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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 156 81 it is the complementary color RGB 136 99 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 156 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 156 81 shade: RGB 124 156 76, RGB 141 174 95, RGB 158 192 114, RGB 175 210 133 and RGB 192 228 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 156 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 156 81 shade: RGB 119 156 81, RGB 102 138 62, RGB 85 120 43, RGB 68 102 24 and RGB 51 84 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 156 81 shade: RGB 117 154 79, RGB 138 154 79, RGB 154 151 79, RGB 154 131 79 and RGB 154 110 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 156 81 shade: RGB 117 154 79, RGB 97 154 79, RGB 79 154 82, RGB 79 154 102 and RGB 79 154 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 156 81 shade matches the following richer shades: RGB 117 154 79, RGB 118 173 60, RGB 118 192 41, RGB 118 211 22 and RGB 118 230 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 156 81 shade: RGB 117 154 79, RGB 117 135 98, RGB 117 116 117, RGB 117 97 136 and RGB 116 78 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 156 81 shade: RGB 154 151 79, RGB 138 154 79, RGB 118 154 79, RGB 98 154 79 and RGB 79 154 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 156 81 shade: RGB 76 100 51, RGB 97 127 65, RGB 117 154 79, RGB 138 175 100 and RGB 158 189 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 156 81 shade: RGB 119 156 81, RGB 79 154 131 and RGB 154 79 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 156 81 shade: RGB 119 156 81, RGB 79 118 154 and RGB 154 79 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 156 81 shade: RGB 119 156 81, RGB 79 154 131, RGB 116 79 154 and RGB 154 79 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 156 81 shade: RGB 119 156 81, RGB 79 154 153, RGB 116 79 154 and RGB 154 79 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

Complementary color

CMYK 22 / 43 / 0 / 32

HEX #8863AE

RGB 136 99 174

HSL 269.6, 0.32%, 0.54%

LAB 48.53, 30.04, -34.56

 

CMYK 21 / 0 / 51 / 39

HEX #7C9C4C

RGB 124 156 76

HSL 84, 0.34%, 0.45%

LAB 60.41, -24.69, 37.98

 

CMYK 19 / 0 / 45 / 32

HEX #8DAE5F

RGB 141 174 95

HSL 85.06, 0.33%, 0.53%

LAB 67.1, -24.75, 36.78

 

CMYK 18 / 0 / 41 / 25

HEX #9EC072

RGB 158 192 114

HSL 86.15, 0.38%, 0.6%

LAB 73.66, -24.76, 35.59

 

CMYK 17 / 0 / 37 / 18

HEX #AFD285

RGB 175 210 133

HSL 87.27, 0.46%, 0.67%

LAB 80.12, -24.75, 34.44

 

CMYK 16 / 0 / 33 / 11

HEX #C0E498

RGB 192 228 152

HSL 88.42, 0.58%, 0.75%

LAB 86.48, -24.71, 33.33

 

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

CMYK 26 / 0 / 55 / 46

HEX #668A3E

RGB 102 138 62

HSL 88.42, 0.38%, 0.39%

LAB 53.33, -26.03, 36.24

 

CMYK 29 / 0 / 64 / 53

HEX #55782B

RGB 85 120 43

HSL 87.27, 0.47%, 0.32%

LAB 46.36, -25.89, 37.31

 

CMYK 33 / 0 / 76 / 60

HEX #446618

RGB 68 102 24

HSL 86.15, 0.62%, 0.25%

LAB 39.24, -25.56, 37.91

 

CMYK 39 / 0 / 94 / 67

HEX #335405

RGB 51 84 5

HSL 85.06, 0.89%, 0.17%

LAB 31.93, -24.89, 37.35

 

CMYK 24 / 0 / 49 / 40

HEX #759A4F

RGB 117 154 79

HSL 89.6, 0.32%, 0.46%

LAB 59.4, -26.09, 35.11

 

