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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 97 173 it is the complementary color RGB 137 158 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 97 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 97 173 shade: RGB 123 97 168, RGB 140 115 187, RGB 157 133 206, RGB 174 151 225 and RGB 191 169 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 97 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 97 173 shade: RGB 118 97 173, RGB 101 79 154, RGB 84 61 135, RGB 67 43 116 and RGB 50 25 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 97 173 shade: RGB 117 96 173, RGB 138 96 173, RGB 159 96 173, RGB 173 96 166 and RGB 173 96 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 97 173 shade: RGB 117 96 173, RGB 97 96 173 and RGB 96 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 97 173 shade matches the following richer shades: RGB 117 96 173, RGB 109 77 192, RGB 100 58 212, RGB 91 38 231 and RGB 83 19 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 97 173 shade: RGB 117 96 173, RGB 126 116 154, RGB 135 135 134, RGB 144 154 115 and RGB 152 174 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 97 173 shade: RGB 96 117 173, RGB 96 96 173, RGB 117 96 173, RGB 137 96 173 and RGB 158 96 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 97 173 shade: RGB 80 63 123, RGB 98 77 151, RGB 117 96 173, RGB 141 124 187 and RGB 165 151 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 97 173 shade: RGB 118 97 173, RGB 173 96 137 and RGB 107 173 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 97 173 shade: RGB 118 97 173, RGB 173 117 96 and RGB 96 173 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 97 173 shade: RGB 118 97 173, RGB 173 96 137, RGB 153 173 96 and RGB 96 173 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 97 173 shade: RGB 118 97 173, RGB 173 96 114, RGB 153 173 96 and RGB 96 173 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

Complementary color

CMYK 13 / 0 / 48 / 38

HEX #899E52

RGB 137 158 82

HSL 76.58, 0.32%, 0.47%

LAB 61.98, -19.81, 37.05

 

CMYK 27 / 42 / 0 / 34

HEX #7B61A8

RGB 123 97 168

HSL 261.97, 0.29%, 0.52%

LAB 46.43, 25.86, -34.43

 

CMYK 25 / 39 / 0 / 27

HEX #8C73BB

RGB 140 115 187

HSL 260.83, 0.35%, 0.59%

LAB 53.41, 25.04, -34.4

 

CMYK 24 / 35 / 0 / 19

HEX #9D85CE

RGB 157 133 206

HSL 259.73, 0.43%, 0.66%

LAB 60.25, 24.3, -34.41

 

CMYK 23 / 33 / 0 / 12

HEX #AE97E1

RGB 174 151 225

HSL 258.65, 0.55%, 0.74%

LAB 66.95, 23.63, -34.45

 

CMYK 22 / 31 / 0 / 4

HEX #BFA9F4

RGB 191 169 244

HSL 257.6, 0.77%, 0.81%

LAB 73.54, 23.02, -34.52

 

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

CMYK 34 / 49 / 0 / 40

HEX #654F9A

RGB 101 79 154

HSL 257.6, 0.32%, 0.46%

LAB 39.06, 26.72, -37.91

 

CMYK 38 / 55 / 0 / 47

HEX #543D87

RGB 84 61 135

HSL 258.65, 0.38%, 0.38%

LAB 31.74, 27.86, -38.09

 

CMYK 42 / 63 / 0 / 55

HEX #432B74

RGB 67 43 116

HSL 259.73, 0.46%, 0.31%

LAB 24.26, 29.13, -38.27

 

CMYK 48 / 74 / 0 / 62

HEX #321961

RGB 50 25 97

HSL 260.83, 0.59%, 0.24%

LAB 16.68, 30.41, -38.3

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 20 / 45 / 0 / 32

HEX #8A60AD

RGB 138 96 173

HSL 272.73, 0.32%, 0.53%

LAB 47.99, 32.14, -34.8

 

CMYK 8 / 45 / 0 / 32

HEX #9F60AD

RGB 159 96 173

HSL 289.09, 0.32%, 0.53%

LAB 50.4, 38.48, -30.86

 

CMYK 0 / 45 / 4 / 32

HEX #AD60A6

RGB 173 96 166

HSL 305.45, 0.32%, 0.53%

LAB 51.84, 41.46, -24.39

 

CMYK 0 / 45 / 16 / 32

HEX #AD6092

RGB 173 96 146

HSL 321.04, 0.32%, 0.53%

LAB 51.07, 38, -13.82

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 44 / 45 / 0 / 32

HEX #6160AD

RGB 97 96 173

HSL 240.78, 0.32%, 0.53%

LAB 44.12, 20.64, -41.17

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 43 / 60 / 0 / 25

HEX #6D4DC0

RGB 109 77 192

HSL 256.7, 0.48%, 0.53%

LAB 41.79, 40.54, -55.97

 

CMYK 53 / 73 / 0 / 17

HEX #643AD4

RGB 100 58 212

HSL 256.36, 0.64%, 0.53%

LAB 38.71, 54.76, -72.63

 

