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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 53 242 it is the complementary color RGB 137 202 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 53 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 53 242 shade: RGB 123 53 237, RGB 140 71 255, RGB 157 89 255, RGB 174 107 255 and RGB 191 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 53 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 101 35 223, RGB 84 17 204, RGB 67 0 185 and RGB 50 0 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 169 53 242, RGB 220 53 242, RGB 242 53 213 and RGB 242 53 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 67 53 242 and RGB 53 53 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 53 242 shade matches the following richer shades: RGB 118 53 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 123 70 224, RGB 129 88 207, RGB 134 105 190 and RGB 140 122 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 53 242 shade: RGB 53 91 242, RGB 66 53 242, RGB 116 53 242, RGB 166 53 242 and RGB 217 53 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 53 242 shade: RGB 77 12 200, RGB 92 15 239, RGB 118 53 242, RGB 144 92 244 and RGB 171 131 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 242 53 141 and RGB 66 242 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 242 116 53 and RGB 53 242 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 242 53 141, RGB 179 242 53 and RGB 53 242 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 53 242 shade: RGB 118 53 242, RGB 242 53 85, RGB 179 242 53 and RGB 53 242 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

Complementary color

CMYK 32 / 0 / 94 / 21

HEX #89CA0D

RGB 137 202 13

HSL 80.63, 0.88%, 0.42%

LAB 74.56, -44.31, 72.71

 

CMYK 48 / 78 / 0 / 7

HEX #7B35ED

RGB 123 53 237

HSL 262.83, 0.84%, 0.57%

LAB 42.57, 66.74, -80.46

 

CMYK 45 / 72 / 0 / 0

HEX #8C47FF

RGB 140 71 255

HSL 262.5, 1%, 0.64%

LAB 48.64, 66, -80.54

 

CMYK 38 / 65 / 0 / 0

HEX #9D59FF

RGB 157 89 255

HSL 264.58, 1%, 0.67%

LAB 53.53, 60.48, -72.5

 

CMYK 32 / 58 / 0 / 0

HEX #AE6BFF

RGB 174 107 255

HSL 267.16, 1%, 0.71%

LAB 58.73, 54.96, -64.01

 

CMYK 25 / 51 / 0 / 0

HEX #BF7DFF

RGB 191 125 255

HSL 270.46, 1%, 0.75%

LAB 64.13, 49.63, -55.27

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 55 / 84 / 0 / 13

HEX #6523DF

RGB 101 35 223

HSL 261.06, 0.75%, 0.51%

LAB 36.55, 67.31, -82.5

 

CMYK 59 / 92 / 0 / 20

HEX #5411CC

RGB 84 17 204

HSL 261.5, 0.85%, 0.43%

LAB 30.99, 66.2, -80.77

 

CMYK 64 / 100 / 0 / 27

HEX #4300B9

RGB 67 0 185

HSL 261.73, 1%, 0.36%

LAB 25.85, 63.8, -78.16

 

CMYK 70 / 100 / 0 / 35

HEX #3200A6

RGB 50 0 166

HSL 258.07, 1%, 0.33%

LAB 21.69, 58.44, -73.7

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 30 / 78 / 0 / 5

HEX #A935F2

RGB 169 53 242

HSL 276.83, 0.88%, 0.58%

LAB 48.75, 74.66, -72.94

 

CMYK 9 / 78 / 0 / 5

HEX #DC35F2

RGB 220 53 242

HSL 293.02, 0.88%, 0.58%

LAB 56.26, 83.4, -60.43

 

CMYK 0 / 78 / 12 / 5

HEX #F235D5

RGB 242 53 213

HSL 309.21, 0.88%, 0.58%

LAB 58.25, 83.31, -40.71

 

CMYK 0 / 78 / 33 / 5

HEX #F235A2

RGB 242 53 162

HSL 325.4, 0.88%, 0.58%

LAB 56.12, 77.13, -14.56

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 72 / 78 / 0 / 5

HEX #4335F2

RGB 67 53 242

HSL 244.44, 0.88%, 0.58%

LAB 38.11, 62.24, -90.81

 

CMYK 78 / 78 / 0 / 5

HEX #3535F2

RGB 53 53 242

HSL 240, 0.88%, 0.58%

LAB 37.32, 61.32, -92.14

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 45 / 69 / 0 / 12

HEX #7B46E0

RGB 123 70 224

HSL 260.65, 0.71%, 0.58%

LAB 44.19, 55.75, -70.43

 

