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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 150 202 it is the complementary color RGB 136 105 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 150 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 150 202 shade: RGB 124 150 197, RGB 141 168 216, RGB 158 186 235, RGB 175 204 254 and RGB 192 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 150 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 102 132 183, RGB 85 114 164, RGB 68 96 145 and RGB 51 78 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 119 127 202, RGB 132 119 202, RGB 155 119 202 and RGB 177 119 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 119 127 202 and RGB 119 119 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 150 202 shade matches the following richer shades: RGB 119 150 202, RGB 103 146 217, RGB 88 142 232 and RGB 73 138 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 134 154 186, RGB 149 157 171, RGB 164 161 156 and RGB 180 165 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 150 202 shade: RGB 119 195 202, RGB 119 173 202, RGB 119 150 202, RGB 119 128 202 and RGB 131 119 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 150 202 shade: RGB 66 106 171, RGB 89 127 190, RGB 119 150 202, RGB 148 173 213 and RGB 178 195 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 186 119 202 and RGB 184 202 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 202 119 150 and RGB 150 202 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 186 119 202, RGB 202 170 119 and RGB 134 202 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 150 202 shade: RGB 119 150 202, RGB 202 119 192, RGB 202 170 119 and RGB 119 202 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

Complementary color

CMYK 0 / 23 / 61 / 47

HEX #886935

RGB 136 105 53

HSL 37.59, 0.44%, 0.37%

LAB 46.44, 6.07, 33.53

 

CMYK 37 / 24 / 0 / 23

HEX #7C96C5

RGB 124 150 197

HSL 218.63, 0.39%, 0.63%

LAB 61.77, 2.56, -27.2

 

CMYK 35 / 22 / 0 / 15

HEX #8DA8D8

RGB 141 168 216

HSL 218.4, 0.49%, 0.7%

LAB 68.48, 2.2, -27.33

 

CMYK 33 / 21 / 0 / 8

HEX #9EBAEB

RGB 158 186 235

HSL 218.18, 0.66%, 0.77%

LAB 75.07, 1.89, -27.49

 

CMYK 31 / 20 / 0 / 0

HEX #AFCCFE

RGB 175 204 254

HSL 217.97, 0.98%, 0.84%

LAB 81.54, 1.61, -27.67

 

CMYK 25 / 13 / 0 / 0

HEX #C0DEFF

RGB 192 222 255

HSL 211.43, 1%, 0.88%

LAB 87.32, -2.8, -19.31

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 44 / 28 / 0 / 28

HEX #6684B7

RGB 102 132 183

HSL 217.78, 0.36%, 0.56%

LAB 54.81, 3.07, -30.15

 

CMYK 48 / 30 / 0 / 36

HEX #5572A4

RGB 85 114 164

HSL 217.97, 0.32%, 0.49%

LAB 47.81, 3.67, -30.13

 

CMYK 53 / 34 / 0 / 43

HEX #446091

RGB 68 96 145

HSL 218.18, 0.36%, 0.42%

LAB 40.64, 4.44, -30.17

 

CMYK 60 / 38 / 0 / 51

HEX #334E7E

RGB 51 78 126

HSL 218.4, 0.42%, 0.35%

LAB 33.26, 5.46, -30.26

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 41 / 37 / 0 / 21

HEX #777FCA

RGB 119 127 202

HSL 234.22, 0.44%, 0.63%

LAB 55.45, 16.02, -39.89

 

CMYK 35 / 41 / 0 / 21

HEX #8477CA

RGB 132 119 202

HSL 249.4, 0.44%, 0.63%

LAB 54.41, 24.27, -41.45

 

CMYK 23 / 41 / 0 / 21

HEX #9B77CA

RGB 155 119 202

HSL 266.02, 0.44%, 0.63%

LAB 56.51, 30.79, -38

 

CMYK 12 / 41 / 0 / 21

HEX #B177CA

RGB 177 119 202

HSL 281.93, 0.44%, 0.63%

LAB 58.79, 37.32, -34.27

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 41 / 37 / 0 / 21

HEX #777FCA

RGB 119 127 202

HSL 234.22, 0.44%, 0.63%

LAB 55.45, 16.02, -39.89

 

CMYK 41 / 41 / 0 / 21

HEX #7777CA

RGB 119 119 202

HSL 240, 0.44%, 0.63%

LAB 53.36, 20.81, -43.18

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 53 / 33 / 0 / 15

HEX #6792D9

RGB 103 146 217

HSL 217.37, 0.6%, 0.63%

LAB 60.29, 5.4, -40.78

 

CMYK 62 / 39 / 0 / 9

HEX #588EE8

RGB 88 142 232

HSL 217.5, 0.76%, 0.63%

LAB 59.2, 9.58, -50.9

 

