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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 161 211 it is the complementary color RGB 136 94 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 161 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 161 211 shade: RGB 124 161 206, RGB 141 179 225, RGB 158 197 244, RGB 175 215 255 and RGB 192 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 161 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 161 211 shade: RGB 119 161 211, RGB 102 143 192, RGB 85 125 173, RGB 68 107 154 and RGB 51 89 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 161 211 shade: RGB 120 161 211, RGB 120 137 211, RGB 127 120 211, RGB 152 120 211 and RGB 176 120 211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 161 211 shade: RGB 120 161 211, RGB 120 137 211 and RGB 120 120 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 161 211 shade matches the following richer shades: RGB 120 161 211, RGB 105 160 225, RGB 91 159 240 and RGB 76 158 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 161 211 shade: RGB 120 161 211, RGB 134 163 196, RGB 149 164 182, RGB 163 165 167 and RGB 177 166 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 161 211 shade: RGB 120 211 211, RGB 120 186 211, RGB 120 162 211, RGB 120 138 211 and RGB 126 120 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 161 211 shade: RGB 61 118 187, RGB 89 140 201, RGB 120 161 211, RGB 151 183 221 and RGB 182 204 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 161 211 shade: RGB 119 161 211, RGB 186 120 211 and RGB 199 211 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 161 211 shade: RGB 119 161 211, RGB 211 120 162 and RGB 162 211 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 161 211 shade: RGB 119 161 211, RGB 186 120 211, RGB 211 168 120 and RGB 144 211 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 161 211 shade: RGB 119 161 211, RGB 211 120 208, RGB 211 168 120 and RGB 120 211 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

Complementary color

CMYK 0 / 31 / 68 / 47

HEX #885E2C

RGB 136 94 44

HSL 32.61, 0.51%, 0.35%

LAB 43.39, 11.84, 34.8

 

CMYK 40 / 22 / 0 / 19

HEX #7CA1CE

RGB 124 161 206

HSL 212.93, 0.46%, 0.65%

LAB 65.15, -1.22, -27.02

 

CMYK 37 / 20 / 0 / 12

HEX #8DB3E1

RGB 141 179 225

HSL 212.86, 0.58%, 0.72%

LAB 71.78, -1.53, -27.18

 

CMYK 35 / 19 / 0 / 4

HEX #9EC5F4

RGB 158 197 244

HSL 212.79, 0.8%, 0.79%

LAB 78.31, -1.8, -27.37

 

CMYK 31 / 16 / 0 / 0

HEX #AFD7FF

RGB 175 215 255

HSL 210, 1%, 0.84%

LAB 84.45, -3.99, -23.76

 

CMYK 25 / 9 / 0 / 0

HEX #C0E9FF

RGB 192 233 255

HSL 200.95, 1%, 0.88%

LAB 90.19, -8.48, -15

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

CMYK 47 / 26 / 0 / 25

HEX #668FC0

RGB 102 143 192

HSL 212.67, 0.42%, 0.58%

LAB 58.3, -0.68, -29.85

 

CMYK 51 / 28 / 0 / 32

HEX #557DAD

RGB 85 125 173

HSL 212.73, 0.35%, 0.51%

LAB 51.4, -0.11, -29.77

 

CMYK 56 / 31 / 0 / 40

HEX #446B9A

RGB 68 107 154

HSL 212.79, 0.39%, 0.44%

LAB 44.34, 0.61, -29.73

 

CMYK 62 / 34 / 0 / 47

HEX #335987

RGB 51 89 135

HSL 212.86, 0.45%, 0.36%

LAB 37.11, 1.56, -29.72

 

CMYK 43 / 24 / 0 / 17

HEX #78A1D3

RGB 120 161 211

HSL 212.97, 0.51%, 0.65%

LAB 65.11, -0.88, -29.87

 

CMYK 43 / 35 / 0 / 17

HEX #7889D3

RGB 120 137 211

HSL 228.79, 0.51%, 0.65%

LAB 58.59, 12.95, -40.02

 

CMYK 40 / 43 / 0 / 17

HEX #7F78D3

RGB 127 120 211

HSL 244.62, 0.51%, 0.65%

LAB 54.71, 24.83, -46.11

 

CMYK 28 / 43 / 0 / 17

HEX #9878D3

RGB 152 120 211

HSL 261.1, 0.51%, 0.65%

LAB 56.89, 31.55, -42.52

 

CMYK 17 / 43 / 0 / 17

HEX #B078D3

RGB 176 120 211

HSL 276.92, 0.51%, 0.65%

LAB 59.31, 38.41, -38.55

 

CMYK 43 / 24 / 0 / 17

HEX #78A1D3

RGB 120 161 211

HSL 212.97, 0.51%, 0.65%

LAB 65.11, -0.88, -29.87

 

CMYK 43 / 35 / 0 / 17

HEX #7889D3

RGB 120 137 211

HSL 228.79, 0.51%, 0.65%

LAB 58.59, 12.95, -40.02

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 43 / 24 / 0 / 17

HEX #78A1D3

RGB 120 161 211

HSL 212.97, 0.51%, 0.65%

LAB 65.11, -0.88, -29.87

 

CMYK 53 / 29 / 0 / 12

HEX #69A0E1

RGB 105 160 225

HSL 212.5, 0.67%, 0.65%

LAB 64.63, 0.25, -38.42

 

CMYK 62 / 34 / 0 / 6

HEX #5B9FF0

RGB 91 159 240

HSL 212.62, 0.83%, 0.65%

LAB 64.41, 2.82, -47.06

 