CMYK 10 / 0 / 49 / 40

HEX #8A9A4F

RGB 138 154 79

HSL 72.8, 0.32%, 0.46%

LAB 60.85, -17.67, 37.22

 

CMYK 0 / 2 / 49 / 40

HEX #9A974F

RGB 154 151 79

HSL 57.6, 0.32%, 0.46%

LAB 61.28, -9.34, 38.04

 

CMYK 0 / 15 / 49 / 40

HEX #9A834F

RGB 154 131 79

HSL 41.6, 0.32%, 0.46%

LAB 55.75, 1.64, 31.24

 

CMYK 0 / 29 / 49 / 40

HEX #9A6E4F

RGB 154 110 79

HSL 24.8, 0.32%, 0.46%

LAB 50.2, 13.6, 24.16

 

CMYK 24 / 0 / 49 / 40

HEX #759A4F

RGB 117 154 79

HSL 89.6, 0.32%, 0.46%

LAB 59.4, -26.09, 35.11

 

CMYK 37 / 0 / 49 / 40

HEX #619A4F

RGB 97 154 79

HSL 105.6, 0.32%, 0.46%

LAB 58.24, -33.43, 33.43

 

CMYK 49 / 0 / 47 / 40

HEX #4F9A52

RGB 79 154 82

HSL 122.4, 0.32%, 0.46%

LAB 57.45, -38.77, 30.68

 

CMYK 49 / 0 / 34 / 40

HEX #4F9A66

RGB 79 154 102

HSL 138.4, 0.32%, 0.46%

LAB 57.78, -35.33, 20.3

 

CMYK 49 / 0 / 21 / 40

HEX #4F9A7A

RGB 79 154 122

HSL 154.4, 0.32%, 0.46%

LAB 58.21, -31.17, 9.7

 

CMYK 24 / 0 / 49 / 40

HEX #759A4F

RGB 117 154 79

HSL 89.6, 0.32%, 0.46%

LAB 59.4, -26.09, 35.11

 

CMYK 32 / 0 / 65 / 32

HEX #76AD3C

RGB 118 173 60

HSL 89.2, 0.48%, 0.46%

LAB 65.01, -36.58, 50.58

 

CMYK 39 / 0 / 79 / 25

HEX #76C029

RGB 118 192 41

HSL 89.4, 0.65%, 0.46%

LAB 70.67, -46.03, 63.16

 

CMYK 44 / 0 / 90 / 17

HEX #76D316

RGB 118 211 22

HSL 89.52, 0.81%, 0.46%

LAB 76.37, -54.32, 72.54

 

CMYK 49 / 0 / 99 / 10

HEX #76E603

RGB 118 230 3

HSL 89.6, 0.97%, 0.46%

LAB 82.08, -61.73, 79.27

 

CMYK 24 / 0 / 49 / 40

HEX #759A4F

RGB 117 154 79

HSL 89.6, 0.32%, 0.46%

LAB 59.4, -26.09, 35.11

 

CMYK 13 / 0 / 27 / 47

HEX #758762

RGB 117 135 98

HSL 89.19, 0.16%, 0.46%

LAB 54.02, -13.59, 17.79

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 14 / 29 / 0 / 47

HEX #756188

RGB 117 97 136

HSL 270.77, 0.17%, 0.46%

LAB 44.39, 16.1, -18.63

 

CMYK 25 / 50 / 0 / 39

HEX #744E9B

RGB 116 78 155

HSL 269.61, 0.33%, 0.46%

LAB 40.46, 31.83, -36.19

 

CMYK 0 / 2 / 49 / 40

HEX #9A974F

RGB 154 151 79

HSL 57.6, 0.32%, 0.46%

LAB 61.28, -9.34, 38.04

 

CMYK 10 / 0 / 49 / 40

HEX #8A9A4F

RGB 138 154 79

HSL 72.8, 0.32%, 0.46%

LAB 60.85, -17.67, 37.22

 

