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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 163 148 it is the complementary color RGB 136 92 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 163 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 163 148 shade: RGB 124 163 143, RGB 141 181 162, RGB 158 199 181, RGB 175 217 200 and RGB 192 235 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 163 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 163 148 shade: RGB 119 163 148, RGB 102 145 129, RGB 85 127 110, RGB 68 109 91 and RGB 51 91 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 163 148 shade: RGB 118 162 147, RGB 118 162 135, RGB 118 162 123, RGB 124 162 118 and RGB 136 162 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 163 148 shade: RGB 118 162 147, RGB 118 162 158, RGB 118 153 162, RGB 118 141 162 and RGB 118 129 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 163 148 shade matches the following richer shades: RGB 118 162 147, RGB 99 180 153, RGB 81 199 159, RGB 62 217 164 and RGB 44 236 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 163 148 shade: RGB 118 162 147, RGB 137 143 141, RGB 155 124 135, RGB 174 106 129 and RGB 192 87 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 163 148 shade: RGB 118 162 123, RGB 118 162 135, RGB 118 162 146, RGB 118 162 158 and RGB 118 154 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 163 148 shade: RGB 80 117 104, RGB 96 142 126, RGB 118 162 147, RGB 142 178 166 and RGB 167 195 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 163 148 shade: RGB 119 163 148, RGB 118 124 162 and RGB 162 129 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 163 148 shade: RGB 119 163 148, RGB 146 118 162 and RGB 162 146 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 163 148 shade: RGB 119 163 148, RGB 118 124 162, RGB 162 118 133 and RGB 162 155 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 163 148 shade: RGB 119 163 148, RGB 124 118 162, RGB 162 118 133 and RGB 155 162 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

Complementary color

CMYK 0 / 32 / 21 / 47

HEX #885C6B

RGB 136 92 107

HSL 339.55, 0.19%, 0.45%

LAB 44.16, 20.36, -1.21

 

CMYK 24 / 0 / 12 / 36

HEX #7CA38F

RGB 124 163 143

HSL 149.23, 0.17%, 0.56%

LAB 63.72, -17.54, 6.08

 

CMYK 22 / 0 / 10 / 29

HEX #8DB5A2

RGB 141 181 162

HSL 151.5, 0.21%, 0.63%

LAB 70.4, -17.37, 5.29

 

CMYK 21 / 0 / 9 / 22

HEX #9EC7B5

RGB 158 199 181

HSL 153.66, 0.27%, 0.7%

LAB 76.95, -17.22, 4.55

 

CMYK 19 / 0 / 8 / 15

HEX #AFD9C8

RGB 175 217 200

HSL 155.71, 0.36%, 0.77%

LAB 83.39, -17.1, 3.84

 

CMYK 18 / 0 / 7 / 8

HEX #C0EBDB

RGB 192 235 219

HSL 157.67, 0.52%, 0.84%

LAB 89.74, -16.99, 3.16

 

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

CMYK 30 / 0 / 11 / 43

HEX #669181

RGB 102 145 129

HSL 157.67, 0.17%, 0.48%

LAB 56.74, -18.31, 3.78

 

CMYK 33 / 0 / 13 / 50

HEX #557F6E

RGB 85 127 110

HSL 155.71, 0.2%, 0.42%

LAB 49.78, -18.54, 4.62

 

CMYK 38 / 0 / 17 / 57

HEX #446D5B

RGB 68 109 91

HSL 153.66, 0.23%, 0.35%

LAB 42.64, -18.79, 5.55

 

CMYK 44 / 0 / 21 / 64

HEX #335B48

RGB 51 91 72

HSL 151.5, 0.28%, 0.28%

LAB 35.31, -19.07, 6.59

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 27 / 0 / 17 / 36

HEX #76A287

RGB 118 162 135

HSL 143.18, 0.19%, 0.55%

LAB 62.88, -20.64, 9.29

 

CMYK 27 / 0 / 24 / 36

HEX #76A27B

RGB 118 162 123

HSL 126.82, 0.19%, 0.55%

LAB 62.61, -22.96, 15.6

 

CMYK 23 / 0 / 27 / 36

HEX #7CA276

RGB 124 162 118

HSL 111.82, 0.19%, 0.55%

LAB 62.87, -21.75, 18.78

 

CMYK 16 / 0 / 27 / 36

HEX #88A276

RGB 136 162 118

HSL 95.45, 0.19%, 0.55%

LAB 63.66, -17.36, 19.98

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 27 / 0 / 2 / 36

HEX #76A29E

RGB 118 162 158

HSL 174.55, 0.19%, 0.55%

LAB 63.48, -15.67, -2.73

 

CMYK 27 / 6 / 0 / 36

HEX #7699A2

RGB 118 153 162

HSL 192.27, 0.19%, 0.55%

LAB 61, -9.88, -8.66

 

CMYK 27 / 13 / 0 / 36

HEX #768DA2

RGB 118 141 162

HSL 208.64, 0.19%, 0.55%

LAB 57.57, -3.21, -13.8

 

CMYK 27 / 20 / 0 / 36

HEX #7681A2

RGB 118 129 162

HSL 225, 0.19%, 0.55%

LAB 54.2, 3.69, -18.92

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 45 / 0 / 15 / 29

HEX #63B499

RGB 99 180 153

HSL 160, 0.35%, 0.55%

LAB 67.72, -31.31, 6.1

 

CMYK 59 / 0 / 20 / 22

HEX #51C79F

RGB 81 199 159

HSL 159.66, 0.51%, 0.55%

LAB 72.96, -42.72, 10.23

 

