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Color name
RGB 119 105 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 105 18 it is the complementary color RGB 136 150 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 105 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 105 18 shade: RGB 124 105 13, RGB 141 123 32, RGB 158 141 51, RGB 175 159 70 and RGB 192 177 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 105 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 105 18 shade: RGB 119 105 18, RGB 102 87 0, RGB 85 69 0, RGB 68 51 0 and RGB 51 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 105 18 shade: RGB 119 105 17, RGB 119 78 17, RGB 119 50 17, RGB 119 23 17 and RGB 119 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 105 18 shade: RGB 119 105 17, RGB 106 119 17, RGB 78 119 17, RGB 51 119 17 and RGB 24 119 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 105 18 shade matches the following richer shades: RGB 119 105 17 and RGB 130 113 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 105 18 shade: RGB 119 105 17, RGB 108 97 29, RGB 97 89 40, RGB 86 81 51 and RGB 75 73 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 105 18 shade: RGB 119 50 17, RGB 119 77 17, RGB 119 104 17, RGB 107 119 17 and RGB 80 119 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 105 18 shade: RGB 48 42 7, RGB 83 74 12, RGB 119 105 17, RGB 155 137 23 and RGB 191 168 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 105 18 shade: RGB 119 105 18, RGB 17 119 22 and RGB 63 17 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 105 18 shade: RGB 119 105 18, RGB 17 119 104 and RGB 104 17 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 105 18 shade: RGB 119 105 18, RGB 17 119 22, RGB 17 33 119 and RGB 119 17 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 105 18 shade: RGB 119 105 18, RGB 17 119 53, RGB 17 33 119 and RGB 119 17 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

Complementary color

CMYK 43 / 37 / 0 / 7

HEX #8896ED

RGB 136 150 237

HSL 231.68, 0.74%, 0.73%

LAB 64.29, 16.83, -45.44

 

CMYK 0 / 15 / 90 / 51

HEX #7C690D

RGB 124 105 13

HSL 49.73, 0.81%, 0.27%

LAB 44.83, -1.71, 48.37

 

CMYK 0 / 13 / 77 / 45

HEX #8D7B20

RGB 141 123 32

HSL 50.09, 0.63%, 0.34%

LAB 51.76, -3.21, 49

 

CMYK 0 / 11 / 68 / 38

HEX #9E8D33

RGB 158 141 51

HSL 50.47, 0.51%, 0.41%

LAB 58.56, -4.39, 48.51

 

CMYK 0 / 9 / 60 / 31

HEX #AF9F46

RGB 175 159 70

HSL 50.86, 0.43%, 0.48%

LAB 65.24, -5.33, 47.54

 

CMYK 0 / 8 / 54 / 25

HEX #C0B159

RGB 192 177 89

HSL 51.26, 0.45%, 0.55%

LAB 71.81, -6.1, 46.4

 

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

CMYK 0 / 15 / 100 / 60

HEX #665700

RGB 102 87 0

HSL 51.18, 1%, 0.2%

LAB 37.19, -2.32, 44.94

 

CMYK 0 / 19 / 100 / 67

HEX #554500

RGB 85 69 0

HSL 48.71, 1%, 0.17%

LAB 29.88, -0.07, 38.86

 

CMYK 0 / 25 / 100 / 73

HEX #443300

RGB 68 51 0

HSL 45, 1%, 0.13%

LAB 22.29, 2.37, 31.19

 

CMYK 0 / 35 / 100 / 80

HEX #332100

RGB 51 33 0

HSL 38.82, 1%, 0.1%

LAB 14.35, 5.08, 21.24

 

CMYK 0 / 12 / 86 / 53

HEX #776911

RGB 119 105 17

HSL 51.76, 0.75%, 0.27%

LAB 44.33, -4.01, 46.62

 

CMYK 0 / 34 / 86 / 53

HEX #774E11

RGB 119 78 17

HSL 35.88, 0.75%, 0.27%

LAB 36.76, 11.97, 40.05

 

CMYK 0 / 58 / 86 / 53

HEX #773211

RGB 119 50 17

HSL 19.41, 0.75%, 0.27%

LAB 30.02, 28.26, 34

 

CMYK 0 / 81 / 86 / 53

HEX #771711

RGB 119 23 17

HSL 3.53, 0.75%, 0.27%

LAB 25.49, 40.43, 29.77

 

CMYK 0 / 86 / 86 / 53

HEX #771111

RGB 119 17 17

HSL 0, 0.75%, 0.27%

LAB 24.84, 42.27, 29.15

 

CMYK 0 / 12 / 86 / 53

HEX #776911

RGB 119 105 17

HSL 51.76, 0.75%, 0.27%

LAB 44.33, -4.01, 46.62

 

CMYK 11 / 0 / 86 / 53

HEX #6A7711

RGB 106 119 17

HSL 67.65, 0.75%, 0.27%

LAB 47.36, -17.89, 48.77

 

CMYK 34 / 0 / 86 / 53

HEX #4E7711

RGB 78 119 17

HSL 84.12, 0.75%, 0.27%

LAB 45.43, -30.02, 46.34

 

CMYK 57 / 0 / 86 / 53

HEX #337711

RGB 51 119 17

HSL 100, 0.75%, 0.27%

LAB 44.14, -39.54, 44.69

 

CMYK 80 / 0 / 86 / 53

HEX #187711

RGB 24 119 17

HSL 115.88, 0.75%, 0.27%

LAB 43.4, -45.72, 43.74

 