CMYK 38 / 57 / 0 / 19

HEX #8158CF

RGB 129 88 207

HSL 260.67, 0.55%, 0.58%

LAB 47.17, 42.88, -55.86

 

CMYK 29 / 45 / 0 / 25

HEX #8669BE

RGB 134 105 190

HSL 260.47, 0.4%, 0.58%

LAB 50.56, 29.92, -40.66

 

CMYK 19 / 29 / 0 / 33

HEX #8C7AAC

RGB 140 122 172

HSL 261.6, 0.23%, 0.58%

LAB 54.53, 17.31, -24.04

 

CMYK 78 / 62 / 0 / 5

HEX #355BF2

RGB 53 91 242

HSL 227.94, 0.88%, 0.58%

LAB 45.15, 39.82, -79.24

 

CMYK 73 / 78 / 0 / 5

HEX #4235F2

RGB 66 53 242

HSL 244.13, 0.88%, 0.58%

LAB 38.05, 62.16, -90.91

 

CMYK 52 / 78 / 0 / 5

HEX #7435F2

RGB 116 53 242

HSL 260, 0.88%, 0.58%

LAB 42.26, 67.09, -83.82

 

CMYK 31 / 78 / 0 / 5

HEX #A635F2

RGB 166 53 242

HSL 275.87, 0.88%, 0.58%

LAB 48.34, 74.18, -73.62

 

CMYK 10 / 78 / 0 / 5

HEX #D935F2

RGB 217 53 242

HSL 292.06, 0.88%, 0.58%

LAB 55.79, 82.86, -61.2

 

CMYK 62 / 94 / 0 / 22

HEX #4D0CC8

RGB 77 12 200

HSL 260.74, 0.89%, 0.42%

LAB 29.44, 65.77, -81.02

 

CMYK 62 / 94 / 0 / 6

HEX #5C0FEF

RGB 92 15 239

HSL 260.63, 0.88%, 0.5%

LAB 35.69, 75.4, -93.06

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 41 / 62 / 0 / 4

HEX #905CF4

RGB 144 92 244

HSL 260.53, 0.87%, 0.66%

LAB 51.97, 53.63, -68.97

 

CMYK 31 / 47 / 0 / 3

HEX #AB83F7

RGB 171 131 247

HSL 260.69, 0.88%, 0.74%

LAB 63.02, 39.34, -52.77

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 0 / 78 / 42 / 5

HEX #F2358D

RGB 242 53 141

HSL 332.06, 0.88%, 0.58%

LAB 55.43, 75.06, -3.2

 

CMYK 73 / 0 / 78 / 5

HEX #42F235

RGB 66 242 53

HSL 115.87, 0.88%, 0.58%

LAB 84.44, -75.79, 72.06

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 0 / 52 / 78 / 5

HEX #F27435

RGB 242 116 53

HSL 20, 0.88%, 0.58%

LAB 63.03, 44.68, 55.46

 

CMYK 78 / 0 / 52 / 5

HEX #35F274

RGB 53 242 116

HSL 140, 0.88%, 0.58%

LAB 84.75, -71.27, 47.67

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 0 / 78 / 42 / 5

HEX #F2358D

RGB 242 53 141

HSL 332.06, 0.88%, 0.58%

LAB 55.43, 75.06, -3.2

 

CMYK 26 / 0 / 78 / 5

HEX #B3F235

RGB 179 242 53

HSL 80, 0.88%, 0.58%

LAB 88.61, -44.65, 77.45

 

CMYK 78 / 0 / 36 / 5

HEX #35F29A

RGB 53 242 154

HSL 152.06, 0.88%, 0.58%

LAB 85.3, -64.92, 29.8

 

CMYK 51 / 78 / 0 / 5

HEX #7635F2

RGB 118 53 242

HSL 260.63, 0.88%, 0.58%

LAB 42.47, 67.34, -83.46

 

CMYK 0 / 78 / 65 / 5

HEX #F23555

RGB 242 53 85

HSL 349.84, 0.88%, 0.58%

LAB 54.11, 71.02, 28.38

 

CMYK 26 / 0 / 78 / 5

HEX #B3F235

RGB 179 242 53

HSL 80, 0.88%, 0.58%

LAB 88.61, -44.65, 77.45

 

CMYK 78 / 0 / 13 / 5

HEX #35F2D2

RGB 53 242 210

HSL 169.84, 0.88%, 0.58%

LAB 86.46, -52.37, 2.49

 

Description

Color code: RGB 118 53 242 | qconv.com Color code: RGB 118 53 242 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 53 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 53 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 78 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 78% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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