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Color name
RGB 118 32 165

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 32 165 it is the complementary color RGB 137 223 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 32 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 32 165 shade: RGB 123 32 160, RGB 140 50 179, RGB 157 68 198, RGB 174 86 217 and RGB 191 104 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 32 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 32 165 shade: RGB 118 32 165, RGB 101 14 146, RGB 84 0 127, RGB 67 0 108 and RGB 50 0 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 32 165 shade: RGB 119 31 167, RGB 155 31 167, RGB 167 31 141, RGB 167 31 105 and RGB 167 31 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 32 165 shade: RGB 119 31 167, RGB 82 31 167, RGB 46 31 167 and RGB 31 31 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 32 165 shade matches the following richer shades: RGB 119 31 167 and RGB 124 15 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 32 165 shade: RGB 119 31 167, RGB 114 47 150, RGB 109 64 134, RGB 105 80 118 and RGB 100 96 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 32 165 shade: RGB 45 31 167, RGB 81 31 167, RGB 117 31 167, RGB 153 31 167 and RGB 167 31 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 32 165 shade: RGB 69 18 97, RGB 94 25 132, RGB 119 31 167, RGB 144 38 201 and RGB 163 62 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 32 165 shade: RGB 118 32 165, RGB 167 31 54 and RGB 31 167 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 32 165 shade: RGB 118 32 165, RGB 167 117 31 and RGB 31 167 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 32 165 shade: RGB 118 32 165, RGB 167 31 54, RGB 81 167 31 and RGB 31 167 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 32 165 shade: RGB 118 32 165, RGB 167 49 31, RGB 81 167 31 and RGB 31 149 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

Complementary color

CMYK 39 / 0 / 60 / 13

HEX #89DF5A

RGB 137 223 90

HSL 98.8, 0.68%, 0.61%

LAB 81.2, -48.85, 55.83

 

CMYK 23 / 80 / 0 / 37

HEX #7B20A0

RGB 123 32 160

HSL 282.66, 0.67%, 0.38%

LAB 33.52, 56.91, -50.26

 

CMYK 22 / 72 / 0 / 30

HEX #8C32B3

RGB 140 50 179

HSL 281.86, 0.56%, 0.45%

LAB 39.77, 57.48, -51.41

 

CMYK 21 / 66 / 0 / 22

HEX #9D44C6

RGB 157 68 198

HSL 281.08, 0.53%, 0.52%

LAB 46.15, 57.37, -52.14

 

CMYK 20 / 60 / 0 / 15

HEX #AE56D9

RGB 174 86 217

HSL 280.31, 0.63%, 0.59%

LAB 52.58, 56.91, -52.61

 

CMYK 19 / 56 / 0 / 7

HEX #BF68EC

RGB 191 104 236

HSL 279.55, 0.78%, 0.67%

LAB 59, 56.26, -52.93

 

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

CMYK 31 / 90 / 0 / 43

HEX #650E92

RGB 101 14 146

HSL 279.55, 0.83%, 0.31%

LAB 27.17, 55.42, -52.17

 

CMYK 34 / 100 / 0 / 50

HEX #54007F

RGB 84 0 127

HSL 279.69, 1%, 0.25%

LAB 21.64, 52.08, -49.44

 

CMYK 38 / 100 / 0 / 58

HEX #43006C

RGB 67 0 108

HSL 277.22, 1%, 0.21%

LAB 16.87, 45.92, -45.13

 

CMYK 44 / 100 / 0 / 65

HEX #320059

RGB 50 0 89

HSL 273.71, 1%, 0.17%

LAB 11.95, 39.58, -40.69

 

CMYK 29 / 81 / 0 / 35

HEX #771FA7

RGB 119 31 167

HSL 278.82, 0.69%, 0.39%

LAB 33.33, 58, -54.82

 

CMYK 7 / 81 / 0 / 35

HEX #9B1FA7

RGB 155 31 167

HSL 294.71, 0.69%, 0.39%

LAB 39.14, 64.53, -45.16

 

CMYK 0 / 81 / 16 / 35

HEX #A71F8D

RGB 167 31 141

HSL 311.47, 0.69%, 0.39%

LAB 39.78, 62.96, -28.27

 

CMYK 0 / 81 / 37 / 35

HEX #A71F69

RGB 167 31 105

HSL 327.35, 0.69%, 0.39%

LAB 38.23, 58.5, -8.25

 

CMYK 0 / 81 / 59 / 35

HEX #A71F44

RGB 167 31 68

HSL 343.68, 0.69%, 0.39%

LAB 37.14, 55.24, 13.84

 

CMYK 29 / 81 / 0 / 35

HEX #771FA7

RGB 119 31 167

HSL 278.82, 0.69%, 0.39%

LAB 33.33, 58, -54.82

 

CMYK 51 / 81 / 0 / 35

HEX #521FA7

RGB 82 31 167

HSL 262.5, 0.69%, 0.39%

LAB 28.28, 52.37, -63.28

 

CMYK 72 / 81 / 0 / 35

HEX #2E1FA7

RGB 46 31 167

HSL 246.62, 0.69%, 0.39%

LAB 24.8, 48.54, -69.15

 

CMYK 81 / 81 / 0 / 35

HEX #1F1FA7

RGB 31 31 167

HSL 240, 0.69%, 0.39%

LAB 23.87, 47.53, -70.72

 