CMYK 71 / 0 / 24 / 15

HEX #3ED9A4

RGB 62 217 164

HSL 159.48, 0.67%, 0.55%

LAB 78.07, -52.28, 14.72

 

CMYK 81 / 0 / 28 / 7

HEX #2CECAA

RGB 44 236 170

HSL 159.38, 0.83%, 0.55%

LAB 83.67, -60.32, 19.36

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 4 / 0 / 1 / 44

HEX #898F8D

RGB 137 143 141

HSL 160, 0.03%, 0.55%

LAB 58.87, -2.58, 0.3

 

CMYK 0 / 20 / 13 / 39

HEX #9B7C87

RGB 155 124 135

HSL 338.71, 0.13%, 0.55%

LAB 55.21, 13.84, -1.41

 

CMYK 0 / 39 / 26 / 32

HEX #AE6A81

RGB 174 106 129

HSL 339.71, 0.3%, 0.55%

LAB 52.83, 30.25, -1.13

 

CMYK 0 / 55 / 36 / 25

HEX #C0577B

RGB 192 87 123

HSL 339.43, 0.45%, 0.55%

LAB 51.21, 45.82, 0.37

 

CMYK 27 / 0 / 24 / 36

HEX #76A27B

RGB 118 162 123

HSL 126.82, 0.19%, 0.55%

LAB 62.61, -22.96, 15.6

 

CMYK 27 / 0 / 17 / 36

HEX #76A287

RGB 118 162 135

HSL 143.18, 0.19%, 0.55%

LAB 62.88, -20.64, 9.29

 

CMYK 27 / 0 / 10 / 36

HEX #76A292

RGB 118 162 146

HSL 158.18, 0.19%, 0.55%

LAB 63.15, -18.35, 3.53

 

CMYK 27 / 0 / 2 / 36

HEX #76A29E

RGB 118 162 158

HSL 174.55, 0.19%, 0.55%

LAB 63.48, -15.67, -2.73

 

CMYK 27 / 5 / 0 / 36

HEX #769AA2

RGB 118 154 162

HSL 190.91, 0.19%, 0.55%

LAB 61.28, -10.43, -8.23

 

CMYK 32 / 0 / 11 / 54

HEX #507568

RGB 80 117 104

HSL 158.92, 0.19%, 0.39%

LAB 46.21, -16.17, 2.99

 

CMYK 32 / 0 / 11 / 44

HEX #608E7E

RGB 96 142 126

HSL 159.13, 0.19%, 0.47%

LAB 55.42, -19.32, 3.54

 

CMYK 27 / 0 / 9 / 36

HEX #76A293

RGB 118 162 147

HSL 159.55, 0.19%, 0.55%

LAB 63.18, -18.13, 3

 

CMYK 20 / 0 / 7 / 30

HEX #8EB2A6

RGB 142 178 166

HSL 160, 0.19%, 0.63%

LAB 69.71, -14.67, 2.11

 

CMYK 14 / 0 / 5 / 24

HEX #A7C3B9

RGB 167 195 185

HSL 158.57, 0.19%, 0.71%

LAB 76.53, -11.42, 1.84

 

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

CMYK 27 / 23 / 0 / 36

HEX #767CA2

RGB 118 124 162

HSL 231.82, 0.19%, 0.55%

LAB 52.81, 6.62, -21.04

 

CMYK 0 / 20 / 27 / 36

HEX #A28176

RGB 162 129 118

HSL 15, 0.19%, 0.55%

LAB 56.77, 10.99, 10.78

 

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

CMYK 10 / 27 / 0 / 36

HEX #9276A2

RGB 146 118 162

HSL 278.18, 0.19%, 0.55%

LAB 53.68, 19.38, -19.49

 

CMYK 0 / 10 / 27 / 36

HEX #A29276

RGB 162 146 118

HSL 38.18, 0.19%, 0.55%

LAB 61.26, 1.44, 17.03

 

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

CMYK 27 / 23 / 0 / 36

HEX #767CA2

RGB 118 124 162

HSL 231.82, 0.19%, 0.55%

LAB 52.81, 6.62, -21.04

 

CMYK 0 / 27 / 18 / 36

HEX #A27685

RGB 162 118 133

HSL 339.55, 0.19%, 0.55%

LAB 54.38, 19.6, -1.37

 

CMYK 0 / 4 / 27 / 36

HEX #A29B76

RGB 162 155 118

HSL 50.45, 0.19%, 0.55%

LAB 63.7, -3.51, 20.37

 

CMYK 27 / 0 / 9 / 36

HEX #77A394

RGB 119 163 148

HSL 159.55, 0.19%, 0.55%

LAB 63.55, -18.12, 2.99

 

CMYK 23 / 27 / 0 / 36

HEX #7C76A2

RGB 124 118 162

HSL 248.18, 0.19%, 0.55%

LAB 51.67, 12.09, -22.76

 

CMYK 0 / 27 / 18 / 36

HEX #A27685

RGB 162 118 133

HSL 339.55, 0.19%, 0.55%

LAB 54.38, 19.6, -1.37

 

CMYK 4 / 0 / 27 / 36

HEX #9BA276

RGB 155 162 118

HSL 69.55, 0.19%, 0.55%

LAB 65.06, -10.05, 22.11

 

Description

Color code: RGB 119 163 148 | qconv.com Color code: RGB 119 163 148 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 163 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 163 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 9% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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