CMYK 0 / 12 / 86 / 53

HEX #776911

RGB 119 105 17

HSL 51.76, 0.75%, 0.27%

LAB 44.33, -4.01, 46.62

 

CMYK 0 / 13 / 95 / 49

HEX #827106

RGB 130 113 6

HSL 51.77, 0.91%, 0.27%

LAB 47.71, -3.56, 52.46

 

CMYK 0 / 12 / 86 / 53

HEX #776911

RGB 119 105 17

HSL 51.76, 0.75%, 0.27%

LAB 44.33, -4.01, 46.62

 

CMYK 0 / 10 / 73 / 58

HEX #6C611D

RGB 108 97 29

HSL 51.65, 0.58%, 0.27%

LAB 40.94, -4.14, 38.57

 

CMYK 0 / 8 / 59 / 62

HEX #615928

RGB 97 89 40

HSL 51.58, 0.42%, 0.27%

LAB 37.55, -3.91, 29.12

 

CMYK 0 / 6 / 41 / 66

HEX #565133

RGB 86 81 51

HSL 51.43, 0.26%, 0.27%

LAB 34.2, -3.07, 18.4

 

CMYK 0 / 3 / 17 / 71

HEX #4B493E

RGB 75 73 62

HSL 50.77, 0.09%, 0.27%

LAB 30.9, -1.38, 6.89

 

CMYK 0 / 58 / 86 / 53

HEX #773211

RGB 119 50 17

HSL 19.41, 0.75%, 0.27%

LAB 30.02, 28.26, 34

 

CMYK 0 / 35 / 86 / 53

HEX #774D11

RGB 119 77 17

HSL 35.29, 0.75%, 0.27%

LAB 36.5, 12.57, 39.82

 

CMYK 0 / 13 / 86 / 53

HEX #776811

RGB 119 104 17

HSL 51.18, 0.75%, 0.27%

LAB 44.04, -3.43, 46.37

 

CMYK 10 / 0 / 86 / 53

HEX #6B7711

RGB 107 119 17

HSL 67.06, 0.75%, 0.27%

LAB 47.44, -17.43, 48.87

 

CMYK 33 / 0 / 86 / 53

HEX #507711

RGB 80 119 17

HSL 82.94, 0.75%, 0.27%

LAB 45.55, -29.22, 46.49

 

CMYK 0 / 13 / 85 / 81

HEX #302A07

RGB 48 42 7

HSL 51.22, 0.75%, 0.11%

LAB 16.99, -2.21, 21.64

 

CMYK 0 / 11 / 86 / 67

HEX #534A0C

RGB 83 74 12

HSL 52.39, 0.75%, 0.19%

LAB 31.26, -3.72, 35.39

 

CMYK 0 / 12 / 86 / 53

HEX #776911

RGB 119 105 17

HSL 51.76, 0.75%, 0.27%

LAB 44.33, -4.01, 46.62

 

CMYK 0 / 12 / 85 / 39

HEX #9B8917

RGB 155 137 23

HSL 51.82, 0.74%, 0.35%

LAB 57, -4.81, 57.08

 

CMYK 0 / 12 / 85 / 25

HEX #BFA81C

RGB 191 168 28

HSL 51.53, 0.74%, 0.43%

LAB 68.87, -5.07, 67.07

 

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

CMYK 86 / 0 / 82 / 53

HEX #117716

RGB 17 119 22

HSL 122.94, 0.75%, 0.27%

LAB 43.32, -46.36, 42.05

 

CMYK 47 / 86 / 0 / 53

HEX #3F1177

RGB 63 17 119

HSL 267.06, 0.75%, 0.27%

LAB 19.18, 42.69, -48.49

 

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

CMYK 86 / 0 / 13 / 53

HEX #117768

RGB 17 119 104

HSL 171.18, 0.75%, 0.27%

LAB 44.68, -30.92, 0.49

 

CMYK 13 / 86 / 0 / 53

HEX #681177

RGB 104 17 119

HSL 291.18, 0.75%, 0.27%

LAB 25.79, 49.77, -37.44

 

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

CMYK 86 / 0 / 82 / 53

HEX #117716

RGB 17 119 22

HSL 122.94, 0.75%, 0.27%

LAB 43.32, -46.36, 42.05

 

CMYK 86 / 72 / 0 / 53

HEX #112177

RGB 17 33 119

HSL 230.59, 0.75%, 0.27%

LAB 18.09, 28.47, -50.43

 

CMYK 0 / 86 / 4 / 53

HEX #771172

RGB 119 17 114

HSL 302.94, 0.75%, 0.27%

LAB 28.21, 51.93, -30.22

 

CMYK 0 / 12 / 85 / 53

HEX #776912

RGB 119 105 18

HSL 51.68, 0.74%, 0.27%

LAB 44.33, -3.97, 46.32

 

CMYK 86 / 0 / 55 / 53

HEX #117735

RGB 17 119 53

HSL 141.18, 0.75%, 0.27%

LAB 43.61, -42.76, 28.43

 

CMYK 86 / 72 / 0 / 53

HEX #112177

RGB 17 33 119

HSL 230.59, 0.75%, 0.27%

LAB 18.09, 28.47, -50.43

 

CMYK 0 / 86 / 29 / 53

HEX #771154

RGB 119 17 84

HSL 320.59, 0.75%, 0.27%

LAB 26.63, 47.55, -13.14

 

Description

Color code: RGB 119 105 18 | qconv.com Color code: RGB 119 105 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 105 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 105 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 85 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 85% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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