CMYK 29 / 81 / 0 / 35

HEX #771FA7

RGB 119 31 167

HSL 278.82, 0.69%, 0.39%

LAB 33.33, 58, -54.82

 

CMYK 32 / 92 / 0 / 28

HEX #7C0FB7

RGB 124 15 183

HSL 278.93, 0.85%, 0.39%

LAB 34.08, 66.03, -63.13

 

CMYK 29 / 81 / 0 / 35

HEX #771FA7

RGB 119 31 167

HSL 278.82, 0.69%, 0.39%

LAB 33.33, 58, -54.82

 

CMYK 24 / 69 / 0 / 41

HEX #722F96

RGB 114 47 150

HSL 279.03, 0.52%, 0.39%

LAB 33.59, 46.88, -44.14

 

CMYK 19 / 52 / 0 / 47

HEX #6D4086

RGB 109 64 134

HSL 278.57, 0.35%, 0.39%

LAB 35.28, 32.85, -31.67

 

CMYK 11 / 32 / 0 / 54

HEX #695076

RGB 105 80 118

HSL 279.47, 0.19%, 0.39%

LAB 37.93, 18.13, -17.69

 

CMYK 2 / 6 / 0 / 60

HEX #646066

RGB 100 96 102

HSL 280, 0.03%, 0.39%

LAB 41.27, 2.83, -2.85

 

CMYK 73 / 81 / 0 / 35

HEX #2D1FA7

RGB 45 31 167

HSL 246.18, 0.69%, 0.39%

LAB 24.73, 48.46, -69.28

 

CMYK 51 / 81 / 0 / 35

HEX #511FA7

RGB 81 31 167

HSL 262.06, 0.69%, 0.39%

LAB 28.17, 52.24, -63.48

 

CMYK 30 / 81 / 0 / 35

HEX #751FA7

RGB 117 31 167

HSL 277.94, 0.69%, 0.39%

LAB 33.03, 57.66, -55.32

 

CMYK 8 / 81 / 0 / 35

HEX #991FA7

RGB 153 31 167

HSL 293.82, 0.69%, 0.39%

LAB 38.8, 64.15, -45.72

 

CMYK 0 / 81 / 14 / 35

HEX #A71F90

RGB 167 31 144

HSL 310.15, 0.69%, 0.39%

LAB 39.93, 63.38, -29.86

 

CMYK 29 / 81 / 0 / 62

HEX #451261

RGB 69 18 97

HSL 278.73, 0.69%, 0.23%

LAB 18.19, 37.8, -35.72

 

CMYK 29 / 81 / 0 / 48

HEX #5E1984

RGB 94 25 132

HSL 278.69, 0.68%, 0.31%

LAB 25.98, 48.01, -45.44

 

CMYK 29 / 81 / 0 / 35

HEX #771FA7

RGB 119 31 167

HSL 278.82, 0.69%, 0.39%

LAB 33.33, 58, -54.82

 

CMYK 28 / 81 / 0 / 21

HEX #9026C9

RGB 144 38 201

HSL 279.02, 0.68%, 0.47%

LAB 40.46, 67.01, -63.16

 

CMYK 25 / 72 / 0 / 15

HEX #A33EDA

RGB 163 62 218

HSL 278.85, 0.68%, 0.55%

LAB 47.36, 65.37, -61.65

 

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

CMYK 0 / 81 / 68 / 35

HEX #A71F36

RGB 167 31 54

HSL 349.85, 0.69%, 0.39%

LAB 36.86, 54.38, 22.42

 

CMYK 81 / 0 / 62 / 35

HEX #1FA73F

RGB 31 167 63

HSL 134.12, 0.69%, 0.39%

LAB 60.15, -56.34, 43.03

 

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

CMYK 0 / 30 / 81 / 35

HEX #A7751F

RGB 167 117 31

HSL 37.94, 0.69%, 0.39%

LAB 52.99, 12.14, 51.54

 

CMYK 81 / 0 / 30 / 35

HEX #1FA775

RGB 31 167 117

HSL 157.94, 0.69%, 0.39%

LAB 60.97, -46.8, 16.17

 

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

CMYK 0 / 81 / 68 / 35

HEX #A71F36

RGB 167 31 54

HSL 349.85, 0.69%, 0.39%

LAB 36.86, 54.38, 22.42

 

CMYK 51 / 0 / 81 / 35

HEX #51A71F

RGB 81 167 31

HSL 97.94, 0.69%, 0.39%

LAB 61.21, -48.56, 56.73

 

CMYK 81 / 0 / 14 / 35

HEX #1FA790

RGB 31 167 144

HSL 169.85, 0.69%, 0.39%

LAB 61.6, -40.02, 2.03

 

CMYK 28 / 81 / 0 / 35

HEX #7620A5

RGB 118 32 165

HSL 278.8, 0.68%, 0.39%

LAB 33.14, 57.07, -53.94

 

CMYK 0 / 71 / 81 / 35

HEX #A7311F

RGB 167 49 31

HSL 7.94, 0.69%, 0.39%

LAB 38.74, 47.29, 38.2

 

CMYK 51 / 0 / 81 / 35

HEX #51A71F

RGB 81 167 31

HSL 97.94, 0.69%, 0.39%

LAB 61.21, -48.56, 56.73

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

Description

Color code: RGB 118 32 165 | qconv.com Color code: RGB 118 32 165 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 32 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 32 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 81 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 81% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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