CMYK 23 / 0 / 49 / 40

HEX #769A4F

RGB 118 154 79

HSL 88.8, 0.32%, 0.46%

LAB 59.46, -25.7, 35.2

 

CMYK 36 / 0 / 49 / 40

HEX #629A4F

RGB 98 154 79

HSL 104.8, 0.32%, 0.46%

LAB 58.29, -33.08, 33.5

 

CMYK 49 / 0 / 47 / 40

HEX #4F9A51

RGB 79 154 81

HSL 121.6, 0.32%, 0.46%

LAB 57.43, -38.92, 31.19

 

CMYK 24 / 0 / 49 / 61

HEX #4C6433

RGB 76 100 51

HSL 89.39, 0.32%, 0.3%

LAB 39.39, -18.42, 24.83

 

CMYK 24 / 0 / 49 / 50

HEX #617F41

RGB 97 127 65

HSL 89.03, 0.32%, 0.38%

LAB 49.62, -22.14, 30.13

 

CMYK 24 / 0 / 49 / 40

HEX #759A4F

RGB 117 154 79

HSL 89.6, 0.32%, 0.46%

LAB 59.4, -26.09, 35.11

 

CMYK 21 / 0 / 43 / 31

HEX #8AAF64

RGB 138 175 100

HSL 89.6, 0.32%, 0.54%

LAB 67.26, -25.77, 34.38

 

CMYK 16 / 0 / 33 / 26

HEX #9EBD7F

RGB 158 189 127

HSL 90, 0.32%, 0.62%

LAB 73.02, -21.52, 27.99

 

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

CMYK 49 / 0 / 15 / 40

HEX #4F9A83

RGB 79 154 131

HSL 161.6, 0.32%, 0.46%

LAB 58.43, -29.08, 4.92

 

CMYK 0 / 49 / 4 / 40

HEX #9A4F94

RGB 154 79 148

HSL 304.8, 0.32%, 0.46%

LAB 45.08, 41.22, -24.4

 

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

CMYK 49 / 23 / 0 / 40

HEX #4F769A

RGB 79 118 154

HSL 208.8, 0.32%, 0.46%

LAB 48.2, -3.34, -23.69

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F76

RGB 154 79 118

HSL 328.8, 0.32%, 0.46%

LAB 43.9, 36.16, -8.04

 

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

CMYK 49 / 0 / 15 / 40

HEX #4F9A83

RGB 79 154 131

HSL 161.6, 0.32%, 0.46%

LAB 58.43, -29.08, 4.92

 

CMYK 25 / 49 / 0 / 40

HEX #744F9A

RGB 116 79 154

HSL 269.6, 0.32%, 0.46%

LAB 40.63, 30.99, -35.3

 

CMYK 0 / 49 / 33 / 40

HEX #9A4F67

RGB 154 79 103

HSL 340.8, 0.32%, 0.46%

LAB 43.42, 34.01, 0.44

 

CMYK 24 / 0 / 48 / 39

HEX #779C51

RGB 119 156 81

HSL 89.6, 0.32%, 0.46%

LAB 60.15, -26.06, 35.04

 

CMYK 49 / 0 / 1 / 40

HEX #4F9A99

RGB 79 154 153

HSL 179.2, 0.32%, 0.46%

LAB 59.04, -23.46, -6.68

 

CMYK 25 / 49 / 0 / 40

HEX #744F9A

RGB 116 79 154

HSL 269.6, 0.32%, 0.46%

LAB 40.63, 30.99, -35.3

 

CMYK 0 / 49 / 47 / 40

HEX #9A4F51

RGB 154 79 81

HSL 358.4, 0.32%, 0.46%

LAB 42.85, 31.38, 13.14

 

Description

Color code: RGB 119 156 81 | qconv.com Color code: RGB 119 156 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 156 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 156 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 48 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 48% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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