59.11, 21.28

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 55 / 91 / 0 / 33

HEX #4D10AC

RGB 77 16 172

HSL 263.46, 0.83%, 0.37%

LAB 26.53, 58.07, -69.22

 

CMYK 80 / 91 / 0 / 33

HEX #2210AC

RGB 34 16 172

HSL 246.92, 0.83%, 0.37%

LAB 22.62, 55.3, -75.83

 

CMYK 91 / 91 / 0 / 33

HEX #1010AC

RGB 16 16 172

HSL 240, 0.83%, 0.37%

LAB 21.8, 54.78, -77.21

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 34 / 100 / 0 / 27

HEX #7C00BB

RGB 124 0 187

HSL 279.79, 1%, 0.37%

LAB 33.72, 68.96, -66.1

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 27 / 80 / 0 / 38

HEX #721F9D

RGB 114 31 157

HSL 279.52, 0.67%, 0.37%

LAB 31.79, 54.99, -51.32

 

CMYK 23 / 68 / 0 / 44

HEX #6D2E8E

RGB 109 46 142

HSL 279.38, 0.51%, 0.37%

LAB 32.16, 44.38, -41.56

 

CMYK 17 / 52 / 0 / 51

HEX #683D7E

RGB 104 61 126

HSL 279.69, 0.35%, 0.37%

LAB 33.54, 31.2, -29.51

 

CMYK 11 / 31 / 0 / 56

HEX #634D6F

RGB 99 77 111

HSL 278.82, 0.18%, 0.37%

LAB 36.19, 16.23, -16.07

 

CMYK 80 / 91 / 0 / 33

HEX #2210AC

RGB 34 16 172

HSL 246.92, 0.83%, 0.37%

LAB 22.62, 55.3, -75.83

 

CMYK 56 / 91 / 0 / 33

HEX #4C10AC

RGB 76 16 172

HSL 263.08, 0.83%, 0.37%

LAB 26.41, 57.98, -69.42

 

CMYK 32 / 91 / 0 / 33

HEX #7510AC

RGB 117 16 172

HSL 278.85, 0.83%, 0.37%

LAB 32.1, 62.67, -59.84

 

CMYK 8 / 91 / 0 / 33

HEX #9F10AC

RGB 159 16 172

HSL 295, 0.83%, 0.37%

LAB 39.1, 69.15, -48.16

 

CMYK 0 / 91 / 17 / 33

HEX #AC108F

RGB 172 16 143

HSL 311.15, 0.83%, 0.37%

LAB 39.79, 67.25, -29.41

 

CMYK 31 / 91 / 0 / 62

HEX #430961

RGB 67 9 97

HSL 279.55, 0.83%, 0.21%

LAB 16.76, 40.62, -38.07

 

CMYK 31 / 91 / 0 / 47

HEX #5D0C86

RGB 93 12 134

HSL 279.84, 0.84%, 0.29%

LAB 24.68, 52.14, -48.83

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 31 / 91 / 0 / 18

HEX #9113D2

RGB 145 19 210

HSL 279.58, 0.83%, 0.45%

LAB 39.81, 73.44, -69.44

 

CMYK 29 / 85 / 0 / 8

HEX #A724EA

RGB 167 36 234

HSL 279.7, 0.83%, 0.53%

LAB 46.2, 77.61, -72.59

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 0 / 91 / 77 / 33

HEX #AC1027

RGB 172 16 39

HSL 351.15, 0.83%, 0.37%

LAB 36.53, 58.37, 31.64

 

CMYK 91 / 0 / 68 / 33

HEX #10AC37

RGB 16 172 55

HSL 135, 0.83%, 0.37%

LAB 61.56, -60.23, 48.05

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 0 / 32 / 91 / 33

HEX #AC7510

RGB 172 117 16

HSL 38.85, 0.83%, 0.37%

LAB 53.53, 14, 56.84

 

CMYK 91 / 0 / 32 / 33

HEX #10AC75

RGB 16 172 117

HSL 158.85, 0.83%, 0.37%

LAB 62.42, -49.96, 18.15

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 0 / 91 / 77 / 33

HEX #AC1027

RGB 172 16 39

HSL 351.15, 0.83%, 0.37%

LAB 36.53, 58.37, 31.64

 

CMYK 59 / 0 / 91 / 33

HEX #46AC10

RGB 70 172 16

HSL 99.23, 0.83%, 0.37%

LAB 62.38, -54.08, 61.07

 

CMYK 91 / 0 / 13 / 33

HEX #10AC95

RGB 16 172 149

HSL 171.15, 0.83%, 0.37%

LAB 63.16, -41.91, 1.48

 

CMYK 31 / 91 / 0 / 33

HEX #7710AC

RGB 119 16 172

HSL 279.62, 0.83%, 0.37%

LAB 32.42, 62.94, -59.32

 

CMYK 0 / 77 / 91 / 33

HEX #AC2710

RGB 172 39 16

HSL 8.85, 0.83%, 0.37%

LAB 38.3, 52.17, 45.36

 

CMYK 59 / 0 / 91 / 33

HEX #46AC10

RGB 70 172 16

HSL 99.23, 0.83%, 0.37%

LAB 62.38, -54.08, 61.07

 

CMYK 91 / 13 / 0 / 33

HEX #1095AC

RGB 16 149 172

HSL 188.85, 0.83%, 0.37%

LAB 56.67, -23.94, -21.22

 

Description

Color code: RGB 119 16 172 | qconv.com Color code: RGB 119 16 172 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 16 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 16 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 91 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 91% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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