CMYK 61 / 84 / 0 / 9

HEX #5B26E7

RGB 91 38 231

HSL 256.48, 0.8%, 0.53%

LAB 36.71, 67.37, -86.84

 

CMYK 67 / 92 / 0 / 2

HEX #5313FB

RGB 83 19 251

HSL 256.55, 0.97%, 0.53%

LAB 36.5, 77, -98.52

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 18 / 25 / 0 / 40

HEX #7E749A

RGB 126 116 154

HSL 255.79, 0.16%, 0.53%

LAB 50.99, 11.99, -19.11

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 6 / 0 / 25 / 40

HEX #909A73

RGB 144 154 115

HSL 75.38, 0.16%, 0.53%

LAB 61.89, -10.54, 19.33

 

CMYK 13 / 0 / 45 / 32

HEX #98AE5F

RGB 152 174 95

HSL 76.71, 0.33%, 0.53%

LAB 67.85, -20.44, 37.89

 

CMYK 45 / 32 / 0 / 32

HEX #6075AD

RGB 96 117 173

HSL 223.64, 0.32%, 0.53%

LAB 49.77, 7.46, -32.27

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 21 / 45 / 0 / 32

HEX #8960AD

RGB 137 96 173

HSL 271.95, 0.32%, 0.53%

LAB 47.88, 31.84, -34.98

 

CMYK 9 / 45 / 0 / 32

HEX #9E60AD

RGB 158 96 173

HSL 288.31, 0.32%, 0.53%

LAB 50.28, 38.17, -31.06

 

CMYK 35 / 49 / 0 / 52

HEX #503F7B

RGB 80 63 123

HSL 257, 0.32%, 0.36%

LAB 31.09, 22.02, -31.68

 

CMYK 35 / 49 / 0 / 41

HEX #624D97

RGB 98 77 151

HSL 257.03, 0.32%, 0.45%

LAB 38.09, 26.28, -37.65

 

CMYK 32 / 45 / 0 / 32

HEX #7560AD

RGB 117 96 173

HSL 256.36, 0.32%, 0.53%

LAB 45.86, 26.04, -38.31

 

CMYK 25 / 34 / 0 / 27

HEX #8D7CBB

RGB 141 124 187

HSL 256.19, 0.32%, 0.61%

LAB 55.75, 20.06, -30.74

 

CMYK 18 / 25 / 0 / 21

HEX #A597C9

RGB 165 151 201

HSL 256.8, 0.32%, 0.69%

LAB 65.24, 15.33, -23.84

 

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

CMYK 0 / 45 / 21 / 32

HEX #AD6089

RGB 173 96 137

HSL 328.05, 0.32%, 0.53%

LAB 50.75, 36.56, -8.95

 

CMYK 38 / 0 / 45 / 32

HEX #6BAD60

RGB 107 173 96

HSL 111.43, 0.32%, 0.53%

LAB 64.85, -36.38, 33.02

 

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

CMYK 0 / 32 / 45 / 32

HEX #AD7560

RGB 173 117 96

HSL 16.36, 0.32%, 0.53%

LAB 54.5, 19.46, 20.5

 

CMYK 45 / 0 / 32 / 32

HEX #60AD75

RGB 96 173 117

HSL 136.36, 0.32%, 0.53%

LAB 64.69, -36.32, 21.56

 

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

CMYK 0 / 45 / 21 / 32

HEX #AD6089

RGB 173 96 137

HSL 328.05, 0.32%, 0.53%

LAB 50.75, 36.56, -8.95

 

CMYK 12 / 0 / 45 / 32

HEX #99AD60

RGB 153 173 96

HSL 75.58, 0.32%, 0.53%

LAB 67.65, -19.42, 37.14

 

CMYK 45 / 0 / 24 / 32

HEX #60AD84

RGB 96 173 132

HSL 148.05, 0.32%, 0.53%

LAB 64.99, -33.38, 13.78

 

CMYK 32 / 44 / 0 / 32

HEX #7661AD

RGB 118 97 173

HSL 256.58, 0.32%, 0.53%

LAB 46.2, 25.72, -37.76

 

CMYK 0 / 45 / 34 / 32

HEX #AD6072

RGB 173 96 114

HSL 345.97, 0.32%, 0.53%

LAB 50.06, 33.29, 3.73

 

CMYK 12 / 0 / 45 / 32

HEX #99AD60

RGB 153 173 96

HSL 75.58, 0.32%, 0.53%

LAB 67.65, -19.42, 37.14

 

CMYK 45 / 0 / 10 / 32

HEX #60AD9B

RGB 96 173 155

HSL 165.97, 0.32%, 0.53%

LAB 65.55, -28.24, 1.84

 

Description

Color code: RGB 118 97 173 | qconv.com Color code: RGB 118 97 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 97 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 97 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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