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Color name
RGB 118 248 188

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 248 188 it is the complementary color RGB 137 7 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 248 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 248 188 shade: RGB 123 248 183, RGB 140 255 202, RGB 157 255 221, RGB 174 255 240 and RGB 191 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 248 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 248 188 shade: RGB 118 248 188, RGB 101 230 169, RGB 84 212 150, RGB 67 194 131 and RGB 50 176 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 248 188 shade: RGB 119 247 188, RGB 119 247 153, RGB 119 247 119, RGB 154 247 119 and RGB 188 247 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 248 188 shade: RGB 119 247 188, RGB 119 247 223, RGB 119 237 247, RGB 119 203 247 and RGB 119 168 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 248 188 shade matches the following richer shades: RGB 119 247 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 248 188 shade: RGB 119 247 188, RGB 130 236 187, RGB 142 224 186, RGB 153 213 185 and RGB 165 201 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 248 188 shade: RGB 119 247 119, RGB 119 247 153, RGB 119 247 187, RGB 119 247 222 and RGB 119 239 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 248 188 shade: RGB 40 243 150, RGB 80 245 169, RGB 119 247 188, RGB 158 249 207 and RGB 197 251 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 248 188 shade: RGB 118 248 188, RGB 119 153 247 and RGB 247 136 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 248 188 shade: RGB 118 248 188, RGB 187 119 247 and RGB 247 187 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 248 188 shade: RGB 118 248 188, RGB 119 153 247, RGB 247 119 179 and RGB 247 213 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 248 188 shade: RGB 118 248 188, RGB 123 119 247, RGB 247 119 179 and RGB 243 247 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

Complementary color

CMYK 0 / 95 / 51 / 46

HEX #890743

RGB 137 7 67

HSL 332.31, 0.9%, 0.28%

LAB 29.1, 52.24, 2.31

 

CMYK 50 / 0 / 26 / 3

HEX #7BF8B7

RGB 123 248 183

HSL 148.8, 0.9%, 0.73%

LAB 89.28, -49.42, 20.73

 

CMYK 45 / 0 / 21 / 0

HEX #8CFFCA

RGB 140 255 202

HSL 152.35, 1%, 0.77%

LAB 92.29, -44.55, 15.28

 

CMYK 38 / 0 / 13 / 0

HEX #9DFFDD

RGB 157 255 221

HSL 159.18, 1%, 0.81%

LAB 93.41, -36.3, 7.2

 

CMYK 32 / 0 / 6 / 0

HEX #AEFFF0

RGB 174 255 240

HSL 168.89, 1%, 0.84%

LAB 94.66, -27.72, -0.7

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

CMYK 56 / 0 / 27 / 10

HEX #65E6A9

RGB 101 230 169

HSL 151.63, 0.72%, 0.65%

LAB 83.03, -49.61, 19.17

 

CMYK 60 / 0 / 29 / 17

HEX #54D496

RGB 84 212 150

HSL 150.94, 0.6%, 0.58%

LAB 76.78, -49.56, 20.4

 

CMYK 65 / 0 / 32 / 24

HEX #43C283

RGB 67 194 131

HSL 150.24, 0.51%, 0.51%

LAB 70.47, -49.36, 21.73

 

CMYK 72 / 0 / 36 / 31

HEX #32B070

RGB 50 176 112

HSL 149.52, 0.56%, 0.44%

LAB 64.08, -48.94, 23.18

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BC

RGB 119 247 188

HSL 152.34, 0.89%, 0.72%

LAB 88.96, -48.92, 17.69

 

CMYK 52 / 0 / 38 / 3

HEX #77F799

RGB 119 247 153

HSL 135.94, 0.89%, 0.72%

LAB 88.33, -55.36, 34.61

 

CMYK 52 / 0 / 52 / 3

HEX #77F777

RGB 119 247 119

HSL 120, 0.89%, 0.72%

LAB 87.86, -60.3, 50.42

 

CMYK 38 / 0 / 52 / 3

HEX #9AF777

RGB 154 247 119

HSL 103.59, 0.89%, 0.72%

LAB 89.26, -50.32, 52.45

 

CMYK 24 / 0 / 52 / 3

HEX #BCF777

RGB 188 247 119

HSL 87.66, 0.89%, 0.72%

LAB 91.03, -38.87, 54.98

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BC

RGB 119 247 188

HSL 152.34, 0.89%, 0.72%

LAB 88.96, -48.92, 17.69

 

CMYK 52 / 0 / 10 / 3

HEX #77F7DF

RGB 119 247 223

HSL 168.75, 0.89%, 0.72%

LAB 89.75, -41.24, 0.68

 

CMYK 52 / 4 / 0 / 3

HEX #77EDF7

RGB 119 237 247

HSL 184.69, 0.89%, 0.72%

LAB 87.58, -30.64, -15.07

 

CMYK 52 / 18 / 0 / 3

HEX #77CBF7

RGB 119 203 247

HSL 200.63, 0.89%, 0.72%

LAB 78.08, -13.66, -29.49

 