CMYK 70 / 38 / 0 / 0

HEX #4C9EFE

RGB 76 158 254

HSL 212.36, 0.99%, 0.65%

LAB 64.28, 5.73, -54.96

 

CMYK 43 / 24 / 0 / 17

HEX #78A1D3

RGB 120 161 211

HSL 212.97, 0.51%, 0.65%

LAB 65.11, -0.88, -29.87

 

CMYK 32 / 17 / 0 / 23

HEX #86A3C4

RGB 134 163 196

HSL 211.94, 0.34%, 0.65%

LAB 65.94, -2.16, -20.19

 

CMYK 18 / 10 / 0 / 29

HEX #95A4B6

RGB 149 164 182

HSL 212.73, 0.18%, 0.65%

LAB 66.76, -1.4, -11.06

 

CMYK 2 / 1 / 0 / 35

HEX #A3A5A7

RGB 163 165 167

HSL 210, 0.02%, 0.65%

LAB 67.64, -0.32, -1.29

 

CMYK 0 / 6 / 14 / 31

HEX #B1A699

RGB 177 166 153

HSL 32.5, 0.13%, 0.65%

LAB 68.69, 1.72, 8.15

 

CMYK 43 / 0 / 0 / 17

HEX #78D3D3

RGB 120 211 211

HSL 180, 0.51%, 0.65%

LAB 79.21, -27.13, -8.5

 

CMYK 43 / 12 / 0 / 17

HEX #78BAD3

RGB 120 186 211

HSL 196.48, 0.51%, 0.65%

LAB 72.1, -14.47, -19.16

 

CMYK 43 / 23 / 0 / 17

HEX #78A2D3

RGB 120 162 211

HSL 212.31, 0.51%, 0.65%

LAB 65.39, -1.44, -29.44

 

CMYK 43 / 35 / 0 / 17

HEX #788AD3

RGB 120 138 211

HSL 228.13, 0.51%, 0.65%

LAB 58.86, 12.36, -39.6

 

CMYK 40 / 43 / 0 / 17

HEX #7E78D3

RGB 126 120 211

HSL 243.96, 0.51%, 0.65%

LAB 54.63, 24.57, -46.25

 

CMYK 67 / 37 / 0 / 27

HEX #3D76BB

RGB 61 118 187

HSL 212.86, 0.51%, 0.49%

LAB 48.93, 3.89, -41.82

 

CMYK 56 / 30 / 0 / 21

HEX #598CC9

RGB 89 140 201

HSL 212.68, 0.51%, 0.57%

LAB 57.17, 0.82, -36.75

 

CMYK 43 / 24 / 0 / 17

HEX #78A1D3

RGB 120 161 211

HSL 212.97, 0.51%, 0.65%

LAB 65.11, -0.88, -29.87

 

CMYK 32 / 17 / 0 / 13

HEX #97B7DD

RGB 151 183 221

HSL 212.57, 0.51%, 0.73%

LAB 73.33, -1.95, -22.59

 

CMYK 21 / 12 / 0 / 9

HEX #B6CCE7

RGB 182 204 231

HSL 213.06, 0.51%, 0.81%

LAB 81.24, -1.69, -15.82

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

CMYK 12 / 43 / 0 / 17

HEX #BA78D3

RGB 186 120 211

HSL 283.52, 0.51%, 0.65%

LAB 60.4, 41.34, -36.76

 

CMYK 6 / 0 / 43 / 17

HEX #C7D378

RGB 199 211 120

HSL 67.91, 0.51%, 0.65%

LAB 81.89, -17.65, 43.55

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

CMYK 0 / 43 / 23 / 17

HEX #D378A2

RGB 211 120 162

HSL 332.31, 0.51%, 0.65%

LAB 61.56, 40.7, -6.89

 

CMYK 23 / 0 / 43 / 17

HEX #A2D378

RGB 162 211 120

HSL 92.31, 0.51%, 0.65%

LAB 79.4, -31.63, 39.91

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

CMYK 12 / 43 / 0 / 17

HEX #BA78D3

RGB 186 120 211

HSL 283.52, 0.51%, 0.65%

LAB 60.4, 41.34, -36.76

 

CMYK 0 / 20 / 43 / 17

HEX #D3A878

RGB 211 168 120

HSL 31.65, 0.51%, 0.65%

LAB 71.7, 9.53, 30.76

 

CMYK 32 / 0 / 43 / 17

HEX #90D378

RGB 144 211 120

HSL 104.18, 0.51%, 0.65%

LAB 78.39, -37.9, 38.41

 

CMYK 44 / 24 / 0 / 17

HEX #77A1D3

RGB 119 161 211

HSL 212.61, 0.51%, 0.65%

LAB 65.05, -1.13, -29.96

 

CMYK 0 / 43 / 1 / 17

HEX #D378D0

RGB 211 120 208

HSL 301.98, 0.51%, 0.65%

LAB 63.21, 48.19, -30.49

 

CMYK 0 / 20 / 43 / 17

HEX #D3A878

RGB 211 168 120

HSL 31.65, 0.51%, 0.65%

LAB 71.7, 9.53, 30.76

 

CMYK 43 / 0 / 42 / 17

HEX #78D37B

RGB 120 211 123

HSL 121.98, 0.51%, 0.65%

LAB 77.29, -45.04, 35.26

 

Description

Color code: RGB 119 161 211 | qconv.com Color code: RGB 119 161 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 161 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 161 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 24 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 24% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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