CMYK 70 / 44 / 0 / 3

HEX #498AF7

RGB 73 138 247

HSL 217.59, 0.92%, 0.63%

LAB 58.33, 14.76, -60.63

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 28 / 17 / 0 / 27

HEX #869ABA

RGB 134 154 186

HSL 216.92, 0.27%, 0.63%

LAB 63.11, 0.36, -18.9

 

CMYK 13 / 8 / 0 / 33

HEX #959DAB

RGB 149 157 171

HSL 218.18, 0.12%, 0.63%

LAB 64.52, 0.05, -8.26

 

CMYK 0 / 2 / 5 / 36

HEX #A4A19C

RGB 164 161 156

HSL 37.5, 0.04%, 0.63%

LAB 66.35, 0.16, 2.97

 

CMYK 0 / 8 / 22 / 29

HEX #B4A58D

RGB 180 165 141

HSL 36.92, 0.21%, 0.63%

LAB 68.41, 1.51, 14.42

 

CMYK 41 / 3 / 0 / 21

HEX #77C3CA

RGB 119 195 202

HSL 185.06, 0.44%, 0.63%

LAB 74.33, -21.7, -10.92

 

CMYK 41 / 14 / 0 / 21

HEX #77ADCA

RGB 119 173 202

HSL 200.96, 0.44%, 0.63%

LAB 68.07, -10.22, -20.35

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 41 / 37 / 0 / 21

HEX #7780CA

RGB 119 128 202

HSL 233.49, 0.44%, 0.63%

LAB 55.71, 15.43, -39.48

 

CMYK 35 / 41 / 0 / 21

HEX #8377CA

RGB 131 119 202

HSL 248.67, 0.44%, 0.63%

LAB 54.33, 23.99, -41.59

 

CMYK 61 / 38 / 0 / 33

HEX #426AAB

RGB 66 106 171

HSL 217.14, 0.44%, 0.46%

LAB 44.81, 6.59, -39.03

 

CMYK 53 / 33 / 0 / 25

HEX #597FBE

RGB 89 127 190

HSL 217.43, 0.44%, 0.55%

LAB 52.97, 5, -37.08

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 31 / 19 / 0 / 16

HEX #94ADD5

RGB 148 173 213

HSL 216.92, 0.44%, 0.71%

LAB 70.17, 0.66, -23.06

 

CMYK 21 / 13 / 0 / 12

HEX #B2C3E1

RGB 178 195 225

HSL 218.3, 0.44%, 0.79%

LAB 78.42, 0.54, -16.87

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 8 / 41 / 0 / 21

HEX #BA77CA

RGB 186 119 202

HSL 288.43, 0.44%, 0.63%

LAB 59.8, 40.04, -32.63

 

CMYK 9 / 0 / 41 / 21

HEX #B8CA77

RGB 184 202 119

HSL 73.01, 0.44%, 0.63%

LAB 78.32, -19.14, 39.35

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 0 / 41 / 26 / 21

HEX #CA7796

RGB 202 119 150

HSL 337.59, 0.44%, 0.63%

LAB 59.85, 36.37, -2.66

 

CMYK 26 / 0 / 41 / 21

HEX #96CA77

RGB 150 202 119

HSL 97.59, 0.44%, 0.63%

LAB 76.1, -31.83, 36.07

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 8 / 41 / 0 / 21

HEX #BA77CA

RGB 186 119 202

HSL 288.43, 0.44%, 0.63%

LAB 59.8, 40.04, -32.63

 

CMYK 0 / 16 / 41 / 21

HEX #CAAA77

RGB 202 170 119

HSL 36.87, 0.44%, 0.63%

LAB 71.31, 4.69, 30.62

 

CMYK 34 / 0 / 41 / 21

HEX #86CA77

RGB 134 202 119

HSL 109.16, 0.44%, 0.63%

LAB 75.23, -37.31, 34.76

 

CMYK 41 / 26 / 0 / 21

HEX #7796CA

RGB 119 150 202

HSL 217.59, 0.44%, 0.63%

LAB 61.65, 2.57, -30.2

 

CMYK 0 / 41 / 5 / 21

HEX #CA77C0

RGB 202 119 192

HSL 307.23, 0.44%, 0.63%

LAB 61.27, 43.09, -24.54

 

CMYK 0 / 16 / 41 / 21

HEX #CAAA77

RGB 202 170 119

HSL 36.87, 0.44%, 0.63%

LAB 71.31, 4.69, 30.62

 

CMYK 41 / 0 / 37 / 21

HEX #77CA80

RGB 119 202 128

HSL 126.51, 0.44%, 0.63%

LAB 74.65, -40.64, 29.24

 

Description

Color code: RGB 119 150 202 | qconv.com Color code: RGB 119 150 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 150 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 150 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 26 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 26% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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