CMYK 52 / 32 / 0 / 3

HEX #77A8F7

RGB 119 168 247

HSL 217.03, 0.89%, 0.72%

LAB 68.49, 5.44, -44.38

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BC

RGB 119 247 188

HSL 152.34, 0.89%, 0.72%

LAB 88.96, -48.92, 17.69

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BC

RGB 119 247 188

HSL 152.34, 0.89%, 0.72%

LAB 88.96, -48.92, 17.69

 

CMYK 45 / 0 / 21 / 7

HEX #82ECBB

RGB 130 236 187

HSL 152.26, 0.74%, 0.72%

LAB 86.17, -41.74, 14.34

 

CMYK 37 / 0 / 17 / 12

HEX #8EE0BA

RGB 142 224 186

HSL 152.2, 0.57%, 0.72%

LAB 83.24, -33.27, 10.78

 

CMYK 28 / 0 / 13 / 16

HEX #99D5B9

RGB 153 213 185

HSL 152, 0.42%, 0.72%

LAB 80.66, -24.98, 7.71

 

CMYK 18 / 0 / 8 / 21

HEX #A5C9B8

RGB 165 201 184

HSL 151.67, 0.25%, 0.72%

LAB 78.01, -15.37, 4.52

 

CMYK 52 / 0 / 52 / 3

HEX #77F777

RGB 119 247 119

HSL 120, 0.89%, 0.72%

LAB 87.86, -60.3, 50.42

 

CMYK 52 / 0 / 38 / 3

HEX #77F799

RGB 119 247 153

HSL 135.94, 0.89%, 0.72%

LAB 88.33, -55.36, 34.61

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BB

RGB 119 247 187

HSL 151.88, 0.89%, 0.72%

LAB 88.94, -49.12, 18.17

 

CMYK 52 / 0 / 10 / 3

HEX #77F7DE

RGB 119 247 222

HSL 168.28, 0.89%, 0.72%

LAB 89.73, -41.47, 1.16

 

CMYK 52 / 3 / 0 / 3

HEX #77EFF7

RGB 119 239 247

HSL 183.75, 0.89%, 0.72%

LAB 88.15, -31.59, -14.23

 

CMYK 84 / 0 / 38 / 5

HEX #28F396

RGB 40 243 150

HSL 152.51, 0.89%, 0.55%

LAB 85.38, -67.25, 31.9

 

CMYK 67 / 0 / 31 / 4

HEX #50F5A9

RGB 80 245 169

HSL 152.36, 0.89%, 0.64%

LAB 86.94, -59.49, 24.47

 

CMYK 52 / 0 / 24 / 3

HEX #77F7BC

RGB 119 247 188

HSL 152.34, 0.89%, 0.72%

LAB 88.96, -48.92, 17.69

 

CMYK 37 / 0 / 17 / 2

HEX #9EF9CF

RGB 158 249 207

HSL 152.31, 0.88%, 0.8%

LAB 91.47, -36.14, 11.65

 

CMYK 22 / 0 / 10 / 2

HEX #C5FBE2

RGB 197 251 226

HSL 152.22, 0.87%, 0.88%

LAB 94.46, -21.93, 6.4

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

CMYK 52 / 38 / 0 / 3

HEX #7799F7

RGB 119 153 247

HSL 224.06, 0.89%, 0.72%

LAB 64.5, 14.07, -50.67

 

CMYK 0 / 45 / 52 / 3

HEX #F78877

RGB 247 136 119

HSL 7.97, 0.89%, 0.72%

LAB 68.54, 40.53, 27.94

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

CMYK 24 / 52 / 0 / 3

HEX #BB77F7

RGB 187 119 247

HSL 271.88, 0.89%, 0.72%

LAB 62.06, 49.96, -54.19

 

CMYK 0 / 24 / 52 / 3

HEX #F7BB77

RGB 247 187 119

HSL 31.88, 0.89%, 0.72%

LAB 79.98, 13.91, 42.6

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

CMYK 52 / 38 / 0 / 3

HEX #7799F7

RGB 119 153 247

HSL 224.06, 0.89%, 0.72%

LAB 64.5, 14.07, -50.67

 

CMYK 0 / 52 / 28 / 3

HEX #F777B3

RGB 247 119 179

HSL 331.88, 0.89%, 0.72%

LAB 66.69, 55.36, -8.41

 

CMYK 0 / 14 / 52 / 3

HEX #F7D577

RGB 247 213 119

HSL 44.06, 0.89%, 0.72%

LAB 86.35, 0.43, 50.42

 

CMYK 52 / 0 / 24 / 3

HEX #76F8BC

RGB 118 248 188

HSL 152.31, 0.9%, 0.72%

LAB 89.21, -49.57, 18.04

 

CMYK 50 / 52 / 0 / 3

HEX #7B77F7

RGB 123 119 247

HSL 241.88, 0.89%, 0.72%

LAB 56.21, 34.97, -63.89

 

CMYK 0 / 52 / 28 / 3

HEX #F777B3

RGB 247 119 179

HSL 331.88, 0.89%, 0.72%

LAB 66.69, 55.36, -8.41

 

CMYK 2 / 0 / 52 / 3

HEX #F3F777

RGB 243 247 119

HSL 61.88, 0.89%, 0.72%

LAB 94.7, -18.11, 60.21

 

Description

Color code: RGB 118 248 188 | qconv.com Color code: RGB 118 248 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 248 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 248 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 24 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 24% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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